Sad news. Michael Davis who played bass in The MC5 and Destroy All Monsters has died of liver failure at the age of 68.
In an interview conducted in 2010, Davis looked back on the Sixties and the pop culture crucible in which the MC5 were formed.
The energy of times of the late ‘60s was something that probably won’t ever be duplicated because at that point in time everything was changing from the post-war era into what we might call modern society and technology. When I first started playing in the MC5, a lot of things were still in black and white, not everything was in color, especially the things from Europe, what we called foreign film back then. It had a certain character back then, a lot of the photos of British bands were in black and white. It carried that rainy day mood, it wasn’t all bright and lollipops. It was somber and bluesy. It was such enormous fun to break away from being a straight kid, and dress in Carnaby fashions, skinny pants, pointy boots, little skinny ties and white shirts.
It was an era that was unique, and really a lot of fun. It had this particular soul to it, Motown was happening, everybody was very dapper, before the psychedelic thing took over. The spirit of the times is what stands out.
I believed in us (the MC5), and believed what we were doing was so unique. For me the important thing was to be original, because I came from an art background. Copying someone else’s stuff wouldn’t get the attention that I wanted. Originality was the key to any kind of long-term recognition. I wanted us to be totally original. I thought what we were doing was totally unprecedented, at least not in rock and roll. There was plenty of jazz music, Sun Ra, where people improvised and played free. When we started doing it with electric instruments I just felt the energy levels that we achieved were so profound. I could see it in the audience reactions to it. Audiences absolutely hated it or went crazy. I thought that it would have a long-term effect. But you know it wasn’t successful in the business part of it. It wasn’t that marketable. It wasn’t like the Beatles. But I actually did have a kind of a suspicion that it would be long-term. Having said that, I am really surprised it did turn out that way.”
This footage of The MC5 from 1967 features Michael Davis in supreme form.
Age may weary and death may claim, but the ears will not condemn this fine selection of essential listening from Blondie, Joe Strummer, Ian Dury, Sonic Youth, David Bowie, Johnny Cash and Leonard Cohen taken from Later with Jools Holland.
01. Blondie - “Heart of Glass” from 1998
02. Joe Strummer - “London Calling” from 2000
03. Ian Dury - “Sex and Drugs and Rock ‘n’ Roll” from 1998
04. Sonic Youth- “Sacred Trickster” from 2009
05. David Bowie - “Ashes to Ashes” from 1999
06. Johnny Cash - “Folsom Prison Blues” from 1994
07. Leonard Cohen - “Dance me to the End of Love” from 1993
One of the highlights of last year’s Fantastic Fest was Michaël R. Roskam’s Bullhead, a riveting thriller that combines some of the real life nitty grittiness of the Dardennes brothers, the violent poetry of Martin Scorsese and Roskam’s own unique vision where evil intent lurks in chiaroscuro landscapes and behind locked metaphorical doors. Bullhead’s plot is a multi-layered psychological thriller, rich in detail and riveting in execution.
Young cattle farmer Jacky Vanmarsenille (Matthias Schoenaerts) is approached by an unscrupulous veterinarian to make a shady deal with a notorious beef trader. But the assassination of a federal policeman and an unexpected confrontation with a mysterious secret from Jacky’s past set in motion a chain of events with far-reaching consequences.
Bullhead is an emotionally driven tale of revenge, redemption and fate set against the backdrop of the Belgian bovine hormone mafia. It is an exciting tragedy about fate, lost innocence and friendship, about crime and punishment, but also about conflicting desires and the irreversibility of a man’s destiny.
Opening in selected cities on February 17, Bullhead, which has been nominated for a 2012 Academy Award for best foreign film, is the second release from Drafthouse Films, the distribution wing of Tim League’s expanding Alamo Drafthouse film community. Their first release was the critically acclaimed Four Lions and upcoming Drafthouse Films include…
[...] documentarian Mark Harley’s comprehensive feature on perhaps the most infamous ‘80s production outfit Electric Boogaloo: The Wild, Untold Story of Cannon Films, Mikkel Nørgaard’s internationally acclaimed comedy Clown, and SXSW ‘11 favorite The FP and The ABC’s Of Death - an anthology film featuring segments by 26 different directors that Fangoria calls, “a stunning roll call of some of the most exciting names in horror across the world.”
In addition to heading Drafthouse Films and America’s hippest film chain, League owns The Highball restaurant and bowling alley and is the founder of the preeminent genre film festival in the world, Fantastic Fest. The guy’s passion for film knows no bounds and, as his mini-empire grows like the unstoppable vegetation in The Triffids, this CEO is having a shitload of fun while keeping it real.
In the following interview conducted on February 17 at The Alamo Drafthouse’s South Lamar location in Austin, League discusses Bullhead, his plans for the future and the infamous Youtube video that made Alamo Drafthouse’s cell phone policy (turn em off during screenings) a viral sensation.
And please refrain from talking or text messaging during the video or we’ll kick your ass out!
