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  • Future Forward event brings 21st Century Futurism to Los Angeles: RSVP for free tickets here
    04:17 pm


    Toyota Prius

    The Creators Project, a global network dedicated to the celebration of creativity, arts and technology has partnered with the all-new Toyota Prius to present the Future Forward event series. To that end, they commissioned a set of original works—elaborate technological installations by internationally renowned studios—to premiere as part of a nationwide event series that launched in Spring 2016. Two events, one held in New York and another in Chicago have already taken place. Next comes the Los Angeles event which will be on display at NeueHouse Hollywood showcasing the work of forward thinkers, artists, architects, designers, engineers and inventors who take ideas of speed, change, and technology into their practice.

    A futuristic chandelier that moves in response to heat.

    A star-shaped space that envelopes you in metal, mirrors and light.

    An organic, living wall that reacts to your motions.

    If you’d like to experience these innovations that redefine futurism for yourself, the June 25 event in Los Angeles is open to the public. RSVP here.

    NeueHouse Hollywood 6121 W Sunset Blvd, Los Angeles, California 90028


    Posted by Sponsored Post | Leave a comment
    Outsider: Meet David ‘Rock’ Nelson, the new Ed Wood
    02:30 pm


    David "Rock" Nelson

    David “Rock” Nelson is a manic former Marine and aspiring boxer and he just might be the new Ed Wood. Although it’s hard to tell just how much of an effect getting hit in the head repeatedly had on him creatively, the former Golden Glover has been making his amateurish DIY camcorder monster movies since the early 90s. His insane films often star himself, his off-again/on-again girlfriend and his barely indulgent (now deceased) elderly parents who seemed more perturbed, if not totally disinterested at what their weird adult son was getting up to. His baffling and inept work makes almost no sense to anyone except for (maybe) David himself, and therein lies the charm of his peculiar “school” of no budget cinema, a genre in his case, where he resides most assuredly alone. People have been making bad monster movies for decades, but nothing like this.

    If you’re the sort of cultural miscreant who goes in for, say, Andy Milligan films or the music of Jandek, then maybe the cinema of David “Rock” Nelson is for you?

    More after the jump…

    Posted by Richard Metzger | Leave a comment
    ‘Ouija board, ouija board would you work for me?’: Morrissey-themed ouija board
    01:55 pm


    ouija board

    Image via Little Lost Robot on Flickr
    Here’s another one of those, “WHY didn’t I think of this!” ideas. Seems like an obvious thing to make, yet no one really has except for artist Mike Maas. It appears Maas made these glorious limited-edition ouija boards a few years back. Whether or not any are still available or can be purchased, remains unseen. I couldn’t find any on his website. Perhaps they’re all gone. Boo!

    If you’re interested in owning one, there is a contact section on Maas’ website. You never know!


    Posted by Tara McGinley | Leave a comment
    Exiles in Düsseldorf: Austrian TV special on Kraftwerk, 1981
    01:51 pm



    This documentary appeared on the Austrian TV station ORF in 1981, pretty clearly to coincide with the release of Computer World.

    The special mixes Kraftwerk performing in front of an audience, what we would today call “music videos” that use some excellent documentary footage of missile launches and things like that, and footage of Ralf Hütter being interviewed by someone off-camera.

    In pure technological mode, Ralf emphasizes the isolation of working so hard on Kraftwerk material in the studio for years on the new album, and is prompted to say a few things about the future of technology, most of which are a bit silly. The interviewer has an Austrian accent.

    I’ve supplied a translation below. It’s rough but should give an accurate impression of what was said. I unfortunately couldn’t quite make out the intriguing final question, which has something to do with Kraftwerk entering people’s bloodstreams(?) or something like that. If there are any native German speakers out there reading this, I’d love it if you would chime in below and clarify what he was saying there (or make any other suggestions to the translation).

    Ralf: “We are playing the entire Kling Klang Studio in concert. We have all of our instruments, some of which we invented ourselves and built music machines. You can’t just go into a shop and just say, “this thing or that thing.” We had to make it ourselves, and that took a long time. We construct them always ourselves, with the help of another friend, who is a sound engineer or a music engineer, he helps us and we make the whole thing ourselves. It took three years before we were able to play again. In part it is pre-programmed, but on the other hand we have access to the memory of the computer, and we can change it while it’s running. Mostly we make rhythmic programs or also melodic things that run throughout, automated.

