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Cameron: Songs for the Witch Woman


 
Los Angeles’ Museum of Contemporary Art has announced the mounting of 91 artworks and ephemera relating to the life’s work of the eccentric LA bohemian legend Marjorie Cameron. The show goes up on October 11 at MOCA’s Pacific Design Center annex and will close on January 11, 2015. “Cameron: Songs for the Witch Woman” will feature paintings, drawings, sketchbooks, poetry and correspondence between Cameron and her husband rocket scientist/occultist Jack Parsons, and with the great mythologist Joseph Campbell.

In recent years Cameron’s work has begun to be reassessed by the art world, in part inspired by her close association with artists like Wallace Berman and George Herms, actor Dennis Hopper and underground filmmaker Kenneth Anger. As interest in their work increased, so has curiosity about the odd, flaming haired creature from Inauguration of the Pleasure Dome. Sadly much of her work was deliberately burned by the artist herself in the 50s and can only be glimpsed at in Curtis Harrington’s short cinematic portrait of Cameron, “Wormwood Star.” (See below)
 

 
The show will highlight the recent publication of Songs for the Witch Woman, an absolutely stunning coffee table art book / facsimile reproduction of Cameron’s drawings and watercolors along with Parsons’ metaphysical and occult poetry produced by Fulgur Esoterica. (The book was printed in a very limited edition, and is available now. If this seems like the kind of item that you would like to own—it’s a knockout, finely published at a very high quality—buy it now instead of waiting until next year when it’ll be selling for $500 on eBay. If you like this kind of thing, I’ll say it again, it’s particularly nice. There’s a beautifully composed foreword by the OTO’s WIlliam Breeze, who knew Cameron, to recommend it as well.)
 

 
The exhibition is being organized by guest curator Yael Lipschutz with MOCA’s senior curator Alma Ruiz along with the Cameron-Parsons Foundation. The museum will produce a full color catalogue with 75 illustrations for the exhibit.

Below, Curtis Harrington’s “Wormwood Star.” Heartbreaking to consider how many of these paintings are gone forever.
 

 
And speaking of Cameron, her biographer, Spencer Kansa sent me this curious piece of 60s experimental filmmaking that Cameron was involved with:

Za is an early-70s cinepoem by Elias Romero, the underground filmmaker, and one of the main pioneers of the liquid light shows that he began projecting in the late-50s in San Francisco and at Ben Shapiro’s Renaissance Club on the Sunset Strip. Za was filmed in Big Sur and features the movie actress Diane Varsi, portraying an alchemist cum poet. Varsi had already runaway from the superficiality of Hollywood by the time this was filmed, in order to pursue a more artistic and meaningful life. And, interestingly, the raggy dayglo outfits she wears in the film were created by Cameron, no less. Cameron and Elias were old friends by the time this film was made. He had been married to Cameron’s confidante, the poetess Aya. In Wormwood Star Aya admits that: “For years, Cameron never forgave me for splitting up with Elias.”

Watching it today, the film is, er, interesting. I guess back then it probably helped that most of its original viewers were heavily dosed-up.

 

 
Thank you Lyvia Filotico!

Posted by Richard Metzger | Leave a comment
Wild Gospel frenzy takes down the Playboy Mansion!
07.30.2014
10:57 am

Topics:
Hysteria
Music

Tags:

lugf/
 
This never fails to bring a smile to my face and raise the hairs on the back of my neck! It’s The Clara Ward Singers performing on the Playboy After Dark TV show shot at the Playboy Mansion in 1968. By this time minds were open and everyone was exploring anything they could experience that was new. The Clara Ward Singers were always wild, and I mean just as wild as any rock ‘n’ roll insanity from ANY era. They could stand up to Little Richard or James Brown in their prime. This clip looks like it could have been taken straight out of an early John Waters film! The incredible, over the top style and the mile high wild wig-hats are just beyond.

But then there’s the singing and the deranged dancing of lead vocalist Malvilyn Statham! Her name alone makes your eyes cross.This just makes me as happy as can be.
 
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Here’s what was written by the person that posted this who evidently was fiends with the Singers:
 

Ezekiel 37: 1-14

My favorite female Gospel group, the Clara Ward Singers, with my friend, Malvilyn Statham on lead, singing Clara Ward’s arrangement of “Dry Bones.” Go’head!! This song refers to what happens in the 7th verse of Ezekiel 37.

In the green dress is Clara Ward (1924-1973), which is why she is not in “uniform” as many of you have pointed out. She and the group caught lots of hell in the 1960’s and 1970’s for their flamboyant style and people are still talking about them, as I have seen in many of the shares. In spite of your views, whether negative or positive, they have paved the way for many folks today.

