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Brian Eno answers a fan’s question about his makeup 1973
09:30 am



Too much blusher, Bri?
The question came from Brenda in Barnwood, Gloucester, who asked:

What make-up does Eno use on and off stage and does he sing on any tracks of “Roxy Music”?

Brenda was one of three readers who sent in questions for Brian Eno to Melody Maker, April 21st 1973. Eno was more than happy to share his favorite makeup tips:

My make up is the same both on and off stage to a greater or lesser degree. It consists of a large selection of things including Quant, Revlon, Schwarzkopps and Yardley. I just choose whatever colour appeals to me at the time.

On my eyes I use six different colours by three different makers. I’m using Quant crayons quite a lot at present

His favorite crayons by Mary Quant.
Quant crayons came out sometime around the late 1960s—dates vary between 1966 to 1969. These make-up accessories were de rigueur for many a young girl and ambitious glam rocker. According to those who used and liked Quant’s crayons—they were “really high quality, the colors were great and they blended incredibly well.”

Alas, these exotic crayons are no longer available, but questioner Brenda Merrett is still a fan of Eno.
As for singing with Roxy Music Eno replied:

I don’t sing lead vocals at any time—only backing vocals. These are nearly always done by Andy MacKay and myself. Examples are “Would You Believe,” “If There Is Something” and “Bitter’s [sic] End.”

Eno joined Roxy Music after a chance meeting:

As a result of going into a subway station and meeting saxophonist Andy Mackay, I joined Roxy Music, and, as a result of that, I have a career in music. If I’d walked ten yards further on the platform, or missed that train, or been in the next carriage, I probably would have been an art teacher now.

After the jump, Brian Eno singing his debut single “Seven Deadly Finns” on Dutch television…

Posted by Paul Gallagher | Leave a comment
Inexplicable travel bag featuring Iggy Pop
02:28 pm



Have you ever thought to yourself “Gee, I wonder if there are any Igg Pop travel bags out there?” Well, lo and behold there is. We live in a day and age where anything is possible. And that means an Iggy Pop travel bag can be yours. As inexplicable as that sounds, I must admit, I kinda dig this bag.

The bag comes in two sizes, small (18.5” x 8.26” x 9.84”) or large (20.87” x 12.01” x 9.84). Apparenlty it’s handmade and takes about 7 days to deliver. If you like it, the price for a small bag is $75.63 and the larger one is $87.21.

If Iggy Pop isn’t your… bag, then there are Prince and David Bowie travel bags, too!



Posted by Tara McGinley | Leave a comment
The eyes have it: Eye-catching movie posters that have a very similar look
01:35 pm



Stanley Kubrick’s ‘2001: A Space Odyssey’ (1968).
In younger days I had a girlfriend who would often ask me to look into her eyes and see how much she cared. Perhaps lacking the imagination—or just that right amount of sensitivity—I only ever saw her eyes staring blankly back at me. Which may explain why we never lasted very long as a couple.

The eyes are said to be the windows of the soul. Or as the Roman philosopher Cicero wisely said:

The face is a picture of the mind with the eyes as its interpreter.

The eyes reflect what we’re thinking or more poetically as Saint Jerome put it “confess the secrets of the heart.” How often has someone said “look me right in the eye and tell me the truth” as if the very truth were evident in those watery orbs for all to see? It is a common belief that our organs of sight do reveal everything—even as far as those detectives who believed photographing the pupils of Jack the Ripper’s victims would reveal the image of their killer. Those detectives were wrong, but in truth our eyes do reveal more than we know.

Last year in Sweden, scientists announced after a study of 428 individuals that every eye is unique—as unique as a fingerprint—and each iris can indicate different individual character traits. Apparently, the more pockets or “crypts” (threads which radiate from the pupil) in the iris, the more a person is supposed to be kind, sympathetic and warm-hearted. The more “furrows” (lines curving around the outer edge) the more neurotic and impulsive.

According to Matt Larsson, the behavioral scientist who led the study at Orebro University:

...people with different iris configurations tend to develop along different trajectories in regards to personality.  Differences in the iris can be used as a biomarker that reflects differences between people.

Then it’s true—our eyes do reveal secrets. But we must know how to read them first—and not just see them simply staring blankly back.

