Since summer is approaching, I thought I’d post about these “Fuck Off” shoes by Raised by Wolves. I’m a person who normally hates sandals or slides, but there’s no getting around not wearing them if you’re at the beach or a pool.
They come in red, white and black. The black is perfect if you don’t want to be so bold with your “fuck off.” What’s even more likable about these shoes is they’re inexpensive. They sell for $39.00 here.
Why in the world this Misfits dress doesn’t come in black and white is beyond me. But it doesn’t. You have a choice of hot pink, green or purple. According to the description it’s officially licensed featuring the skull on front of the dress and the word “Misfits” on the back of the dress.
Now I can’t vouch for the quality as I do not own one. There is one review with five stars that says, “Fat [sic] shipping. Best friend loves it!”
It’s 95% cotton and 5% spandex. You can get it here.
If you’ve more money than sense or suffer from acute separation anxiety or maybe just want a self-referential talking point that lets all your friends know just how fun and wacky you really are then you may want to consider splurging on a cushion with your face or the face of a loved one printed on it.
The Mushion is (apparently) the must have homeware accessory for the urban young and chic. It’s a service run by Firebox, where you simply “upload a good clear picture of the faces you desire” and let have them transformed into “distorted and squishy cushions for you to do with as you please.”
To do with as you please?
The cushions are seven inches in width by eleven inches in length. They come in single, couples or (fnarr-fnarr) threesomes...with at a cost of about twenty bucks a pop—-or around $36 for three.
So, if you want to sit on your own or your loved one’s face then do head over to Firebox for details.
Mush, by the way, is a Cockney slang word for face—via the Romany for friend.
One of the most striking and iconic pieces of rock and roll clothing has to be the leopard head jacket worn by Iggy Pop on the back cover of 1973’s Raw Power, in the classic shot taken by photographer Mick Rock (above). The jacket was made by John Dove and Molly White in 1971 and appeared in L’Uomo Vogue. They only ever made five of them. Iggy bought one. Zoot Money bought another. One was a gift to their agent in Paris, Dove kept one and an unknown guy bought the other.
The saga of IGGY POP’S JACKET returns 18 years later when Iggy’s Jacket turns up on the back of Stan Lee, lead guitarist of the Dickies in the pages of Rolling Stone. Ruby Ray’s picture shows Stan half-heartedly assuming the Raw Power stance. The interview starts with Vale’s recognition, “The jacket looks like the one Iggy wore on Raw Power!”
“It IS Iggy’s jacket - I got it in a dope deal a few years ago. He didn’t have the bucks so I took that for collateral. For a while, he couldn’t afford it back, and now he’s a rich bitchin’ Iggy, he tried to buy it back and I said NO!...”
Andy Seven: “I remember seeing Iggy at Rodney Bingenheimer’s English Disco after the Stooges broke up when he still had the platinum rinse, with Michael Des Barres, the singer for Silverhead. Stan Lee, who later started the Dickies, used to go there. He was this short, pushy little puffed-out guy with a Marc Bolan poodle shag, and he claimed he had the leopard jacket that Iggy wore on the back cover of Raw Power, he told me he got it from Iggy for dope collateral.”
Ron Asheton: “Oh, yeah, Iggy would trade his possessions all the time for drugs. That’s how he lost some of those great clothes, like that plastic jacket on the back of Raw Power with the Leopard’s head ... that got traded to somebody for drugs or whatever.”
