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Watch the infamous ‘Disco Demolition Night’ fiasco of 1979 in its entirety
09.22.2016
10:52 am

Topics:
Crime
Music
Sports

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A bounty from the Internet! Some outstanding personage has uploaded the entire broadcast of the WSNS Channel 44 Chicago broadcast of the July 12, 1979, double-header between the Chicago White Sox and the Detroit Tigers, better known to you as “Disco Demolition Night,” a promotion spearheaded by DJ Steve Dahl at Chicago rock station WLUP. The event notoriously became a single-header after the second game had to be canceled because of the mayhem brought upon by the antics of the mostly white audience of rowdy rock music lovers.

On that day, disco-haters were enticed by inexpensive admission (98 cents and a disco record to add to the pile) to come out in droves. The gimmick was that between the two games, a large box containing hundreds of disco records would be blown up. Some time earlier, Dahl had lost his job after WDAI switched to a disco format, which inordinately pissed him off, and he turned that ire into a big part of his schtick at WLUP, and eventually the idea for “Disco Demolition Night” was born. In the event, the large crowd was full of rowdy stoners who didn’t give a hoot about baseball and just wanted to heap scorn on disco music. The detonation of the disco records had the double effect of rendering the field unusable and causing the throngs to descend into truly lawless chaos. 

The uploaded video is nearly three and a half hours long. It shows the entire first (and, it turned out, only) game of the twin bill, in which the visiting Tigers defeated the hometown White Sox 4-1. By the way, Harry Caray, who later became a national icon for his work with the crosstown Cubs, was a White Sox employee at this time, and he is one of the announcers calling the action. (In fact, Caray’s true mark on baseball history came decades earlier, during his quarter-century of radio broadcasting for the St. Louis Cardinals.)
 

Moments after hundreds of disco records were exploded in center field
 
As Slate’s Matthew Dessem astutely points out, the tone of the day’s action was set early on, during the National Anthem, during which a fan’s cry of “Faggot!” can clearly be heard (it’s at the 6:44 mark).

In retrospect, the spasm of hatred directed towards a pleasure-oriented music genre that was inclusive in terms of African-Americans, Latinos, and homosexuals seems positively Trumpist in spirit. The United States is the only country that has had a strong “anti-disco” movement. I like the Allman Brothers and Black Sabbath as much as the next music lover, but you know, enough’s enough!

More after the jump…

Posted by Martin Schneider | Leave a comment
Awesome 1960s Timothy Leary ‘Twelve O’Clock High’ watch
09.22.2016
10:39 am

Topics:
Drugs
Fashion

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Since I don’t wear a watch, I thought I’d throw this one out there to you fine folks since this sucker seems right up our readership’s strasse. It’s a really cool Timothy Leary watch from the 1960s. Each hour on the watch is tagged as some type of drug.

As in “It’s a quarter to meth” or “Half-past hash.”

According to the listing on eBay the watch still works.

From eBay seller the-image-builder:

“This watch has been in a box for about 45 years. It was given to me and I am the only owner. It does have some scratches on the face and body. Please look carefully at the photos.”

The watch is listed at $275 and so far has zero bids. I’d wear the shit out of this.


 

 

Posted by Tara McGinley | Leave a comment
A Naked Alphabet: The Human Body as Typography (NSFW)
09.22.2016
10:38 am

Topics:
Amusing
Art
Design
Sex

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To paraphrase L. P. Hartley: The 1970s is a foreign country: they do things differently there.

The sexual liberation that favored metropolitan areas in the 1960s spread across country during the seventies. Suddenly—or so it seemed—everybody was enjoying the “zipless fuck.” There were guide books offering useful tips on how to have a better sex life. Married couples were swinging. Nudity was celebrated. Porn was ubiquitous. Orgasms compulsory. Yet, it was still very much the male heterosexual eye that influenced everything.

In 1971, a small group of Dutch artists, photographers and graphic designers—Ed van der Elsken, Anna Beeke, Pieter Brattinga, Anthony Beeke, and Geert Kooiman captured this (newish) sexual freedom with a naked human alphabet—published in Avant Garde Magazine No.14: Belles Lettres. The letters were created using naked women—who lay, curled and bent into the appropriate shapes.

But this wasn’t just mere titillation—this artful display of female nudity was a protest “against the supposedly ‘dehumanising’ and thoroughly ‘indecipherable’ mechanistic alphabets.”

