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Dangerous Minds Radio Hour Episode 15: The Return of Nate Cimmino
02.07.2011
12:26 pm
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Climb on and join your tour guide and now regular tri-weekly host Nate Cimmino for another virtual journey from point A to point B, where ever that is for you.

Or to quote Mel Lyman:

This is CONTEMPORARY music. In this new age whose keynote is the destruction of old forms and the birth of new spirit our ears are still constantly insulted with the musical establishment’s attempts to “hold on” to the old traditions whatever the cost.

Or to quote a myriad of different people, “It seems like a nice way to spend an hour.”
 
Playlist:
 
01. Bimbo Jet- El Bimbo
02. Klaus Doldinger- Sitar Beat (Nate-O-Phonic Edit)
03. Cristina- What’s A Girl To Do?
04. Ursula 1000- Urgent/Anxious- (Ladytron Remix)
05. Shocking Blue- Fireball Of Love
06. Hamilton Bohannon-The Pimp Walk
07. Act One- Tom The Peeper
08. Slim Gaillard- How High The Moon
09. Jocko Henderson- Blast Off To Love
10. Margaret Leng Tan- Suite For A Toy Piano Pts. 1&2
11. Rockabye Baby- Enter Sandman
12. Norah Guthrie- My Illness
13. The Lyman Family with Lisa Kindred- James Alley Blues
14. Fairport Convention- Matty Groves
 

 
Download this week’s episode
 
Subscribe to the Dangerous Minds Radio Hour podcast at Alterati
 
Video bonus: The Lyman Family + Mel Brooks = An interviewer’s hell
 

Posted by Brad Laner
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02.07.2011
12:26 pm
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This just in: Reagan presidency recalled accurately!
02.07.2011
10:46 am
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Paul Slansky is guest blogging at Dangerous Minds about life during the Reagan era.

This is the first in a series of posts reminding those who lived through it – and informing those who didn’t – that contrary to relentless media efforts to portray Ronald Reagan as a great President and his reign as an era of national bliss, he was actually a lazy ignoramus who couldn’t tell fact from fiction, and whose eight years of callous actions (and inactions) had disastrous and ongoing consequences for the country.  And here’s how it started:

11/4/80 At 8:15pm EST, with a mere five percent of the vote counted, NBC declares former Hollywood actor Ronald Reagan the 40th President of the United States.  “I’m not bitter,” says President Jimmy Carter, who concedes the election hours before polls in the west have closed. “Rosalynn is, but I’m not.” Adds the First Lady, “I’m bitter enough for all of us.”

11/20/80 President-elect Reagan arrives at the White House to receive a job briefing from President Carter, who later reveals that Reagan asked few questions and took no notes, asking instead for a copy of Carter’s presentation.

11/27/80 At halftime during its Thanksgiving football game, CBS interviews President-elect Ronald Reagan, who reminisces about his days as a radio sportscaster and fondly recalls his penchant for enhancing the events by “making things up.”

12/11/80 Presidentelect Reagan’s first eight Cabinet appointments – including Donald Regan (Treasury), David Stockman (Budget Director), Caspar Weinberger (Defense) and William Casey (CIA) – are announced.  Reagan not only doesn’t attend the half hour ceremony but he can’t even be bothered to watch all of it on TV.

12/12/80 Denying a report that Nancy Reagan “can’t understand” why the Carters don’t move into Blair House during the transition so she can have a head start on redecorating the White House, a spokesperson explains that the First Ladyin-waiting merely suggested that she might do that favor for the next First Family.  Says one Carter aide, “I wouldn’t be surprised if we have to fend off the moving vans.”

12/18/80 Washington Post: REAGAN ON THE SIDELINES / HE OFTEN SEEMS REMOTE FROM TRANSITION

12/19/80 Washington Post: REAGAN ‘IS REALLY RUNNING THINGS,’ MEESE TELLS PRESS

12/31/80 Nancy Reagan is reported to be insisting that whoever is hired as her husband’s press secretary must be “reasonably goodlooking.”

1/17/81 The most expensive Inaugural celebration in American history – an $11 million four day parade of limousines, white ties and mink that prompts Reagan partisan Barry Goldwater to complain about such an “ostentatious” display “at a time when most people can’t hack it” – gets underway in Washington.

1/20/81 At noon, promising an “era of national renewal,” Ronald Wilson Reagan becomes the oldest man to take the oath of office as President of the United States.  In a stunning coincidence, just as he completes his speech, the 52 hostages held in Tehran for 444 days begin their journey home.  Suspicion lingers to this day about whether behind-the-scenes machinations by the Reagan transition team – machinations which would have been nothing less than treasonous – might have played a part in delaying this moment for days or even weeks in order that it might provide this spectacular opening to the surreal movie about to be filmed.

