“California Dreamin’” was literally written about a dream of California, and it was somewhat of a prophetic dream at that. At the time of its composition in 1963, future Papa John Phillips and future Mama Michelle were a part of Manhattan’s folk scene as members of “The New Journeymen,” but in his dreams the West coast beckoned. He awoke his young wife to help him write the song.

In 1965 Barry McGuire, formerly of the New Christy Minstrels (a group that also launched the careers of Kenny Rogers, The Association’s guitarist Larry Ramos, Byrd Gene Clark and Kim Carnes) introduced Phillips to Lou Adler of Dunhill Records, who promptly signed The Mamas & the Papas. That year McGuire had a massive hit single with “Eve of Destruction” and to repay the favor, the group let him record “California Dreamin’” for his This Precious Time album and performed the backing vocals, before using the same vocal and instrumental tracks for their own version. Denny Doherty’s lead vocal, an alto flute solo by Bud Shank and P. F. Sloan’s guitar introduction were added to complete this immortal pop classic.
 

 
Dunhill Records decided to release the number as The Mamas & the Papas’ second single in December holding off on McGuire’s version so there wouldn’t be competition from an established artist (and in turn allowing The 5th Dimension to score a hit single with an almost note-for-note cover of “Go Where You Want to Go,” after the group’s version failed to chart and was ostensibly pulled). “California Dreamin’” reached #4 in the US record charts in March after a February appearance on ABC’s American Bandstand.

McGuire was named-checked (for “gettin’ higher” with Roger McGuinn of The Byrds) in their autobiographical song “Creeque Alley,” about the group’s early years. The song ends with the line “And California Dreamin’ is becoming a reality.”
 

 
Michelle Phillips and Mama Cass’s backing vocals, along with McGuire’s totally wrong lead vocal and a harmonica solo where you’d expect to hear Bud Shank’s flute:

 
The instrumental backing track, McGuire’s original vocal was not completely wiped and can be heard briefly on the left channel at the beginning. That’s Hal Blaine on drums, Larry Knechtel on keyboards and Joe Osborn on bass guitar. Papa John played 12-string guitar and the session was engineered by Bones Howe:

 
A strange semi-lip synced television performance:

 
BONUS: “Monday, Monday” with filtered backing vocals:

 
Hat tip to Dangerous Minds pal Chris Campion, who is presently writing the authorized biography of John Phillips

 
In 1967, apparently imitating Remco’s successful Beatles dolls of 1964, Hasbro introduced a cute-as-the-dickens line of “Show Biz Babies,” featuring several popular musical acts of the moment, including The Monkees, The Mamas and the Papas, Herman’s Hermits, and the Spencer Davis Group.

The packaging of these adorable dolls is a delight, as you can see here. Every doll came with a “groovy 33 1/3 record” that “tells all about” the personality whose doll was inside the package. Even better, every doll “bends into swinging poses,” which is an album title waiting to happen. In addition, wasting no square inch, the back featured an “autographed photo” like this one:
 

 
There were 12 dolls in all: all four Monkees, all four members of the Mamas and the Papas, and an additional ad-hoc quartet made up of Bobbie Gentry, Spencer Davis, Mitch Ryder, and Peter Noone of Herman’s Hermits. On eBay, the dolls routinely fetch about $100, with the Nesmith model reaching as high as $250 on at least one occasion.
 

 

 

 

 

 
More dolls plus two of those “groovy 33 1/3 records” after the jump…..