Advertisers have been canny to this idea for a long time. A big close-up of an eye on a movie poster tells the public exactly what to expect from a film—fear, terror, violence, alienation, or otherness. It is a well-used trope for horror movies—a vulnerable eye looking out in terror on which we can see the reflection of the killer getting ready to despatch another hapless victim.  As can be seen from this small selection of movie posters, this heavily-leaned on semiotic message can sometimes work exceedingly well (Texas Chainsaw Massacre), fail miserably (Blind Eye), explain the whole movie (The Day of the Jackal) or just be plain old weird (The Theatre Bizarre).
Fred Zimmerman’s ‘The Day of the Jackal’ (1971).
Sam Peckinpah’s ‘Straw Dogs’ (1971).
John Boorman’s ‘Deliverance’ (1972).

Posted by Paul Gallagher | Leave a comment
‘The Worm’ plush slippers from ‘Labyrinth’
10:03 am



I would personally look like a damned fool trying to pull off these plush slippers fashioned after “The Worm” from Jim Henson’s Labyrinth. But maybe you could, or you know someone who’s a diehard Labyrinth fan who could rock the shit out of these?

Even though it’s getting warmer outside, they’re still perfect for these cold Spring mornings.

You can get them here for $50.13 + shipping.

Below, a short scene from Labyrinth featuring the The Worm:

h/t Alice Lowe

Posted by Tara McGinley | Leave a comment
‘Snorting Coke with the BBC’: A tabloid romp through the BBC’s most notorious drug scandals
04:30 pm



In a past life I made documentaries for television. These were mainly hour long arts films on artists like Francis Bacon and Virginia Woolf, or what was then described as “factual entertainment” shows on celebrities, their obsessions and misdemeanors—these ranged from Peter Sellers to Freddie Mercury. One of the many tabloid tales was a romp through the stories of four BBC presenters and their unfortunate dabbling with a Class A drug.

Called Snorting Coke with the BBC this documentary is small fry compared to the scale and horror of recent scandals that have engulfed the BBC since—see DM passim. The program focused on four highly successful presenters whose lives were unraveled by a liking for the sherbets.

These four men were:

Frank Bough—a likeable, avuncular, seemingly very, very ordinary breakfast time host who had a secret life enjoying the pleasures of drugs, cross-dressing and S&M dungeons.

Richard Bacon—another highly likeable, pleasant, young children’s presenter who was grassed up about having a snort after a night out with friends.

Angus Deayton—an acerbic, witty, actor-cum-quiz show host whose private life almost destroyed his career.

Johnnie Walker—a legendary radio DJ who was ensnared by a fake sheik journalist in a very underhanded sting.

Like most—or at least many—of the people who work in the media, this quartet had sampled the delights of powdered goods. Unfortunately for them—they were caught out in lurid and rather unfair tabloid exposes.

By being caught, these four individuals placed the BBC in a very difficult position. In many respects, the Beeb was being led by the nose (ahem) on how to respond to their stars’ misdemeanors.

The names may not be well known outside of the UK—but that honestly doesn’t matter as the stories are interesting, well-explained and still have a certain relevance to today.

This is how broadcaster Channel 4 described the program on its release in August 2003:

Snorting Coke with the BBC takes a wry look at some of the most highly publicised cases of BBC TV and radio celebrities caught using drugs and examines the attitude of the media towards their behaviour, their subsequent fall from grace and, in some cases, their rehabilitation. Frank Bough, Johnnie Walker, Richard Bacon and Angus Deayton are the stars featured as the circumstances surrounding their dismissal from the BBC are examined. Along with their cocaine use, Frank, Johnnie and Angus were caught in various sexually compromising positions, raising questions about the connection between drugs and sex.

The programme looks at the reaction of their employers, their colleagues and the press to what happened, asking if their response was at times an over-reaction, or if there were inconsistencies in the way that they were dealt with.

Amongst those interviewed are journalists, presenters and media commentators (including the now ubiquitous Piers Morgan and current CEO of the New York Times, Mark Thompson) who all discuss the BBC, the media and their relationship to drugs.

More after the jump…

Posted by Paul Gallagher | Leave a comment
The hilariously twisted and totally f*cked-up comics of Joan Cornellà—ANIMATED!
09:09 am



Several of us here at Dangerous Minds are big fans of the utterly twisted Spanish illustrator Joan Cornellà. A distinctive stylist and a master of sequential art, Cornellà packs some of the most horrible mutations and atrocities imaginable into bright, colorful six-panel narratives in which his preternaturally chipper characters bear the brunt of appalling misfortunes all smiles. He first appeared in this blog a little over a year ago, when my erstwhile colleague Amber Frost wrote “Cornellà‘s work deals in mutilation and disfigurement, sadistic or oblivious violence, the alienation of modernity and a total disregard for human life. (I know. It doesn’t sound funny, but trust me.)” Spot on. 

