As reported on Gawker, no permit has been granted, but since they’re going to be on The Jimmy Fallon Show tonight, the rumor sounds like more than a rumor. Apparently the NYPD is aware, too, that something is being planned.
UPDATE 12:19 p.m.: A spokesperson for Occupy Wall Street confirms “Radiohead will play a surprise show today at four in the afternoon. Press conference at one in the afternoon.”
Update 12:54 p.m.: The spokesperson tells Gawker they have no permit but the police are “aware” of the event. This is going to be interesting—a band with Radiohead’s popularity can easily draw a hundred thousand for a free show in New York City. You need permits for this sort of thing, and there, obviously, there are a lot of crowd control issues that are worked out in advance. However you slice it, this will be bananas.
We’ll be looking for the embed code for the video to post here when/if it happens. Fingers crossed!
UPDATE: It was just a rumor after all. The Wall Street Journal and The New York Observer have both confirmed that Radiohead is not playing the #OccupyWallStreet protest Friday.
There is a wonderful richness of color to Pathé‘s news reels that is sadly lacking in our digital age. A warmth of lipstick reds, and oil painting hues, that is quite difficult to resist. This is a 1950’s fashion show of swimming caps against a Punch and Judy background, so beautifully surreal it could have been lifted straight out of a David Lynch movie.
The Occupy Wall Street protest is reportedly rapidly gaining in number in lower Manhattan as unions and political action groups begin to show their support of the fledgling anti-capitalist movement. From Crains New York:
But as the action nears the start of its third week, unions and community groups are eager to jump on board. They are motivated perhaps by a sense of solidarity and a desire to tap into its growing success, but undoubtedly by something else too—embarrassment that a group of young people using Twitter and Facebook have been able to draw attention to progressive causes in a way they haven’t been able to in years.
The protestors have transformed the park into a village of sorts, complete with a community kitchen, a library, a concert stage, an arts and crafts center and a media hub. All of that has enabled them not just to sustain the action but to build momentum. And as celebrities like Michael Moore, Susan Sarandon, Russell Simmons and Cornel West have joined in, the city’s traditional activists have been forced to jump into the fray.
The protestors have transformed the park into a village of sorts, complete with a community kitchen, a library, a concert stage, an arts and crafts center and a media hub.
“It’s become too big to ignore,” said one political consultant.
Some of the biggest players in organized labor are actively involved in planning for Wednesday’s demonstration, either directly or through coalitions that they are a part of. The United Federation of Teachers, 32BJ SEIU, 1199 SEIU, Workers United and Transport Workers Union Local 100 are all expected to participate. The Working Families Party is helping to organize the protest and MoveOn.org is expected to mobilize its extensive online regional networks to drum up support for the effort.
“We’re getting involved because the crisis was caused by the excesses of Wall Street and the consequences have fallen hardest on workers,” a spokesman for TWU Local 100 said.
Community groups like Make the Road New York, the Coalition for the Homeless, the Alliance for Quality Education and Community Voices Heard are also organizing for Wednesday’s action, and the labor/community coalitions United New York and Strong Economy For All are pitching in as well.
You can visit Occupy Together for more information on political manifestations in your area. If you live anywhere near the NYC metro area (that includes YOU, Philly, Jersey, Long Island, CT, etc) you might want to consider showing up yourself. If you live or work in Manhattan, for god’s sake at the very least have your lunch in Zuccotti Park… and bring some pizza for the people! (I live in Los Angeles, but will be in NYC next month for business. I plan to spend time at the protest while I am there).
As mentioned on Daily Kos and elsewhere, the pepper spray incident and the viral video of it have seen a sharp rise in Google searches for items related to the Occupy Wall Street protest. The message IS getting out there. Even Time magazine has reported on the movement—that means it’s officially mainstream news now. If unions and organized lefties start to show up in sizable numbers Zuccotti Park to voice their disapproval of the financial system, who knows what might happen next?
One thing is for sure, the numbers are rising steadily. The movement has vowed to stay throughout the winter months.
