I wonder how the Dr. Pepper Facebook page would have responded?
I wonder how the Dr. Pepper Facebook page would have responded?
While the mainstream media has turned its back on Occupy Wall Street and its associated Occupations across the world, one reporter, Fox UK’s Don Ronson has kept his job and boldly gone out on to the streets to make things up. Without Don and Fox UK’s coverage this whole OWS thing would probably have blown over weeks ago. But thankfully, Don has been committed to getting his side of the story out, and even offered to pay protesters fifty quid to hit a policeman.
Recently Don went down to the front-line of the Occupy London Stock Exchange, where he came face-to-face with the grim reality of peaceful protesters, who hate money and want to “put it in a room and spank it on the botty.”
This warms the cockles of my Trotskyite heart: Wednesday night in New York City, schools Chancellor Dennis Wallcott and the members of the Panel for Education Policy (or PEP, the body which enacts policy for the New York City DOE), got more than they bargained for when annoyed parents took a page from Occupy Wall Street and commandeered the meeting with the “people’s mic.” Unsurprisingly, rather than attempt to engage the parents and find out what they wanted, the panel just fucked off.
Nice work, folks, keep the pressure on these clowns.
There is a revolution going on that will touch every aspect of American life. Anyone who think this genie is going back in the bottle is dreaming.
Thank you Glenn E. Friedman of New York City!
ABKCO Films presents legendary director Alejandro Jodorowsky in a rare New York appearance with a Halloween screening of The Holy Mountain at MoMA:
Jodorowsky will introduce his visionary 1973 cult film The Holy Mountain, which famously played for sixteen straight months at New York’s Waverly Theater, at “An Evening with Alejandro Jodorowsky” on Monday, October 31, at 7 PM. The program serves as a coda to the exhibition of Jodorowsky’s work that was organized at MoMA PS1 earlier this year by Klaus Biesenbach.
Jodorowsky will take part in an onstage conversation with Klaus Biesenbach and Joshua Siegel.
The Holy Mountain is a surreal and picaresque satire depicting the journey of a Christ-like figure, the Thief, to a symbolic mountain that is said to unite Heaven and Earth. Playing the character of the Alchemist both on and off screen, Jodorowsky immersed his actors in months of preparatory spiritual and occult exercises, and was also responsible for the costume, set designs and for co-writing the musical score.
The second of this week’s seasonal mixtape treats, and this one is quite a departure from yesterday’s Disco Argento mix. Ave Satanas is (as the name would suggest) a compilation of Satanic rock from the late Sixties and early Seventies, that could be considered the roots of what we now know as black metal, though at the time it would have been classed as psychedelic. It was compiled by one DJ Goatface Killer, better known as Russell Elder from Glasgow’s Mono music emporium.
There are culty groups aplenty on Ave Statanas, like Germany’s Lucifer’s Friend, Chicago’s Coven (pictured above), Leicester’s Black Widow and the original Iron Maiden (not to be confused with Bruce Dickinson’s lot). The music represents a time when rock was getting heavier, drugs were getting harder and post-hippy culture was getting darker, hence the inclusion of extracts from both Anton LaVey’s “The Satanic Mass” and Bpbby Beausoleil’s score for Lucifer Rising. It’s also unlikely that you’ll hear the word “Satan” uttered so much in the course of around 80 minutes - below is the tracklist featuring the year and country of origin of each track:
01. ANTON SZANDOR LAVEY (USA) / THE SATANIC MASS (EDIT) (1968)
02. ANTONIUS REX (ITALY) / NON FIAT VOLUNTAS TUA (1974)
03. BLACK WIDOW (UK) / IN ANCIENT DAYS (1969)
04. COVEN (USA) / BLACK SABBATH (1969)
05. BULBOUS CREATION (UK) / SATAN (1969)
06. THE RATTLES (GERMANY) / THE WITCH (1968)
07. THE GHOST (UK) / NOW YOU’RE DEAD (1970)
08. THE GUN (UK) / RACE WITH THE DEVIL (1968)
09. THE CRAZY WORLD OF ARTHUR BROWN (UK) / FIRE (1968)
10. ROKY ERICKSON & THE ALIENS (USA) / WHITE FACES (1977)
11. LOLLIPOP SHOPPE (USA) / YOU MUST BE A WITCH (1967)
12. DUFFY (UK) / JUDGEMENT DAY (1971)
13. BEDEMON (USA) / CHILD OF DARKNESS (1973)
14. LUCIFER’S FRIEND (UK / GERMANY) / LUCIFER’S FRIEND (1970)
15. IRON MAIDEN (UK) / GOD OF DARKNESS (1969)
16. AFFINITY (UK) / THREE SISTERS (1970)
17. SAM GOPAL (UK) / THE DARK LORD (1969)
18. BOBBY BEAUSOLEIL (USA) / LUCIFER RISING PART II (1972)
Download DJ Goatface Killah pres Ave Satanas here.
