follow us in feedly
Weird private photographs of Hitler practicing dramatic gestures for his speeches
08:19 am


Adolf Hitler

Adolf Hitler
Hitler is the human symbol of evil, but his rise to power in Germany in the 1930s obviously can’t be explained by reference to that alone. There must have been some deep, underlying appeal to the man himself. In 1940, in a review of Mein Kampf, George Orwell (!!!), who was not yet the famous author he would become, wrote:

But Hitler could not have succeeded against his many rivals if it had not been for the attraction of his own personality, which one can feel even in the clumsy writing of Mein Kampf, and which is no doubt overhwhelming when one hears his speeches. I should like to put it on record that I have never been able to dislike Hitler. Ever since he came to power—till then, like nearly everyone, I had been deceived into thinking that he did not matter—I have reflected that I would certainly kill him if I could get within reach of him, but that I could feel no personal animosity. The fact is that there is something deeply appealing about him. One feels it again when one sees his photographs—and I recommend especially the photograph at the beginning of Hurst and Blackett’s edition, which shows Hitler in his early Brownshirt days. It is a pathetic, dog-like face, the face of a man suffering under intolerable wrongs. In a rather more manly way it reproduces the expression of innumerable pictures of Christ crucified, and there is little doubt that that is how Hitler sees himself. The initial, personal cause of his grievance against the universe can only be guessed at; but at any rate the grievance is there. He is the martyr, the victim, Prometheus chained to the rock, the self-sacrificing hero who fights single-handed against impossible odds.

As Orwell points out, Hitler’s appeal was largely symbolic, and, just as with every American president from FDR to Nixon to Reagan to Obama, he understood that public presentation has to be carefully staged and place a premium on non-verbal, one might even say precognitive aspects to politics and ceremony. In the preface to Mein Kampf, Hitler wrote, “I know that men are won over less by the written than by the spoken word, that every great movement on this earth owes its growth to orators and not to great writers.”

Hitler understood the power of oratory, and his success in that arena was not accidental; it was the product of a great deal of practice and careful adjustment. Heinrich Hoffmann was Hitler’s personal photographer, who took an astonishing two million pictures of the Führer. Here we see a series of photographs by Hoffmann of Hitler practicing his exaggerated hand gestures to be used in future speeches. Hitler actually characterized different effects for the various poses, such as “gebieterisch” (domineering) or “kämpferisch” (pugnacious).

After he saw the negatives, Hitler ordered that the photos be destroyed, but Hoffmann hid them away. After the seizure of his archives, they were released to the public.
Adolf Hitler
Adolf Hitler
Adolf Hitler
Adolf Hitler
Adolf Hitler
Adolf Hitler
Adolf Hitler
Adolf Hitler
via Downtown Camera

Posted by Martin Schneider | Discussion
follow us in feedly
Anatomical Venus: The gory idealized beauty of wax medical models
06:24 am


anatomical Venus

From the “Josephinum Museum” of the Medical University of Vienna, Austria. Late 18th century
The importance of anatomical models cannot be overstated in the education of medical professionals, but these learning tools have not always been so… clinical. Behold, the “Anatomical Venus,” idealized female forms first popularized in 18th century Europe, intended for the education of both medical students and a curious public (men and women were most often segregated for viewings). The figures were usually made of wax, which is malleable and conducive to bright colors and the “ladies” were often adorned with jewelry, ribbons and elaborate makeup.

Disturbingly, some of models look dead, while others are depicted as if they were flayed alive—some even appear to express a level of eroticism. The detail and care in craftsmanship only ups the uncanny factor. Fair warning, quite a few of these are probably not safe for work, and not just for anatomical gore. Boobs, even waxen or terra cotta medical boobs, can get a person in trouble with the boss, and the creepy bedroom eyes of these disemboweled beauties could definitely give the wrong impression as to your perversity. I saved the most unsettling (at least in my opinion), for last—a decidedly unimpressed woman giving birth… the doctor’s hand is featured.

