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The Controversy Over Facebook’s Gay Kissing Ban Isn’t Over
04.22.2011
02:24 pm
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If you have been following the story about the “gay kiss” scandal that erupted from the pissed off blog post that I posted here on Saturday and went international within… um, minutes, then you have probably also heard that Facebook subsequently apologized.

This is wildly inaccurate, to say the least…

The so-called “apology” touted by the likes of Perez Hilton, Pink News, The Advocate and even mainstream news sources like AOL, Huffington Post and Gawker, as if some kind of “victory” had been won by the LGBT community was nothing more than generic “Oopsie! We goofed” text left by a low level Facebook employee six pages in on the comments to the original Dangerous Minds post. Here is the screen shot:
 
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THIS two sentence squib is what is being described as “an apology” and repeated over and over again by SHITLOADS of extremely lazy reporters as an “official” statement from Facebook!

Is it? Doesn’t look that way to me. I mean, at least say it like you mean it!

Prove this to yourself by googling the exact words that appear here and you will see exactly what I mean. This supposed “apology” was nothing more than a “comment.” That’s it. I used to work at the Los Angeles Times and believe me when I tell you that 99% of the articles I have read about this matter would never have gotten past the copy desk there. This was ONLY shoddy reporting and nothing but shoddy reporting. Britain’s Daily Mail newspaper was the very worst of all. That “reporter” got almost every single major fact WRONG. And then that article got rewritten by even lesser news sources all over the Internet.

Furthermore, it’s not saying anything specifically about a gay kiss. This generic text could also refer, for example, to a photo of a breastfeeding woman that someone reported as “abusive” (their word not mine) to Facebook’s censors. Don’t break out the champagne so fast, folks.

Read what John Hudson had to say, writing at The Atlantic Wire today:

This week, with some satisfaction, a number of gay and lesbian news sites reported that Facebook had “apologized” for removing a photo of two men kissing on its site. The initial censorship had sparked a week-long protest and attracted coverage from The Huffington Post, MSNBC and other news outlets. But now, the man who started the controversy says he’s not satisfied with Facebook’s response. “This is being presented as some kind of victory or that there’s a reason to go do a conga line down Christopher Street,” says Richard Metzger, who posted the photo of two fully-clothed men kissing that was removed from Facebook on Saturday for containing “nudity, or any kind of graphic or sexually suggestive content” according to a notice from the social network.

On Monday, after many gay men and women protested the decision by putting up pictures of themselves kissing on Facebook, the company issued a statement to a handful of media outlets [RM note: I disagree w/ John here, I don’t think it was sent to anyone, I think The Advocate got it from DM’s comments section and that it got repeated over and over again from that report until it became “true”]: “The photo in question does not violate our Statement of Rights and Responsibilities and was removed in error. We apologize for the inconvenience.”

But Metzger doesn’t see why anyone’s celebrating that acknowledgement. “It’s just generic PR speak that doesn’t even refer to a gay kiss,” he says. “The real problem here is certainly not that Facebook is a homophobic company. It’s that their terrible corporate policy on censorship needs to stop siding with the idiots, the complainers and the least-enlightened and evolved amongst us.”

According to Facebook’s FAQ page, a “Facebook administrator looks into each report thoroughly” when deciding whether to remove an item. “There shouldn’t be a human being making that determination,” says Metzger.  He would prefer a censorship system that removes flagged photographs based on an automatic, crowdsourced method similar to the one used by the comedy site Funny or Die. Essentially, he’s promoting a “wisdom of the crowd” system that would work like this: One user flags an item and a second alert pops up asking other users if the material is offensive or not. That way, no single person could get a photograph banned.

But would a “majority rules” system make for a more tolerant Facebook? We’re not sure. Asked if he thought his proposed system could result in more homophobic behavior, Metzger responded as such:

“That’s possible, but in our ecosystem that kind of behavior would be expelled. On Free Republic-type groups, behavior like that might get voted up but it wouldn’t affect the whole Facebook ecosystem. These groups stay with their own kind.”

Still confused? Here’s the back story, just in case:

Richard Metzger: How I, a married, middle-aged man, became an accidental spokesperson for gay rights (Boing Boing)

Posted by Richard Metzger
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04.22.2011
02:24 pm
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Discussion
The Brixton Riots: 30 years later
04.11.2011
08:52 pm
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Thirty years ago today, the famous Brixton riot of spring 1981 brought the long-simmering issues of class, race and police repression to the front pages and TV screens of England.

Brixton was definitely not the first sign of racial unrest in the Thatcher era. A police raid on the Black & White Café in Bristol’s economically hard-hit St. Pauls district the year before had led to a day-long riot among Caribbean youth. And police apathy in investigating a fire at a party on New Cross Road in early ’81 fuelled the notion in South London’s black community that their lives were perceived by the cops as worthless.

