Totally groan-worthy, bust-a-gut funny reedit of 80s/90s Christian rap trio DC Talk’s acutely embarrassing home video release DC Talk: Rap, Rock & Soul.

Via Everything is Terrible’s guest blogger Rich Juzwiak from FourFour.
 

 
This is odd. Seldom-seen footage of America’s pimp laureate Iceberg Slim, promoting his book Trick Baby and talking about “White Folk,” taken from a 1968 episode of The Joe Pyne Show.

First off, what was Iceberg Slim doing on Joe Pyne? (Joe Pyne = the Bill O’Reilly of the 1960s).

And secondly, what’s with that crazy mask?

This is just a three-minute excerpt from a 49-minute long video that can be watched on Amazon.
 

 
Depending on how much you loved or hated Richard’s post about Odd Future live on Jimmy Kimmel, oops I mean Jimmy Fallon, you might be interested to know that the debut album by Tyler The Creator (kingpin of that crew) is available as a free download from the Odd Future blog**. Released at the very tail end of 2009 (presumably to foil end of year lists) rumor has it that Bastard has had over a million downloads at this point. This doesn’t seem so far fetched. It might explain why the hype is so strong for Tyler, and how Odd Future got on Jimmy Fallon in the first place. Tyler’s new single “Yonkers” (not bad but not his best work) is also gaining a lot of hype, not least due to the video, and his follow up to Bastard is set to drop in April.
 

 
Hip-hop hasn’t been pushing sonic boundaries in the last few years, for me anyway, but it’s great to see it pushing other envelopes. The album brings to mind memories of late 90s Rawkus records, acts like Cannibal Ox and Anti-Pop Consortium/Beans and even vaguely the detuned synth-styles of the RZA, updated here for the Garageband/soft-synth age. I really like some of his music, but what I like most about Tyler is his methods of getting himself out there, creating a buzz without having to resort to the usual mainstream channels. Of course, if his music was terrible it would be different, but as it is, he might become the most high profile emerging artist yet to give away his product for free.

** Looks like the original upload has expired. You can still find Bastard for download very easily though, at links like this one. The Odd Future blog is worth having a look at, for other releases and general wackiness.

 
I would be lying if I wrote that I was a Jimmy Fallon fan (I’m not) but he does have some pretty good musical guests on from time to time. Last night two members of LA-based teenage horrorcore rap collective Odd Future (AKA Odd Future Wolf Gang Kill Them All or OFWGKTA) provided one of the most wonderfully anarchic musical moments in recent TV memory. Totally insane, totally inspired. Those of you lamenting the lack of good old fashion rebellion in the younger generation’s music should appreciate this inspired performance.  I’ve watched this three times already, grinning from ear to ear.

Witness “Sandwiches” performed by Tyler, The Creator and Hodgy Beats. I just love how these kid are so obviously gleeful to be getting away with singing shit like this on national television. Hilarious. And Mos Def is most definitely having a good time, too. Kick out the jams, motherfuckers, kick out the jams.
 

 
Via Elvin Estella AKA DJ Nobody

 
Folks might remember a post I did last year on Nujabes’ “Luv (Sic) Pt. 2” slow motion video shot in Japan and directed by Sou Otsukis. Well, Otsukis’ slowmo madness is back, and this time “Luv (Sic) Pt. 2” takes place in Cambodia. It’s really worth a watch. 

Previously on Dangerous Minds:
Goofy People Running in Slow Motion

(via Nerdcore)

 
Ultra-respected Detroit hip-hop producer James DeWitt Yancey a.k.a. J.Dilla a.k.a. Jay Dee would have turned 37 today. Four years ago, he died of cardiac arrest after a long struggle with lupus, and a few days after his last album, Donuts was released on Stones Throw Records.

Little can be said about Dilla that isn’t said in this 40-minute film, J. Dilla: Still Shining, released on the genius’s birthday by Brian “B.Kyle” Atkins of Gifted Films, which features many of the artists who he inspired or for whom he produced tracks, including Bilal, Erykah Badu, Pete Rock, ?uestlove, Common, Q-Tip and Monie Love, the last of which simply described his work as “the feel-good.”