    Ralf: We feel, for example, lots of streams of energy, that come back to us from people. We are always in the studio, so are concentrating on ourselves more.

    Question: Is “Radio-Aktivitat” actually an atomic-power song?
    Ralf: Yes, you could definitely say that.

    Ralf: Yes, for us it was more a problem of how to make music at all in the Federal Republic of Germany, or so, after the war, where the living music, everyday music had disappeared, had been extinguished. And our generation had to start from scratch, to live somehow in this purely quiet situation, to make music not so much from natural things in the countryside but were influenced more by cities and machines, and reflected those things, and maybe some time passed, the time of so-called pop music, where we had more free time, we took up certain things, more about work processes and big-city situations, display windows and robots.

    Question: Is that a form of interpretation, that showroom dummies speak?
    Ralf: It’s a part of our existence. We stand around and we put ourselves on display. We are showroom dummies. That is a part of our reality.

    Question: How do you see yourselves when you are at work, as musicians or as technicians? 
    Ralf: We are music workers. We call ourselves music workers.

    Ralf: For ten years we’ve been working together, with this group in Düsseldorf, and outsiders can’t even work with us or speak our language — let’s say, our thoughts, they can’t implement our world of thoughts. So it’s more like an encounter or friendship.

    Question: Do you feel yourselves to be somewhat isolated?
    Ralf: Yes, we are exiles in Düsseldorf on the Rhine.

    More after the jump…

    Posted by Martin Schneider | Leave a comment
    File under ‘Russian mystic recipes’: How to make Gurdjieff’s special salad
    11:42 am



    It’s hot. It’s miserable. If you wash down a triple cheeseburger and a bucket of fries with a milkshake in this weather, you could die.

    Why not whip up a batch of Mr. Gurdjieff’s special salad instead?

    Gurdjieff’s teaching is very strange and doesn’t lend itself to summarization, but one of the fundamental ideas is that people are asleep and need to wake up. (Colin Wilson named his book on Gurdjieff The War Against Sleep.) Approached with care and full attention, all sorts of everyday tasks can aid in waking up, especially preparing and eating food. As Dushka and Jessmin Howarth—Gurdjieff’s daughter and her mother, respectively—explain in It’s Up To Ourselves:

    Of all the examples Gurdjieff might have used to illustrate the essential aspect of his teaching, “quality of attention,” he chose the one experience that all human beings share: “When you do a thing, do it with the whole self, one thing at a time. Now I sit here and I eat. For me nothing exists in the world except this food, this table. I eat with the whole attention. So you must do—in everything. To be able to do one thing at a time—this is the property of man, not man in quotation marks.”

    So if you eat this salad with the right kind of attention, maybe you’ll learn something. And if you believe John Shirley, Gurdjieff’s salad cured Frank Lloyd Wright’s gallbladder trouble, so maybe it will mend your aunt’s dyspeptic gut, too.

    Gurdjieff at the dining table with his student, Lord Pentland
    Gurdjieff’s niece, Luba, describes the preparation of the special salad in her Memoir with Recipes but does not give measurements or step-by-step instructions, presumably because Gurdjieff never made the salad the same way twice. She warns that preparing the dish takes all day and “costs the earth,” since you “put anything you can find” in it:

    Chopped tomatoes, cucumbers, radishes, celery, any vegetables you can find — only raw vegetables. Not lettuce, because lettuce gets very soft. It used to have nuts in it; it used to have green olives you cut in pieces away from the stone; it used to have sometimes prunes in small pieces — it was like a dustbin. Chutney — he used to put lots of chutney. Sweet chutney that must be cut in small pieces, because chutney generally comes in nice big pieces. And he used to like those little green things in vinegar — capers. Twenty, thirty things used to go in that salad. Sometimes he would even put apples — any kind apples. I think he would put anything he could find in there.

    There was always put in some tomato ketchup. I remember they used to bring it from England because we couldn’t find any in Paris. And dressing he just put on a little bit vinegar and then some oil.