In the days before things jumped off in Brixton’s Lambeth area on April 10, cops had launched the charmingly named Operation Swamp 81 in an attempt to curb local robbery and burglary. Over a week, officers stopped almost 1,000 mostly black people—including three members of the Lambeth Community Relations Council—and arrested 118.

Combined with the extremely high unemployment rate among Brixton’s sons and daughters of the Windrush generation of Caribbean immigrants, and the rise of organized white racist activism, the community’s temperature was at peak. As one of the youths put it in one of the films below: “Jobs, money, then National Front…something was bound to happen.” Confusion and bad-faith rumors around police involvement around a stabbing incident was all it took to set off two days of fighting.

The implications of the multiracial Brixton riot unfolded throughout the subsequent summer of that year in Handsworth, Chapletown and Toxteth. Despite the improvements and gentrification that Brixton has seen since ’81, the place hasn’t been free of unrest.

In 2001, director Rachel Currie produced The Battle for Brixton, one of the authoritative video chronicles of the revolt, for the First Edition program.
 

 
Part 2 | Part 3 | Part 4 | Part 5 | Part 6
 
After the jump: on-the-ground footage from community members, and Brixton’s impact on music.

READ ON
Posted by Ron Nachmann
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04.11.2011
08:52 pm
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Discussion
Dangerous Minds Radio Hour Episode 19
04.03.2011
10:08 pm
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Once again Dangerous Minds has digitized Nate Cimmino for your conspicuous consumption. Sounds kind of barbaric, doesn’t it? For the purpose of rumination, this offering was conceived in two parts. The Sacred and The Profane. And, they are completely interchangeable, much as in life, so you may do what thou wilt with them.
 
01. Robert Palmer-Love Can Run Faster (Lee “Scratch” Perry Version)
02. B.S. Pully Intro
03. Joe Bataan-Chick A Boom
04. The Equals-Diversion
05. The Eloise Trio-Chi Chi Merengue
06. Miles Davis-Zimbabwe (edit/excerpt)
07. Muddy Waters- Hoochie Coochie Man
08. Howlin’ Wolf- Back Door Man
09. Greg Wall- Ofan (A Wheel Within A Wheel)
10. Rashanim- Seg Ug’di
11. Sort Sol and Lydia Lunch- As She Weeps
12. Love Of Life Orchestra- Beginning Of The Heartbreak / Don’t Don’t
13. A Secular Exegesis du Jour
 

 
Download this week’s episode
 
Subscribe to the Dangerous Minds Radio Hour podcast at iTunes
 
Video Bonus: The Equals Live In Germany 1966

Posted by Brad Laner
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04.03.2011
10:08 pm
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Discussion
A Rainbow in Curved Air: Terry Riley
03.26.2011
11:26 am
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The music of minimalist composer Terry Riley has always had a special place on my turntable and in my CD player. His 1967 album, A Rainbow in Curved Air is the perfect thing to put on when guests are over—it creates a great mood but never overpowers conversation—and you can bliss out on it like a meditation mantra (the composer’s intent, obviously). You can hear parts of it behind the narration of the original BBC radio broadcast of The Hitchhiker’s Guide to the Universe and it’s on the radio station in Grand Theft Auto IV. Chances are that even if you don’t know it by name, you’ve heard it many times.
 

 
In the 1960s Riley used to play all night concerts, with audience members showing up with sleeping bags. He’d use tape loops to accompany himself, letting them run by themselves when he had to take bathroom breaks. His 1964 piece “In C,” where the same series of notes are played over and over and over again by (at least) 35 musicians, with a single anchor melody of a “C” note played at octaves as eighth notes (serving as the metronome or “pulse” and played preferably by “a beautiful girl,” as the music’s notation instructs) is considered the very first minimalist composition. At a recital of “In C” at the Disney Concert Hall in Los Angeles, 124 musicians took part.
 

 
The repetitive synth section that leads off The Who’s “Baba O’Riley” was inspired by Riley’s signature sound and the title is a portmanteau of his name and that of Indian mystic Meher Baba. He also did a collaboration with John Cale—both of them heavily influenced by LaMonte Young—called Church of Anthrax, which is absolutely amazing and deserves a post of its own at a later date.

Posted by Richard Metzger
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03.26.2011
11:26 am
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Discussion
Guassian Castles: The latest release from space-rocking druids, Lumerians
03.24.2011
02:44 pm
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Music video for “Guassian Castles” from the album Transmalinnia from our space-rocking pals from the Bay area, Lumerians. Shot and Directed by Curtis Tamm

There are some stroboscopic effects here, so they asked me to add “WARNING: May cause seizures or momentary loss of consciousness in susceptible viewers.”
 

Posted by Richard Metzger
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03.24.2011
02:44 pm
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