While the approximate year of when punk rock actually “broke” into the mainstream differs from who you talk to or the weight of cultural references, it could be said that the year 1991 was an indication of a shift in the underground. Or at least it is according to Dave Markey, filmmaker and denizen of the West Coast punk rock scene, known for certain achievements as the We Got Power! fanzine, The Slog Movie, Sin 34, and the Black Flag music video for “Slip it In” (filmed at my high school). After seeing Mötley Crüe perform “Anarchy in the UK” on TV while on a European tour with Sonic Youth and Nirvana, Markey proclaimed that 1991 was the year punk rock finally broke, which became an ongoing joke throughout the tour. The catchphrase even became the title of the Super-8 documentary that Markey was filming.
 
In ways, the tour was a “calm before the storm” for Nirvana, who were supporting Sonic Youth on the run and on the verge of colossal mega-fame. Just a month later, they would release Nevermind and we all know what came after that. If you haven’t seen Markey’s incredible documentary, 1991: The Year Punk Broke, do yourself a favor and check it out. An incredibly genuine behind-the-scenes look at indie-grunge royalty as they traverse Europe during a pre-Lollapalooza era. Oh, and some pretty memorable live performances by Sonic Youth, Nirvana, Dinosaur Jr, Babes in Toyland, and the Ramones (sans Dee Dee).
 

Flier from Sonic Youth / Nirvana show in Cork, Ireland
 
While the doc originally saw limited release in 1992, legal disputes with Nirvana’s estate kept the film from making its way onto DVD - that is until 2011, when Universal coincided the release with Nevermind’s 20th anniversary. Eyeing its eventual reissue, Markey began to assemble a postscript companion piece made up of unused outtakes and other footage from the documentary, titled (This is Known as) The Blues Scale. The name originated from a statement that Cobain yelled to Markey while ripping through a guitar solo on stage.
 

Thurston watching Nirvana at the Pukkelpop Festival
 
Since it is all b-side material, the film presents a unique look at another side of the tour - more-so how these performers were ‘performing’ offstage. There are a few live cuts, but since they were originally excluded from the opus concert doc, it’s more focused on the hijinks and personalities of the tour. And in that sense, Blues Scale is an even more raw and honest look into 90’s rock history. Like, for instance, there’s a story about how Nirvana got kicked off MCA after Kim Gordon wrote “Fuck You” on a card the label left in their dressing room. Or that Kurt Cobain thought up a gimmick that involved him hanging himself onstage. There are also scenes with Sonic Youth at an amusement park, a giddy Cobain playing spin the bottle, Thurston Moore’s take on emocore (“Mick Jagger is the king of emocore”), and cameos by Courtney Love, J. Mascis, Epic Soundtracks, and longtime Black Flag roadie, Joe Cole.
 
More after the jump…

 
We’ve all seen our share of punk rock docs. Decline, Another State of Mind, DOA, Urgh! I thought I’d watched just about everything at this point. But, as the saying goes - “Ask a punk.”
 
Having grown up in West Los Angeles myself, I can’t help but watch The Slog Movie and feel just a little bitter. I wanted that to be my youth. None of this Bird scooter, Snapchat, Tinder, bullshit. No one even hangs out at Oki-Dog anymore (nor should they). But at least someone was around to capture this moment-in-time sliver of punk rock magic. And that someone was future filmmaker Dave Markey, of We Got Power! fanzine fame.
 

 
Filmed entirely on Super 8, the 1982 film chronicles the lifestyles of the young LA punks who frequented the slam pits of the burgeoning SoCal hardcore scene. Low budget and entirely raw, humorous, and sometimes anarchic, the video fanzine-style doc serves up a blend of segments, candid interviews and genre-defining performances by those nonchalant forefathers of the period, like Black Flag (their first show with Rollins), Circle Jerks, Fear, Wasted Youth, Red Kross, and TSOL. There is also a cameo by Pat Smear hanging at Oki-Dog, scenes from “The Punk Shack” and the fabled Cuckoo’s Nest, punks at the Santa Monica Pier, an advertisement for Black Flag skate decks, “A Day in the life of a punk,” and a little trip up North with Markey’s teenage band, Sin 34.
 

 

 

 

 

 

 

 
Here’s a snippet of Thurston Moore’s review of the doc - so you know it’s legit:
 

The Slog Movie at once captures the substrata of L.A. 1st generation hardcore by hanging out with it in the backyards and empty matinee gigs it crashes around in. As there is only so much fun in tracking the brattitude of a band like Symbol Six, Dave creates vignettes of satirical attack on the inanity of lame rock culture like Ted Nugent. And booking the confounding and completely rocking Red Cross at an outdoor show on the Santa Monica Pier is a moment where real creative punk and poser punk is separated.

 
Watch ‘The Slog Movie’ in its punk entirety below:
 

Previously on Dangerous Minds:
‘We Got Power!’: Photojournalism ‘zine of California hardcore now anthologized
‘Zines, scenes, and 80s punk: ‘We Got Power!’ co-creator David Markey talks
‘1991: The Year Punk Broke’: Classic alt-rock documentary
Where slamming in the pit began: Southern California’s notorious Cuckoo’s Nest

 
Although it’s fashionable to bash Henry Rollins, when he was the lead singer of Black Flag, the guy was one of the greatest—and most fearsome—punk frontmen going. Back then Rollins was scary. Scary in a kind of Charles Manson meets Iggy Pop, slightly unhinged sort of way. I saw Black Flag play several times back in the day—always right up front—and they absolutely killed it live.

Reality 86’d is a road film by David Markey about the final Black Flag tour in 1986. They spent six months traveling in support of their grunge-metal In My Head album. That tour—which I saw—also featured Greg Ginn’s side project Gone and Painted Willie (Markey’s band). It marked “the end of the line for a trail-blazing American band” in the words of the filmmaker. Reality 86’d is a wonderful document about 1980s underground culture.
 

 
Thank you Michael T. Fournier