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Medieval Times: Attack of the giant killer rabbits!
07:17 am



So, you thought rabbits were cute, cuddly bundles of fun? Well, don’t be fooled, for underneath their furry exterior is a ruthless psychopath just twitching to wreak bloody vengeance with swords and axes. As academics will tell you, those who fail to learn from history are cursed to repeat it. Just look at these panels from medieval manuscripts which clearly prove giant killer rabbits did once roam the Earth battling humans for its control—and you thought Monty Python and the Holy Grail‘s “killer bunny” was a joke?

Yes, we were warned by these medieval writers, and warned again by The Night of the Lepus—which as we now know, was not just a bad trashy B-movie horror but a guide to saving the world from giant killer bunny rabbits!
Rabbits lay in wait for the human to kill their dreaded enemy the dragon, before killing the brave knight.
The rabbits prepared for battle.
They were led by the evil killer Thumper.
The giant killer rabbits showed the humans no mercy.

More Medieval killer bunnies after the hop….

Posted by Paul Gallagher | Leave a comment
Photo series of Americans lying in seven days worth of their own garbage
06:06 am


Gregg Segal

7 Days of Garbage could have come off way preachier if the subjects weren’t photographed portrait-style—some of these folks are absolutely working the camera! Households and individuals were shot among a week’s worth of their own garbage, and while the results aren’t really a shock, the fakey-nature sets really drive home the reality that human beings don’t live “outside” of the environment—the trash has to actually go somewhere. As photographer Gregg Segal puts it, “We’ve made our bed and in it we lie.”

It’s worth pointing out that not all garbage is created equal. Biodegradable orange peels aren’t really comparable to a plastic milk jug or used diapers, the latter of which I notice to be conspicuously absent from the pictures featuring a sweet-faced infant or toddler. It’s quite possible those families do cloth diapering (or didn’t feel like bringing clean diapers to the shoot to represent the used ones), but it might be even more interesting to show the sheer bulk of disposable nappies required to keep a baby happy, healthy and clean.

The tragedy in all of this is the fact that our refuse output can’t be solved by conscientious consumerism. Reducing waste will require political intervention and modifying our manufacturing practices. Until that happens, we’re just going to be… kind of filthy. New Yorkers can check out 7 Days of Garbage at The Fence, in Brooklyn.



More people and their garbage after the jump…

Posted by Amber Frost | Leave a comment
Undead, undead, undead: Happy birthday to Peter Murphy of Bauhaus!
05:48 am


Peter Murphy

The huge can of worms opened by the Northampton post-punk band Bauhaus when they exemplified the dark sound and cadaver-glam fashion ethos of Goth has still never been closed after 35 years.

In the mere four years from their transformative 1979 debut single “Bela Lugosi’s Dead” to their original incarnation’s final LP, Burning From the Inside, Bauhaus gave the seeds of a sonic and fashion lexicon to a romantically macabre strain of youthful angst that had never really had a name before, and out in front of that noisy doom parade was the gaunt, Bowie-ish figure of singer Peter Murphy, whose distinctively vampiric vocal affect and high-drama performance style are still imitated today. Born on July 11, 1957, Murphy celebrates his birthday today.

In the three decades since Bauhaus’ breakup, Murphy has performed in Dali’s Car with Japan bassist Mick Karn, released several solo albums, explored Middle-Eastern mysticism, and sang on a Bauhaus reunion/last hurrah LP. More recently, he ran afoul of the law in California, and was found guilty of a hit-and-run and possession of meth. But there seems to be reason to hope he’s gotten healthy again, as just last month, Nettwerk Records released Lion, his ninth solo LP, and it’s quite good.

Here he is in 1982, demonstrating what all the fuss was about:

More Murphy after the jump…

Posted by Ron Kretsch | Leave a comment
Marianne Faithfull is naked under leather in ‘Girl on a Motorcycle’
04:00 pm


Marianne Faithfull

I’ve written here before about how I used to go fanatically out of my way to collect memorabilia related to the movie Candy, in particular items emblazoned with photos of the film’s titular heroine, who was played by the comely Ewa Aulin, a one-time Miss Teen Sweden. Candy, which I didn’t actually see until much later was a “holy grail” movie for me, but when I saw it, my opinion was not favorable. (Nothing could have lived up to my high expectations to begin with, but Candy really sucked. But this isn’t about Candy, you can read what I wrote about that film here).