The typeface (in case you’re wondering) for these photographs is said to be Baskerville Old Face.
 
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More barenaked letters, after the jump…

Posted by Paul Gallagher | Leave a comment
Those notorious naked Trump statues are starting to be released to the wild
09.22.2016
10:30 am

Topics:
Amusing
Art
Politics
U.S.A.!!!

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As Dangerous Minds—and pretty much every online source of news or cultural info—reported about a month ago, an edition of five utterly monstrous and hilarious statues of a nude Donald Trump, titled “The Emperor Has no Balls,” appeared all at once in five American cities, namely Los Angeles, Seattle, New York, San Francisco, and Cleveland. Most of those statues were seized by police almost immediately upon their discovery, and all of them are meeting very different fates.

Most notably, the City of Cleveland Heights has released its confiscated statue to the sculptor, Joshua “Ginger” Monroe, for a nominal impound fee of $110. Monroe got his start in haunted house design, has done work for Cirque de Soleil, and served as the director of Eli Roth’s now-defunct Goretorium in Las Vegas, his current city of residence. Cleveland boasts the distinction of being the only non-coastal city to host one of the original five, and it wasn’t chosen just because that city served as the venue for the RNC. There’s a more personal connection, as Monroe originally hails from the Cleveland suburb Garfield Heights, and he requested that one be placed in his hometown.

More after the jump…

Posted by Ron Kretsch | Leave a comment
Baby-faced goths: Rare photos of early Bauhaus gig in Chicago’s meatpacking district, 1980
09.22.2016
09:45 am

Topics:
Heroes
Music

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Peter Murphy putting on his makeup before their first Chicago gig at ‘Space Place’ in 1980. Photo by Brian Shanley.
 
Chicago-based photographer Brian Shanley was on the scene when Bauhaus landed in Chicago for the first time (a staggering 36-years ago this month) and was was able to get up close and personal with the band during their gig at Space Place, an industrial-looking nightclub in Chicago’s meatpacking district.
 

 
According to Shanley he was allowed to photograph Bauhaus during candid moments and even got close enough to capture the Godfather of Goth, vocalist Peter Murphy, putting on his makeup. After the show Shanley partied with Bauhaus which included a rather life-defining moment in which he watched a VHS copy of John Water’s Pink Flamingos with the band, which they had never seen before. Damn.

It’s also worth mentioning that Murphy was a mere 23 years old at the time and the band had yet to release their debut album In the Flat Field. Their first single, goth blueprint “Bela Lugosi’s Dead” (you can hear a live recording of the number at Space Place, here) was already deeply implanted in their fans’ brains. If you’re a fan of Bauhaus, Shanley has a large array of gorgeous black and white photos for sale.

And since we are speaking of Bauhaus, the group’s drummer Kevin Haskins is about to publish a coffee table book titled Bauhaus - The Archives. Haskins has amassed a huge collection of Bauhaus artifacts since the late 70s including vintage setlists, fan club fodder and handwritten lyrics—most of which have never seen the light of day, like the photographs in this post. Pre-orders for Haskins’ book are going on now with an expected ship date sometimes in November, 2016.
 

 

 
More after the jump…

Posted by Cherrybomb | Leave a comment
Thread Bare: Examining racial and sexual identity through erotic embroidery
09.22.2016
09:36 am

Topics:
Art
Design

Tags:

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These are quite beautiful—Jessica So Ren Tang’s embroidered pinups of “suggestively posed” women.

Jessica uses embroidery to explore her Asian-American identity—“the dualism of being too Asian to be American, and too American to be Asian.” Her work includes embroidered reproductions of Chinese bowls, takeaway noodle boxes, candy wrappers and decorative plates.

In her portrait series of pinup girls Jessica has replaced their “the facial identity” with exquisite Asian textile patterns.

The patterned skin creates a broader spectrum of Asian identity; it becomes more ambiguous and fluid as identity moves between the two.

The resulting image also captures an erotic charge between the model’s pose and the sensual nature of the embroidered patterns. Each portrait is hand embroidered on a piece of 8” x 10”  fabric. More of Jessica’s work can be seen here.
 
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‘Girl 04’ (2016).
 
