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3 Trailers for Irvine Welsh’s ‘Ecstasy’

Award-winning director, Rob Heydon’s film version of Irvine Welsh’s Ecstasy opens this fall.

Starring Adam Sinclair, Kristin Kreuk, Billy Boyd and Carlo Rota, it’s based on Welsh’s novella, “The Undefeated”, taken from his book Ecstasy - Three Tales of Chemical Romance.

It’s 15 years since the film version of Trainspotting kicked in the doors and launched the careers of a young and new generation of talent, and while negotiations continue for its follow-up Porno, it’s hoped Ecstasy will be as good, if not better. Here’s hoping.

Here’s the most recent teaser for the Ecstasy, plus 2 others. For more information check here.

Alternative trailers for Irvine Welsh’s ‘Ecstasy’, after the jump…

Posted by Paul Gallagher | Leave a comment
Greenmeme: The (profoundly) eco-conscious artforms of Brian Howe and Freya Bardell

Above, Greenmeme’s Freya Bardell constructing “Migration of the Marine Tumbleweed.”

Brian Howe and Freya Bardell work under the studio name Greenmeme, a cross-disciplinary design collective, based in Los Angeles. Bardell and Howe create site-specific artistic environments that encourage the public to participate and think, promoting both environmental and cultural awareness of given landscapes and ecosystems. Through their public artworks they can hope to provoke creative dialogue about deep ecological issues that matter to all of us.

I recently caught up with Freya Bardell over email:

Richard Metzger: What is your “River Liver” installation about?

Freya Bardell: The first “River Liver” was created in 2005 in the Los Angeles River, seeking to raise awareness of the many ecological and cultural conditions that line its concrete banks. Since that time, the “River Liver” project has become a yearly ritual, designed to “restore” the health of different types of stressed and polluted bodies of water. “River Livers” are functional sculptures, made through community events. They take place “down by the river,” in communities where doing so is not normal.

We encourage people to create their own River Livers, based around developing community strategies for culturally and ecologically reclaiming their water resources. River Livers re-mediate their environment but ,most often, we see the most significant remediation within ourselves, walking away with new friendships based in an enthusiasm to come together and pro-actively clean and reclaim our environment.

Richard Metzger: How many locations have you installed in 5 years?

Freya Bardell: Beyond the yearly Los Angeles River ritual, we have installed a series in Stowe Lake and we are planning a 2012 launch of one on the Trinity River, Dallas, TX.

As I keep mentioning our work is site specific, and therefore we were excited to have the opportunity to utilize the paddle boat culture on the Stowe Lake in our artwork by inviting the public to hook the River Livers onto their paddle boats and tow them to different parts of the lake that they thought needed remediation.

Coming up in Dallas, there will be something totally different. We’re anxious to delve into the site history and see what emerges. Maybe we could create more of an atoll or invite people to inhabit one of the islands. We have to get there first and see.

“Migration of the Marine Tumbleweed” in Santa Monica bay.

Richard Metzger: That amazing glowing, floating trash project you did for the big Glow festival in the Santa Monica bay was also, obviously, about water. What is the connection, if any between these two pieces?

Freya Bardell: We are particularly interested in the environmental and cultural systems at play around our studio and in the city we live in. The ideas that watersheds and air-sheds, cross all kinds physical, political and economic boundaries, picking up all kinds of crap on the way and depositing it out into the oceans or into the atmosphere. The “River Liver” projects looks at the source of these contaminants. Other projects, such as the “Migration of the Marine Tumbleweed,” the one you saw off the beach in Santa Monica look at the collection points of these toxic sources, pollutants gathering in the pacific ocean at the “the trash vortex” or “great pacific gyre”. The project is essentially a story that talks about plastic pollution in our oceans.  In the narrative we reconstruct tiny pieces of plastic pollution into fictitous sea creatures, that evolved from the toxic soup of plastic and electronic parts which litter the vortex. The Mum, Dad and Baby tumbleweeds, communicated through a light based language to a team of “scientists” from the “Center for Marine Intelligence,” who could decode to those at the Glow festival the tales of their journey from the vortex

Above, the Environmental Learning Center project, recently completed, at the Hyperion Treatment Plant in Los Angeles.

