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Meet Tuttii Fruittii and Toni Tits, the ‘drag clowns’ of London
05.23.2016
02:21 pm

Topics:
Queer

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The memorably named Tuttii Fruittii and Toni Tits—Tuttii’s the one on the bicycle above—are inclusive clowns for the generation that has decisively rejected the imposition of restrictions on gender identity. Operating out of the Deptford neighborhood of London, they go by the name Jûngølā Klöwñz, and they are an “experimental comedy art duo” inspired by a generous grab-bag of sources, including drag, clown, and tribal culture.

Tuttii and Toni both cut their teeth at the Haus of Sequana, a women-only group inspired by the tribal practices of the African, South American, and Asian diasporas that after “rampant orgies of imagination and joyous mashings of minds” created a group of performance artists that liberally uses body paint, movement, and chanting “to challenge patriarchal norms and prescribed gender roles.”

In what passes for “regular life,” Tuttii is a hair sculptor and Toni is a video artist. Photographer Poem Baker has been capturing the duo as they go about their business for over a year, and that time has culminated in the colorful series of pics seen here.

On the Klöwñz, Baker writes, “Their psychedelic creations being so entrenched in their daily lives has made it impossible to distinguish between persona and performer, between art and life.” The two clowns have given Baker an occasion to ponder why she does what she does too: “London is my home, and I love photographing all its wonderful, colorful characters— the eccentrics, the artists, the crazies, and the the bohemians.”
 

 

 
More after the jump…....

Posted by Martin Schneider | Leave a comment
Freakishly cool body paintings by 16-year-old artist
05.23.2016
01:57 pm

Topics:
Art
Design

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Here are some really impressive body painting skills by 16-year-old Melbourne-based artist Lara Wirth. On Wirth’s Instagram page, she’s described as a self-taught body painter and a “dedicated procrastorpainter.”

It’s hard to believe looking at these images that Wirth has had no formal training. She’s truly gifted to say the least.

 
More after the jump…

Posted by Tara McGinley | Leave a comment
‘American Horror Story’ tarot cards
05.23.2016
01:02 pm

Topics:
Occult
Television

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‎Ligne claire whiz Derek Eads has concocted a gorgeous tarot set for fans of FX’s creepy shudder-fest American Horror Story.

Using the stately Art Nouveau AHS typeface and precise red/white/black drawings on a muted dark slate gray background, Eads has wittily taken some of the gore and shock out of the familiar cast of bone-chilling monster (and their victims).

In the deck, Sister Jude (Jessica Lange) from season 2 occupies the role of Judgement, while The Hermit is the “pinhead” Pepper from seasons 2 & 4 (Naomi Grossman); triple-breasted Desiree Dupree from season 4 (Angela Bassett) is the Chariot, and Iris the hotel clerk from season 5 (Kathy Bates) is the Hierophant. Eads changed the title of season 5’s Elizabeth Bathory (Lady Gaga) from Countess to Empress, whereas the High Priestess is journalist Lana Winters from season 2 (Sarah Paulson).

There’s no better choice for the Devil than season 3’s Papa Legba (Lance Reddick), and the AHS may have had a tarot deck in mind when they introduced the winged Angel of Death (Frances Conroy) in season 2.

The rest, we’ll let you figure out for yourself.

You can purchase the full set from Gallery 1988 in Los Angeles for just $25.
 

The Fool/The Magician
 

The High Priestess/The Empress
 
More after the jump…

Posted by Martin Schneider | Leave a comment
Of punk rockers, Bad Brains, CBGB & ‘Quincy’: Charming local news segment on hardcore, 1982
05.23.2016
10:36 am

Topics:
Punk
Television

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This is another one of those fun, seen-in-retrospect “time capsules” about how allegedly scary punk rock was supposed to be, whilst presenting footage of kids who seem anything but scary. Misfits? Sure. Scary? No.