Another 60s goddess who I have a ridiculous amount of photos, movie posters, picture sleeve records, sheet music and even fine art photographic prints of, is Marianne Faithfull. Of all of my pantheon of 60s goddesses (Ursula Andress, Paula Prentiss, Francoise Hardy, Raquel Welch, Jane Birkin, Sandie Shaw, Joni Mitchell, P.P. Arnold, Claudine Longet) I’d have to say that Faithfull is, by quite a wide margin, my #1 favorite. Quite simply, there was no female anywhere on the planet as cool and as sexy as she was during the 1960s. She was born with one of the most classically beautiful faces of all time and she just had that look which embodied the era as no other woman could, not even Twiggy. A goddess, she was and still is.

A film titled Girl On a Motorcycle, alternatively known as Naked Under Leather, was made in 1968 to capitalize on Faithfull’s libertine reputation, acquired as the result of her allegedly having only a fur rug wrapped around her otherwise naked body during a drug bust at Keith Richard’s home the year before. In the film, Faithfull famously wears a black-leather catsuit with fur lining. Meow.

There’s not a whole lot of dialogue and even less plot in Girl On a Motorcycle. In a nutshell, Faithfull plays a young woman bored in her marriage who decides to escape, riding through the countryside on a Harley-Davidson to meet her lover (Alain Delon). The audience hears her thoughts and existential musings. There are some spicy sex scenes with Delon that earned the quite-tame-by-today’s-standards film, an X-rating. It’s a little hard to follow and doesn’t really make a whole lot of sense, but who cares? That’s not why you’re watching it, is it?

What we basically have in Girl On a Motorcycle is one of the quintessential swinging 60s time capsule relics of psychedelic sexploitation. Is it a “good movie”? No. Is it a feast for the eyes. YES, indeed it is, and not just because of the gorgeous Ms. Faithfull, either. The European scenery is also brilliantly captured by director Jack Cardiff, a well-respected cinematographer who also shot classic films like The African Queen, The Red Shoes and Black Narcissus—not to mention Rambo: First Blood II—and directed The Liquidator. There’s also the excellent psychedelic jazz score from Les Reed to recommend the film.

In summation: Girl On a Motorcycle, it’s 90 minutes of great shot after shot of one of the hottest women ever born riding a motorcycle, “naked” under a leather catsuit or else having that same catsuit unzipped by a Frenchman’s teeth. With great music and some solarized psychedelic stuff thrown in for good measure (and to foil the censors). At the end she hits a truck and dies! I kid you not…

This is the trailer for Girl on a Motorcycle. Picture this going on for about 90 minutes and… you’ll get the idea: It’s streaming in HD on Netflix.

Posted by Richard Metzger | Leave a comment
The most idiotic moment on Fox News so far today

Fox and Friends’ resident cheerful idiot Steve Doocy is obviously one of the stupidest people on television. Doocy comes off as so completely brainless that his utterly gormless co-hosts Brian Kilmeade and Elisabeth Hasselbeck look good (or at least slightly better) by comparison. One would have to think that Fox News viewers with low to barely average IQs would be perceptive enough to realize that Steve Doocy is an abject buffoon. I don’t think SNL even does Fox and Friends parodies anymore, do they? Why bother?

In any case, this morning Doocy made a game attempt to get a small number of “Fox fans” (as he called them) to react negatively to the new multigender bathroom signage at Illinois State University (This is the latest “outrage” on Fox News, in case you aren’t aware of it, even though they are for single-occupancy restrooms!)

Here’s how it went down, live on Fox News as Chyron captions read: “Bathroom Boondoggle: Are New Gender Signs Just Too Confusing?” and “Gender Bender”!

Doocy: “See, they were designated as ‘family restrooms’ in the past and now, apparently, they’re going to be known as ‘all-gender’ restrooms! Does that make sense?”

Woman: “Restrooms for both genders.”

Doocy: “That’s right. Bathrooms for both genders, or transgenders!”

Man: “Transgender, that’s right.”

Unable to rile up even the slightest bit of “moral” indignation, let alone any anxiety even among these “Fox fans,” the floundering Doocy quickly threw it back to his co-tool Brian Kilmeade in the studio who then, astonishingly, offered up pretty much one of the truest things that I’ve ever heard a Fox anchor say (if only accidently):

“Well, they’re better people than us.”

Yes, indeed they are. Most people are better people than bigoted Fox News morning show hosts, I’d have to agree with that and this segment proved it. In spades!

Just yesterday, Fox News ran a story mocking the University’s attempt to accommodate everyone with equal respect.


Bonus clip, Steve Doocy before his tenure at Fox and Friends, back when he was a serious journalist…
Via Media Matters

Posted by Richard Metzger | Leave a comment
Jack Nicholson as Napoleon? Watch ‘Lost Kubrick: The unfinished films of Stanley Kubrick’
12:14 pm


Stanley Kubrick

Kubrick at 21, then a visionary photographer for Look magazine
Stanley Kubrick was a man of wildly variant yet intensely focused interests. He was never prolific—his obsessive devotion to perfection and research wouldn’t allow it. With that kind of artistic dedication, you’d at least hope all his projects were completed. Unfortunately for us, he had quite a few awesome-sounding films that got shelved—some of which he spent years on. This little mini-doc gives a neat little run-down of Kubrick’s unrealized visions.