BONUS! The original video for “The Witch” by The Rattles:
Yes, there is one rogue track from 1977 on the mix, care of Roky Erickson and The Aliens, but I’m sure we can all let that oversight slide. After the jump, audio clips of some of the tracks featured on Ave Satanas…
This is a pretty incredible bit of “you were there” style video. The camera was quite near the epicenter of what was happening at Occupy Oakland on Tuesday.
You can see Iraq war veteran Scott Olsen just moments before, and after, he was felled by a projectile.
Video by Raleigh Latham.
Via Business Insider
One Hundred & Forty Characters is a project by the brilliantly talented and award-winning photographer Chris Floyd, in which he takes pictures of people he follows on Twitter, including comedy genius Graham Linehan, the ever wonderful Miranda Sawyer, Caitlin Moran and Peter Serafinowicz:
In July 2010 I decided to begin photographing people that I follow on Twitter. The idea for this came at a moment when I realised I had not seen or spoken to any of my best half a dozen real and actual friends for over a month. Some of those people on Twitter I communicate with several times a week, in bursts of 140 characters or less, and yet I had never met any of them. As we are now well and truly living in a digital age I am aware that this state of being is only going to deepen and the traditional forms of friendship, although they will not go away anytime soon, are going to have to make more room for the new way of doing things. Where Facebook might be considered as the place in which you tell lies to all the people you went to school with, I had begun to think of Twitter as the place where you tell the truth to all those that you wish you’d gone to school with. The project rolled on indefinitely for almost a year but when, one day, I counted up the number of subjects to date and came to a number in the mid one hundred and thirties, I immediately knew where this had to end. So here they are. My new friends. 140 characters. No more and no less.
One Hundred & Forty Characters will be on show at the Host Gallery, 1 Honduras Street, London EC1Y 0TH between the 3rd & 17th November 2011.
“I like this picture because it represents my whole family. Although there’s only me and my son in it, he’s wearing a T-shirt that says Smiley on it, which is my husband’s name; and I’m five months pregnant with our daughter. So there’s four people in there, not just two.
“I look quite mad in it, which I like too. That crazy, rictus grin: I was hot, and fat, and tired and my son was playing up. The only solution was to turn him upside down and make him laugh. I notice that in another one of the 140 Characters pictures, another small boy is being held in the same way. It’s a default solution for boys, it makes them normal again, like rebooting a computer, or reprogramming Buzz Lightyear to his factory settings.”
“The beauty of Twitter is that it is only as useful as the person who is using it wants it to be. It is such a simple and flexible service that everyone who uses it does so in a different way. Not only that, but it’s a meritocracy. Not only that, but Karma seems to have something to do with it. If you use it for good, you will be rewarded, if you use it for evil, you will be blocked. As a result, it’s leading to some remarkably civil conversations between ideological enemies. If the inventors of Twitter never win a Nobel Prize, they wuz robbed. Because as far as I’m concerned, they have enabled us all to take a major evolutionary step at a crucial moment. At a time when the human race faces not one but several extinction threats, we suddenly get the ability to talk to one another.”
4 more from ‘One Hundred & Forty Characters’, after the jump…
With thanks to Trevor Ward
Seven-year-old Nana Kyei aka “Mr. Rhythm Machine” is probably going to need a full set dentures by the time he’s twelve if he keeps this up. He certainly demonstrates some wicked talent, though!
(via The Daily What)
Look familiar? After the horrifying events Tuesday night at Occupy Oakland that saw Iraq War veteran Scott Olsen, 24, severely injured in a clash with police, this short documentary clip about 1932’s fabled “March of the Bonus Army” seems like particularly timely viewing.
Scott Brown is so fucked. I’m sure he must know it. Although Brown is my #1 favorite Republican—not that this is saying very much, of course, because I hate all Republicans—I won’t be sorry to see him go…
If you are interested in Elizabeth Warren’s 2012 Senate campaign, you can find more information here: Elizabeth Warren for Massachusetts