Below, Rolling Stone’s Matt Taibbi discusses the Occupy Wall Street movement with Keith Olbermann. Interestingly, Taibbi points out near the end that there are several Tea party and Ron Paul supporters protesting in Zuccotti Park
MOJO: Years ago, John [Lennon] was quoted as saying that George was ‘the kid’ when the Beatles began and that John treated George as such. How long did that last?
PAUL: It probably lasted a couple of years. Just because of his age, in a group of men who’ve grown up together, particularly round about their teenage years - age matters. In John’s case, who was three years older than George - that meant a lot. John was probably a bit embarrassed at having sort of ‘a young kid’ around, just ‘cos that happens in a bunch of guys. It lasted for a little while. It was particularly noticeable when George got deported from Hamburg [in November 1960] for being underage. Otherwise, when he first joined the group, he was a very fresh-faced looking kid. I remember introducing him to John and thinking, Wow, there’s a little bit of an age difference. It wasn’t so much for me ‘cos I was kind of in the middle. But as we grew up it ceased to make a difference. And those kind of differences iron themselves out.
MOJO: I’m curious about George’s process in the studio. Do you recall any stand-out moments where George brought something in or made a song click?
PAUL: Oh yeah, sure. There were quite a few. I would think immediately of my song “And I Love Her” which I brought in pretty much as a finished song. But George put on do-do-do-do [sings the signature riff] which is very much a part of the song. Y’know, the opening riff. That, to me, made a stunning difference to the song and whenever I play the song now, I remember the moment George came up with it. That song would not be the same without it.
I think a lot of his solos were very distinctive and made the records. He didn’t sound like any other guitarist. The very early days we were really kids and we didn’t think at all professionally. We were just kids being led through this amazing wonderland of the music business. We didn’t know how it went at all - a fact that I’m kind of glad of ‘cos I think it meant that we made it up. So we ended up making things up that people then would later emulate rather than us emulating stuff that we’d been told.
In the very early days, it was pretty exciting. I remember going to auditions at Decca and each of us did pretty well, y’know. We were in a pub afterwards having a drink and kind of debriefing and coming down off the excitement, but we were still pretty high off it all. And I remember sitting at the bar with George and it became kind of a fun thing for us for years later. I would say, [adopts awed voice] When you sang [Goffin & King’s] “Take Good Care Of My Baby,” it was amazin’ man!’ I’m not sure we said ‘man’ or even ‘amazing’ in those days, but… That was a special little moment and it just became a thing between me and him: [awed voice again] ‘When you sang Take Good Care Of My Baby’...’
Part 2 is here. Below, the trailer for Martin Scorsese’s upcoming documentary George Harrison: Living In The Material World, out next month.
The block quoted text below is a slightly edited email that Dangerous Minds pal Ann Magnuson sent me this morning regarding an amazing sounding art exhibit that she and artist Kenny Scharf are curating at the quirky Royal/T gallery in Los Angeles. Titled “East Village West” (in official partnership with “Pacific Standard Time: Art in L.A. 1945-1980”) the show aims to link the fabled New York neo-Dada art scene of the late 70s/early 80s that coalesced around Magnuson’s Club 57 nightclub with its campy Hollywood influences. In the words of the curators “Walt Disney, Russ Meyer, Roger Corman, The Beverly Hillbillies, Sonny & Cher, The Partridge Family, Hanna-Barbera, Ed Wood, Frankie Avalon and Annette Funicello, Sid and Marty Krofft, The Monkees, Herb Alpert & the Tijuana Brass, The Mamas & The Papas, the cast of Rowan & Martin’s LAUGH-IN, Famous Monsters of Filmland magazine, Rodney Bingenheimer and his glam rock English Disco and every Shindig-lovin’, hullabaloo-ing teenager who ever rioted on the Sunset Strip.”
This is a museum-quality show, another art world score for Royal/T.
