Drummer with the Bonzo Dog Band, “Legs” Larry Smith upstages Elton John at the Royal Command Variety Performance Show in 1972.
Not be the best picture, but still an enjoyable moment, one which was quite risky for Elton to sing a cheerful ditty about a needy teen and his manipulative approach to suicide to the rich and spoilt Royals . And yes, this is still miles better than Coldplay.
Bonus solo version of ‘I Think I’m Going To Kill Myself’, after the jump…
From one queen to another, and yet more birthday greetings! And what better way to follow up that last post? Happy birthday to Lady Miss Kier.
Also a fierce ruler of wigs and wedges, Kier and Lady Bunny are linked by both working with DJ Dimtry, Bunny with Shazork (as seen in the last clip I posted), and Kier, of course, with the incomparable Deee-Lite.
While they may be the band she is most closely associated with (and that’s no shame, as they are one of the greatest dance bands of all time) keep in mind that Kier is still going very strong, rocking a combination DJing-with-live-vocals set that I was lucky enough to catch a couple of months ago at Pussy Faggot. She tore the roof off the sucker, and boy can she still wail.
Here’s a clip of the Lady in action. Remember, there ain’t no party like Miss Kier Party!
When it comes to feminist-punk, there’s none more femme, nor punk, than the mighty Peaches.
So it’s no real surprise to learn that Peaches has been following the Pussy Riot trial closely, and has turned her hand to making both a video and a track in support of the persecuted Russian rock group.
A YouTube casting call went out last week, asking for fans to send in their own, pro-Pussy Riot footage to be included in the video. Well it is now done and dusted, and available to watch online. The track itself, called “Free Pussy Riot”, is available as a free download, and all Peaches is asking in return for her work is that everyone sign the Free Pussy Riot petition at change.org.
This is the statement Peaches and friends have made to go with the download:
Peaches, Simonne Jones, and tons of musicians, artists, activists, and free-thinkers are came together to make a video for this song in support of the russian punk feminist band PUSSY RIOT! Now that you have heard about the song and video, we want you to take action! Here is why:
In March 2012 three members of Pussy Riot, Maria Alyokhina, Nadezhda Tolokonnikova, and Yekaterina Samutsevitch, were taken into custody by Russian authorities for their participation as part of a protest at the Cathedral of Christ the Saviour of the Russian Orthodox Church in Moscow. Their punk prayer is and was an act of free speech and the charges of “hooliganism” and detainment of the three women are seen by the world as a cruel heavy handed act of oppression, are being carried out to discourage free thought and speech in Russia.
If Russia wishes to be a part of the modern globalized world it must adhere to the standards and principles of a free nation where its people have the right to have a free and open dialogue about all subjects. Discussion, debate, and action are the basic building blocks of a free society. By following through with the prosecution of these women Russian political bullies are currently making a mockery of free speech, free thought, and Russia’s own country’s constitution.
We, the citizens of the world and advocates for free speech, DEMAND the immediate release of Pussy Riot. The verdict is planned for August 17th - let’s show Pussy Riot our support!
The charges and punishments facing Maria, Nadezhda, and Ekaterina are nothing more than a political stunt by the Russian authorities and Russian Orthodox Chruch to retain control over the Russian people and instill fear into the free-thinkers, political activists, and artists of Russia.
The world is watching, and we do not like what we see.
Like I mentioned in the article, Egyptian Lover is a bona fide legend, a pioneer of both Hip-hop culture on America’s West Coast, and the TR-808 drum machine (the foundation stone of rap, electro and house music - in fact, it’s an integral part of all electronic music.) If you are in anyway interested in dance music culture and it’s history, then Egyptian Lover, or Greg Broussard to his friends, should loom very large on your radar.
Which is why I am absolutely BLOWN AWAY to announce that Egyptian Lover has produced a remix for my next single. That release is an acid-vogue version of Missy Elliot’s “Work It” that I have performed in my live sets for a long time, and included on my AKA album earlier this year (available to hear and as a free download here).
I still need to pinch myself form time to time to prove that no, I am not dreaming, I really do have a remix from Egyptian Lover. This guy has been a huge influence on my own music and djing, so to actually have him creating a beat and rapping on my track is… hard to describe.
