I think it’s safe to assume that pulling this human centipede pipe out at your next pot party will guarantee that you will get to smoke your stash all by yourself.
While there are sadly no shortages of human centipede homages, this glass pipe appears to be a one-off so consider your hopes in owning one officially dashed according to its maker, Dustin Yunker.
In all honestly, does anyone want to get stoned so badly that they would toke up by putting their lips on the “end” of this pipe (or the front because I’m not entirely sure how this bizarre pipe works)? The answer is of course someone would because, weed. Over the course of my life I’ve but a lot of stupid things in my mouth (and so have you), but this pipe isn’t getting added to the list of things I’m currently working through with my therapist. For now, anyway.
Ecstasy is the only truly postmodern drug, and not just in terms of its place in history, or the completely “I’m so intensely into the many facets of this thing right now”/“I LOVE YOU GUYS” high. Ecstasy has always been produced and marketed with absolutely no aversion to literal branding. Not only are pills produced in pretty colors with cute little logos, the logos themselves are oftentimes the already immediately recognizable icons of corporate giants. It makes sense, too. You might not remember some elaborate little image on the face of a pill after a night of dancing on Molly, but you’ll probably remember the golden arches, the Rolls Royce logo or the Playboy bunny. That Rolls Royce was the best, gotta get more of that, right? See how that works?
A graffiti artist since the age of 14, Dean Zeus Colman now works under his nom d’arts “Zeus,” combining his urban artistic sensibilities with his formal training from Chelsea College of Art. Realizing the obvious pop art potential of ecstasy tablets, Zeus produced these plaster sculptures modeled after actual ecstasy pills to sleek, modern effect. The cheeky chic series is called, called “Love is a Drug,” and you should definitelybuy me the Bart Simpson one.
Lemmy Kilmister of the legendary heavy metal band Motörhead recently announced that he’s abandoned his beloved whisky in favor of vodka. He’s been suffering lately from gastric distress and dehydration, and gigs have been cancelled as a result.
Instead of instead of his customary Jack Daniels and coke, Lemmy now quaffs vodka and orange juice to help keep his diabetes in check.
Personally, for me that would be too high a price to pay. But that’s just my opinion.
As usual, Lemmy’s quotes on the subject were pretty choice.
“I like orange juice better,” he told The Guardian. “So, Coca-Cola can fuck off.”
He also said, “Apparently I am still indestructible.” To which we all say, Amen!
Here’s Motörhead giving Toronto the business in 1982:
After working for a biotech lab in Vancouver, BC, science “nerd” Tania Hennessy, originally from New Zealand, decided to start making jewelry based on the molecular structure of various vices, such as cocaine, heroin, and LSD.
“Overdose” molecular necklace
Hennessy laser-cuts her 3D designer drugs from lightweight stainless steel in various finishes, and the results are quite stunning. In some cases, Hennessy combines the addictive molecules, such as LSD and MDMA (a practice known as “candy flipping” if you’re into that kind of thing), to create a wearable drug cocktail without all the nasty side effects. Hennessy even created a piece called “Overdose” (pictured above) that combines the molecular images of the following drugs: LSD, psilocybin (psychedelic mushrooms), cocaine, DMT (the powerful psychedelic dimethyltryptamine), THC (marijuana), and MDMA (Ecstasy/Molly). Trippy.
“LSD” molecular necklace
There are also a few less life-threatening vices in Hennessy’s collection such as chocolate and caffeine, as well good-vibe neurotransmitters like dopamine and serotonin, among others. The pieces in Hennessy’s collection will run you anywhere from $25 to $95 and can be purchased on her website, Aroha Silhouettes. More images of Hennessy’s druggy designs follow.
The slow process of mainstreaming cannabis in the USA is an ongoing source of fascination to me as a former, um, enthusiast. I’m aware of a minor reefer civil war going on between bong-ripping hippies who feel that as long-time champions of the green they’re the soul and standard-bearers of pot-dom, versus hash oil vaping professional types who, with some justification, see themselves as the mainstream face of cannabis that’s going to help win the acceptance of legalization that’s eluded the whites-with-dreads brigades, but whom the hippies see as usurpers of weed culture.
But I’ll score the new-school a point on this one: pipe and bong design has long been associated with juvenile eyesore bullshit for addled heads who evidently can’t function without seeing ALL THE COLORS AT ONCE. And while I’m glad such wares are keeping glass-blowers’ books in the black (my soft spot for the independent artisan transcends my perpetual irritation with both hippie culture and so-called “upscale” dicks), the Aura Water Pipe is an overdue injection of refinement into a marketplace that has long catered mostly to people who think rainbow-hued glass skulls are like, the ultimate, bruh. The reality is that to a great many pot users, pot isn’t the lynchpin of an all-consuming, indentity-defining lifestyle of psychedelic art, jam bands, and 420 culture, it’s just pot.