The exhibit is primarily art and ephemera from the collections and archives of Kenny and myself. Funny enough, I was finally sorting through all my East Village memorabilia when Kenny called me and asked if I’d take on the lions share of this curating job as he has a big show coming up and is painting night and day. It’s become massive! We have paintings, sculpture, fashions, video, photographs, ephemera….it is really a museum quality show! We focus primarily on Club 57 but there are many other elements as well…
We have art by Keith Haring, Kenny Scharf, Jean-Michel Basquiat (one real and two of my fakes), Tseng Kwong Chi, John Sex, Kitty Brophy showing art she’s never shown before, Bruno Schmidt, Kenny Scharf, Ann Magnuson, Vincent Gallo, Frank Holliday, Scott Covert, Stefano Castronova, Nancy A. Kintisch, Greer Lankton’s Terri Toye doll, Paul Monroe, Plasticgod and Randy Focazio; photographs by Robert Carrithers, Harvey Wang, Ande Whyland, Lina Bertucci, Joseph Szkodzinski; video by Barry Shils, Steve Brown, Andy Rees, Tom Rubnitz, and others; fashions by Natasha Adonzio (Natasha N.Y.C.) and Katy K; special ‘vintage’ DJ mix by original Club 57 DJ Dany Johnson in the “Porta Party” installation pod; PLUS cool ephemera and rare video provided by original Club 57 members like Marc Shaiman & Scott Wittman, Kristian Hoffman, Howie Pyro, Naomi Regelson, Jerry Beck and so many more! PLUS excerpts from THE NOMI SONG (directed by Andrew Horn) and ARIAS WITH A TWIST (directed by Bobby Sheehan)!
We are showing a lot of John Sex’s art that has never been exhibited. He made these gorgeous silkscreens and several feature Klaus Nomi. We also have many of the beautiful large silkscreen posters he did for events at Club 57.
Joey Arias is sending us several of Klaus Nomi’ costumes. The Victoria and Albert Museum’s Postmodernism show is currently showing two of Klaus’ costumes. They wanted the vinyl coat that we will be exhibiting (a very early costume of Klaus’ that he had made based on the Sixties plastic raincoat Howie Pyro stole out of his mother’s closet so Klaus could use it to create his Nomi character that he debuted at the New Wave Vaudeville show). Joey couldn’t find it when he was gathering items for the V&A but he finally did find it and he sent it to us! (Howie is also DJ at the opening).
There is a beautiful slide show featuring work from 5 different photographers on the scene. LOADS of video including live footage from Club 57 never shown. Marc Shaiman and Scott Wittman (who won the Tony for HAIRSPRAY) did some of their first musicals at Club 57 and we have a clip from one of them. Clip from THE NOMI SONG about the New Wave Vaudeville show and clips from ARIAS WITH A TWIST to give the youngin’s a quick East Village history lesson.
Kenny Scharf videos (very Warholian if Warhol was a complete goofball), my MADE FOR TV, the video of the Ladies Auxilliary LADY WRESTLING night…
A compilation of our California influences that were transmitted into our still forming noggins via TV edited by Jonathon Stearns that I KNOW you are gonna love.
A special display for the Monster Movie Club (Howie Pyro lending us his MMC t-shirt).
Young members of the ‘new generation’ carrying on the tradition of Club 57 will be performing. Fresh off last seasons AMERICA’S GOT TALENT, Prince Poppycock will sing The Mumps song THAT FATAL CHARM to a track he is recording with Kristian Hoffman (who wrote the song). Another Hoffman hit is one originally sung by Klaus Nomi and sung by Timur of the Dime Museum who is simple astounding! Drag King Mo B. Dick is ‘coming out of retirement’ to do John Sex (John Waters says she is his favorite Drag King, she was featured in PECKER) , and more! (Everyone is listed in text below).
Austin Young is doing an on site art installation called CALIFORNIA NEW WAVE creating New Wave makeovers, Austin Young style.
Dany Johnson made a 4-hour DJ mix of her Club 57 favorites.
The list goes on! As you can see, the show and the opening in particular is going to be a bona fide old skool ART HAPPENING!
We encourage everyone to pull their pointy toed shoes and ripped fishnets out of mothballs and come on down!
We hope to inspire and encourage the young kids how to have fun and be wildly creative with no money! We did it during the first great recession, it can be done during the second!
