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Hackergate: If this is true, then it’s game over for Rebekah Brooks

The Guardian reports the Police have found evidence that Sara Payne, whose 8-year-old daughter was abducted and murdered in 2000, was a target of News of the World‘s investigator Glenn Mulcaire, who specialised in hacking voicemail.

Police had earlier told her correctly that her name was not among those recorded in Mulcaire’s notes, but on Tuesday officers from Operation Weeting told her they had found her personal details among the investigator’s notes. These had previously been thought to refer to a different target.

Friends of Sara Payne have told the Guardian that she is “absolutely devastated and deeply disappointed” at the disclosure. Her cause had been championed by the News of the World, and in particular by its former editor, Rebekah Brooks. Believing that she had not been a target for hacking, Payne wrote a farewell column for the paper’s final edition on 10 July, referring to its staff as “my good and trusted friends”.

The evidence that police have found in Mulcaire’s notes is believed to relate to a phone given to Sara Payne by Rebekah Brooks as a gift to help her stay in touch with her supporters


One of Payne’s close colleagues said: “We are all appalled and disgusted. Sara is in bits about it.”

If this is true then it’s game over for Rebekah Brooks, and one can only surmise a criminal prosecution


follow soon.

Read the whole article here.
Previously on Dangerous Minds

Does Murdochgate spell the end of oldstream media?

Who benefits from Rupert Murdoch sacrificing the ‘News of the World’?

Via the Guardian

Posted by Paul Gallagher | Leave a comment
Morrissey compares Norway massacre to KFC

This headline reads like a spoof from the Onion, but it’s not. Oh dear. Oh dear oh dear. From the Metro:

The Daily Mirror reports he told the crowd before singing Meat Is Murder: ‘We all live in a murderous world, as the events in Norway have shown, with 97 dead.
‘Though that is nothing compared to what happens in McDonald’s and Kentucky Fried S*** every day.’

Has Moz been listening to too much Glenn Beck? FFS, lighten UP Morrissey!
Sparks - “Lighten Up Morrissey”

Previously on Dangerous Minds:
Morrissey brands Royal Family ‘benefit scroungers’
Morrissey fans are lazy

Posted by Niall O'Conghaile | Leave a comment
The 27 club
12:51 am


Jimi Hendrix


Posted by Marc Campbell | Leave a comment
Rare clip of John Entwistle on British TV 1973
12:14 am


John Entwistle
Old Grey Whistle Test

Mick Stadium has uploaded another super rare clip to his Youtube channel: John Entwistle on the Old Grey Whistle Test in 1973. I may be wrong, but this seems to be the first time it has appeared on the Interweb.

1973’s “Rigor Mortis Sets In” was John Entwistle’s third solo release. LP featured classic covers, new versions of Entwistle songs and then-new recordings.
LP was recorded in less than three weeks and cost only $14,000 to make (with nearly a third of the total cost spent on liquor.)

Sounds like a better-than-average Who song.

Posted by Marc Campbell | Leave a comment
When cocaine was cool
11:09 pm



I remember when cocaine was considered a benign social lubricant, a status symbol, and surefire way to get laid. Back when an elephant’s tusk was nothing more than a nifty accessory for the cokehound flush with money and a perverse sense of hipness.

Each of our exotic spoons, straws, and vials is delicately carved by skilled artisans from the finest center cuts of imported African ivory…the ideal coke surface. Ideal, because moisture does not condense on it, no particles will stick to its surface. The unique quality, coupled with the exquisite beauty of each hand carved design, makes each piece worth its weight ins snow.”

The company manufacturing these lovely products was located 20 miles east of Boulder, Colorado. In the mid-70s, Boulder was flooded with high-grade cocaine and some young dealers/entrepreneurs became very rich. Allegedly, some of the blow money ended up being funneled into small businesses that pioneered Boulder’s natural foods industry. At the time, no one knew just how nasty cocaine and the culture surrounding it would become. As the quality of the drug became increasingly degraded, the experience of using it correspondingly became more and more unpleasant. In the end, the scene went from being fun to being pathetic.

Cocaine is the only drug that I continued to use long after it was making me miserable. Decades later, the thought of snorting a line makes me shudder with revulsion.

Posted by Marc Campbell | Leave a comment
Bowie and Iggy: Hot chicks
09:43 pm


David Bowie
Iggy Pop

“Well I’m just a modern guy.”

Update: Dangerous Minds has the hippest readers on the planet. Thanks for the heads up. It seems the above photo is an altered version of the photo below of Iggy and Sable Starr.