Aura is designed to provide a cleanable, durable, and user friendly water pipe smoking experience in a form that moves beyond the adverse reaction and stigma associated with traditional bongs. As progressive attitudes toward marijuana use continue to grow in the United States and abroad, water pipes have remained a reminder of the drug’s marginalized and subversive past. A look into existing cannabis products reveals the absence of a brand that connects with the mature, style conscious, and forward thinking market that has emerged in the recent wave of legalization in the United States. Designed to appeal to both existing and new users, Aura evolves the water pipe into a contemporary object that is comfortable in plain sight.
The Aura is a project of Western Washington University’s Mauricio Romano, and it was recently honored as a runner-up in the Consumer Products category of the 2015 Core 77 design awards, cited not just for its appearance—my wisecracking about skull bongs aside, there have of course always been subtler smoking devices—but for its mechanics. (If that stuff interests you, seriously, that link contains more info on bong engineering than I ever expected to read in my life.)
Aura’s form is driven by a simplified user experience created by grouping the touchpoints of smoking (the handle, bowl piece, and mouthpiece) at the top of the device. First time use of a traditional water pipe can be a confusing and intimidating experience given the lack of an intuitive grip and the poor ergonomics of a vertical cylindrical mouthpiece. A holding place for the hand is created by the branches of Aura’s mouthpiece, providing intuitive control and comfort. In addition, the wrist and neck of the user are in a neutral position when smoking thanks to the angle of the mouthpiece. Lost lighters are no longer a problem, as space within the mouthpiece is provided to store one when not in use.
The glass components of traditional water pipes are easily broken, requiring replacement of the entire water pipe when an accident happens because they are fused together. Aura is designed for manufacturing from stainless steel, PCABS plastic, and brass components, ensuring minimal breakability. The cost of manufacturing in these materials is also much less at a large scale than traditionally handworked glass pieces. The resin and particulate matter that accumulate during smoking are difficult to access and clean in traditional water pipes, resulting in a perpetually dirty product. Aura’s main components disassemble to allow access to unclean areas for hand cleaning. The entire system is dishwashable as well, thanks to these durable materials.
Click the image to spawn a readable enlargement
Kinda had to giggle at the informercial-ineptness attributed to smokers in that—using a bong can be “a confusing and intimidating experience”? Come ON. On the other hand, it’s a sign of progress that they can so openly talk about cannabis in their hype. I remember head shop guys—and I assume this is still true where weed remains illegal—constantly and pointedly referring to tobacco and only tobacco when discussing pot accessories with customers, and terminating the conversation and the sale if the customer kept mentioning illegal drugs after a warning or two.
Though its designer claims a patent pending, the Aura doesn’t appear to be available for sale yet. Presumably their Facebook presence and website will spread the word if and when these are actually released to the consumer. In the meantime, here’s more of the bong-porn for which you presumably clicked on this post in the first place.
Suntory is possibly best known to American moviegoers as the client that brought “Bob Harris” to Japan to film a commercial, in Sofia Coppola’s 2003 gem Lost in Translation. It’s Japan’s oldest whisky distillery, and if that causes you suppose that it is in any way dusty or not keeping up with the current trends in whiskeyology, note that just last year its Yamazaki Single Malt Sherry Cask 2013 secured the award for “Best Whisky in the World.”
Not only that, Suntory recently announced that it intends to send some of its delightful spirits to age in outer space. They suspect that the zero-gravity environment may result in nothing less than the smoothest whiskey ever produced.
Suntory will be sending six varieties of whiskey, aged for 10, 18, and 21 years, along with recently distilled beverages, to outer space as part of an experiment. Their theory is that the weightlessness of space will result in a smoother aged whiskey than is possible to attain on Earth. Employees at JAXA’s Tsukuba City Space Center in Ibaraki Prefecture recently prepared glass flasks that will be used to transport the spirits when Konotori Vehicle 5 (HTV-5) launches from JAXA’s Tanegashima Space Center on August 16.
The whiskey samples will be left on the International Space Station for an unspecified number of years before being brought home to be inspected. Unfortunately for drink connoisseurs, Suntory has already stated that they have no plans to sell space whiskey as a product to the general public.
“No plans” is discouraging but that sounds like, if it goes as well as they hope, they’ll be selling it as soon as they can make it work. Now I’m envisaging an Alien or Independence Day-type movie where the first contact with sinister extraterrestrials occurs when they chance upon a satellite full of delicious Suntory product and they invade Earth in order to…... party on a grander scale with the geniuses who developed it.
There are entirely too many times during the day that while doing important “research” for DM, I audibly utter the words “I can’t.” However, after learning of the existence of a GG Allin marionette, I wasn’t even able to muster a sound in protest, and was instead at a total loss for words.