Later, President Reagan visits Tip O’Neill’s office, where the House Speaker shows him a desk that was used by Grover Cleveland.  Reagan claims to have portrayed him in a movie.  O’Neill points out that Reagan in fact played Grover Cleveland Alexander, the baseball player, not Grover Cleveland, the President.

All entries are excerpted from the “Reagan Centennial Edition” of my 1989 book The Clothes Have No Emperor, available here as an eBook. Much more to come.

Posted by Paul Slansky
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02.07.2011
10:46 am
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Leadbelly at the Super Bowl but nobody notices
02.06.2011
04:08 am
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In all the hype surrounding Volkwagen’s Super Bowl commercial airing later today and featuring Jon Spencer’s Negritic take on the song “Black Betty,” there is no mention of Leadbelly. It’s as if “Black Betty” never existed prior to Ram Jam’s hit version of the song—the 1977 recording the press keeps referring to when discussing the Volkswagen commercial.

In my opinion, Volkswagen would have made a better (and hipper) impression had they opted to use Leadbelly’s original recording of the tune. But maybe using a Black bluesman singing a traditional Negro work song called “Black Betty” in a commercial featuring a black automobile and black insects might have struck some folks as being a bit racist. Better to go with the white guy. Or change the name of the car to the Volkswagen Boll Weevil.
 

 

Posted by Marc Campbell
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02.06.2011
04:08 am
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Super Bowl Sunday with Ronald Reagan, 1985 (plus video!)
02.05.2011
05:15 pm
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For the next two weeks, Paul Slansky will be guest-blogging at Dangerous Minds about life during the Reagan era.

To provide an antidote to the poisonous bath of Reagan Love that the nation is currently drowning in, I’ve revised my 1989 book The Clothes Have No Emperor – which Wonkette just called “the only honest history of the Ronald Reagan 1980s” (italics theirs) – and re-issued it as an eBook, available here on a name-your price basis.

This is the first in a series of excerpts to remind those who lived through it – and inform those who didn’t – that, contrary to the current hagiography that the media is so inappropriately cheerleading, Reagan was actually a nasty, lazy ignoramus whose singular ability was to seem unthreatening by waggling his head while sporting a misleading grin.

JANUARY 20, 1985: With the next day’s re-inauguration apparently not providing enough exposure for him, President Reagan injects himself into the Super Bowl, performing the important presidential duty of tossing the coin to determine which team gets the ball.  The live feed linking him to the broadcast from Stanford is open ten minutes before he goes on the air, enabling satellite dish owners to spy on the leader of the free world as he:

*Practices the coin flip three times – “It is heads ... It is tails” – so he’s prepared for all possibilities

*Reveals a really neat idea a friend of his had: “Frank Sinatra had a recommendation, instead of tossing the coin, what would have been a lot better. You’d have had me outdoors throwing out the ball.  I would have thrown it – a little art work of maybe a ball going across a map – and out there, one of them catching a ball, as if it’s gone all the way across the United States.  How about that?”
        
*Stands immobile, almost deflated, as the minutes tick by, as if he doesn’t quite exist when the camera’s not on.

Finally, he gets his cue and – suddenly animated – he flips the coin. “It is tails!” he announces, adding some banality about how all the players should do their best.  The network cuts away and, somewhat forlornly, he resumes the less satisfying non‑televised portion of his life.

Harry Shearer captured the satellite feed, and he’s finally made it available for everyone to see.  It’s the only ten minutes – out of the entire eight years of his presidency – that Reagan was observable without knowing that he was being watched.  It’s the realest he’s ever been in front of the cameras.

Spoiler alert: the coin comes up tails.
 

Posted by Paul Slansky
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02.05.2011
05:15 pm
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Nirvana meets RuPaul: Smells Like Queen Spirit
02.02.2011
08:30 pm
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Posted by Richard Metzger
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02.02.2011
08:30 pm
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Aerosol resistance in bloody Cairo: ‘The people want the regime to end’
02.02.2011
06:25 pm
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Cairo-based British journalist Sara Carr continues to bring some fantastic street-level photojournalism from her adopted home city, including some shots of the spray-paint agitprop going on in the capitol.

Carr and some others have just assembled a Cairo offshoot from the Occupied London site, reporting on the ground, and along with Democracy Now, it’s proven a great item to add to your Egyptian Revolution RSS. They’ve already posted twice on today’s ruthless and unsurprising pro-Mubarak raid on Tahrir Square.
 
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“No to Mubarak, no to Nazif, no to Sorour”
(Refers to Ahmed Nazif, Prime Minister for past 7 years until yesterday, and Ahmad Fathi Sorour, speaker of the People’s Assembly since 1991 and first in the official line of succession as President after Mubarak)

 
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“Down with the regime” with inverted “Eagle of Saladin” coat of arms from the Egyptian flag.
 
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Stencil of Mubarak; underneath, the Arabic word “Irhal”, meaning “Leave”.