Stan Lee: “When I was sixteen I used to hang out with Iggy. I got his Raw Power jacket in a drug deal that went down in The Whisky parking lot. It was used as collateral, and thankfully I
A few years later, art, record and toy collector extraordinaire, Long Gone John, boss of the mighty Sympathy for the Record Industry label (where the White Stripes, Hole and many others got their start) bought the jacket from Stan Lee. He picks up the story now in an email sent to John Dove and Molly White:
John and Molly
I wrote this for you while flying home from no. California… let me know if you need anything else ... want an updated photo of the jacket ?? all the best as ever…like that, john xx
“I remember Stan Lee from the Dickies wearing the Iggy jacket every time I saw him and remember thinking he’s gonna wear it till it falls apart…he was obviously really really proud of owning it…when you see photos of him wearing it you can see it was still in very good condition at the time…about 5 years before I bought it from Stan, a friend of mine, Tim Warren who ran the label Crypt Records who was living in Germany came to LA. and apart from whatever else he had to do he had intentions of buying the jacket from Stan for his cute french girlfriend ...Tim offered Stan $5000.00 which seemed an enormous amount of money…seems Stan was pretty flush at the time or at least he didn’t currently have a severe drug habit which he often did have throughout the years…anyway, Tim’s offer was turned down and his girlfriend was considerably heartbroken, but still very cute…
I didn’t think about the jacket for a long time until one day a friend called and said Stan wanted to sell the jacket and asked if I was interested…he said he thought Stan wanted $3000.00…I thought that the jacket was so important and would one day belong in a museum and figured it was well worth the money…I drove out to the Valley to meet him at the converted garage he lived in…the jacket was pretty worn, but it was also obvious it was made out of really cheap fake leather material to begin with…the cheetah head on the back was a bit rubbed off, but to me that was inevitable with age and gave it an air of authenticity considering it was at least 25 years old at the time…best as I can remember this was about 1998…being the bargaining fool that I am I offered Stan $2000.00 and after considerable haggling he finally agreed to accept it…the jacket was tiny Iggy is 5’ 1” as documented in the song with the same name Stan was also short, but not that short…i’m 5’ 11” so of course it didn’t fit me, but my interest in it wasn’t to wear it anyway…to me that jacket was so iconic I thought of it as The Shroud of Turin of Rock ‘n’ Roll…
I was about 21 yrs old when Raw Power came out and very impressionable…it was one of my favorite albums and I was completely mesmerized by both the front and back cover photos…that record was amazing and I never got tired of listening to it and never got the image of the jacket out of my mind…I have always felt extremely honored to own the jacket and will protect it’s legacy until the next caretaker happens along…”
There’s this intriguing skirt that’s a perfect item for the woman who loves The Shining, Stanley Kubrick’s endlessly compelling 1979 Stephen King adaptation, but doesn’t always want to be too obvious about it. I noticed it at a bar yesterday when I witnessed one woman pay another a sartorial compliment for wearing it. The wearer instantly mentioned that it depicts part of the helicopter shot from the opening sequence of The Shining.
This got my attention, so I inquired further. As fans of the movie will remember, the opening sequence is a lengthy series of shots of a fantastic natural landscape, most of it a bird’s-eye view of a car driving on a road. But the car isn’t in the very first shot; the very first shot was executed over a body of water, a landscape shot taken at Saint Mary Lake in Glacier National Park, Montana.
Here’s a basic shot of the skirt:
Here’s a closer look:
Here’s a picture of the very first shot of The Shining:
It sure as heckfire seems like the same place from the same angle. You can even see a slight irregularity on the base of the mountain on the right side of the picture, it’s the same in both pictures. They’ve fucked with the colors a bit and given the setting much more of a radioactive neon feel, but it’s the same place.
I’m totally smitten with these handmade dolls by artist Dennis Beltran. They’re lovingly handcrafted works of art, in my opinion. Just amazing. The dolls’ approximate height is 15”. As for the price of each doll, depending on how intricate the beading is for the costumes or how elaborate the hair is, the average price for one is $500. Beltran also does work on commission. I noticed some fantastic The Mighty Boosh dolls on his Instagram page (which you MUST follow, btw).
Nick Cave is an artist, performer, educator and “foremost a messenger” who works in a wide range of media including sculpture, installation, video, sound and performance.
Not to be confused with the antipodean singer and screenwriter, this Nick Cave is best known for his beautiful Soundsuits—“sculptural forms based on the scale of his body” which “camouflage the body, masking and creating a second skin that conceals race, gender, and class, forcing the viewer to look without judgment” or prejudice.