Babeu’s Mexican former lover is claiming that the sheriff’s attorney has threatened him with deportation unless he signed an agreement never to discuss their years-long relationship!!!
*Sputter* *cough*... I mean, you can’t make this shit up. And no one did. The evidence seems pretty damning to say the least!
The latest of the alleged threats were made through Babeu’s personal attorney, who’s also running the sheriff’s campaign for Congress in District 4, the ex-lover says.
He says lawyer Chris DeRose demanded he sign an agreement that he would never breathe a word about the affair. But Jose (New Times is withholding his last name because Babeu and his attorney have challenged his legal status) refused.
The 34-year-old from central Mexico charges that the sheriff’s lawyer warned against mentioning the affair with Babeu. DeRose said gossip about Babeu would focus attention on Jose, attention that could result in his deportation, Jose says.
Melissa Weiss-Riner, Jose’s attorney, confirms her client’s account.
She says she spoke directly to the sheriff’s lawyer, DeRose, about the Babeu camp’s threats that Jose could be deported if he “revealed the relationship.” She says DeRose falsely claimed that Jose’s visa had expired.
“Jose came to our firm because he felt he was being intimidated, and he was in fear for his life,” Weiss-Riner says. “He wanted his legal rights protected.”
Babeu didn’t respond to requests for comment by publication time for this article, but his attorney, DeRose, says the dispute between Jose and the sheriff concerned Jose’s work on Babeu’s websites. He says Jose was a former volunteer who hacked into a campaign website.
DeRose didn’t immediately address the other claims against him and the sheriff, except to say, “I never threatened to deport anybody” and that “[Babeu’s] not threatening anybody.”
Believe that if you are really gullible... There’s even a part of the story that involves a jealous Jose doing a “Babooshka” on Babeu, writing to him under a nom de plume on a website called adam4adam.com and posing as another man in order to catch him in the act! More from the New Times article:
Informed of the situation, Nancy-Jo Merritt, a longtime Phoenix immigration attorney, says such a threat would be indicative of an “atmosphere that’s been created politically in this state, so that if you get angry at someone who is Hispanic, you immediately jump down to the level of threatening to deport him.
“If what [Babeu’s attorney] says is correct [about Jose’s being illegal], either the sheriff had a long relationship with someone he knew was undocumented, while all the time being Mr. Bluster about the border and using it for political gain,” or he threatened to deport someone he just broke up with, Merritt says. [Emphasis added].
“That’s just the worst kind of hypocrisy.”
She adds that federal immigration-enforcement agents have better things to do than “take care of Babeu’s boyfriends.”
Antonio Bustamante, a criminal defense attorney and immigration activist, tells New Times that if the allegations against Babeu are true, “To use a position of authority . . . and make legal threats opens a Pandora’s box of ethics issues for any law enforcement person or any elected person. In this case, he’s both.”
Paul Babeu’s a lot of things!
When asked for a statement about the allegations and the online profile, Babeu’s attorney said:
“He believes he’ll be judged by his record as a 20-year veteran of the United States Armed Forces, police officer who has saved two lives in the line of duty and responded to thousands of emergencies, and Iraq war veteran.”
Tell that to Sean Hannity and your former friends in the CPAC crowd, Babeu…
John Cleese answers YouTube comment questions the way only John Cleese could.
YouTuber IrishBagel107 writes: “Sarah Palin = Twit of the Year Nominee.”
John Cleese responds, “I think the problem with people like this is that they are so stupid that they have no idea how stupid they are. You see, if you are very, very stupid how can you possibly realize that you’re very, very stupid?”
A series of decaying wood and steel structures extending into the Hudson River along the West Side Highway from Christopher Street up to Chelsea, the piers were popular gay cruising spots back in the 1970s. The vibe was open, loose and sexy.
The years between Stonewall and the advent of Aids were a period of sexual freedom and celebration in the West Village and the piers were at the center of a scene that in retrospect seems bittersweet.
Nelson Sullivan’s “The Piers in New York City in 1976” is a short 8mm clip which captures a transitional time between hope and harsher realities.
Until his fatal heart attack in 1987, Nelson Sullivan spent much of his life documenting the Manhattan downtown scene of the the 1970s and 80s. You can see his work at the 5 Ninth Avenue Project on Youtube. It’s a treasure trove of videos, including Lady Bunny, RuPaul, Larry Tee, Michael Alig and the Club Kids, Sylvia Miles, Michael Musto, Albert Crudo, John Sex, the Pyramid Club, the Limelight and Palladium.
Holy vocal chords! Batman sings! Adam West gets all matey on the poop deck while charming (shurely hams? - ed.) his way through “This Is The LIfe”, from The Milton Berle Show. But first pop fiends Mr. West gives his rendition (shurely torture? - ed.) of a darling little heartfelt ditty “You Only See Her” found on the wonderful site Lord of the Boot Sale.