 

Posted by Ron Nachmann
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02.02.2011
06:25 pm
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Jean-Claude Vannier makes wild music for Yves Saint-Laurent (1971)
02.01.2011
07:08 pm
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A tantalizingly brief clip of a collaboration between fashion giant Yves Saint-Laurent and composer/arranger/ key Serge Gainsbourg collaborator, Jean-Claude Vannier. A version of L’enfant la Mouche et les Allumettes from Vannier’s 1972 LP L’enfant Assassin des Mouches (pictured above) is performed as rather surreal accompaniment to the fashion goings-on from The Roland Petit Show in 1971. Wish it went on longer.
 

 
Bonus: A few songs from the wonderful aformentioned LP
 

Le Roi Des Mouches Et La Confiture De Rouse
 

Les Gardes Volent Au Secours Du Roi
 

L`enfant Au Royaume Des Mouches
 
With thanks to Justin Meldal-Johnsen !

Posted by Brad Laner
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02.01.2011
07:08 pm
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Judy Garland’s screen test for ‘Valley of the Dolls’
02.01.2011
03:50 pm
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Best-selling author Jacqueline Susann and Judy Garland at a 1967 press conference.
 
Judy Garland’s screen test for Valley of the Dolls. Re-blogging this from Billy Beyond, who writes:

After they fired her she took the costumes and performed in them at the Palladium in London. Go Judy.

The idea of casting Judy Garland as aging actress “Helen Lawson” in Valley of the Dools was pure genius, when you consider that Patty Duke’s “Neely O’ Hara” character was so obviously based on Garland herself. Not that Susan Hayward wasn’t great in the role, she was, but it would have been even better with Judy Garland.
 

 
After the jump, Patty Duke tells the story of Judy Garland getting fired from Valley of the Dolls... and her revenge!

READ ON
Posted by Richard Metzger
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02.01.2011
03:50 pm
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Brast Burn and Karuna Khyal: Mysterious and face-melting mid 70’s Japanese psych LPs
02.01.2011
03:27 pm
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Today I lay before you two LPs by possibly the same artist (nobody knows for sure who these people are !) from mid-70’s Japan that I’ve long felt represented some of the strongest home-made psychedelic music ever made. I give you my ever-effusive compatriot, Eric Lumbleau of the mighty Mutant Sounds blog to illuminate further:

These mid-‘70s releases - by interconnected musicians about whom nothing is known - represent two of the highest peaks of Japanese psych-prog weirdness. Brast Burn’s Debon is an intricate con catenation of cascading sleigh bells and hand drums, windswept Himalayan acid atmospherics, bottleneck acoustic-guitar twiddle and Damo Suzuki-like mantric babble. All of the above is held aloft by a synthesist with a terminal case of pitch wheel woozies and is strategically embellished with outbursts of tumbling bass drums, spiraling flutes and recorders, and some exquisitly hallucinogenic electric guitar. Coming on like an eternal cosmic caravan, the whole damn thing is soaked in a higher-key music of the spheres vibe. Yes, Brast Burn are indeed the real goods, and they will suck you into a hypnogogic reverie. Karuna Khyal are, by contrast, an altogether more psychotic proposition, quite capable of inducing frontal lobe fatigue in those lacking a hardy constitution. Great monolithic slabs of damaged, half speed Beefheartian swamp dirge, replete with squawking, overblown mouth harp, collide with undulating waves of Throbbing Gristle-esque electronic distortion, as the group stridently trudge across your neuroreceptors and eroding your sanity. Attempting to reconcile the contents of those disparate dispatches is a losing game. If there ia any thread connecting these excursions, it’s in the mantrically intoned vocals that wend their way through both of these outings; though the volatility of the vocal delivery on Alomoni 1985 renders even these ties tenuous. Suffice to say, both of these forays into the outer reaches of sound are perched near the zenith of radical innovation.

It’s true, rock ‘em loud !
 

Brast Burn - Debon SIde One
 

Brast Burn - Debon Side Two
 
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Karuna Khyal - Alomoni 1985 Side One
 

Karuna Khyal - Alomoni 1985 Side Two

Posted by Brad Laner
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02.01.2011
03:27 pm
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John Peel interviews Mick Farren about the underground press
02.01.2011
02:20 pm
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Fantastic! Vintage interview with Dangerous Minds pal Mick Farren (seen here with ex-wife Joy) conducted by John Peel!

Here the legendary Mr. Farren discusses how “the authorities” would pressure printers not to deal with the International Times or the underground press as a means of suppressing it. Towards the end, he sketches out how an underground economy would work. What a thrill to see this. Imagine if rock stars today were this smart!

When Mick gets back to me about this interview (not mentioned in his autobiography Give the Anarchist a Cigarette) I will update this post.
 

 
Via Blog to Comm

More Mick Farren on Dangerous Minds

Posted by Richard Metzger
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02.01.2011
02:20 pm
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