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Mingus, Monk and more: Portraits of jazz greats painted on drum skins
10.24.2014
08:54 pm
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Thelonious Monk drum skin art by Nicole Di Nardo
Thelonious Monk
 
Twenty-seven-year-old Toronto based artist Nicole Di Nardo says her desire to paint portraiture on drums skins was inspired by “tondos” or “circular” works of art whose origins have been traced as far back to 500 BC in ancient Greece, then were popularized again during the Renaissance in the 14th century and in the 15th century by Sandro Botticelli. Di Nardo gives used drum skins she obtains from the Humber College of Music in Ontario a new life by hand painting images of jazz greats, especially drummers, on skins that have been worn in a way that helps illustrate the musical passion that drove her subjects to create their music. Here’s a little bit more from Di Nardo’s bio on her creative process:
 

I source skins that are beaten to the point of near uselessness by eager young musicians. I then repurpose the skin by selecting it based on its unique design, which corresponds to the portrait I wish to render. I am interested in painting portraits of musicians who have fire in their bellies, those that reach a transcendental state while performing which is reflected in their expression. During these moments, I believe the tarnish of life fades away and the human spirit is evident most clearly.

 
Di Nardo’s subjects also include a few rockers like Janis Joplin and Tom Waits, but it’s her portraits of Charles Mingus, legendary percussionist Max Roach, and modern day timekeeper Questlove that really shine. Di Nardo’s works run around $180 dollars each over at her Etsy store.  Images of Di Nardo’s works follow. Dig it, Daddy-O.
 
Charles Mingus drum art by Nicole Di Nardo
Charles Mingus
 
Max Roach drum art by Nicole Di Nardo
Max Roach
 
Elvin Jones drum art by Nicole Di Nardo
Elvin Jones
 
More after the jump…

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Posted by Cherrybomb
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10.24.2014
08:54 pm
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‘When you’re Swinging, Swing Some More!’: Thelonious Monk’s advice to musicians

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Thelonious Monk’s incredible advice for musicians, as compiled by saxophonist, Steve Lacy in 1960.

T.MONK’S ADVICE (1960)

JUST BECAUSE YOU’RE NOT A DRUMMER, DOESN’T MEAN YOU DON’T HAVE TO KEEP TIME.

PAT YOUR FOOT & SING THE MELODY IN YOUR HEAD, WHEN YOU PLAY.

STOP PLAYING ALL THOSE WEIRD NOTES (THAT BULLSHIT), PLAY THE MELODY!

MAKE THE DRUMMER SOUND GOOD.

DISCRIMINATION IS IMPORTANT.

YOU’VE GOT TO DIG IT TO DIG IT, YOU DIG?

ALL REET!

ALWAYS KNOW… (MONK)

IT MUST BE ALWAYS NIGHT, OTHERWISE THEY WOULDN’T NEED THE LIGHTS.

LET’S LIFT THE BAND STAND!!

I WANT TO AVOID THE HECKLERS.

DON’T PLAY THE PIANO PART, I’M PLAYING THAT. DON’T LISTEN TO ME. I’M SUPPOSED TO BE ACCOMPANYING YOU!

THE INSIDE OF THE TUNE (THE BRIDGE) IS THE PART THAT MAKES THE OUTSIDE SOUND GOOD.

DON’T PLAY EVERYTHING (OR EVERY TIME); LET SOME THINGS GO BY. SOME MUSIC JUST IMAGINED. WHAT YOU DON’T PLAY CAN BE MORE IMPORTANT THAT WHAT YOU DO.

ALWAYS LEAVE THEM WANTING MORE.

A NOTE CAN BE SMALL AS A PIN OR AS BIG AS THE WORLD, IT DEPENDS ON YOUR IMAGINATION.

STAY IN SHAPE! SOMETIMES A MUSICIAN WAITS FOR A GIG, & WHEN IT COMES, HE’S OUT OF SHAPE & CAN’T MAKE IT.

WHEN YOU’RE SWINGING, SWING SOME MORE!

(WHAT SHOULD WE WEAR TONIGHT? SHARP AS POSSIBLE!)

DON’T SOUND ANYBODY FOR A GIG, JUST BE ON THE SCENE. THESE PIECES WERE WRITTEN SO AS TO HAVE SOMETHING TO PLAY, & TO GET CATS INTERESTED ENOUGH TO COME TO REHEARSAL.

YOU’VE GOT IT! IF YOU DON’T WANT TO PLAY, TELL A JOKE OR DANCE, BUT IN ANY CASE, YOU GOT IT! (TO A DRUMMER WHO DIDN’T WANT TO SOLO).

WHATEVER YOU THINK CAN’T BE DONE, SOMEBODY WILL COME ALONG & DO IT. A GENIUS IS THE ONE MOST LIKE HIMSELF.

THEY TRIED TO GET ME TO HATE WHITE PEOPLE, BUT SOMEONE WOULD ALWAYS COME ALONG & SPOIL IT.

 
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Via Letters of Note
 

Posted by Paul Gallagher
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02.15.2013
07:08 pm
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The Genius of Thelonious Monk: Live in Oslo and Copenhagen from 1966

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Thelonious Monk is 1 of only 5 Jazz Musicians who have made the cover of Time magazine. The others were Armstrong, Ellington, Marsalis and Brubeck.

Monk was always special. His wife Nellie once remarked, he “was never like ordinary people, not even as a child.” He dressed differently, thought differently and was said to even have smaller hands than most piano players, which gave him his very distinctive style. What made him special was the Monk knew who he was and what he wanted to be. How this great, genius talent later came undone is a sad and tragic tale.

Here is Monk performing alongside along with Charlie Rouse (Tenor Sax), Larry Gales (Bass), and Ben Riley (Drums) in 2 television concerts in Norway and Denmark, from 1966.

Thelonious Monk Live in Oslo

Track Listing:

01. “Lulu’s Back In Town”
02. “Blue Monk”
03. “‘Round Midnight”

Thelonious Monk Live in Copenhagen

Tracks Listing:

01. “Lulu’s Back In Town”
02. “Don’t Blame Me”
03. “Epistrophy”
 

 

Posted by Paul Gallagher
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09.29.2012
08:06 pm
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