A third piece in the theme of watersheds, water usage and waste water it our latest project, “Hyperion-Son of Uranus,” a giant 3D topographical map of the Los Angeles sewer system. Based upon the Thomas Guide grid of Los Angeles County, reclaimed Caltrans road signs have been made to represent levels of sewer infrastructure lying beneath LA County.

Richard Metzger: What led you both in your careers to do work like this? There’s almost no precedent for the sort of interdisciplinary environmental and scientific blend of the art you make. How did you get into, or even create this field you’re in?

Freya Bardell: I studied Environmental Science in Manchester, UK and my first job was designing and constructing learning gardens for the Lancashire Wildlife Trust. Life led me to Los Angeles and I began my professional career here as art director. Brian comes from architecture and earthship building. I think the meshing of these various disciplines has helped mold our studio and the type of projects we feel compelled to create. We often work with teams of experts to help us overcome some of the more challenging technical aspects of our work.

Richard Metzger: Is it often major corporations and their foundations who underwrite your grants or do the budgets come from the local governments in areas where you work?

Freya Bardell: Our first projects were actually self-funded, in kind donations, small stipends from artwalks, and some private commissions. With a small portfolio of environmental art, we began applying for art grants the first of which was for $500, then $1000. Most of our projects have been funded though local governments such as The Los Angeles Department of Cultural Affairs. The projects are very site specific. We rarely have an idea of a form before we have a site, before we understand the environmental and cultural factors at play and most importantly, who will be the audience.

Richard Metzger: Knowing the long, long lead-time and planning stages it entails to pull off the kinds of projects you do, from finding the money to actually planning them out and constructing them, I’m wondering what your next projects are?

Freya Bardell: Our most current projects have incredibly long time frames, some not being installed until 2015 or later. We are designing the first traffic roundabout in the City of Los Angeles at the confluence of the LA River and the Arroyo Seco. Water will be a major element within the 100’ diameter roundabout. Underneath the roundabout is a water catchment cistern that captures rainwater and run-off hitting the roundabout. This water will be used to irrigate a California native landscape. Throughout the landscape will be nine large stone sculptures.

Above, a visualization of Greenmeme’s “Climate Clock” proposal.

We’re spending the rest of the summer developing our proposal for the San Jose Climate Clock competition, a 100-year instrument to aid in the visualization of Climate Change in the Bay Area. We were selected as finalists over two years ago, and since then we have been refining the prototype of our proposal with the University of California Natural Reserve system and Stanford University to develop an artist-in-residency program within their high-tech field stations. Our main focus in this phase is the Blue Oak Ranch Reserve, a NRS Field Station near San Jose. There we have already begun a respectful transformation of a 100-year-old cabin into the first studio space for our art-science residency program. This will become the site for the first in series of yearly artist residencies over the next 100 years.

Richard Metzger: You certainly do plan things out well in advance, don’t you?

Freya Bardell: Yes, I think you can safely say that!

Posted by Richard Metzger | Leave a comment
Dangerous Minds Radio Hour Episode 27 With Guest Steven Daly
12:25 pm


Steven Daly
Orange Juice

Well it turns out that Steven Daly’s former band Orange Juice won their little Mojo award after all—hopefully this will be the last time we hear about his musical “history” on this site. According to Steven the other highlight of the event—which was attended by the likes of Jimmy Page, Brian Wilson, Ringo Starr and Steve Cropper—was when John Lydon got on stage to pick up some kind of lifetime achievement award and launched into an addled tirade against the entire music business for suppressing his genius all this years. The Sex Pistols’ formerly proud “Irish” frontman then proceeded to call England “the best country in the world”—at which point the red mist descended. “Putting aside Lydon’s utter hypocrisy, you just do not flirt with English nationalism nowadays,” says the Scottish ex-pat. “It’s been completely hijacked by the the violent, far-right scum who follow England’s national football team. “So I found myself jumping up and shouting ‘FUCK YOUR ENGLAND!’ Cue nervous silence all round. “I’m not proud of my outburst,” Daly confesses. “Actually, yes, I am.”

