Harrison Ford wanted his character, Han Solo, to die in Return of the Jedi. Screenwriter Lawrence Kasdan agreed. Kasdan thought Solo’s death would freak out the audience and make ‘em appreciate no one was safe. George Lucas nixed the idea. Lucas wanted Return of the Jedi to deliver a huge payload from merchandising and as Ford later explained, “George didn’t think there was any future in dead Han toys.”
Merchandising was certainly one influence in making of Return of the Jedi. Stars Wars merchandise had given Lucas a “Golden Ticket” and he was determined to use it to get everything he wanted. Lucas had ambitions to use this money to fund his dream of an independent studio, Skywalker Ranch. It’s long been discussed by fans as to just how much Lucas changed things to help him achieve his ambitions. Keeping Solo alive was one. Changing the Ewoks from butt-ugly lizards to cutesy teddy bears was another. As were the multiple feel-good endings—something probably inspired by the double-ending of Oscar-winner Chariots of Fire. At one point in its development, Return of the Jedi closed on Luke Skywalker wandering off into the sunset like a war-weary samurai. In another, he turned to the Dark Side after the death of his father Darth Vader. These were a bit too downbeat for Lucas who wanted to make a “kid’s film.”
Aside from the merchandising and “Nub Yub,” Lucas had some far-out suggestions for the film’s director. He originally wanted Steven Spielberg, which is understandable, but then he offered the film to David Lynch and then David Cronenberg which would have been pretty awesome if one or the other had signed-up. They both turned the offer down. It was eventually given to BBC TV director Richard Marquand to helm, as Lucas wanted a safe pair of hands as he thought movie-making really happened in the cutting-room. It’s also been long rumored Marquand didn’t direct all of the film as he had a difficult relationship with the cast.
Return of the Jedi merchandise made Lucas gazillions. It may not be the best of the first three Star Wars movies made but it is a damned sight better than some of those that were made afterward.
As any fule no, during a movie’s production, make-up and wardrobe take Polaroids of cast members in their different costumes and slap to ensure continuity. Here’s a little collection of continuity Polaroids featuring Luke, Han, Princess Leia, and co.
So some smartypants on reddit believes they’ve spotted Carrie Fisher’s coke nail in Return of the Jedi. I have no comment, other than it’s normally the pinky finger, right?
I like Mark Ebner, he’s a ballsy guy, and a brilliant investigative journalist, who may possibly be possessed by genius. Mark is the author of two excellent books Hollywood Interrupted and Six Degrees of Paris Hilton and the writer of a thick file of highly respected and award-winning journalism, ranging from exposes on Scientology, Pit Bull fighting, and the Ku Klux Klan, as well as pieces on celebrity stalkers, drug dealers, missing porn stars, and Hepatitis C in Hollywood. For this, Ebner has been hailed as “the best investigative journalist since Hunter S. Thompson.” No doubt. But back in 2000, Mark tried his hand as a shock jock, as he told Dangerous Minds:
The year was 2000. A Bay Area start-up investor group decided “internet radio” was the ticket, so they set up a mammoth broadcast base in a warehouse in LA and started hiring up local talent to host shows: Ahmet Zappa.,“Kennedy,” Brian Whitman, Beth Lapides, Greg Behrendt, The Boone Brothers and me.
Me? Comedy? My agent negotiated me $100,000-a-year to host 3-hour show twice-a-week, having never done radio before. This was more money than I had ever seen, and I actually took the gig seriously, assembling a crack crew - all of whom have gone on to big things in their respective careers. Lesson learned: radio is difficult.
When I started the show, it was The Mark Ebner Show - just me and a microphone, trying to work the Joe Frank-style brooding confessional schtick. I ran out of material for that fast, and - when The Comedy World Radio Network went terrestrial (broke into traditional, second-tier radio markets) I flipped the format to more of a Howard Stern-inspired shock radio, hot topic groove. I hired a co-host named “Grommet” - a Venice Beach-dwelling tattoo artist / rabbinical student for second-seat duties, and, well, that didn’t work. Along shambled Peter Oddo, or Pete The Cripple - a transplanted Long Islander taking full-advantage of the American Disability Act. The guy was perfect for the show: Genuinely crippled (cerebral palsy), with a sense of humor about himself and a encyclopedia of movie facts and pop culture.
Oddo sounds a character. Ebner jokingly described him as “more insufferable than Sandra Bernhardt”, so I wrote to him to find out his take on The Mark Ebner Show. After a few emails back and forth and the questioning disbelief that anyone would take Ebner seriously, he wrote back:
Mark’s early shows were what I would call Diamonds In The Rough. He was waiting to shine through. But his Producer didn’t really believe in him or the show and quite honestly was just going through the motions. He had a co-host named Grommit that did not contribute much of anything to the show. The show needed something. The program director at the network was Terry Danuser. And he was such a smart guy. He had a lot of faith in Mark and kept working with him through the changes. I started helping Mark behind the scenes prepping the show. Doug Steindorff was brought in as Mark’s sidekick and eventually Mark found his producer in a Mexican version of Roseanne Barr named Mickey Ramos. Kidding. Roseanne is much more heinous looking.
The new line-up worked, partly because Ebner was more in control. He had also called in an old friend, the actor and writer Douglas Steindorff, as Mark explained:
Doug was funny, but coming from an improvisatory school of life and acting, he had little patience with my show’s largely scripted format. He rebelled on the air, and got himself fired. But, he will always be remembered for dropping trousers in full-frontal monty in the middle of a interview with one Carrie Fisher. Drastic Radio, along with the entire network, was finished exactly one year after it’s founding, and the talent reunion was held in bankruptcy court.
Oddo recalled the show with Carrie Fisher best:
One day, Mark secured a big guest. Carrie Fisher was going to come in and spend an hour. Being the huge Star Wars fan and movie geek that I am, I begged Mark to keep me in studio for that hour. I promised him I would bring something to the table. I wouldn’t tell Mark what I planned. I told him to just react to whatever I did. As Carrie sat there munching on donut holes that she brought in a sandwich bag, I hit her with such FANS WANT TO KNOW QUESTIONS as “What was it like doing drugs with Belushi?” or “Paul Simon? Really???” and “Is it true Harrison Ford has the best Pot in Hollywood”? It was what would come to be known as Pete The Cripple takes a bullet for the show. We were a great crew together and it all ended too fast when the Powers That Be pulled the plug.
Ebner’s radio career may have been short-lived, but his last show is still talked about with a mixture of shock and awe:
Our last show on-the-air in six syndicated radio markets found me and Pete breaking every FCC rule in the book by breaking into the insufferable Sandra Bernhardt’s pre-recorded show, and loudly snoring, swearing and taking calls throughout.
All of the team have gone on to bigger and better. And as for Ebner, what’s been radio’s loss has been journalism’s gain.