As we say over here, I’m chuffed.
I sent Greg a few quick questions to answer, via email:
Do you still have the first 808 you bought? If so, does it still work?
Yes I still have the first one I ever bought and 5 more. I absolutely love the sound of it. I even bring one on the road with me to play at all my shows.
Are there any good 808 substitutes (for people who can’t afford the real thing)?
What are your top 3 808-based tracks of all time?
The 808 is still going strong to this very day. Who are your favorite modern producers, or djs?
Not too many, I’m old school 100% but I like AUX88, Jimmy Edgar, Jamie Jones, Dam Funk, just to name a few.
You seem to be touring non-stop. How is that going?
It’s a great life when you can see the world, DJ, and get paid for it!!!
What are your favorite places to play?
Paris, London, all of Germany and Barcelona are my favorites
What’s coming up in the near future for the Egyyptian Lover?
A new album 1984 and a big surprise with Stones Throw Records.
Have you ever been to Egypt?
Never been to Egypt but I plan on it very very soon!!!
Now THAT would be a gig to see - Egyptian Lover rocking the pyramids of Giza with his trusty 808. Or maybe on a boat down the Nile on the way to his house. I’ll do a fuller interview with Greg when 1984 is ready to drop, but in the meantime, here is the Egyptian Lover’s remix of “Work It”:
The full download release of Work It is coming on the 17th of September through Juno, and I will be uploading more of the remixes (from Hard Ton, Electrosexual, Ynfynyt Scroll and Cunt Traxxx) to my Soundcloud page over the coming weeks.
There’s always music and news updates available at www.niallism.com, and if you’re on Facebook, you can find me here.
As he mentioned, Egyptian Lover’s album 1984 will be coming out later this year on Stones Throw Records. You can keep up to date with Egyptian Lover, and his tour schedule, via Twitter and MySpace.
Today is the eighth of the eighth, the official day to celebrate all things to do with the Roland TR-808 drum machine. And what better way to spend the day than with LA’s own king of the beats, and undisputed pioneer of both the 808 and hip-hop music, the Egyptian Lover.
This in-depth interview, by Redefine Hip-Hop for Fifth Element Online, stretches to 25 minutes over two parts, and covers everything you could possibly want to know about Egyptian Lover, aka Greg Broussard. From the origins of his moniker, to his introduction to the 808, from some of his most memorable productions to his extensive djing background, this covers all bases.
The 808 is a staple of modern music making, as influential a sound source as anything produced by Moog or Arp. I fuckin’ love it, as my Bang The Box mix from a few months back proves. There’s just nothing that compares to those massive kick drums, those sharp snares and that iconic, ringing cowbell. As Greg states in the interview, the 808 is never going to go away, and even Madonna has name dropped the 808 recently, in an attempt to gain some cred.
Of course, Egyptian Lover beat Madonna to rapping about an 808 by almost 30 years, and the great news is that he hasn’t stopped rocking. He’s still touring, and playing to more people than ever, all over the globe, as successive generations get turned on to the 808 sound. He’s a real dj’s dj too, mixing and scratching with original vinyl over his trusty 808’s live rhythms, and of course it wouldn’t be an Egyptian Lover show if he didn’t take to the microphone to deliver his classic raps. Check the 70 minute live recording from last year, after the jump. That, brostep kids, is a REAL dj.
The Egyptian Lover is a legend set in stone!
After the jump, part two of the Egyptian Lover interview, and a live set recorded in Athens last October…
Here’s a video/music mix celebrating New York City in the 1970s - street scenes and music you’d hear in the downtown clubs.
Of course, despite the animosity directed at New York City by people who didn’t “get” it, the City survived. We didn’t drop dead, we dropped beats.
1. “Jet Boy” - The New York Dolls 2. “Piss Factory” - Patti Smith
3. “X-Offender” Blondie 4. “Born To Lose” - The Heartbreakers
5. “SuperRappin’” - Grandmaster Flash 6. “Darrio” - Kid Creole
7. “The Mexican” - Babe Ruth 8. “Pop Your Funk” - Arthur Russell
Hot on the heels of his last video opus, the magnificent “Earthquake” (which we posted about here), SSION, aka Cody Critcheloe, is back with another clip taken from last year’s excellent Bent long-player.