Alex Godfrey, an artist and blogger over at The Guardian, posted blow-by-blow images of his fellow blogger/artist friend Shehzad making a marionette of GG Allin to give to him on his birthday last year. Because nothing says “Happy birthday, scum fuck!” like your very own naked, bloody version of GG Allin that can be controlled by strings. Shehzad’s didn’t skimp on the details—and from the looks of it, few details were spared when it came to making his version of GG look as much like the notorious man himself as possible.
If you want to know why, take a look at the NSFW photos of the GG marionette that follow as well as images from Shehzad’s “creative process.” There are also a few I can’t post, which helps illustrate my point about Shehzad’s attention to detail. If you really need to see them, click here. If you are familiar with GG, then I’m going to assume you’ll know what to expect. I also included a super-short video of marionette GG’s maker putting on a brief show with his most valuable (and possibly possessed) creation. See you in HELL!
Supplying more fun than can reasonably be expected at the optician’s, these intriguing lenses created by Hungarian designer Bence Agoston for a 3D printer enable psychedelic visual experiences while requiring the insertion of round optical lenses into the waiting slots—the effects include “a landscape modified by combinations of colors and patterns.” Anyone who remembers Dr. Timothy Leary might hear in those words connection to good ol’ lysergic acid diethylamide, which, even in this age of rampant drug legalization, is still a Schedule I controlled substance.
The glasses came about through a class project in which each student was assigned another student for whom they were tasked with designing some personal object. Agoston and his classmate quickly found a connection in music, so he looked to design an item that would enhance the experience of listening to music. Said Agoston,
The person for whom I was designing, whose name I pulled from a hat, first had to get to know each other to see if we could find a common point. I interviewed my “client” and luckily he really likes music and he always listens to music while he is traveling. That became the point for our connection because I also love music, but I just listen to it, really a first stage kind of activity. When embarking on this project my goal was to take it to a second stage and give the user a way to experience music by both listening to it and altering their visual experience of it.
The frames are 3D-printed in ABS plastic and can accept up to three of the set of six patterned lenses. The lenses can be rotated in relationship to each other to provide a virtually endless array of psychedelic viewing experiences, which work especially well when looking out of the window of a moving vehicle. The glasses also partially obscure vision, so it’s quite clear that the glasses should in all instances be worn by passengers, not drivers.
Amusingly, Agoston based his selection of colors to use in his lenses on colors most often found on album covers featuring indie psychedelic music, but he may come up with different series of colors for other kinds of music.
Since the 1980s, the Pogues have been fusing the tropes and melodies of traditional Irish folk music to the energy of punk rock while posing a serious threat to the continued functioning of their own and their fans’ livers, in the process releasing unspeakably awesome albums like Rum Sodomy & The Lash and If I Should Fall From Grace With God during their mid-to-late ‘80s high water mark. In a news release that should come as no surprise at all, it was announced that the band has aligned with West Cork Distillers to produce their own brand of Irish whiskey. Via The Spirits Business:
The Pogues Irish Whiskey is targeted towards 25 to 35-year-old drinkers and is said to be Ireland’s highest malt-containing blended Irish whiskey, with 50% grain and 50% single malt liquid.
The whiskey, described as having a “malty and floral” flavour with notes of mild chocolate and citrus, was developed by distillers Barry Walsh and Frank McHardy.
“We wanted to create an Irish whiskey with global appeal, which isn’t without its challenges,” said John O’Connell, co-founder of West Cork Distillers.
It may not take long to find it outside of Ireland, as the band and distillery plan to establish Pogues Irish Whiskey as an international brand. It’ll sell in the UK for £30 a bottle, which is about $45 USD, though import fees might jack that figure up a bit.
After the jump, some live footage of the Pogues from 1984…
Driving under the influence of alcohol has not always been so frowned upon as it is today. In fact, there was once a time when “too drunk to drive” referred to such a deficit of impairment, you pretty much had to be unconscious behind the wheel to even raise an eyebrow. It wasn’t actually until the late 1970s that the law started to take drunk driving more seriously, but even then the more stringent standards for sobriety were met with resistance; groups like MADD were perceived as a bunch of busybodies and spoilsports, and public opinion was slow to recognize that it took far less alcohol to compromise a motorist than previously thought. Obviously this made for a lot of goofy public service announcements!
In 1979, the United States Department of Transportation’s National Highway and Safety Administration produced this little gem, which reworked the Star Wars cantina scene (complete with music) to promote the buddy system—“friends don’t let friends drive drunk.” Of course, they weren’t able to secure any major characters, but Wookieepedia informs me that the intoxicated alien is of the Talz race, while his Durosian friend keeps him safe from harm by taking the keys(?) to his YT-1300 light freighter and driving them both home.
Hear that? That is the sound of a million nerds finding plot holes in a non-canonical space opera-themed drunk driving public service announcement!