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Badass bikers, drugs, and hot chicks: The outlaw biker art of David Mann
08.19.2016
11:41 am
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‘Tijuana Jail Break’ commissioned by Ed Roth for ‘Choppers Magazine’ by David Mann, 1966.
 
Artist David Mann loved motorcycle culture and his paintings bring his own personal experiences as a member of the El Forastero Motorcycle Club to life. El Forastero members were notorious for large-scale drug running operations and theft rings whose number one target were motorcycles back in the mid-60s—and many of Mann’s paintings document club events like biker weddings and debaucherous parties fueled by booze and drugs. Mann’s father was an illustrator and a member of the prestigious Society of Scribes & Illuminators in London—one of the most highly regarded calligraphy organizations in the world, and it is clear that Mann inherited some of his father’s artistic genes.
 

‘Hollywood Run.’
 
Mann started sketching images of fast cars during high school in which would lead him to his first gig as a car pinstriper. After high school Mann set out for California where he fell in love with motorcycles—specifically Harleys and began what would become a lifelong love-affair with biker culture in which Mann would express himself in every way possible. Eventually Mann would land back in his native Kansas City and upon his return would purchase his first bike—a 1948 Harley-Davidson “Panhead” and painted his first biker-centric painting dubbed “Hollywood Run.”  The painting would be among the entrants to an art show held at the Kansas City Custom Car Show in 1963 where it caught the eye of El Forastero founders Tom Fugle and Harlan “Tiny” Brower who in turn hipped the publisher of Choppers Magazine, Ed “Big Daddy” Roth—the fast car enthusiast and artist responsible for the revolting hot rod-loving vermin Rat Fink.

Roth immediately commissioned Mann to create a large number of posters for Choppers and the works would launch Mann’s career, which included a long relationship with another magazine that is synonymous with biker culture, Easyrider. That alliance would last nearly until the moment which Mann would sadly draw his last breath at the young age of 63 in 2004. If you dig what you see in this post you can purchase reproductions of Mann’s art here. Prints signed by Mann sell for hundreds and even thousands of dollars. Many of the badass posters that Mann created for Choppers Magazine included Roth’s name on the panel. Roth put his own copyright on the prints as they were commissioned works, but they were all done by Dave Mann.
 

‘The Blackboard Cafe,’ 1966.
 

‘Tecote Run,’ 1966.
 
More Mann after the jump…

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Posted by Cherrybomb
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08.19.2016
11:41 am
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Pulp fiction: Classic works of literature with hard-boiled covers
09.30.2013
12:07 pm
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Pulp! The Classics publishes classic works of literature with retro-pulp fiction covers. The books are redesigned and reset with the original texts, while the covers mash-up images of such Hollywood stars as Marilyn Monroe as Tess of the D’Ubervilles, and Humphrey Bogart as Heathcliffe on the cover of Wuthering Heights. Others include Colin Firth as D’Arcy in Pride and Prejudice, Alistair Sim as Scrooge, Ryan Gosling as Dorian Gray, and Alan Ladd/Robert Redford in The Great Gatsby.

The covers were painted by David Mann, who explains the story behind the covers on the Waterstone’s Blog. Here he explains his cover for Thomas Hardy’sTess of the D’Ubervilles:

This version is a second attempt. Watch what you say about the body because that’s my wife! No seriously, that’s my wife. The head is that of a famous Hollywood sex object from the olden days. There was going to be a rustic pipe dangling from her mouth in keeping with Tess’s agrarian credentials. However somebody at the New York Times (fancy!) made the suggestion of a bottle of whisky and a smattering of pain killers. No pain killers (leaning too much towards MM reference), but here’s the whiskey…. with a comedy straw. My personal favourite of the covers.

Follow Pulp! The Classics on Twitter
 
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This cover was originally painted only as a sample for the publisher, but ended up being published on the first Pulp! The Classics. I used a photo of Colin Firth to paint from, as I felt that he’s still the definitive Mr Darcy for most people, the aim was to produce a Colin Firth-esque visage, not necessarily a bang-on portrait. I’ve subsequently been told it looks just like him/ nothing like him / a bit like him / just like myself!

 
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The cover is a pastiche of the old Alan Ladd movie poster (but you knew that right?). I’ve made the cross-reference to Robert Redford in the head area.

 
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Another mash up, featuring Alistair Sim’s mug, but the body is courtesy of Googling ‘scrooge’ . My rendering features the threat of a possible ultra-violent outcome, for increased comic effect.

 
More pulp classic covers, after the jump…
 
Via Waterstone’s Blog
 

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Posted by Paul Gallagher
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09.30.2013
12:07 pm
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