The time was pinpointed by one of the people interviewed as either 1982 or 1983. The segment was from something called called “2 on the Town” and I’m gonna guess that this was something seen on the local CBS affiliate in New York at the time. Dig the “Let’s Get Physical” location of the host wraparound. Instead of using an actual hardcore punk soundtrack, for some (bad) reason, they decided to cut it to David Bowie’s “Cat People (Putting Out Fire)” and “Turning Japanese” by the Vapors. Despite this, there’s a choice clip of the Bad Brains and a look at the sort of explosive melee they inspired. We also see a bit of the infamous “punk” episode of Quincy followed by some disgruntled teenage commentary about it.

There’s even an interview with a cool mom!

See it after the jump…

Posted by Richard Metzger | Leave a comment
Surly socks with brutally honest messages for everyday wear!
05.23.2016
10:06 am

Topics:
Amusing
Fashion

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I saw this image of the “I hate everyone too” sock featured on the Arbroath blog. I thought to myself, “Is this a real sock design?” and I will admit that I kinda want to own a pair. After doing some digging around, I discovered that they’re indeed real and that they’re made by Blue Q. Not only is there the “I hate everyone too” sock design but I found several other surly sock designs to my evil delight.

Most of the women’s socks retail for $9.99 and men’s sell for $11.99. The sale item socks go for around $4.99.


 

 
More after the jump…

Posted by Tara McGinley | Leave a comment
The Smashing Pumpkins—very early on—live for an hour on a local Chicago TV show, 1988
05.23.2016
09:00 am

Topics:
Music
Television

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Smashing Pumpkins
 
What you are about to see is some pretty incredible early footage of the Smashing Pumpkins performing songs from their first demo tape on a local Chicago television show, The Pulse back in 1988.

While the producer of The Pulse Lou Hinkhouse had heard the buzz on the street regarding the band, he hadn’t yet heard their music. Corgan had just moved back to Chicago from Florida after ditching his gig as the vocalist and guitarist of The Marked. After meeting up with James Iha, the two started writing music together with the help of a drum machine (much like his days with The Marked), and were soon doing live gigs around Chicago. Corgan then hooked up with bassist D’arcy Wretzky and the Smashing Pumpkins became a trio. After some urging, Corgan ditched the drum machine and enlisted a human timekeeper, Jimmy Chamberlin. Hinkhouse was “blown away” by the demo and immediately contacted Corgan (who was just 21 at the time), and asked if the band would perform on the show’s “Basement Jam” segment.
 

A 21-year-old Billy Corgan
 
With only a few live gigs under their belt, the Pumpkins agreed to Hinkhouse’s proposal and in the footage below you will see and hear the band perform nine songs, “There it Goes,” “She,” “Under Your Spell,” “My Eternity,” “Bleed,” “Nothing and Everything,” “Jennifer Ever,” “Death of a Mind (that would later be called “Sun” on the 1991 album, Gish),” and the blistering track, “Spiteface.” According to Corgan, during this early time period when the band was still developing their own sound, they were heavily digging on the melancholy sounds of “sad-rock” being made by bands like The Cure…

Continues after the jump…

Posted by Cherrybomb | Leave a comment
Imaginary pinball machines of Hawkwind, The Stooges, Jim Jones, and more
05.23.2016
08:58 am

Topics:
Art
Games

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If you’re as much of a pinball nut as I am, you’ll flip over these fantasy back glass illustrations by Charlie Fogel.

Illustrator/cartoonist, Fogel has loads of amazing work on his Plop Culture Prints Facebook page, but these imaginary pinball games are something special. I’ve been hooked since seeing the first one in his series, Jonestown, featuring a grinning Jim Jones holding a silver ball and dishing out Flavor Aid to busty beauties.

Since that first piece, Fogel has created five more fantasy machines depicting, in order of their release, the band Hawkwind, Jodorowsky’s arthouse classic Holy Mountain, notorious drug lord Pablo Escobar, the nuclear tests at Bikini Atoll, and a Stooges Funhouse piece.