    The Howarths’ book gives its own recipe for the special salad, which you can find here, but this recipe from the Gurdjieff Foundation of Del Mar is the least intimidating of the bunch and certainly does not “cost the earth”:

    1 large sweet onion, finely chopped
    4 very red tomatoes, diced in half inch pieces
    2 cucumbers, diced in half inch pieces (pickling or goutas with the smaller seeds)
    3-4 pickled cucumbers diced small
    ¾ cup freshly squeezed grapefruit juice
    1 cup pickle juice
    ¾ cup apple cider
    ¾ cup tomato juice
    1 Tbsp tomato paste
    3-4 Tbsp Dijon mustard
    1 Tbsp white sugar
    1 pint apple chutney, diced into ½” pieces
    1 handful finely chopped parsley
    1 handful finely chopped fresh dill
    Salt, pepper, cayenne, paprika and curry powder to taste.

    This recipe will serve twelve to fifteen people depending on the size of the portions. Since this is such a special dish (and it is also time consuming to dice all the vegetables), you will want to prepare this for company. However it does keep well for three or four days after it marinates, and I love having leftovers as the flavors get a bit stronger each day.

    As you dice the vegetables add each of them to a large mixing bowl and mix. Add the juices, the tomato paste, the mustard, the sugar and the chutney and mix again. Add the parsley, dill and the seasonings. It should be pleasantly hot and spicy. Cover and marinate in a cool place for two days before serving. Add a bit of tarragon before serving.

    More Gurdjieff after the jump…

    Posted by Oliver Hall | Leave a comment
    A breakdown of what John, Paul, George & Ringo were worth back in 1966
    11:38 am


    The Beatles

    Rave Magazine, December 1966.
    In this fascinating article from the December 1966 issue of English pop-music magazine RAVE, George Tremlett (a pop music writer and author of various cash-in paperback books on David Bowie, David Essex, and The Who) broke down how much each member of The Beatles were worth back back then.

    Armed with data collected from the London Board of Trade, Tremlett was able to ascertain that the fab-four were pulling in approximately £4 million pounds collectively a year with help from such endeavours as record sales, songwriting royalties, films and live appearances. With all that cash floating around you’d think that perhaps the band would had a good grasp on how much they were worth—but John, Ringo and George were fairly clueless when they were asked if they knew how rich they actually were:

    John Lennon: We’ve asked them to to tell us how much we’ve got but they can’t—the money comes in from so many places

    George Harrison: I never buy anything without asking our accountants—I just phone them up and they tell me whether I can afford it.

    Ringo Starr: The accountants say I’m alright—that’s all I want to know.

    The English pound sterling was basically a £1 to $2.80 exchange rate back in 1966. £1 in 1966 was equal to £$7.43 in 2016. Considering that the modern music industry was still then in its relative infancy, that’s some amazing earnings, which would only have gotten better for Lennon and McCartney once their songwriting royalties would have picked up in the latter part of the decade. Or at least one would have thought…

    Of course that year’s Revolver begins with George Harrison’s lament about the “Taxman” and here’s the rub: The Beatles were in a tax bracket that I cannot imagine most people in Britain found themselves in other than maybe Sean Connery and a few captains of industry. Taxes in 1966 were notoriously confiscatory in Britain in the 1960s reaching as high as 85% for the wealthy, but there was also a “super tax” surcharge of 15% on top of that. For those making over £1,000,000 the progressive tax rate during Prime Minister Harold Wilson’s Labour party administration was 95%. Think about that for a second. No wonder the Beatles seemed to have no idea what state their finances were in.

    Rather heartwarming to discover the fact that each of the Fab Four used some of their earnings to purchase homes for their parents (or in John Lennon’s case a home for his Auntie). Awww.

    Check out the Beatles cash-flow breakdown after the jump…

    Posted by Cherrybomb | Leave a comment
    Switzerland to open Europe’s very first ‘fellatio cafe’
    10:54 am



    An establishment where customers would receive oral sex while drinking lattes and cappuccinos is anticipated to open in Geneva, Switzerland, by the end of 2016.

    The “fellatio cafe,” as it is being termed, is based on similar establishments in Thailand—the cafe would cater to men (yes, just men) ordering a coffee and choosing their preferred prostitute on an iPad.

    The company behind the plan is called FaceGirl. For an upfront fee of £42 (about $60) patrons would receive a morning joe job while drinking their beverage at the bar.

    A representative from the company named Bradley Charvet told the newspaper Le Matin that “In five or ten minutes, it’s all over.”