Have a look at this tribute to a guy who helped keep the hip-hop artform elevated with his intense skills, superhuman drive, and simple love of music.
 

“J.Dilla: Still Shining” from B.Kyle on Vimeo.

Thanks for the heads-up, Aybee Deepblak.

 
Egyptian rappers Arabian Knightz have released the first rap song to come out of Egypt since the revolution began.

Arabian Knightz member Rush posted this message on Facebook before Egyptian authorities pulled the plug on the Internet.

“Certain indie artists have already released songs against the oppression and those songs were used on video campaigns [as of the Jan. 25 march], called the “Day of Anger.” Some of us went down to the streets to take part on the 25th. And some of us are now in the studios doing tracks about it to make sure peoples fire of revolution doesn’t get put out by fear.”

According to Revolt Radio this track was released quickly and is still a rough track:

Due, to the uncertainty of the communications situation in Egypt right now, Arabian Knightz have opted to release the raw, unmixed track because they need the world to hear their message. As of right now, they are the voice for the people of Egypt.

So here it is, the first communique to come out of those studios in Cairo. Proof that you can’t stop the music! Revolutions come out of the barrels of subwoofers and microphones. Keep the fires burning Arabian Knightz.
 

 
Thanks to Exile On Moan Street for the heads up.
 
Another track/communique from Arabian Knightz after the jump…

 
12ozProphet, “the largest graffiti, street art and pop culture community online”, collaborated with film maker Justin Hogan in the creation of this short documentary on graffiti legend and pop culture icon Futura 2000.

Leonard (Futura) talks about the early days of being a street art pioneer, his experiences with The Clash, Madonna, life in Brooklyn and his current projects.
 

 
Kool Herc, the legendary Jamaican-born DJ famous for “inventing hip hop” during South Bronx dance parties in the early 1970s is ill, and in dire need of financial assistance. According to a story that’s appeared in places from The Source’s website to The Guardian, Kool Herc, now 55,  was discharged from a Bronx hospital yesterday, but still needs desperate help to pay for his medical bills. The cause of his illness has not been disclosed and it’s unclear whether he’s had the needed surgery or not.

Armed only with dual copies of James Brown and Jimmy Castor Bunch albums—not to mention a couple copies of “Bongo Rock”—and as many turntables as his mixer would allow for, DJ Kool Herc was the first turntablist to isolate the instrumental “break beat” from hard funk songs and turn them into five to ten-minute long extended workouts for the “break” dancers at his parties. Later these same beats became the musical backdrop for the toasters of the nascent “rap” scene. Kool Herc’s style on multiple decks was soon copied by Grandmaster Flash and Afrika Bambaataa.

Donations for DJ Kool Herc can be sent to Kool Herc Productions PO Box 20472 Huntington Station, NY 11746

Below, DJ Kool Herc explains how he came up with the idea for isolating the break beat, in the process helping to birth hip hop culture.
 

 
As this posts, despite an evening curfew falling on the cities of Cairo, Suez and Alexandria, some of the biggest popular showdowns yet between the Egyptian people and the regime of President Hosni Mubarak continue. That remarkable unrest has been explicitly inspired by the recent historic and ongoing revolution 2,100 miles west in Tunisia, which has led to the ouster of the dictator Zine El Abidine Ben Ali after 23 years of repressive rule.

One little-known aspect of the Tunisian uprising is the role of hip-hop. As in most of the Arab world and Iran, and despite Ben Ali’s draconian rule, Tunisia’s hip-hop scene has grown. Artists like Afrock, T-Shibo, and Killah Rector have carried on the work first laid down by pioneers like Wled Bled, and the arrest for questioning of 22-year-old MC Hamada Ben-Aoun, a.k.a. The General, for his track “President, Your People are Dying” happened a few days before Ben Ali fled the country.

Watch and listen closely. This is the epitome of music culture against repression.

I asked Tunisian rapper Firas Louati for a few words on the unrest in his home country:

I grew up in Tunisia. For me, like I’m sure each country is for every kid, it was the center of the universe. I truly believed that everything revolved around Tunisia. People from all over the world literally did pilgrimage to it, whether for religious reasons (during Lag Ba’omer, a Jewish holiday that takes place after the celebration of Passover, Jews from all over the world come in masses to Ghriba synagogue, home of the world’s oldest Sefer Torah), or more commonly for touristic reasons during the summer when Tunisia becomes a Mecca for beach-goers and sun-lovers.