It looks like the “outspoken”—some might say bigoted—Republican bloviator was having a drink in a gay club called T.C.’s Show Bar last month. When he left, he hit a parked car before speeding off without stopping. Problem was, it was the bouncer’s car, he was standing outside, saw the whole thing happen, got Berry’s plate number and there are videotapes of Berry in the bar.
Lucy’s got some s’plaining to do, obviously. Via Raw Story:
The video shows a man who looks like Berry entering the bar while men in drag performed nearby. He ordered a beer and went to the bathroom on at least two occasions.
After leaving the bar at around 11 p.m. on Jan. 31, Berry allegedly backed his black Chevrolet Tahoe up 70 feet before smashing into Bennett’s Volkswagen Passat.
Bennett told police that he clearly saw Berry behind the wheel, but they refused to file charges.
“I’d say that’s the government at work,” he said. “I mean that’s corruption at its best. You know, a hit and run is a criminal, whether or not you’re an average individual or somebody who has his political pull that he does,” Bennett added in an interview with KHOU.
But here’s where it gets oh so good: IT’S ALL A LIBERAL CONSPIRACY as Berry intimated on his radio show… (Via The Houston Chronicle)
“I’ve always said when you do what I do, the way I do it, you make enemies. When you poke your finger in as many people’s eye as I do every day, you make enemies,” said Berry.
He said that his detractors “will accuse you of most anything” and he added, “You have to trust that in the end, the system works itself out, that there are checks and balances, there are people who will verify. But you also recognize that there are some people who want you to be crushed. There’s some people who hate you. There are some people who privately would benefit from you not being on the air.”
He said he does not respond to reporters who question him “on their turf” because it is subject to editing. However, at no point in his broadcast did he deny being behind the wheel and at no point did he address his presence in the club.
“You simply cannot go out there and chase down every nasty thing that is said about you. Just because someone says something nasty about you doesn’t make it true,” he said.
The flip side of that?
“Videos don’t lie,” T.C.’s Show Bar bouncer Tuderia Bennett, the victim of the hit and run, told KPRC. “They don’t paint pictures that don’t exist.”
I’m inclined to believe that this escapade will be quite difficult to wriggle out of for Mr. Berry. Not just legally, but with his wife…
“If you’re going to stand up and say anti-gay things and be conservative and be Mr. Good Guy, and then when something happens that points you out and puts you in a place with the exact business that you aim to shut down, it kind of makes it seem like I need this to go away and I need it to go away quickly,” he said.
That’s not possible anymore in this day and age as Michael Berry is finding out. Will these fellows never learn?
Nic Cage is a meme stream and here’s the proof - 100 memorably surreal Cageisms.
“100 Greatest Nicolas Cage Quotes.” Featuring scenes from (in order of first appearance): Gone In 60 Seconds, Wild At Heart, The Rock, Deadfall, Con Air, The Wicker Man, Leaving Las Vegas, Drive Angry, Face/Off, Wings Of The Apache (aka Fire Birds), Kick Ass, Honeymoon In Vegas, National Treasure: Book Of Secrets, Snake Eyes, Trapped In Paradise, The Family Man, Matchstick Men, Moonstruck, World Trade Center, Vampire’s Kiss, The Sorcerer’s Apprentice, 8MM, Bad Lieutenant: Port Of Call New Orleans, Kiss Of Death, G-Force, Season Of The Witch, Lord Of War, National Treasure, Red Rock West.”
“Mr Cheeks”, perhaps the most unintentionally gay name in rap
Unintentional Gay Rap Lyrics is a blog that compiles, well, unintentionally gay-sounding lyrics from rap songs. Most of these rhymes were not designed to be, ahem, taken that way but it’s still pretty hilarious thinking of these über-butch (and in some cases homophobic) dudes in that kind of situation. Here are some choice examples:
GURU: “To all you herbs, i got something for that ass - the tongue of terrifying fury”
(From Gangstarr’s “Tongue of Terror”)
BEANIE SIEGEL: “I’ll blow a nigga for a box of Huggies.”
(From “Toney Siegel aka The Barrell Brothers”)
BEENIE MAN: “How can i make love to a fella in a rush”
(From “Who Am I”)
BIGGIE: “We fucked in his bed, quite dangerous, I’m in his ass while he playing against the Utah Jazz”
(From “I Got A Story To Tell”)
DMX: “Suck my dick. And while you niggas that’s been to jail before know it’s about to get thick. Let’s get it on baby. I’m gonna be goin’ against 4 niggas and you think you crazy?”
(From “What’s My Name”)
SNOOP DOGG: “I got a pocket full of rubbers and my homeboys do too.. so turn out the lights and close the door (but for what?) we don’t love them hoes!”
(From “Gin and Juice”)
So let’s be clear here: You’ve got condoms, so do your boys, you just turned off the lights and closed the door. And you hate women. That’s so gay.
BIG PUN: “When you awaken, your manhood will be taken.”
(From “The Dream Shatterer”)
Thaaaat sounds like rape, and I bet you’d wake up if a 400 pound Puerto Rican man started deflowering you in your sleep.