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More of Jessica So Ren Tang’s fabulous work, after the jump…

Posted by Paul Gallagher | Leave a comment
The 13th-century ‘thinking machine’ of Ramón Llull
09.22.2016
09:17 am

Topics:
Books
Literature
Occult
Science/Tech

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Ramón Llull, via Alchetron. The ribbon in his mouth says Lux mea est ipse dominus, “My light is the Lord himself”
 
There’s an exhibition at Barcelona’s CCCB called “The Thinking Machine: Ramon Llull and the ars combinatoria,” up through December 11. Including work by Arnold Schönberg, Athanasius Kircher, Giordano Bruno, Leibniz, Italo Calvino, John Cage, and Salvador Dalí, the show makes its case for the influence of the Catalan philosopher Ramón Llull (1232-1316, sometimes anglicized “Raymond Lully”), who might be credited with inventing the first computer, or its primitive ancestor.
 

via inexhibit.com
 
I first became aware of Llull and his contraption in Jorge Luis Borges’ Selected Non-Fictions, which reprints “Ramón Llull’s Thinking Machine,” an article Borges wrote for El Hogar Magazine in 1937. Borges gives the most lucid description of the machine I’m aware of, starting with its simplest, two-dimensional form, a circle divided nine times:
 

 

It is a schema or diagram of the attributes of God. The letter A, at the center, signifies the Lord. Along the circumference, the letter B stands for goodness, C for greatness, D for eternity, E for power, F for wisdom, G for volition, H for virtue, I for truth, and K for glory. The nine letters are equidistant from the center, and each is joined to all the others by chords or diagonal lines. The first of these features means that all of these attributes are inherent; the second, that they are systematically interrelated in such a way as to affirm, with impeccable orthodoxy, that glory is eternal or that eternity is glorious; that power is true, glorious, good, great, eternal, powerful, wise, free and virtuous, or benevolently great, greatly eternal, eternally powerful, powerfully wise, wisely free, freely virtuous, virtuously truthful, etc., etc.

I want my readers to grasp the full magnitude of this etcetera. Suffice it to say that it embraces a number of combinations far greater than this page can record. The fact that they are all entirely futile—the fact that, for us, to say that glory is eternal is as rigorously null and void as to say that eternity is glorious—is of only secondary interest. This motionless diagram, with its nine capital letters distributed among nine compartments and linked by a star and some polygons, is already a thinking machine. It was natural for its inventor—a man, we must not forget, of the thirteenth century—to feed it with a subject matter that now strikes us as unrewarding. We now know that the concepts of goodness, greatness, wisdom, power, and glory are incapable of engendering an appreciable revelation. We (who are basically no less naive than Llull) would load the machine differently, no doubt with the words Entropy, Time, Electrons, Potential Energy, Fourth Dimension, Relativity, Protons, Einstein. Or with Surplus Value, Proletariat, Capitalism, Class Struggle, Dialectical Materialism, Engels.

Then, Borges moves on to the more elaborate version of Llull’s thinking machine—the one with three revolving disks, illustrated below: 
 

 

If a mere circle subdivided into nine compartments can give rise to so many combinations, what wonders may we expect from three concentric, manually revolving disks made of wood or metal, each with fifteen or twenty compartments? This thought occurred to the remote Ramón Llull on his red and zenithal island of Mallorca, and he designed his guileless machine. The circumstances and objectives of this machine no longer interest us, but its guiding principle—the methodical application of chance to the resolution of a problem—still does.

[~snip]

Let us select a problem at random: the elucidation of the “true” color of a tiger. I give each of Llull’s letters the value of a color, I spin the disks, and I decipher that the capricious tiger is blue, yellow, black, white, green, purple, orange, and grey, or yellowishly blue, blackly blue, whitely blue, greenly blue, purplishly blue, bluely blue, etc. Adherents of [Llull’s] Ars magna remained undaunted in the face of this torrential ambiguity; they recommended the simultaneous deployment of many combinatory machines, which (according to them) would gradually orient and rectify themselves through “multiplications” and “eliminations.” For a long while, many people believed that the certain revelation of all the world’s enigmas lay in the patient manipulation of these disks.

More after the jump…

Posted by Oliver Hall | Leave a comment
Thurston Moore to release single in support of Chelsea Manning
09.21.2016
12:58 pm

Topics:
Music

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We’re closing in fast on Cassette Store Day (yes, there is such a thing). It’s October 8, and former Sonic Youth member Thurston Moore, is using the celebration of tape culture as an occasion to release a song in support of the campaign to free U.S. Army Private Chelsea Manning, who in July 2013 was sentenced to 30 years in military prison for sharing information on WikiLeaks. The information Manning (then known as Bradley Manning) released included footage of a U.S. helicopter attack that killed a dozen Iraqis plus uninvestigated reports of casualties, torture, and corporate interest in international diplomacy.
 