Fogel told Dangerous Minds a bit about the pinball series:

I was lucky enough to grow up with a pinball machine in my house that my dad inherited from the firehouse where he tended bar—I’m just now realizing how the countless hours of staring at it informed the way I draw. I got the idea for these at the Pinball Museum here in Asbury Park, looking at how random and awkward a lot of the subject matter of the old machines are. They’re the basest of advertising art, using totally overt sex, violence, bright lights and loud noises to stand out in a crowded bar or arcade. It’s a perfect vehicle to keep addressing the stuff I’m obsessed with (Jim Jones, for instance) without repeating myself or others work on the subject. It’s also cool because all the machines of that era, from the design down to the electronics, are totally analog—but still manage to overpower your senses without any slick computerized fluff. That really appeals to me as someone who works almost completely in analog methods and materials.

All of these illustrations are 12 inches square, mixed media on Bristol board. Fogel is planning to create six to ten more similar pieces to present in a gallery setting. Until then, you can view his work on his Facebook page or his website plopcultureprints.com.
 

 

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Posted by Christopher Bickel | Leave a comment
Dave Davies explains how he REALLY got the raw guitar sound on The Kinks’ ‘You Really Got Me’
05.21.2016
08:48 pm

Topics:
Music

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The fuzzy riff of the Kinks’ epochal 1964 hit “You Really Got Me” is one of the great “opening statements” in rock and roll history. For so many of us, that lick was the first time we ever heard the Kinks—leading to countless hours spent listening to some of the greatest rock and roll ever recorded.

Recently, the origins of that notably fuzzy sound were the topic of a passage in Rich Cohen’s new book The Sun & the Moon & the Rolling Stones, which was excerpted in Slate a couple of weeks ago. In addition to writing this book, Cohen is one of the creators of the HBO series Vinyl, along with Mick Jagger, Martin Scorsese, and Terence Winter.

Dave Davies, who wrote the riff, is very annoyed at Cohen’s portrayal of how it came about. Davies spoke out on the Kinks’ official Facebook presence earlier today with a lengthy open letter to “Rich Cohen, Random House, and Slate magazine” in order to air his grievances.
 

 
The roots of Davies’ annoyance seem to relate to the notion that his brother Ray was involved in the incident, which involved a speaker being cut by a razor blade, when he actually was not involved at all. Obviously, the relationship between Ray and Dave Davies has been notoriously difficult for decades now. Dave once said of Ray, “I love my brother… I just can’t stand to be with him.”

According to Davies, neither Cohen nor Slate have responded to his requests to identify the source of the anecdote. Here’s the section of Cohen’s book that irritated Davies (boldface added):
 

When Keith listened to the new version, he knew what was missing. The riff! He had to crank it up. The next morning, Ian Stewart came back from the music store with a Gibson Maestro fuzz box, a new gizmo that distorted guitar, junked it up. The sound was akin to the lead on the Kinks’ “You Really Got Me,” which, according to legend, resulted from a fight between Dave Davies and Ray Davies. One of the brothers cut a speaker with a razor blade, causing the same sort of snarled line Richards achieved with the fuzz pedal.

 
And here’s the relevant portion of Davies’ response:
 

Mr. Cohen and Slate magazine editors have refused to provide a source for this passage despite repeated requests from my staff. As I have stated in interviews and print since 1964, I was alone at home in the front room of 6 Denmark Terrace in Muswell Hill North London when I got angry because I was upset about being separated from my girlfriend. I slashed the speaker cone with a razor blade IN A FIT OF RAGE. Ray was not with me. I was alone in my ANGER. IT had nothing to do with a fight with my brother.

