He says, “I’ve seen the Beatles on television and have heard of few of their songs. It’s not my kind of thing. I prefer classical music.”

Seniors!

 
In The Conversation, Gene Hackman’s character, Harry Caul used an Ampex AG-350 and German-made UHER units to bug unsuspecting couples. The UHERs were similar to those used during the Nixon administration to bug the Oval Office. Bugging is more ubiquitous than we think, for example, though cinema may try and convince pay-phones are the best place to make that discreet call, they are regularly bugged by intelligence agencies. This was particularly true for the UK and Northern Ireland during the 1970s, when covert surveillance was carried out on paramilitary organizations, those of certain political affiliation, union leaders, Communist Party members and even John Lennon and The Sex Pistols. It therefore must have come as quite a shock to the powers that be, when it was disclosed MI5 had bugged the Prime Minister’s office, at 10 Downing Street, for 15 years.

Over at the Phantom Museum there is an impressive on-line collection of 117 reel-to-reel recorders and 50 microphones, plus an extensive history of reel-to-reel and recording advertising from the late 1800s to present day.

The Museum was established by Martin Theophilus, who has been involved in audio production since 1964, and now runs the multi-media company Phantom Productions. Theophilus says the on-line Museum, “is for people who want to look back and see how recording has evolved.”

In an interview with The Bastrop Advertiser, Theophilus explained:

...recorders were in use as early as 1877 but that the Edison Player, which initially sold for $20 (cylinders were 35 cents), was the first device available to the public. The Edison machine etched microphone vibrations into grooves on spinning wax cylinders. Historically, recorders have used wire, vinyl and other materials.

Theophilus said that commercial and private use of reel-to-reel magnetic tape to record sound, a technique first developed by the Germans during World War II, began in California in 1946 where two captured German machines were reassembled.

The vintage reel-to-reels in Theophilus’ collection were primarily used by singers, musicians and song writers who could not afford to hire professional recording studios.

Beginning in 1948, when portable reel-to-reel machines became available to cash poor artists, they used them to make demos. The demos were distributed to help the artists get jobs. By 1955, portable reel-to-reel recorders, such as the Ampex, reproduced a sound as good as the products of recording studios.

The Phantom Museum can be found here, and the vintage reel-to-reel, radios and recorders catalogs and adverts here.
 

 
Bonus images from the Reel-to-Reel catalog after the jump…
 

 
Writer, critic and translator, Fernanda Pivano interviews Jack Kerouac on Italian television, 1966. Kerouac is more than a wee bit shitfaced.

Pivano was known for her insightful and freewheeling interviews of American beat writers, including Ginsberg, Corso, Bukowski and Burroughs. She had a knack for getting on the wavelength of writers being one herself. And she enjoyed drinking with them. Her published interviews with Bukowski are worth seeking out. Her longstanding friendship with Hemingway certainly prepared her for dealing with a bunch of drunk poets.
 

 
From the online presence of the National Postal Museum:

One of the oddest parcel post packages ever sent was “mailed” from Grangeville to Lewiston, Idaho on February 19, 1914. The 48 1/2 pound package was just short of the 50 pound limit. The name of the package was May Pierstorff, four years old.

May’s parents decided to send their daughter for a visit with her grandparents, but were reluctant to pay the train fare. Noticing that there were no provisions in the parcel post regulations specifically concerning sending a person through the mails, they decided to “mail” their daughter. The postage, 53-cents in parcel post stamps, was attached to May’s coat. This little girl traveled the entire distance to Lewiston in the train’s mail compartment and was delivered to her grandmother’s home by the mail clerk on duty, Leonard Mochel.

Now that’s what I call finding a loophole. At least they didn’t put her in a box.

Unavoidably, I am reminded of Lou Reed’s short story of poor Waldo Jeffers, hapless protagonist of “The Gift” by the Velvet Underground.
 

 
The late great Stooge Larry Fine meets the late great Stooge Ron Asheton as photographed by either Michael Tipton or Jimmy Recca at the MGM country retirement home in Calabasas,California circa early 70’s. That’s Larry’s granddaughter in the photo also. The story of this unlikely, but poetically perfect friendship is documented in the excellent book Please Kill Me: The Uncensored Oral History of Punk (An Evergreen book).
 
Collection of Rich Dorris, much thanks to Heather Harris and Kim Retro Kimmer Maki !

 
I visited The Liberace Museum in Vegas and loved it. Too bad it’s closing. Las Vegas is no longer the Vegas I dig.

For Immediate Release:
LIBERACE MUSEUM TO CLOSE ITS DOORS OCT. 17
Las Vegas – After 31 years of operation, the Liberace Museum will close its doors Sunday, Oct. 17, 2010 to focus its monetary contributions on the Liberace Foundation.

Due to the economic downturn and the decline in the number of visitors, the Museum is forced to close the space and focus primarily on its dedication to the Foundation and the donation of scholarships.

“On behalf of the Board of Directors, we feel it is important to close the Museum to ensure the future of the Liberace Foundation and to keep the legacy of Liberace alive through its continued scholarship program,” said Jeff Koep, chair of the Liberace Foundation. “Since the inception of the foundation 34 years ago, more than $6 million in scholarships have been awarded to 2,700 students, and we will continue to award scholarships to deserving individuals.”

The memorabilia at the Liberace Museum will be maintained. A national touring exhibit is planned, and details will be announced at a later time. The board will also continue to research options for a location change to make the Museum more accessible to potential patrons.

“The traveling exhibit is an exciting way to share the life and legacy of Liberace while providing an income stream for the Foundation,” said Koep. “In no way do we intend to close the doors and not continue to explore options that will allow us to reopen at a later date.”

More rock and roll goodness from The Seven Ages Of Rock.

A tale of two cities, London and New York and the birth of punk. Each city created a bastard child that marked the biggest and fundamental shift in popular music since Elvis walked into Sun Studios. ‘Blank Generation’ examines the relationship between the bankrupt New York and the class and race-riven London of the mid- 70’s and explores the music of The Sex Pistols, The Clash, Ramones, Television, Patti Smith, The Damned and Buzzcocks

 
An amusing compendium of some famous last words in film history.
 

Fouad Hady contemplates a 15-year sentence in a Saddam-era women’s prison cell
 
Whether under Saddam Hussein’s abysmal regime or in this post-“liberation” era, we tend to think of Iraq in terms of power and its players—mostly leaders and soldiers and mostly men.

Nine years after he fled Baghdad for Australia, Melbourne-based reporter Fouad Hady has helped change that by travelling back to his home country to file long-form reports from the ground for the Dateline program on Australia’s public SBS One channel.

In 2009’s “City of Widows,” Hady first surveys the miserable poverty of Baghdad’s outlying Al-Rashad district before being told of the Saddam-era womens’ prison, some of the cells of which are now occupied by refugees from other areas. Downtown in the city—which is home to 80,000 of Iraq’s 750,000 widows—he finds a burgeoning movement of women in loss.

“Deadly Legacy”—filed last month—finds Hady reporting from Fallujah, which was the site of massive anti-insurgent operations during which American troopes used munitions made with depleted uranium. Hady’s reporting on the city’s astronomical rates of cancer, infant mortality and leukemia speaks for itself.

These two reports are staggering in their eye-level view of some of Iraq’s afflictions before and after Saddam. No matter your position on that war, these should also prove instructive to those clamoring for action against a far more formidable foe like Iran. War against that country would make this look like a game of croquet. 
 
Click to see City of Widows on YouTube

 
After the jump: see Deadly Legacy on YouTube…