Via Flash Glam Trash

Posted by Marc Campbell | Leave a comment
Jean-Michel Nicollet’s visible nightmares
08:18 pm


Jean-Michel Nicollet

Since 1970 French illustrator Jean-Michel Nicollet’s exquisite nightmares have been gracing the covers of science fiction and horror books, the pages of Metal Hurlant magazine and various comic art anthologies.

Nicollet’s early work anticipates the gothic, cyber and steam punk movements that followed years later.


More dark visions after the jump…

Posted by Marc Campbell | Leave a comment
Download Ghostface Killah bootleg album ‘Ghostfunk’ for free

Ghostfunk is a Ghostface Killah mashup album by the producer Max Tannone, who describes it thusly:

Released in July 2011, Ghostfunk pairs one of my favorite hip-hop artists, Wu-Tang member Ghostface Killah, with vintage African funk, high-life, and psychedelic rock music.

This is really good, and definitely worthy of a free download. You can get it from Max’s website or directly from this link.

Ghostfunk by Max Tannone
Thanks Tara McGinley!

Posted by Niall O'Conghaile | Leave a comment
The last ever Dj set from the legendary NY nightclub The Saint

Robert Mapplethorpe image for The Saint’s “Black Party” 1981 via OrangeMercury.

Thanks to Tony Dunne for the sterling work on this - stitching together various tapes to create a four-and-a-half-hour continuous mix of the DJ Warren Gluck from the closing night of the legendary New York nightclub The Saint in 1988. Tony says:

“There may be slight differences from the originals because of the tape endings. Sound quality could of course be better but the recording was taken from cassette tapes.”

The Saint was a members-only gay club opened in 1980 by New York club owner Bruce Mailman (St Mark’s Baths), and the architect Charles Terrell. It gained legendary status almost immediately, due in no small part to the huge planetarium-style dome over the dancefloor (which hosted massive light shows and also served to hide and amplify the club’s sound system) as well as the notoriously permissive attitude to sex in the club, in the upstairs areas and at special events like “The Black Party”. Unsurprisingly the AIDS epidemic decimated the club’s clientele, leading to its closure in May 1988 (a year after both Studio 54 and the Paradise Garage). The Saint never received the acclaim for its music in the same way the Garage did, despite mixes like this proving it was just as excellent (the music may have been different but gays were raving long before acid house). University of East London lecturer, disco historian and author Tim Lawrence sums it up in his thesis “The Forging of a White Gay Aesthetic at the Saint, 1980-84” (a must read for fans of disco, gay history and New York nightlife):

...whereas historians of dance culture have hailed the Garage’s Larry Levan to be the most influential DJ in the city during the 1980s, the shifting roster of selectors who worked at the Saint have merited barely a single mention—an unlikely scenario given that privileged white groups often receive more attention than disadvantaged subaltern groups. Based on numerous interviews with key protagonists, documentary material held in the Saint’s archive and recordings of DJ sets from the Saint, this article redresses the imbalance by outlining the contributions of Jim Burgess, Alan Dodd and Roy Thode, the Saint’s principal DJs during the opening 1980–81 season, as well as Shaun Buchanan, George Cadenas, Michael Fierman, Michael Jorba, Robbie Leslie, Howard Merritt, Chuck Parsons, Terry Sherman and Sharon White… their collective impact was considerable, even if their very collectivity also meant that each was ultimately disposable.

For more information on the history of The Saint, and the ongoing “Saint At Large” reunion parties, visit Saint At But for now lose yourself in Warren Gluck’s awesome final dj set at the club:

  The Saint Closing Party - Warren Gluck continuous mix by Tony Dunne

Posted by Niall O'Conghaile | Leave a comment
‘Super Girl’ by one hit wonder, Graham Bonney
04:27 pm

One-hit wonders

Graham Bonney

Englishman Graham Bonney was one of the wave of young British performers to make the trip to the famed Star Club in Hamburg, Germany (where the Beatles played several residencies early in their career).

Bonney’s biggest hit was a great number called “Super Girl,” released in 1966. It was a popular record on London’s pirate radio station, Radio Caroline. Although he never made it outside of Germany, Bonney’s had a long show-biz career for a one-hit wonder and is still performing “Super Girl” to appreciative audiences today (It seems like he re-records it every few years. Who cares? It’s a great song and it’s his to milk!).

I’ve always had a really soft spot for this song and actually put this on a mixed CD for my wife when we were “courting” so I was stoked to see this video for it. It’s pure pop perfection and catchy as hell.

Thank you very kindly, Adrian Legg!

Posted by Richard Metzger | Leave a comment
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