It was a very hard year for me because of everything that came out of the Rodney King beating. I started thinking about myself more and more as a black man—as someone who was discarded, devalued, viewed as less than.
I started thinking about the role of identity, being racial profiled, feeling devalued, less than, dismissed. And then I happened to be in the park this one particular day, and looked down at the ground and there was a twig. And I just thought, well, that’s discarded, and it’s sort of insignificant. And so I just started then gathering the twigs, and before I knew it, I was, had built a sculpture.
Cave carried the twigs he had collected in Grant Park, Chicago, back to his studio where he drilled a small hole at the base of each one. He linked these together with a wire before attaching them to a large piece of material. From this he created his first wearable sculpture or Soundsuit:
When I was inside a suit, you couldn’t tell if I was a woman or man; if I was black, red, green or orange; from Haiti or South Africa. I was no longer Nick. I was a shaman of sorts.
Inspired by this incredible sense of freedom and empowerment, Cave began making more and more outrageous and fabulous creations from materials he found in flea markets and thrifts stores across country.
Cave admits he never knows exactly what he is looking for or how he will use it once found. When he does find some suitable object he will spend considerable time working out where best on the body this item can sit. When this is finally worked this out he then develops each design organically from this point. The finished sculptures are worn in performances devised by Cave. There is an obvious similarity between Cave’s Soundsuits and Leigh Bowery’s performance costumes from the eighties and early nineties. Both take traditional crafts (needlework, macramé and crochet) and use them them to create powerful and beautiful works of (wearable) art. A selection of Cave’s Soundsuits are for sale at the SoundsuitShop.
More of Nick Cave’s fabulous designs, after the jump….
As a life-long fan of the 1982 film Blade Runner, I’ve always wanted one of those light-up umbrellas like the street denizens of Ridley Scott’s pre-apocalyptic Los Angeles carry, and now that I actually live in the (for real dystopian cyberpunk) future, such a thing is conveniently available.
I got this thing in the mail yesterday and thought it was cool enough to share with our readers, as I know we’ve got a lot of Blade Runner fans in our audience.
For an umbrella that costs under $25 and has electronic parts, it’s surprisingly well-constructed. It has three light modes: solid blue, and two different flash modes. It’s the perfect accessory to light your way through the rain and fog as you head down to the noodle shop, keeping your eyes peeled for replicants.
You can pick one up at Amazon HERE. There are other brands that seem to do the same thing, but this is the one I got and I can vouch for the quality.
It’s just the thing to keep the rain off your tears as you watch the C-beams glitter in the dark near the Tannhäuser Gate.
Reading The Story of My Life by Giacomo Casanova set me off on a browse of the beautiful masks famously worn during the Carnival of Venice. These masks were originally used to celebrate the victory of the Most Serene Republic of Venice against Ulrich II of Aquileia and his failed attempt to bring the city under German rule circa 1162. By the time Casanova was living in the city in the middle of the 18th century, citizens were allowed to wear masks for up to six months which enabled the wearer to indulge in an excess of food, wine and partying, and to mix freely with those of other classes. The masks also provided anonymity for those seeking to indulge in a bit of sexual shenanigans. Such hedonistic pleasures led Venice to gain its reputation as a strict yet deeply licentious city.
But back to Casanova who was much more than just a bed-hopping sex beast. He was a soldier, a musician, a dabbler in the dark arts, a novelist, a spy and eventually a librarian to Count Joseph Karl von Waldstein at his castle in Bohemia. Casanova also spent time in the Piombi prison for “public outrages against the holy religion.” Quite incredibly, he escaped from this jail situated in the upper floors of the Doge’s palace by climbing through the roof in 1756. He then fled to Paris where he set up a lottery to raise money for the French army. Casanova was a rather ingenious man and I think it fair to say throughout his life he quite literally donned various “masks” like an actor as he tried out the different roles he played. The real Casanova only became apparent when he sat down to write his memoirs when working as a librarian in Dux.
These gorgeous handmade paper mache masks are inspired by many of the traditional designs worn in Venice during Casanova’s era. They are for sale and though expensive, are utterly beautiful.