I’ve put together an exclusive hour long music mix for New Jersey’s WFMU radio station, for the show ‘Do or DIY’ hosted by People Like Us. It’s available on line from 8pm to 9pm tonight, then it will be archived. The mix encompasses off kilter electronica, opiated indie and blissful horror film scores, including pieces by The Anti Group, Ennio Morricone, Wire and Bachelorette.
Playlists and archives for Graham Duff on DO or DIY here.
Below, Graham Duff as “Brian,” tripping, in Ideal:
It was a little after three o’clock on a Saturday afternoon, when the dark green Cherokee jeep, loaded with canisters of propane gas, hurtled towards the Departure zone at Glasgow International Airport. The driver was saying prayers and asking for god’s help, when his vehicle hit security bollards and burst into flames. 28-year-old, Kafeel Ahmed had intended that the jeep would crash through the glass doors, enter into the airport concourse, where it would blow-up, killing as many of the men, women and children who queued patiently for their holiday flights.
It was June 30 2007, and this was the first terrorist attack in Scotland since PanAm Flight 103 exploded over Lockerbie in 1988. Little could Ahmed, or his co-conspirator Dr. Bilal Abdullah, have known that their actions were not to lead to holy martyrdom, but rather to the resurrection of one of the funniest, most popular and successful comedy creations of the last 50 years.
In a hotel room in Budapest, the writer Ian Pattison watched the images beamed from Glasgow onto a flickering TV screen, as the would-be terrorists were arrested, all Pattison could think of was one question: “What would Rab C Nesbitt make of this?”
Fall, present day, the trees are cashing in their savings, and the streets are covered with gold. I meet Ian in a coffee house, in Glasgow’s West End, a background of children and mothers laughing and chatting, and the hiss of an espresso machine. It’s a clear day, and we have a long sweeping view down to the Clyde and across the water to the high rises and tenements of Govan beyond, home to the fictional Rab C. Nesbitt - “the original unemployed man”, whose comic television adventures have brought national acclaim, incredible viewing figures and a cabinet full of awards.
Pattison looks relaxed, toned and much younger than his grey hair implies, and he must be older than he looks for It’s twenty-five years since he first dreamt up the alcoholic, head-bandaged street philosopher Rab C. Nesbitt:
“It was New Year’s Eve,” recalls Pattison, “And I was married and living in this masionette apartment in the north of England. Now I’m an anti-social person and when the front doorbell went, I said to my then wife, ‘That’ll be them from downstairs coming to First Foot, I don’t want to see these people. You entertain them, give them a drink and send them on their way. I’ll go upstairs and you tell them I’m in Glasgow.’
“I go upstairs to ‘Glasgow’, but wives don’t always do what you ask them, and these two neighbors sat there until about 5am knocking back the swally. I was upstairs fuming, wondering what can I do? I just can’t suddenly materialize – I’m in Glasgow!
“So I had a notebook up there, because I used write in the wee room, and I started trying to write something about a Liverpool councilor, but it wasn’t working. Then suddenly, I don’t know why, this mutated into a Glasgow speech rhythm, and in about 10 minutes I’d written the first Nesbitt monologue.
“I’ve no idea where it came from. All I knew about him was he raved, he had a head bandage and wore trainers.””
It was a piece of genius inspiration and Ian passed it on to Colin Gilbert, producer of the sketch show Naked Video. Gilbert liked it, but the actor chosen to play the part, Gregor Fisher, wasn’t so keen.
“There was no inkling of developing the character. I just knew it was a character piece, that is to say you weren’t going from gag to gag to gag. I just knew if it got into Gregor’s hands, I knew what he could do with it, and how he would play it. The trouble was persuading Gregor to do it.”