 

On August 22, 2013, the day after sentencing, Manning’s attorney made it known to the press his client was a female, and requested that she be referred to by her new name of Chelsea and feminine pronouns.

The name of Moore’s single is “Chelsea’s Kiss” with “Sad Saturday” as the B-side. The “cassingle” is being released by Blank Editions and some of the proceeds will go to the Chelsea Manning Support Network. The track was recorded by Moore, Ryan Sawyer, Deb Googe (of My Bloody Valentine), and James Sedwards (of Nøught). If you are in London on October 8, a release party will be held at Lion Coffee + Records in London.

More more Moore, after the jump…

Posted by Martin Schneider | Leave a comment
‘Dragon Gloves’ with crochet scales
09.21.2016
11:29 am

Topics:
Fashion

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I’m digging these colorful “Dragon Gloves” with crochet scales by Mareshop on Etsy. I normally hate fingerless gloves, but these are simply exquisite. Everyone kind of discovered the wool, acrylic, and mohair gloves via Bored Panda yesterday, so it looks like the shop may be sold out at the moment. (I couldn’t find them.) If I were you—and you gotta have them—I’d contact Mareshop directly and see when they’re available. They’d make an excellent gift.


 

 

 
More after the jump…

Posted by Tara McGinley | Leave a comment
John Deacon of Queen gets his palm read by a Japanese fortune-teller in 1977
09.21.2016
11:19 am

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Amusing
Heroes
Music

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Getting to know John Deacon with the help of Japanese fortune-teller Kiyoshibo Yasou in Music Life magazine (Japan), 1977. Larger resolution can be seen here.
 

“Since the left hand of the index finger is longer than the ring finger, will be successful and to work standing on top of the people.”

—Japanese fortune-teller Kiyoshibo Yasuo deciphering the hidden messages of John Deacon’s palm

 
A couple of weeks ago I posted about Japanese magazine Music Life and since that time I’ve continued to uncover some cool artifacts from the wildly popular vintage magazine such as this curious bit of strangeness—a somewhat clinical sounding dissection of Queen bassist John Deacon’s palm by a person the publication notes to be Japanese fortune-teller Kiyoshibo Yasou. A mysterious individual that I can find no reference for anywhere on the Internet outside of this odd little article from 1977.
 

 
Yasuo breaks down Deacon using an Astrological analysis, the process of Physiognomy (in which the evaluation of a person’s facial features is used to determine their personality type), a handwriting analysis and finally a deep-dive into Deacon’s palm to reveal his most innermost secrets. Of course when the excerpt from the magazine was translated into English using Google it produced a number of amusing, poorly translated revelations about the notoriously private Deacon that were strangely not terribly far from the truth. Such as this part of Deacon’s (a Leo by the way) astrological analysis:

Early success in life, is a lifetime of happiness. Romantic relationship too because it is (of his) masculine personality. Mote to women.

So because I’m deeply fascinated by this piece of rock and roll ephemera and a huge fan of the musical genius that is John Deacon I can tell you that Yasuo’s big reveal wasn’t that far off from reality. Deacon joined Queen when he was only nineteen-years-old which clearly equals “early success in life” by any reasonable standards. By the time he was 24 in 1975 he was already married to Veronica Tetzlaff and about to become a father for the first time after the devout Catholic become pregnant shortly after meeting Deacon at a disco. The couple has been married for 41 years have six children together which to many would be reflective of a “lifetime of happiness.”

I must say that overall I found Deacon’s amusing palm reading revealing as well as silly at times. Especially when it comes to the state of his gastrointestinal health and the skill of “standing on top of people” (included in the assessment of “Figure A” at the top of this post). Stay with me because here we go!

Figure B: the index finger and intelligence lines between the middle finger has stretched. This sweeping is the proof of good head.

Figure C: The horizontal line often is the lonely shop.

Figure D: Emotion line is divided for many present, one of them has been elongated. This is the person who sweeping have easy element becomes emotional. *(Analysis had been resting on another issue) * It does not have much thickness of the overall hand. Internal organs, care must be taken so easy especially break the gastrointestinal. It is not fatally bad phase, but as many fortune of something to struggling unfortunately.


More after the jump…

Posted by Cherrybomb | Leave a comment
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