‘A good photograph,’ says Steve Gullick, ‘is one that looks great, one that captures an interesting moment in time, one that tells a story, or in the case of a portrait, offers an insight into the subject.’

This is could be a description of Gullick’s own photographs—his beautiful, inky black portraits that are amongst the most recognizable and iconic images of the past twenty years.

Gullick was influenced ‘Mainly by the dark imagery of Don McCullin and Bill Brandt. I tried to infuse my photos with a similar drama—I spent all of my spare time in the darkroom working on getting good.

‘It was more difficult with color but when I started printing my own color stuff in the late 1990’s I was able to match the intensity of my black & white work.

These photographs have captured succeeding generations of artists and musicians from Kurt Cobain, Nirvana, Nick Cave, Patti Smith, Depeche Mode, Foo Fighters, Bjork, The Prodigy, through to Bonnie ‘Prince’ Billy and Richard Hawley

‘Photography is magic. The ability to capture something forever that looks interesting to you is magnificent.’

Now an exhibition of his work Punk as Fuck: Steve Gullick 90-93 is currently running at Indo, 133 Whitechapel Road, London, until 31st March, and is essential viewing for anyone with a serious interest in photography, music and art

To coincide with the exhibition, film-maker Joe Watson documented some of Steve’s preparation for the show, and interviewed him about the stories behind his photographs.

For more information about Punk as Fuck and a selection of Gullick’s brilliant work check his website.
 

Duggie Fields is one Britain’s best and most influential artists, whose work hangs in galleries across the world and has influenced art, design, fashion, music, film, and now photography. Over the past few years, Mr Fields has been using his mobile phone to photograph and document the well-traveled streets and over-looked locations around his home in Earls Court. Now, he has collected these beautiful poetic moments together in a book called Just Around the Corner. Dangerous Minds contacted Mr Fields to ask him how the project started?

‘The photographs started a few years back once I got my first mobile phone that had a good camera and didn’t have to self-consciously think about taking a camera out…The phone was just always with me…So the frequency of taking photographs almost daily became a natural occurrence with no plan or scheme as to what…Like a diary of images, starting just around the corner in the area I live in and have lived in for over 40 years, and in which I constantly find things I haven’t noticed before, and still can find beautiful.’

Where did the title Just Around The Corner come from?

‘The title came because it was the description of where the first “Facebooked” were….I started putting them on Facebook as it is easy to do and easier to put there than my website. Soon they started getting followers ‘Liking’ them from all over, which encouraged me to put them together eventually for the book whose title was obvious.’

What inspires you and are there certain themes you find yourself returning to?

‘Themes started with the local architecture combined with the gardens, trees, plants of my immediate neighborhood but then spread to corners across London. Really just everywhere I happened to be going, from parks, to street-markets to car-boot sales. Varying also with the seasons from spring to summer to the snow. They have influenced my painting and are in turn influenced by them. Now from just around the corner they echo organically further in the digital world.’

To order a copy of Duggie Fields fabulous book Just Around The Corner check here.
 

 
Previously on Dangerous Minds

Tea with Duggie Fields

When Duggie Fields, Divine and J.R. had Christmas together