Anyone who has seen Fisher’s work will know that he is a brilliantly gifted actor, with a warmth and subtlety most Hollywood actors would pawn their looks to possess. I first saw Fisher as an unforgettable, happy-go-lucky, wide-boy in Peter MacDougall’s brilliant Just a Boy’s Game, then a few years later stealing the crappy eighties version of 1984 with a cameo role from under the noses of Richard Burton and John Hurt.
Now Naked Video had made Fisher a household name, on the back of his incredible comic acting, but when presented with a new character to play, he was less than impressed by Pattison’s latest creation.
“Gregor read it and said it was as funny as cancer,” Pattison recalls.
Thankfully, Head of the Comedy Unit, Colin Gilbert was on hand to quietly help matters along. Gilbert is a legend in TV comedy, with a long list of ground-breaking shows from Nesbitt to The Limmy Show, Still Game and Gary - Tank Commander on his long and impressive CV. Indeed, Gilbert with his white hair and beard and twinkling eyes is a polar bear disguised as a man - he may look nice and cuddly, but underneath you know there is this formidable energy just waiting for its moment.
“Colin quietly insisted, and Gregor tried it 2 or 3 times, and by the third time, I think Gregor began to think maybe I’m wrongish, and we never thought any more about it. But when the show went out, people picked up on this drunk character, largely because of Gregor’s eye-catching performance.”
Rab C Nesbitt returns to BBC 2 for 6 weeks from Wednesday 5th October at 22:00 hours
The full interview with Ian Pattison and more from Rab C Nesbitt, after the jump…
David Bowie, in his Aladdin Sane guise, is featured on the new local currency you can only use in the Brixton district of South London. Known as the Brixton Pound, or the B£, the first round of the notes in 2009 featured Olive Morris, the radical political activist who founded the Brixton Black Women’s Group and played a pivotal role in the squatters’ rights campaigns of the 1970s; scientist James Lovelock who developed the ‘Gaia’ theory; C L R James, Trinidadian journalist, historian and socialist; and painter Vincent Van Gogh.
This new series of B£ notes pays tribute to Bowie; Black Cultural Archives founder Len Garrison; Chicago Bull Luol Deng and brave WWII spy Violette Szabo.
I appreciate that the folks behind the B£ (Transition Town Brixton) designed the money to call attention to luminaries who were either born in, raised or lived in Brixton. It draws people in emotionally and it’s a great way to start a conversation among residents of the district about what alternate currencies are, helping support local businesses and encouraging trade to stay in the local area, things most people would never even consider or think about these days. As a former Brixton resident myself (not that I’m hinting about anything!), I’m wondering when Nick Cave, Mick Jones and Paul Simonon from The Clash, and Linton Kwesi Johnson will receive the honors.
If you’re curious about how an alternate currency works in a fully urban setting, check out this video, it’s worth your time:
Below, the B£1 pound note that pays tribute to Olive Morris, political activist, pioneering black feminist and squatters rights champion who died at the age of 27 from cancer in 1979:
Listen to the splendor that is Johnny Wakelin’s “In Zaire.” I love the shit out of this song, but so far I’ve resisted posting it here because of the totally 70s videos of it floating around out there (as if this has ever stopped me before?). Now I’ve decided that I like them, go figure.
The lyrics describe the infamous 1974 “Rumble in the Jungle” prizefight that saw world Heavyweight champion George Foreman pitted against the former world champion, Muhammad Ali. In a stadium filled with screaming fans in Kinshasa, Zaire (now the Democratic Republic of the Congo), Ali knocked Foreman out in the eighth round.
But the music, can we talk about the music? This track is such a killer. It simply stomps all over your face and smashes you to a pulp. Afterwards, you are glad of this. Dig the (very Adam and the Ants-sounding) dual drum attack, the rumbling, limber, almost menacing bass lines, the jangly, rusty-sounding guitar. And that voice, that phenomenal booming voice. A voice that could give Tom Jones a run for his money. I must admit, given Johnny Wakelin’s propensity to sing about black people, “Black Superman,” Ali, Africa, etc, I thought he must actually be a black man himself. The first time I saw a video of him, after loving this song for so many years, I will admit I was shocked to find that he was in fact, a goofy, fashion-challenged white guy with lamb-chop sideburns who dressed like a pimp!