01.Dean Martin “Little Ole Wine Drinker Me”
02.Orange Juice “Dying Day”
03.Frankie Miller “Brickyard Blues”
04.The Showmen “It Will Stand’
05.Chairmen of the Board “I’m On My Way to a Better Place”
06.Rupie Edwards “Irie Feelings”
07.Dr. Feelgood “Roxette”
08.Nils Lofgren “Goin’ Back
09.Dusty Springfirled “Wasn’t Born To Follow”
10.Lightning Seeds “Pure”
11.Billie Ray Martin “Your Loving Arms”
12.Paul Quinn and the Independent Group “Will I Ever Be Inside of You”
13.Thelonius Monk “Consecutive Seconds”

Download this week’s episode
Subscribe to the Dangerous Minds Radio Hour podcast at iTunes

Posted by Tara McGinley | Leave a comment
Two chatbots talk to each other; within in seconds they lie, talk about God & unicorns
11:44 am



Cornell’s Creative Machines Lab says, “What happens when you let two bots have a conversation? We certainly never expected this…”

THIS is how it begins!

(via Nerdcore )


Posted by Tara McGinley | Leave a comment
Horny marionette mimics Jamaican ‘daggering’ dance craze
10:27 am



Well, at least I think this is ‘daggering.’ Things get pretty hot and heavy between the host of the TV show and the marionette around the 1:30 mark. Enjoy!

Previously on Dangerous Minds:
The dance craze that can break your dick

(via BuzzFeed)

Posted by Tara McGinley | Leave a comment
The Holy Bible autographed by Jesus on eBay
09:26 am


The Holy Bible

The Bible (allegedly) autographed by Jesus Christ himself is up for auction on eBay with a starting bid of $1,000,000.69. I like how Jesus dots his “i” with a heart.

You are bidding on an extremely rare copy of a “THE BIBLE.”  written by. Jesus, et al.

What makes this copy so rare is that it is autographed by JESUS CHRIST himself!!!  It appears he has signed it using a royal blue Expo marker…which makes it even more valuable.

Book is ‘like new’ with some slight use.  I’m not pointing fingers at Jesus or anything, but someone has included some crudely drawn PENISES on a few of the pages.

***  PLEASE NOTE ***
AND THIS IS EXTREMELY EXTREMELY EXTREMELY IMPORTANT…. The VHS copy of “The Fly” is NOT included in the auction sale.  Thank you!

“THE BIBLE” Autographed by JESUS CHRIST himself RARE

(via reddit)

Posted by Tara McGinley | Leave a comment
Sinéad O’Connor is looking for love
05:44 am

Current Events

Lonely Hearts

Sinéad O’Connor wants a man, according Ireland’s Sunday Independent, in which the singer wrote an article in search of Mr Right.

So, if nothing compares to you and you’re over 44 years of age, based in Ireland and are “very snuggly” and “not wham-bam” (though occasionally “wham bam”), then this may be of interest:

The man who runs my site will protectively suggest I may want to visit the bathroom for a few intimate moments and a subsequent cold shower before deciding to post this on the site but I will of course ignore him as it’s too late now and the her-moans are having the best of me.

I recently read of a woman in America who married and regularly humps her truck. I don’t yet own a truck but I’m beginning to understand her head space. And am worried I too may be so desperate for sex that within days I might run up the road and hump Bray Cabs’ whole fleet of cars in one hour. Forty quid clear-up afterward. Can’t say fairer than that. Except maybe a photo for their website. Which’d be fine.

My situation sexually/affectionately speaking is so dire that inanimate objects are starting to look good, as are inappropriate and/or unavailable men and/or inappropriate and/or unavailable fruits and vegetables. I tell you, yams are looking like the winners. I actually do know

a woman who is a performance artist from America. I have a photo of her being escorted arm-in-arm by two UK policemen on to a plane back home cuz she humped a yam in the middle of her show. I just know that’s going to happen to me if I don’t take drastic action.