Last year, Cornellà launched a Kickstarter campaign to fund the creation of 30 animated shorts, some based on existing cartoons of his, some original works created specifically for animation. The campaign succeeded wildly, netting €91,647. The first one posted, “Mystique,” was released last winter to tease the project for the crowdfunding, but new Cornellà cartoons began appearing on YouTube three weeks ago. (Some possibly unauthorized Cornellà animations are also circulating; what we’ve linked here comes straight from Cornellà‘s own channel.)  All of them are fantastic, demented little hit-and-run gags, ranging in length from 14 to 28 seconds, so we suspect you have time to dig ‘em all. If you’re new to Cornellà’s work and this stuff sends you, you might like to know that his comics have been anthologized in the books Zonzo and Mox Nox.

A comic cornucopia of cartoon Cornellà, after the jump…

Posted by Ron Kretsch | Leave a comment
Apparently ‘male pregnancy porn’ is the new ‘thing’?
02:09 pm



Last year the “dad bod” became a full-blown cultural phenomenon, and there’s a company called Film911 that caters to a set of fetishes that’s completely in the same ballpark.

Film911 specializes in “male gay fetish videos,” which mainly presents men engaging in activities that are not traditionally considered “masculine,” like stuffing their faces with food, tickling each other, receiving CPR, and, most intriguingly, giving birth.

This footage is apparently getting a few people off, but it’s not even clear that these videos qualify as porn, because, as Brian Moylan at Vice astutely observes, the scenes generally feature “no nudity, no dongs, no anal, and no money shots”—indeed, no sex at all.

At Film911, the male pregnancy videos fall under the category MPREG, and they feature men behaving in traditionally “feminine” ways that transcend the mere act of giving birth. In the MPREG video embedded below, “Connor” is shown at home, and he’s definitely showing. He’s at the kitchen sink describing his day on the phone to his unseen mate, as he demurely relates that he’s been cleaning up the house and that he can’t wait for his mate to come home so they can be together again. Before long, he’s in an OR experiencing painful contractions.

This is a man who speaks in hushed tones, who would seldom raise his voice or insist on getting his way. And maybe therein lies one of the secrets to the power these MPREG videos hold for some. 

A still from one of the “Inflation” videos
Predictably, you can also obtain ebooks of MPREG erotica if that’s your thing.

Film911 makes movies in several other genres that have little to do with the familiar porn categories of bondage and creampies. For instance, there’s the “Vore” category, short for vorarephilia, which denotes the sexual desire to be eaten—not in the sexual sense but in the culinary sense.

In the Vore videos, one man will devour another man, only then to regurgitate him so he can ask him how it felt. The descriptions of these videos are quite amusing. “Jonny is hungry for more,” a preview of which is embedded below, comes with the following synopsis: 

1. Jonny comes home and Connor at his pizza so he turns and eats Connor.
2. Jonny is working out and needs more protein to get larger so he eats Connor.
3. Connor and Jonny are in bed when Connor decides to eat Jonny. Connor gets sicks and throws his boyfriend back up.
4. Connor is doing laundry when Connor knocks him down, drags him into the bathroom, and chows down.

There are also videos dedicated to men stuffing their faces with a table full of food and then moaning about the burrito babies now inhabiting their bellies (those are coded “Stuffing”). Some show men blowing each other up like balloons (“Inflation”). As you can see, imagery of men with distended tummies is one of Film911’s main stocks in trade. None of these genres have a large following as such, but the site still turns a tidy profit.

The founder of Film911 goes by Jay in Vice’s article (last name withheld); he started the company when he realized that “there was no content out there catering to what I’m into. I own a production company, so why don’t I produce content geared toward what I’m into?” He uses friends of friends as well as guys who he finds on Craigslist. One advantage of keeping matters so un-explicit is that he can get attractive and fit straight guys to appear in his movies, in which everyone keeps their clothes on and there’s no genital play.

As Jay says:

“When people told me what they were into, I was like, ‘Wow that’s different.’ There are certain people who tell me their ideas and send me their scripts and feedback all the time. I’m very connected to them and they’ve driven the business in the right direction.”