The details: Royal/T presents East Village West, curated by Ann Magnuson and Kenny Scharf. From October 1, 2011 until January 10, 2012. Opening reception Saturday, October 1, 8-11pm
DJ Howie Pyro and performances by Prince Poppycock, Timur of The Dime Museum, Drag King “Mo B. Dick” as John Sex (along with “his” Bodacious Ta-Tas), Stacy Dawson Stearns, Gregory Barnett, and Meg Wolfe are The Psych-Out Dada Go-Go Family and of course Ann Magnuson and Kenny Scharf.
Plus video from Club 57 never before shown in public. Doughnuts are promised.
Below, a slideshow of some of Harvey Wang’s great photos of Club 57:
Michael Moore stopped by the Occupy Wall Street demo last night to show his support. If you’re wondering why everyone keeps repeating what he says, the protestors are not allowed by law to have any amplified sound. The “people’s mic” is how they get around it—and make a little legal noise—so that what the speakers are saying can be heard in the cheap seats…
[L]ook, we got rid of slavery in 1863 in this country. It wasn’t until the 1960s that you saw the large marches and the voting rights and the civil rights act being passed. Women couldn’t vote until 1920, and then you didn’t have the real women’s liberation movement until the ‘60s and ‘70s.
Things take time. This won’t take that long. This won’t take 100 years for people to respond because Wall Street has overplayed its hand. They have come down too hard on too many people, especially people in the middle class who used to believe in Wall Street.
Forty-six million people living in poverty right now in the United States. That’s an absolute crime, it’s immoral. And these guys are just posting the largest profits ever this year.
You’re right, where’s the rage? Where’s the uprising? It’s starting. It’s down right now on Wall Street. It starts with the young people. But this is going to grow because people watching this tonight, people are afraid that they’re going to be foreclosed on this year, don’t know if they’re going to be out of a job next year, can’t afford the medical bills for their kids. Fifty million people still without insurance. They’re sitting home right now going, god, I wish I could do something. What can I do? Somebody has got to start it somewhere. That’s what these kids have done down in Wall Street. It’s going to spread across the country. And believe you me, I won’t have—it won’t be because of anything I say or you say or this show or those kids down there, people already feel it. They’re sick and tired of it. And I think you’re going to see that happen more and more in this country.
British journalist and TV presenter, Janet Street-Porter has always had a finger on the pulse, been ahead of the curve, you know, has always been able to avoid a cliche. Her career as a TV journalist in the 1970s put most of her contemporaries to shame, as she brilliantly explored subjects and cultural trends the mainstream decidedly ignored. The week Chicago were at number one in the UK’s Top 40, with the vomit-inducing “If You Leave Me Now”, dear Janet was out making the first TV documentary on The Sex Pistols, The Clash and Punk Rock.
Broadcast on 22 November 1976 as part of The London Weekend Show, Janet’s film “Punk” featured interviews The Sex Pistols (still with Glen Matlock), a band called Clash (before they added a ‘The’) and Siouxsie Sioux. The Pistols also perform “Pretty Vacant”, “Submission”, “Anarchy in the UK” and “No Fun”.
There’s some drop-out, and the video tape is a bit mashed at the start, but otherwise, this is an important moment in pop culture history.
Another pristine wonder from mid-70’s Dutch TV ! It’s DM patron saint Brian Eno miming his lil’ heart out to the rockin’ non -LP single “Seven Deadly Finns”. Makes my day, how about yours?
AC/DC’s official exhibition Family Jewels has opened at Glasgow’s Kelvingrove Museum and Art Gallery, where it will be on show until February 2012. The exhibition will then move on to America.
Its the first time this band approved exhibition has left Australia, and Scotland was considered the most obvious place to bring the show as there are strong links between the country and the legendary band. AC/DC’s founding members Angus and Malcolm Young were born in Glasgow, while the late, great singer, Bon Scott was born in Kirriemuir - also know for its gingerbread.
The exhibition contains over 400 items celebrating 35 years of one of the world’s greatest rock and roll bands. From photographs, programmes, tour posters, tickets plus personal memorabilia, letters, song lyrics to rare stage costumes, including one of Angus Young’s school uniforms and Bon Scott’s last leather jacket. This is all interspersed with 3 hours of live concert footage, video clips, interviews, which all details the history of AC/DC.
This is a major one-off exhibition and a must-see for AC/DC fans as well as for those interested in popular culture. Check details here and pictures here.