 
The full letter is much longer—it’s definitely worth a full read. According to Dave Lifton at Ultimate Classic Rock, Dave Davies got bent out of shape in late 2014 when Ray stuck an incident along these lines into his musical-in-progress about the Kinks, which goes by the title Sunny Afternoon. Dave’s comment on the situation at that time was:
 

“My brother is lying. … I am just flabbergasted and shocked at the depth of his selfish desire to take credit for everything. I never once claimed songwriting royalties on “You Really Got Me,” yet this song would not have happened without my guitar sound.

More after the jump…

Posted by Martin Schneider | Leave a comment
‘Suzy Speedfreak, this is the voice of your conscience, baby’: Frank Zappa’s anti drugs PSAs
05.20.2016
04:56 pm

Topics:
Drugs

Tags:


 
Frank Zappa was a well-known teetotaler for such a supposedly “far out” rock star. Although he chain-smoked cigarettes like they were food and pounded coffee, the head Mother frowned on drug use and actively discouraged it in his sidemen to the point of allegedly even firing future Little Feat leader Lowell George (who was on Weasels Ripped My Flesh) just for smoking pot—that per Pamela Des Barres—or it might have been for composing a pro-pot song that he wanted the Mothers to play. As George himself revealed to a Rochester, New York audience onstage in 1975 right before playing “Willin’”:

“I was in a group called the Mothers of Invention, but I got fired for writing a song about dope. How ‘bout that shit?”

Perhaps he should have taken his mentor’s advice. Later Zappa was alleged also to have fired Ike Willis for enjoying the high life.

Zappa was so anti-drug that he did something few other rock stars (especially ones with as weird a reputation as he had) would have done (at least convincingly) at the time: He recorded several improvised anti speed PSA radio spots for the Do It Now Foundation. In one of them he claims that using speed will turn you “into your mother and father.” He also tells the listener not to “use smack or downers.”

In the first one, Zappa addresses someone who will be familiar to all Mothers fans and wonders what’s gotten into her…

Continues after the jump…

Posted by Richard Metzger | Leave a comment
Visit the world’s first ‘raccoon cafe’
05.20.2016
04:19 pm

Topics:
Animals
Food

Tags:


Cong kisses a guest
 
You ever look at raccoon headlines in the news? They’re often amusing or interesting. Right now on Google News you’ll find the headlines “Raccoon Takes Out Power to Thousands” (Wisconsin) and “Burglary Suspect Turns Out to Be Raccoon” (Florida) and “Raccoon Moved, Twice” (Connecticut).

If you find any of those stories worth clicking on, then you’ll surely be interested in an establishment called Blind Alley in Seoul, South Korea, which counts among its primary features two live raccoons—their names are Cong (male) and Milk (female)—and patrons have the option of staying in the “normal room” (where food can be consumed) or entering the “raccoon room,” in which they can interact with the furry creatures.

The cafe has been a mecca for raccoon lovers for about a year and a half, when Han Song-hee took over the establishment gave Cong and Milk the run of the place. Those who are dubious about the whole concept of a raccoon cafe might be mollified to hear that one of the pair of raccoons was rescued:
 

I adopted Cong from a breeder. Cong’s family has been domesticated from his grandmother’s generation. Since he was alone, I wanted to get him a friend. Milk was one of those raccoons imported to China and destined for pelt or fur coats. I was able to adopt her from one of [the] animal importers.

 
In my experience, there’s not much middle ground on raccoons—either you find them super-cute or you detest them—and that’s If you don’t happen to have a debilitating fear of them. It’s clear who Blind Alley’s target audience is, anyway.

The author of the book on raccoons—literally, he wrote Raccoons, A Natural History—Sam Zeveloff isn’t sure the raccoon cafe is such a good idea: “Raccoons, like other wild animals, typically are not good pets, given that their behaviors are incompatible with ours. ... We should interact carefully with them, from a distance.” Not surprisingly, Zeveloff understands the attraction, however: “Their striking masks, impish faces, lustrous fur, and ringed tails are all aesthetically appealing.”

 

Milk on a walkway
 
More after the jump…

Posted by Martin Schneider | Leave a comment
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