More after the jump…

Posted by Martin Schneider | Leave a comment
Finally! Cthulhu dildos
01:31 pm



I don’t know what to say here except there’s something for everyone, I supose. And that includes these hand-crafted Cthulhu sex toys by Necronomicox.

How did these things come to be, you might ask? According to Necronomicox:

“I saw a niche that needed to be filled, so to speak.”

Because in his house at R’lyeh, dead Cthulhu waits dreaming masturbating, amirite?

If you’ve been looking for a Cthulhu dildo, for yourself or maybe as a gift, search no further because I’ve got you covered. Each one sells for between $125 to $175 (depending on size, lenght and girth). They’re available through Etsy or the Necronomicox website.


via Coilhouse on Facebook

Posted by Tara McGinley | Leave a comment
‘I’m A Boy’: The many fantastic times Keith Moon dressed up in full-on drag back in the 1970s
10:31 am



The cover of Trouser Press magazine featuring Keith Moon, #14, June/July 1976.
According to super-groupie Pamela Des Barres, during the time she dated Keith Moon for about a year, Moon seemed to be happiest when he was “anyone but himself.” During their short time together, Des Barres recalls that Moon enjoyed dressing up in her clothes and “frolicking” in her high-heels in the middle of the night, as well as trading “sexes” for kicks from time to time. Let there be no mistake, in the 32 short years Keith Moon walked among us mere mortals, he really lived every moment like it was his last.

Keith Moon in drag with Pamela Des Barres.
Dougal Butler, Moon’s personal assistant who was with Moon for ten tumultuous years, would refer to The Who’s timekeeper as a “heterosexual drag queen” who frequently enjoyed acting like a “ginger beer” (a “ginger beer” is a Cockney rhyming slang for “queer”) and was happiest when he could “get ahold of a dress or two.” Dougal, who authored two books on Moon, Full Moon: The Amazing Rock and Roll Life of the Late Keith Moon and Moon the Loon, noted of all of Moon’s many drag ensembles, the drummers favorite was anytime he could dress up in full regalia like an actual Queen.

In 1972 as the emcee of “The Ultimate ROQ Concert” festival for KROQ FM at the Los Angeles Memorial Coliseum that featured co-headliners Sly and the Family Stone and the Bee Gees (as well as Stevie Wonder among others), Moon appeared on stage dressed in silver sequins (a particular number he would wear many times to many events, pictured above), makeup and a blonde wig when he introduced the shows “special added attraction” Sha-Na-Na. Des Barres recalls in her book, I’m With the Band: Confessions of a Groupie, that she and Moon shared a dressing room with the Bee Gees, who got to watch the perpetually drunk Moonie’s many “wardrobe” changes. Yes.

Of course if you are a fan of The Who, then you’ve probably seen some of the photographic outtakes or magazine adverts from the band’s, 1971’s Who’s Next that feature Mr. Moon cheesecaking it up in ladies lingerie, full makeup and brunette and blonde wigs. In issue #14 of Trouser Press magazine (June/July 1976), the cover (seen at the top of this post) had a side-by-side image of Moon that amusingly suggested that Keith had a “split personality” of sorts. The image included a photo of Moon dressed in drag (and looking super hot I might add), for his gig as the emcee for two shows at New York’s Carnegie Hall with Sha-Na-Na and Cheech and Chong (during which, according to a news item from Billboard Magazine in 1972, Moon sat in on the drums during Sha Na Na’s set. WHAT?). A gig for which Moon flew from England to New York for one night’s work. Keith Moon’s unwavering dedication to having a good time truly (and quite sadly), knew no bounds. 

“Won’t Get Fooled Again” ad featuring Keith Moon vamping it up in ladies lingerie, 1971.
More Moon the Loon, after the jump…

Posted by Cherrybomb | Leave a comment
For the supervillain who has everything: A giant skull armchair
03:07 pm



I’m not going to lie, this giant skull armchair designed by Gregory Besson looks pretty darn comfortable, doesn’t it? Besides that, it can really tie a room together. A certain kind of room.

Apparently the skull is made entirely of fiberglass and the black cushioning is made of leather. So far I haven’t been able to find the price of this, but I always assume when the price tag isn’t listed… it ain’t coming cheap!

If you just gotta own this chair, you can contact Gregory here at his website.



via Neatorama

Posted by Tara McGinley | Leave a comment
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