Kubrick developed A.I. for years, which was later passed on to Steven Spielberg. A simple side-by-side viewing of E.T. and 2001: A Space Odyssey tells you everything you need to know about a Spielberg sci-fi versus a Kubrick sci-fi. Honestly, I don’t mind a little bit of that old schmaltzy Spielbergian glow, but I can’t help but think that Kubrick would have done something a million times more interesting with a movie on artificial intelligence. The man developed HAL 9000, for chrissake!

That’s not the only time Spielberg played a role in Kubrick’s career. Schindler’s List undercut Kubrick’s push for his own film on the Holocaust after the director had already starting casting and scouting locations. Perhaps the most ambitious of his “dreams deferred ” was a Napoleon biopic. Kubrick researched every day of Napoleon’s life and kept a meticulous log. He even had dirt from a Napoleonic battleground, so that he might match the soil color for accuracy in the film!

Posted by Amber Frost | Leave a comment
‘Oh man, I shot Marvin in the face’ action figure
11:56 am


Pulp Fiction

I know, I know, it’s waaaaaaay too early to start talking about holiday stocking stuffers, but c’mon… An “Oh man, I shot Marvin in the face” action figure by GFY Toys?

Perfect if your Barbie needs a headless boyfriend!

-Each figure is fresh out of the trunk, hand painted and sealed just for you!*

-Custom blood splattered!

-Hand smashed head chunks!

-“Interactive” card art!**

-6 points of unarticulation!

-100% not resin!

-For Ages 80 and up!

-Opinions sold separately!

It’s $45 + shipping here.


via Nerdcore

Posted by Tara McGinley | Leave a comment
Incredible H.R. Giger bar puts you in the belly of the Xenomorph
10:34 am


H.R. Giger

Giger Bar
H.R. Giger’s art is among the most recognizable in existence—it’s very easy to identify something he made, and the unbelievable bar attached to the museum dedicated to his work in Gruyères, Switzerland, is no exception. Amazingly, it’s not the only one in existence—at various times four locations have been able to boast a Giger Bar, two in Switzerland (the other one is in Giger’s birthplace, the town of Chur), one in New York City, and one in Tokyo. But the ones in Switzerland are the only ones that are open today.

The New York branch was located in Peter Gatien’s legendary Limelight nightclub in the Chelsea neighborhood, but once it closed in the 1990s, the Giger Bar closed with it. The story of the ill-fated Tokyo version is even more fascinating:

A fourth Giger bar was located in Shirokanedai, Tokyo in the late 1980s. Giger dissolved his involvement with this location after facing frustrations with Japanese building codes and with the Japanese company behind the bar, which created the bar after only rough preliminary sketches. Giger had wanted private booths that functioned as individual elevators which traveled up and down the interior four stories of the design. This design was problematic given restrictions caused by earthquake resistant engineering. Giger disowned the Tokyo Giger Bar and never set foot inside. Within a few years, the establishment was out of business.

Giger Bar
One of Giger’s sketches for the bar
The description of the bar on the museum’s website is suitably Gigerian:

The interior of the otherworldly environment that is the H.R. Giger Museum Bar is a cavernous, skeletal structure covered by double arches of vertebrae that crisscross the vaulted ceiling of an ancient castle. The sensation of being in this extraordinary setting recalls the tale of Jonah and the whale, lending the feel of being literally in the belly of a fossilized, prehistoric beast, or that you have been transported into the remains of a mutated future civilization.

The Giger Bar is open every day of the week, except that between November and March it is not open on Mondays.
Giger Bar
Giger Bar
Giger Bar
Giger Bar
More after the jump…

Posted by Martin Schneider | Leave a comment
‘The Kids are United’: Footage from Reading Festival 1978 featuring The Jam, Sham 69, Ultravox

Reading Festival 1978
1978 was the year that punk invaded the Reading Festival. The first day of the event, Friday, August 25, featured the likes of The Jam, Sham 69, Penetration, as well as The Pirates and Ultravox, and the day was scintillating enough that two different VHS videos were produced of it, The Kids Are United and Kids Like Me + You. (These seem to be the same movie; both were directed by Peter MacDonald, anyway.) The videos are only available in VHS format, but wonder of wonders, the entirety of the Kids Like Me + You video has been uploaded to YouTube, and it’s a treat. In addition to lots of galvanizing live footage (which looks pretty darn good in the transfer, considering it’s from a VHS tape), there’s also a bunch of interview footage with Paul Weller from The Jam, Jimmy Pursey of Sham 69, and so forth.