They stepped out of the box, b/c they were individuals and many of you today should do the same. Be yourself! People like Tye Tribbett are free with their praise. No boundaries! They praise how they feel. Who are we to judge? The Clara Ward Singers not only ministered in churches, but they sang in concert halls, night clubs, festivals, tv shows, and at the Playboy Mansion, which is where this clip was recorded. They were not ashamed to take the Gospel to the people who wouldn’t come to church. I mean, like, isn’t that what we’re supposed to do? Some folks felt like the group was clowning, but I’d like to think of it as giving “unfamiliar” people a good church experience.

 

 
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If you want more, there’s tons of it on YouTube and elsewhere on the net. Here’s another, much earlier, favorite:
 

Posted by Howie Pyro | Leave a comment
Christian televangelists listen to ‘Stairway to Heaven’ *forwards* hilarity ensues!
07.30.2014
10:14 am

Topics:
Amusing
Belief
Hysteria
Kooks
Music

Tags:
Led Zeppelin
SATAN


 
Oh, this is too funny. Evil genius YouTuber Clemtinite took old footage from the Trinity Broadcasting Network with televangelists Paul and Jan Crouch—the Christian duo are trying to find satanic messages by playing the Led Zeppelin classic “Stairway to Heaven” in reverse—and then reversed the whole video. “Turn me on dead, man!”

The longer it goes on, the funnier it gets.

 
via Laughing Squid

Posted by Tara McGinley | Leave a comment
Watch Laurie Anderson’s dog Lolabelle improvise her own experimental music
07.30.2014
09:29 am

Topics:
Animals

Tags:
Lou Reed
Laurie Anderson
dogs


 
Laurie Anderson loved her dog Lolabelle. Upon Lola’s passing, Anderson created a lovely sculpture of her ashes in memoriam. She delivered introspective monologues about their relationship. She put on concerts for dogs with Lola sharing the stage (for the record, the music is actually kind of interesting—structureless, but very tonal, and not entirely composed of high pitched whistles inaudible to the human ear). Anderson even sent Lola to music therapy, the adorable results of which you can see below.

Billing itself as “Common Sense Counseling for Dogs and their Humans,” Dog Relations NYC is a sort of Montessori-style obedience school, and as far as I know, they’re the only pet service with a testimonial from Laurie Anderson and the late Lou Reed and on their homepage—apparently dog behavior counselor Elisabeth Weiss has quite the magic touch.

Elisabeth was one of the key people in helping maintain the spirit and integrity of Lola’s life. Everyday Lola looked forward to her time with Elisabeth. It was a great relationship that we all rejoiced in. Elisabeth is a kind dog genius. Her help cannot be overestimated and went far beyond what one can buy. Lolabelle loved her. We all loved her.

Lolabelle’s musical ventures were categorized by Dog Relations NYC as Occupational Therapy—she had actually been diagnosed with a rare form of cancer, but honestly I’d imagine this is the sort of thing that might just calm any nervous little terrier. At any rate, she looks genuinely rapt by her own keyboard skills. On the first video, she is receiving no instruction from a human. The second is a collaboration of sorts for Rock n Roll Rescue, a benefit for Art For Animals.
 

 

Posted by Amber Frost | Leave a comment
Replicas of the floating pink teddy bear from ‘Breaking Bad’ for sale
07.30.2014
09:18 am

Topics:
Amusing
Television

Tags:
Breaking Bad


 
Think Geek just released a life-size replica (18 inches tall to be exact) of the iconic pool-floating pink teddy bear from Breaking Bad.

I have to say that all this Breaking Bad merchandise is getting a bit stale. Come on. The show ended last year. But I do dig this gnarly pink teddy bear… in a Mike Kelley sorta way.

  • Now you don’t have to throw your own teddy bear into the swimming pool
  • Life-size replica with screen-accurate airplane damage (and only one eye)

It’s reasonably priced at $29.99.


 

Posted by Tara McGinley | Leave a comment
Legendary Fripp & Eno concert from 1975 will finally see official release
07.30.2014
07:34 am

Topics:
Music

Tags:
Brian Eno
Robert Fripp
bootleg
Malcom LeGrice


 
Robert Fripp’s web presence, Discipline Global Mobile, has announced that an oft-bootlegged Fripp/Brian Eno show recorded in Paris in 1975 has been mixed and mastered to the best possible quality, and pre-orders are now being taken by Amazon, Inner Knot (US), and Burning Shed (UK/Europe).

Hearing the tapes in fully restored audio quality, it’s easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projection. Replace the reel to reel machine with a couple of laptops/iPads/sequencers and the core of much current live performance from electronica to hip-hop was there some thirty years in advance. At the time, audiences responded to such a glimpse of the future with booing, walkouts and general confusion.

Thanks to the discovery and restoration of the original backing tapes, it was possible - with much painstaking restoration work by Alex Mundy at DGM - to isolate, de-noise and match the live elements from the performance tapes to the studio loops to produce the final recording.