    In Switzerland, prostitution is legal and sex workers are required to have permits to operate. Establishments with 2 or more prostitutes are required to register as massage parlors.
    via Dazed

    Posted by Martin Schneider | Leave a comment
    Sleaze up your crib (almost free) with this treasure trove of worldwide classic B-movie poster art
    09:42 am


    exploitation films
    movie posters

    I think it’s fair to say that most of the staff here at Dangerous Minds has an appreciation for lurid B-movie poster art. It’s a topic we enjoy posting about from time to time. I’m a huge fan, especially of ‘60s-‘80s exploitation and horror posters. Over the years I’ve amassed a decent collection of original one-sheets, picking them up cheap here and there at flea markets and junk shops. Unfortunately eBay and the collector’s market has really made it difficult to find classic exploitation paper in the wild. Nowadays if you’re looking for, say, an original Ilsa, She Wold of the SS poster, you can expect to pay no less than two hundred bucks online. It’s a hobby that can get expensive quickly.

    If you’re not stuck on the notion of owning an original, and have access to a decent printer, you can decorate your dwelling from floor to ceiling with classic horror, erotic, grindhouse action, and kung-fu poster images taken from one sheets, half sheets, daybills, locandinas, and quads from all over the world.

    I recently discovered a site called Wrong Side of the Art, which apparently has been around for years, yet under my radar. This site is a treasure trove of cult and trash poster images with an emphasis on high-resolution—meaning that if you have a good printer you can have rather nice prints of hundreds of classic poster titles. Of particular interest are the foreign posters… those are always the coolest.

    My printer will go up to 13"x19”, so I was able to print off a few decent-sized prints before my toner went bye-bye. I’m not sure how the image quality maintains on larger prints, but if you have access to a poster printer, give it a shot and let us know how it works out. I was able to print these just now:

    They look especially impressive in person
    Wrong Side of the Art is one of those sites that makes me truly appreciate the Internet. There’s so much cool, well-curated stuff there that you can easily get lost for hours scrolling through classic Italian Giallo, Japanese Pinku, and good ol’ American women-in-prison prints. There are hundreds of titles and the quality is the best I’ve seen online. The amount of work that’s gone into maintaining this site for the benefit of B-movie fans is apparent and should be applauded. Thank you Wrong Side of the Art!

    Here’s a brief gallery of posters you can find high-res prints of. The site has hundreds more. Go there now. It’s seriously one of the best things on the Internet.



    Many more after the jump…

    Posted by Christopher Bickel | Leave a comment
    Scotland greets Donald Trump

    Today in Scotland a street campaign was launched warning the public of a highly toxic and dangerous man who is currently visiting the country. The public are advised not to approach this man under any circumstance or listen to any of the shite that spouts out of his mouth. The man is wanted for inciting racial hatred and very bad hair.

    In other news, Republican Presidential nominee Donald Trump has arrived in Scotland.
    With thanks to Neil McDonald.

    Posted by Paul Gallagher | Leave a comment
    Good news pizza face: The world of high fashion says acne is chic!
    05:19 pm


    Moto Guo

    A photo posted by Piero Marsiglio (@pyronpowermakeup) on

    Now that the silver hair trend has finally made its way to the furthest reaches of Middle America (not to mention the tragically démodé, eager trend-lemmings of Hollywood) unsurprisingly YOUTH, glorious YOUTH is back in a big way for the irreverent and ridiculous world of High Fashion—and not merely the mythical germ-free adolescence that haunted our teen dreams! No, at Milan Men’s Fashion Week, Malaysian designer Moto Guo sent his models down the runway sporting the latest thing: pimples!

    I have to admit, high fashion in general usually leaves me flat, but there is a sense of humor about this that I really enjoy. Moto’s line here has a surreally childish feel to it, so why not top that off with with some blemishes as accessories? Sadly the acne is kind of the only thing from the collection that I can imagine wearing (and probably the only thing I could afford).

    If you’re not lucky enough to be naturally acneic, Moto’s very own renegade makeup artist Roberta Betti recommends you recreate the look with MAC Mahogany Lip Liner and MAC Coffee Eye Pencil. Better hurry, before they run out and you’re forced to smear your face in Crisco like a plebe!

    A photo posted by Alessia Pelistri (@alessiapelistri) on

    More after the jump…

    Posted by Amber Frost | Leave a comment
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