Wild Zero is a cult/trash classic - a bizarre mixture of zombie-horror and rock’n'roll-comedy from Japan. It stars the excellent garage punk band Guitar Wolf
(comprising members Guitar Wolf, Bass Wolf and Drum Wolf) doing battle with a marauding horde of zombies from outer space, and a corrupt alien nightclub owner who steals their wages, armed only with fire-sptting motorbikes, cheap sunglasses and the power of rock’n'roll (oh, and some guns and a magical guitar pick!)
Imagine if the Ramones had wandered onto the set of Peter Jackson’s Brain Dead just as the crew held a mutiny being led by John Waters, and you’re kind of nearly there. The fact that this hails from Japan makes it all the more strange of course, and while you may snigger at the band’s mis-pronounced rallying cry of “Rock’n'Roll!” (repeated by the main protagonist, Ace, a Guitar Wolf super-fan who accidentally saves the band before getting himself into a whole heap of zombie trouble while trying to rescue a shy girl - or is she?), I guarantee you will be shouting it by the end of this movie too. As you’d imagine the soundtrack is awesome, and there’s even some unexpected innovation - like two zombies french-kissing, surely a first? If you’re looking for a feel good adventure ride just now, this is the film for you. Here’s the original Japanese trailer:
Thanks to Geoff Crowther for reminding me of this gem.
Scottish folk musician, Bert Jansch, one of the most influential and revered acoustic guitar players in the world, has died from cancer at the age of 67.
Jansch passed away in the early hours of October 5 at a hospice in Hampstead, north London. Though he had been ill for some time, Jansch continued to tour and perform, most recently appearing at Glastonbury earlier this year.
Born in Glasgow in 1943, Jansch was a leading figure in sixties folk music, releasing his first album, the self-titled, Bert Jansch, in 1965, which has been hailed as one of the greatest folk albums ever recorded. Jansch’s influence as a musician has streched across several musical genres and generations, from Paul Simon to Graham Coxon.
The Smiths’ guitarist Johnny Marr has said that “You hear him in Nick Drake, Pete Townshend, Donovan, The Beatles, Jimmy Page and Neil Young.”
While Neil Young called Jansch “As much of a great guitar player as Jimi Hendrix.”
Between 1967 and 1973, Jansch co-founder and guitarist with the legendary folk group Pentangle, playing alongside John Renbourn, Jacqui McShee, Danny Thompson and Terry Cox. Pentangle were known for their innovative mix of folk, rock and jazz, as seen through their seminal albums, The Pentangle, Sweet Child and Basket of Light. Their biggest hit single was “Light Flight”, which was used as the theme to the hit TV series Take Three Girls.
In 2007, Pentangle received a Life-time Achievement Award at the BBC Radio 2 Folk Awards, where producer John Leonard said
“Pentangle were one of the most influential groups of the late 20th century and it would be wrong for the awards not to recognise what an impact they had on the music scene.”
Jansch continued to record, tour (supporting Neil Young in 2010) and producing solo material, which led to a major resurgence in his popularity over the past decade. His most recent album Black Swan was released in 2006, of which All Music said:
For the past ten years Jansch has been undergoing a creative renaissance akin to Bob Dylan’s and people are slowly but surely finding what he has on offer. Black Swan proves that the guitarist and songwriter has a bounty at his disposal. He is writing and recording music that is profound, funny, topical, worldly, and ultimately, necessary.
Occupy Wall Street should take a tip from the Symbionese Liberation Army: groovy black and olive green uniforms topped with a jaunty beret. Or is that some kind of Kangol prototype? Whatever, there’s nothing like the double barrel assault of a political statement coupled with a fashion statement.
None of the above has anything to do with this video.