 

 
An article by Frippertonics archivist Allan Okada (OK, you know, “Dangerous Minds Contributor” is a damn cool title, I won’t lie, but “Frippertronics Archivist” sounds like a mighty sweet gig, too…) describes the concert itself thusly:

Fripp just recently disbanded King Crimson at a point which many would describe as their artistic pinnacle. Eno also recently parted ways with Roxy Music at a similar juncture and then aborted his first and only extensive solo tour after only a handful of shows, due to a collapsed lung. Fripp & Eno live in concert? What would they do? All the shows in Spain and France were, not surprisingly, accompanied with unrealistic fan expectations, hoping for a presentation of ‘21st Century Schizoid Man’ combined with ‘Baby’s on Fire’ perhaps? What this audience got was something entirely different. The programme was largely improvised and totally instrumental. Adding to the event’s unorthodoxy was the absence of all conventional stage lighting. The sole illumination was provided by Malcolm LeGrice’s colour saturated and looped short film ‘Berlin Horse’ projected behind the two shadowy figures on stage, visually mimicking the music. The result was an unprecedented live performance format, years ahead of its time. It was also mind-boggling to most of the unsuspecting 1975 audience, yielding wildly different reactions. Reportedly about half the shows on this tour were also plagued with some sort of major technical hazard, stemming from the venue, the PA or the duo’s stage equipment. In Saint-Étienne, the audience went as far as booing the duo off the stage! Fortunately for us here, this Paris Olympia performance was technically flawless and from a musical standpoint, incredibly inspired.

You can judge the show’s level of inspiration yourself—as mentioned above, bootlegs have been around forever, and they are of course on YouTube. See what you think.
 

 
The trance continues after the jump.

Posted by Ron Kretsch | Leave a comment
United States of Jedi: Liam Lynch vs. ‘Star Wars’
07.30.2014
07:24 am

Topics:
Amusing
Movies
Music

Tags:
Star Wars
Liam Lynch

lynchjedi.jpg
 
It’s possibly the anticipation of the next Star Wars movie that’s brought this mash-up from circa 2007 back into the ether. Whatever…is generally how I feel about the series of Star Wars movies, which is maybe why I quite like this mash-up of Liam Lynch’s “United States of Whatever” with sample dialog from Star Wars.

Some of you will remember a similar mash-up between Lynch and Darth Vader’s “Noooooooooooo!” back in 2011, but this one has the edge.

It comes via Bootie Dragon, who has a variety of similar mash-ups over on Sound Cloud, along with a rather tasty mix tape that includes samples of Kraftwerk, William Burroughs, Doctor Who and The Beastie Boys all dovetailed together.
 

 

 
H/T Nerdcore
 

Posted by Paul Gallagher | Leave a comment
Behold Apple’s hilariously AWFUL fashion line of 1986
07.30.2014
07:10 am

Topics:
Fashion
History

Tags:
Apple

Apple Collection
 
You know, I watched that whole movie about Steve Jobs starring Ashton Kutcher a few weeks ago, and not once did the movie address Apple’s 1986 attempt to show the fashion world how it’s done. This move made perfect sense. Apple had already brought a heightened sense of style and functionality to the worlds of computers and… well, computers, so it was a natural to assume that the world was waiting to see what Cupertino had to say on the subject of Kevlar-reinforced sportswear.

As stated in the catalog—swear to god—“After a rough day windsurfing, the Apple sweatshirt is just the thing.” The catalog also included fashions for tots, a toy Apple semi as well as a bitchin’ sailboard that ran a cool $1100. 
 
Apple Collection
 
Apple Collection
 
Apple Collection
 
Apple Collection
 
Apple Collection
 
Apple Collection
 
Apple Collection
 
Apple Collection
 
Apple Collection
 
After the jump, selections from the Apple Collection catalog…..

Posted by Martin Schneider | Leave a comment
Dean Wareham covers Joy Division/New Order’s ‘Ceremony’ live on KEXP


 
If not for Galaxie 500’s version of “Ceremony,” I probably wouldn’t like that song all that much.

OK, so while the commenters busy themselves sharpening their claws and crayons to inform me that I’m an idiot who knows nothing of music and should immediately be fired, let’s talk about the song. “Ceremony” was an ill-starred entry into the later Joy Division catalog. No proper studio recording was ever made, so the version most fans know best is the live version on the posthumous JD release Still, from which about half the vocals are AWOL. A different version, culled from a rehearsal tape, appeared on the boxed set Heart & Soul. The vocals are all present, but are largely unintelligible, and there’d never be another chance to get it right, as the group’s singer Ian Curtis took his own life days after that tape was made. I’ve heard that another live version exists, a crummy bootleg of a soundcheck,  but I’m aware of no extant version with Curtis’ vocals clear and complete. (If I’m wrong on that, for the love of all that matters in this shitsack world, post a link, PLEASE.)
 