Needless to say what I do for a living makes it hard for me to find men that only want me cuz they like my (legendary) arse. Yet I am in the peak of my sexual prime and way too lovely to be living like a nun, and it’s VERY depressing.

So I’ve been pondering on whether or not I should join some Irish dating agencies. Of course if I did it would end up in papers

so I may as well save myself the registration fees. Besides which, a friend of mine uses dating agencies

and half the men actually have wives.

Am in desperate need of a very sweet sex-starved man. He must be no younger than 44.

Must be living in Ireland but I don’t care if he is from the planet Zog.

Must not be named Brian or Nigel.

Must be blind enough to think I’m gorgeous.

Has to be employed. Am not fussy in what capacity generally but vehicle clampers need not apply.

Leather trouser-wearing gardai, fire-men, rugby players, farmers and Robert Downey Jnr will be given special consideration. As will literally anyone who applies.

I like me a hairy man, so buffed and/or waxed need not apply.

No hair gel.

No hair dryer use.

No hair dye.

Stubble is a non-negotiable must. Any removal of stubble would be upsetting for me.

No aftershave.

Must be very ‘snuggly’. Not just wham-bam.

Must be wham-bam.

Has to like his mother.

Has to like his ex and/or mother/s of his children.

Has to live in own place.

Countless rumours have it that opera singers are recommended to have sex half an hour before each show. So by even applying you are part of my artistic advancement.

Interested parties can apply at (for real): vampyahslayah at yahoo dot com

Via Ireland’s Sunday Independent

Posted by Paul Gallagher | Leave a comment
Dangerous Train Stunt
04:39 am



This comes with the customary warning: ‘Do not try this’.

With thanks to Jonathan Mackenzie

Posted by Paul Gallagher | Leave a comment
The Secret Mystic Teachings OF The Velvet Underground part two
11:59 pm


Amp Tapes part 2
The Velvet Undergound

More from the interior of Lou Reed’s amplifier.

The Velvet Underground played Boston on March, 15 1969 at famed music venue The Boston Tea Party. Someone put a microphone inside Lou Reed’s amplifier and the result is pretty magnificent.

Bootlegged as The Legendary Guitar Amp Tapes, the recordings are formidable in their unadulterated rock and roll fire and fury and a revelation for anyone who hasn’t paid close attention to Reed’s dynamic guitar playing

A beautifully seductive, gently brutal and ultimately ferocious version of “Heroin” is followed by an incendiary “Sister Ray” driven by Moe Tucker’s shamanic skin thumping and Lou Reed’s electronic raping and pillaging of the small villages in our punk rock imaginations.

This is rock and roll at its magical best. And when I say “magical” I refer to that which draws our attention to the spirit that animates concrete, steel, meat and heartbeat. When it’s truly divine, and in this case it is, divinity pulses through radiant, vacuum tubes made of metallic alloys, ionic melts, aqueous solutions, molecular liquids, pumping mystic fire into the wet molecular slop of our hungry brains resonating from the head to the cock/pussy and all the way down to the balls of our feet. And then we move…and then we dance…and then…rock godhood descends upon us like a sweet cloak of diaphanous love juice.

Play this so loud that your neighbors pound the walls, begging and imploring you to rent a room in the Super 8 up the block. Ignore them. Or invite them in.

Posted by Marc Campbell | Leave a comment
The Velvet Underground vs. Godzilla!!!

The Velvet Underground played Boston on March, 15 1969 at famed music venue The Boston Tea Party. Someone put a microphone inside Lou Reed’s amplifier and the result is pretty magnificent.

Bootlegged as The Legendary Guitar Amp Tapes, the recordings are formidable in their unadulterated rock and roll fire and fury and a revelation for anyone who hasn’t paid close attention to Reed’s dynamic guitar playing which in this set is a monolithic roar, a pulverizing electronic kaiju (strange beast) grinding whole universes into pebble and sand.

Listen as Louzilla annihilates the planets and their multiple moons with blasts of amplified frequencies as sublime as they are world crushing. This is the sound of heavy metal thunder!

I’ll be posting more soon.

The louder, the better.

Posted by Marc Campbell | Leave a comment
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