Both the music and the video styles are different this time round, with the slick dance-pop sounds of “Earthquake” and “My Love Grows In The Dark” eschewed in favor of a darker, electro-rock sound and a straight-to-camera performance. There’s hints of Suicide in here, and also 90s industrial music. SSION’s gender-bending edge remains intact though, with the particularly fine shortening of the Marshall amp logo to simply “Marsha”.
As Cody mentioned in his exclusive DM interview from the start of the year, he plans to make a video for every song on Bent, and it looks like he’s going to make that happen. He has already been teasing his fans with still from the video for the track “Psy-Chic”, possibly my favorite on the album, and there’s an open casting call for folks to star in the video for “Luvvbazaar”. But for now, we’ll just have to do with this:
SSION “Feelz Good (4-Evr)”
As I have mentioned numerous times on here, SSION’s Bent was one of my favorite albums of last year, and I actually included “Feelz Good (4-Evr)” on my Dangerous Minds round up of the best music from 2011. Here it is again for those that missed it:
Hilum is a strikingly beautiful and quite spooky fantasy created by marionette designer and manipulator Patrick Sims of Les Antliaclastes puppet theater.
The manipulators dressed and masked in white lace become a part of the surreal world of Hilum as they interact with the puppets in an opium-like dream. In medical terminology hilum is the point where blood vessels and nerves enter and begin to vein their way through an organ, not unlike an umbilical cord or a puppet’s strings, carrying energy and primal instruction - magic embodied.
Hilum takes place in the basement laundry room of a second-rate Natural History Museum. The cellarage is populated by a host of dubiously adorable urchins who have, for some reason or other, been cut off from the rest of the kingdom of curiosities that has remained ordered upstairs. Orphaned and liberated from their hosts, the prenatal rascals amuse themselves as most children would do at this age. Washer-women attend to their opus of bleaching laundry, despite the frequent shenanigans of the children.What starts off as mere women’s work and child’s play eventually becomes impossible. In the cubic crucible- whites mix with colours, wools are washed with warm water, the cat is chucked into the heavy duty rinse… and playtime quickly becomes a downright theatre of cruelty.
Video directed and filmed by Sébastien Jousse, Franck Littot and Benoit Millot.
Hey LA, watch out, ‘cos Christeene is comin’ for you! Tomorrow night sees the obscene (and obscenely talented) drag phenomena bringing her filthy ass to your town, to terrorise the locals, and officially launch her debut album Waste Up, Kneez Down with a live performance at Trannyshack on Sunset Blvd.
And what a damn good album it is! Make no mistake: Christeene may come across like a novelty act, pushing drag to its most unacceptable social limits, but there is a true artist at work here, with a style, voice and a sound that is completely unique.
Waste Up, Kneez Down is the best album to come out of any kind of “queer” underground in a loooong time. Christeene (aka performance artist Paul Soileau) has really come through with the potential she showed in her early clips, and delivered a fully-rounded, tight-as-hell, funky and filthy album that can hold its own against anyone else in dance and electronica.
Producer JJ Booya has done an excellent job here. There’s shades of the dirty south and British dubstep in the bass and the beats, with a majority of the tracks being guaranteed dancefloor dynamite. The less dancefloor-orientated songs are like the demented, bizarre offspring of R Kelly and Beyonce, kids that came out all wrong and remain chained up in the basement, but in their isolation have developed a surreal and shocking humour all of their own. Just what exactly are you “Workin’ On Grandma” with, Christeene?!
I haven’t been as excited about a queer act since I first heard Yo Majesty, and there’s even some mumblings about Waste Up, Kneez Down being the first true successor to The Teaches Of Peaches. And maybe it is. Yeah, it’s that good.
You can buy (and hear) Christeene’s debut album over at CD Baby, and if you are anywhere near Trannyshack LA tomorrow night, then this is one show that’s a MUST. To whet your appetite, here’s an interview with the lady herself, care of the very nice people at Austin’s Vesper magazine, who did us all a favour by subtitling Christeene’s guttural drawl. There’s also some neat footage of Christeene performing live (and performing lewd acts) with her dancers, so you know what to expect.