Joy Division, ”Ceremony,” version from Still
 

Joy Division, ”Ceremony,” version from Heart and Soul
 
The ceremony continues after the jump.

Posted by Ron Kretsch | Leave a comment
Klovn: Watch one of the funniest—and most outrageous—TV shows in the entire world. Ever
07.29.2014
08:14 pm

Topics:
Television

Tags:
Klown
Klovn
Casper Christensen
Frank Hvam

 
In 2012, Klown, a Danish comedy made in 2010, was given a limited release in movie theaters and on VOD by Drafthouse Films. It’s one of the funniest, raunchiest and just plain wrong comedies to come along in… well, years, really. The outrageous Klown was marketed like it was a Danish version of The Hangover and that seems about right. Todd Phillips and Danny McBride are said to be planning a Hollywood remake.

I saw the movie then, loved it, but didn’t really think that much more about it until a few months ago, when I picked up the Klovn DVD box set used for twenty bucks at Amoeba. [Klown was the “film of the TV show” that aired for six series between 2005 and 2009, but that’s spelled Klovn and how I will spell it from here on out.]

Of late, with the summer TV doldrums, the wife and I have been watching several episodes of Klovn a week. I think it’s safe to assume that people who come to this blog regularly do so because they trust our tastes and recommendation of fun stuff to get stoned and watch. Well listen up then, because if the idea of a Danish TV comedy, a sitcom for fuck’s sake, where you’d be expected to read subtitles, doesn’t immediately seem like something you might like, give Klovn a chance, because in the five years of doing this blog (we turned five two weeks ago) this is one of the top things that I am the most enthusiastic about recommending to our high IQ, good-looking readers, ever.

And no, I’m not suggesting that you go out and spend $100 for an imported DVD box set that your DVD player probably won’t even play based on my say so, because every episode of Klovn is on Hulu. Who knew? (And who knows what other great shit lurks there if this gem of genius comedy is any indication?)
 

 
Klovn is the product of two of the most devious comedic minds on the entire planet, Frank Hvam and Casper Christensen. Imagine a Danish buddy version of Curb Your Enthusiasm. As with Larry David in the American sitcom, Christensen and Hvam play fictionalized versions of themselves, two middle-aged comedians in a sort of docu-comedy meets Dogme 95 kind of thing, which makes sense as Lars von Trier’s Zentropa produced it. He even makes a cameo appearance, playing himself, as do other internationally notable Danes like Oscar-winning director Bille August and actor Mads Mikkelsen. Co-star Iben Hjejle (who plays herself playing Caspar’s often exasperated girlfriend, as she once was in real life) will be familiar to American audiences for her role as John Cusack’s girlfriend in High Fidelity.

Casper and Frank were already well-known in Denmark prior to Klovn, having appeared previously in Langt fra Las Vegas (“Far from Las Vegas” where Christensen played himself in a behind the scenes of a morning show situation comedy and Hvam played his geeky best friend, a sportscaster) and a sketch show, Casper og Madrilaftalen. Both of them, but especially Christensen—who has been a household name since he was nineteen—have also hosted mainstream television variety shows and radio programs.

Which is why it’s so extraordinary just how far they are willing to go. Casual racism. AIDs. Political refugees. Drug overdoses. The handicapped. Sexual harassment. Abortion. Men made to look like total fucking idiots while the female characters (Hjejle and Mia Lyhne who plays Frank’s girlfriend “Mia” but who is not playing “herself”) just look on in utter, befuddled amazement.


 
They go there. Oh do they got there. Christensen and Hvam do not give a fuck about portraying themselves as complete assholes (“Alan Partridge” is a character after all, his name isn’t Steve Coogan!). It’s about the laugh and the laughs are HUGE in this show. The writing, by Hvam and Christensen, is as sharp as an informercial knife and they manage to employ a charming formula of laying a long fuse near the start of each episode that eventually explodes in the face of one or the other, or both, of our hapless, but thoroughly immoral protagonists. Apparently when they first sat down to write the series, they challenged themselves to come up with a list of the most troublesome and politically incorrect topics they could think of and then wrote an episode around each of these offensive themes. If I tell you that during the course of the series that one of them gets caught shitting in a litter box and flirts with a high school girl who has a colostomy bag by telling her that he has one, too (and getting caught in this lie), I’m not giving away much, just a bit of the flava.

But don’t take my word for it. Just hit play and smoke one if you’ve got one. It’s worth noting that the jaunty music played in the Danish version of the series—it’s played incessantly—has been swapped out for different music here. That’s too bad because it really adds to the show’s unique personality, but it’s not like anyone would know the difference outside of Denmark anyway.
 

Posted by Richard Metzger | Leave a comment
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