As I got older I realized it wasn’t really the center of the universe. I discovered we were categorized as a Third World country, and since both my parents are revolutionary syndicated journalists (my father was jailed during the 1978 manifestations), I learned pretty quickly that we were living in a dictatorship, that the media is censored and freedom of speech is virtually non-existent. Sure we ranked highly among African and Arab countries, and women enjoyed a freedom unheard of in the neighboring countries, and for decades that was the thread of dignity we, people of Tunisia, hung onto. But that wasn’t enough, not if we wanted our kids to be proud of being Tunisians.

It took long enough, but Tunisians rid themselves of their fears—fears of the government, but most importantly fears of leaving their comfort-zone and the apparent safety and security our country was famous for. And they marched into the streets simultaneously, first to express their anger and discontent, then to ask for reforms and, well…jobs! Then, finally, to demand and ultimately impose a radical change—a historic one, too. For the first time in history, an Arab people has ousted its president and dictator without foreign help or the use of force.

And on that Friday, the 14th of January, the eyes of the whole world were on Tunisia. On that historic day, Tunisia was and forever will remain an idol and an inspiration for the tired and the poor, the weak and the oppressed, anyone who has ever dreamt about liberty while living under dictatorship. On that historic day, Tunisia WAS the center of the universe. I couldn’t help remembering all those revolutionary rap songs I wrote, all those cliched phrases that even I was starting to get tired of: “Power to the people,” “We can change our destiny,” etc.—and smile. Finally it was relevant, finally it made sense.

The battle is far from won, but we know the challenges awaiting us, and we will work them out as a united free people in a democratic way. Because now that we tried the taste of freedom, we are never giving it up again.

Thank you people of Tunisia for making her once again the center of the universe.

Here’s the video for Firas’s recently released tune, “Tunisian Revolution,” with a translation from the Arabic below:
 

 
Tunisian Revolution

CHORUS
[The chorus is sampled from “Homma Min Wehna Min” (“Who are They and Who are We”), a song by revolutionary Egyptian composer Sheikh Imam.]

1st verse:
If the people one day decided to live*
then it’s as if they decided to walk on water.
Hands are cuffed, my “masters”’s needle has sewn our lips
nothing left but the weaponized pencil
and my fist.
The night they arrested my heartbeat…**
Long live my country
he who betrayed it will live in it
and he who isn’t among its wealthiest won’t.
The people have been subdued, robbed,
heroes been put down, burnt down,
riches have been accumulated and disappeared.
Underneath us the fire is burning,
and above us the wealthy are living,
and we’re stuck in the middle.
If the people one day decided to live,
start digging graves and preparing burial shrouds.
Blood is screaming inside our veins,
we die and they live, dear country.
If the people one day decided to live,
then destiny has to obey
and the shackles have to be broken
and the dark night has to end.

- CHORUS -

2nd verse:
Who are they?
U won’t see them but u will feel their shackles
Who are they?
The ones that deafened hearing people
and muted the talkative until we became like statues,
steered like a herd.
Who are they?
They’re the ones who dried the ink out of our pens,
imprisoned speech.
Who are they?
They’re the ones that made the flag cry.
Who are they
and who are we?
Where are they?
In fortified castles.
Where are we?
In destroyed shacks.
Their sons enjoy our misfortune,
our sons get beaten in universities,
get burnt.
Their sons get the highest positions,
our sons hang from coffee shop to coffee shop, from bar to bar
are unemployed, with diplomas…

*A take on Tunisian national anthem by Abul-Qasem Alchebbi:
“If the people one day decided to live
then destiny has to obey
and the shackles has to be broken
and the dark night has to end”

**Refers to the famous 1984 Egyptian TV film The Night They Arrested Fatma, a drama about a young woman who became radicalized during the Egyptian Revolution of 1952.

After the jump: the video (with English subtitles) that helped get Tunisian rapper The General arrested…