The Jam are excellent as always (although Paul Weller was unhappy with the sound and was aloof towards his punker fans), but the revelations in this footage are Penetration with Pauline Murray and Sham 69 with Jimmy Pursey. The Sham 69 rendition of “The Kids Are United” is so intense that you could practically put it in a time capsule to represent punk. Whereas in the nocturnal Ultravox and Jam footage there’s some distance between audience and performer, when Sham 69 plays it’s still daylight and everyone’s on top of each other, the stage is jammed with people and the intense, pogoing audience is right there.

Of course, nothing is as simple as that. The intensity of the performance and the audience reaction led to some scuffles and then some between the “punkers” and the “longhairs,” and Jimmy Pursey of Sham 69 became incredibly frustrated at the violence—see more on that below.
Reading Festival 1978
This page has incredibly exhaustive information about Reading 1978, including audience testimonials, pictures, and information about the VHS releases. Here’s some audience reaction, with emphasis on the out-of-control Sham 69 set:

Pursey was totally hacked off with the aggro and it must have been overwhelming performing in front of around 15,000 people on the Friday.

It was my first proper gig, me and a mate camping, aged fifteen, miles away from parental control.  It was magical, I had already fallen in love with Sham 69 and found it amazing that Jimmy Pursey would spend most of the day hanging around with us idiots.  He was, and remains, a really genuine bloke, always accessible.

The Jam didn’t get a fair deal on the sound front but they just drove straight past their supporters into the back-stage enclosure, no talking, no autographs, good socialism comrade Paul.  They were always better suited to small halls anyway, that type of band.

The Pirates were brilliant, Penetration were superb (Pauline was gorgeous) but the Friday belonged to Sham.  One Reading newspaper described it as a “Punk Invasion”.  I will try to scan the damned thing and get it to you when I can afford a scanner.

That day it seemed like punk rock was going to change the world.  Is every generation so stupid?

We flogged out tickets on the third day cos we’d run out of money, fags and booze but, after the first day and Sham dominating proceedings, everything was going to be anticlimactic anyway.

Reading ‘78 was one of the best experiences in my life, mainly because of the great performance of Sham 69 a brilliant live band who always gave 100%


Just to answer a point on your website Jimmy Pursey broke down in tears during his performance out of sheer frustration at certain sections of the crowd. He brought Steve Hillage on during the Kids are United to try and unify the Punk/Old Guard audiences. (this was the first time reading had embraced punk)

There was a group of skins who didn’t take much to this and were attacking any long-hairs down at the front. I know , as I was one of them – the longhair not the skin! It deeply upset Jimmy to have to watch this going on and be helpless to stop it.


I was at Reading 78 as a 15 year old.

My recollections of the Sham escapade:

The mood was ugly before Sham arrived. There was much discontent from the biker and metal fraternity regarding the “New Wave” acts.

Sham 69 were on stage and were useless - out of tune, out of time and out of their depth playing such a large venue.

Various objects were thrown at the band, who in fairness were determined to play on regardless.

Eventually, a well-aimed can hit the bass player on the head and he stopped playing, bringing the rest of the band to a halt.

Jimmy Pursey had already made several comments, but finally shouted “If you don’t like it you can **** off home”, to which the crowd responded with a barrage of beer-cans and other objects. The stage invasion then happened as documented by other reports.

I left the arena at that point.

The violence between the punkers and the longhairs made the news: On that exhaustive Reading 1978 page there is a news clipping with the headline “Punks in pop fight.”
Kids Like Me + You

Track listing:
Sham 69, “Borstal Breakout”
Penetration, “Life’s a Gamble”
Ultravox, “Quiet Man”
The Jam, “In the City”
The Pirates, “Johnny B. Goode’s Good”
Sham 69, “Angels with Dirty Faces”
The Jam, “Mr. Clean”
The Jam, “‘A’ Bomb in Wardour Street”
Penetration, “Lovers of Outrage”
Ultravox, “Slow Motion”
The Pirates, “Shakin’ All Over”
Sham 69, “The Kids Are United”


Thank you Gordon Reichert!

Posted by Martin Schneider | Leave a comment
Steven Spielberg, ‘animal killer, disgusting inhumane prick’
08:29 am


Jurassic Park
Steven Spielberg

Publicly shaming poachers and assholes who kill exotic or endangered animals on Facebook has been going on for years. But this photo takes the cake of the worst kind of “hunter” on the planet! Just look at Steven Spielberg’s smug face!

Click here to see the full top image. Click here to read the image below.


via Das Kraftfuttermischwerk

Posted by Tara McGinley | Leave a comment
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