Shortly after running this post we received the following message from Kliph Nesteroff:
A retraction was submitted this morning regarding the hologram. Kelly Carlin has not endorsed the hologram idea. I took a leap of logic. Kelly has been working closely to integrate her father into the museum, and the builders of the museum have been working closely with Hologram USA, however the hologram plans (of which Redd Foxx is one), does not involve Carlin. The comedy center recently put on a tribute to Carlin’s legacy at the Paley Center and announced the enormous donation of Carlin’s archives to the center. George Carlin is a key point for the Comedy Center, but not part of the Hologram USA project as I mistakenly stated.
Nesteroff also directed me to this now-updated post from Rolling Stone which has accurate information about the musuem’s plans.
Here is the post in its original form:
It’s no secret that we at Dangerous Minds have long been admirers of George Carlin. I know that Richard Metzger is a big fan, and as for me, let’s just say that watching Carlin at Carnegie on HBO (without my parents’ knowledge, of course) at the age of about 13 was a life-changing event.
On top of that, one of the coolest things DM did in 2015 was run an exclusive excerpt of Kliph Nesteroff’s fantastic book The Comedians, which is chock full of information about Carlin’s career. We love the guy.
The history of the use of so-called “holograms” in the news and entertainment business has seen mixed success, to put it mildly. On Election Night in 2008 CNN broadcast an interaction between Wolf Blitzer and a holographic image of correspondent Jessica Yellin, who was reporting from Chicago, in an inadvertent nod to Princess Leia in a similar scene in the first Star Wars movie. In 2008 a hologram of Tupac Shakur sang “Hail Mary” and “2 of Amerikaz Most Wanted” at Coachella.
In neither case was the projected image actually a hologram—it’s similar to the artistic license that allows the makers of a certain kind of self-balancing scooter to call it a “hoverboard.”
So ordinarily we’d want to make fun of news that an entity known the National Comedy Center, scheduled to open in Jamestown, New York, in 2017, announced that a “hologram” of George Carlin will “perform stand-up sets” at the museum. But the fact of it being Carlin admittedly has me interested. Recently Carlin’s family donated a massive trove of the comedian’s archives to the museum, which will make these “holographic” renditions of his comedy act possible.
Almost as newsworthy is the information that the aforementioned Kliph Nesteroff is the chief curator of the National Comedy Center. There is nobody else in the world better qualified for such a position, and we congratulate Nesteroff on the good news.
Nesteroff commented recently that the Carlin family was a major sponsor of the museum and told the Hollywood Reporter that the comedian would serve as the center’s main attraction:
The main gimmick to bring people to Jamestown—which you may imagine is not an easy thing to convince people to do—is the George Carlin hologram. So they’re building this fake comedy club in one corner and George will be onstage, performing like old times ... He’s the credibility here. People have tried to do comedy museums before and failed. When you hear “comedy museum” and you’re a comedian, your first thought isn’t, “Oh, that’s cool,” it’s “Oh, that sounds terrible.” But in the comedy community, there are very few who would say that weren’t influenced by George Carlin. It helps.
The comedian’s daughter, Kelly Carlin, has donated eight trunks full of script drafts, eight-track tapes, performance videos, and photographs. One fascinating artifact promises to be the report from Carlin’s arrest on charges of obscenity from a 1972 show in Milwaukee.
I first learned about Nesteroff in 2008 after reading a lengthy and engrossing account of Carlin’s early years (1956-1970) on a blog hosted by the WFMU radio station. Nesteroff demonstrated his talent for excavating fascinating information that sheds light on some obscure corners of the comedy world, and he hasn’t let up since. This new position at the library represents some kind of closing of the circle for the energetic researcher, who has conducted countless interviews with many nearly-forgotten comedians whose heyday was several decades ago.
Much more after the jump…....
Posted by Martin Schneider |
Leave a comment