From La Specola museum. Florence, Italy, 1818

From Museu d’Història de la Medicina de Catalunya. Barcelona, Spain, 19th century

From La Specola museum, Florence, Italy, 18th century. By Clemente Susini. Note the tiny fetus.

From La Specola museum, Florence, Italy, no date given.

Depicting eyelid surgery. From Musée Orfila, Paris, France, no date given.

Giovan-Battista Manfredini, late 18th century. Actually made from terra cotta, not wax.

Late 19th century

Jules Talrich, Paris, late 19th century.

Posted by Amber Frost | Discussion
follow us in feedly
Anarchist icon Emma Goldman’s warning about capitalism from jail, 1893
10:08 am

Class War

Emma Goldman

emma g mugshot
Red Emma’s mugshot

When state senator Wendy Davis held her 11-hour filibuster in Texas last year to block Senate Bill 5 and its restrictions on abortion, it was hard not to think how much better (and entertaining) anarchist firebrand “Red Emma” Goldman would have been if she’d have been the one speaking for so many hours. Davis incited a loud but well-behaved demonstration outside the capitol building in Austin. If Emma had been the orator, there would have been an actual riot. And fires.

Journalist Nelly Bly did a series of profiles of well-known anarchists for The New York World in 1893. She visited 25-year-old Emma in the notorious Tombs jail in New York City shortly after her arrest for inciting a riot at the Carpenters Hall in Philadelphia. Emma was demurely waiting for her friends to bail her out prior to the trial, where she was found guilty and sentenced to a year at Blackwell’s Island Penitentiary. After the obligatory description of Emma’s appearance and clothes (“a little bit of a girl” with “pretty and girlish” hair and dressed in “modest blue serge Eton suit, with a blue muslin shirtwaist and scarf” ), Bly elicited a prescient quote about, among other topics (like free love and marriage), capitalists:

Everything wrong, crime and sickness and all that, is the result of the system under which we live, she continued earnestly. ‘Were there no money, and as a result, no capitalists, people would not be over-worked, starved and ill-housed, all of which makes them old before their time, diseases them and makes them criminals. To save a dollar the capitalists build their railroads poorly, and along comes a train, and loads of people are killed. What are their lives to him if by their sacrifice he has saved money? But those deaths mean misery, want and crime in many, many families. According to Anarchistic principles, we build the best of railroads, so there shall be no accidents… Instead of running a few cars at a frightful speed, in order to save a larger expense, we should run many cars at slow speed, and so have no accidents.’

‘If you do away with money and employers, who will work upon your railroads?’ I asked.

‘Those that care for that kind of work. Then every one shall do that which he likes best, not merely a thing he is compelled to do to earn his daily bread.’

‘What will you do with the lazy ones, who would not work?’

‘No one is lazy. They grow hopeless from the misery of their present existence, and give up. Under our order of things, every man would do the work he liked, and would have as much as his neighbor, so could not be unhappy and discouraged.’

(I was going to include Emma’s famous blintz recipe, which she included in a letter to her long-time friend and lover Alexander Berkman, but to obtain a copy you have to donate $10 to the Emma Goldman Papers at the University of California at Berkeley. Other writings of hers can be found for free at the online Anarchist Library.)

Newsreel footage of Emma at a press conference upon her return to the U.S. in 1934:

Posted by Kimberly J. Bright | Discussion
follow us in feedly
The spectacular steampunk aircrafts of Charles A. A. Dellschau
08:11 am


Charles A. A. Dellschau

If you’re fond of Howard Finster, Jules Verne, Grandma Moses, or the improbable discovery of Vivian Maier’s photographs, the story of Charles A. A. Dellschau is a wildly improbable and intoxicating combination of those elements. How so? Born in 1830, Dellschau was a Prussian butcher who emigrated to the U.S. around 1849—upon his retirement a full fifty years later in 1899, he took up an intriguing hobby, to act as draftsman for the “Sonora Aero Club” of Houston, Texas, a club interested in kooky aeronautical crafts about which it is unclear whether it even existed. What is clear is that between the ages of 69 and his death in 1923 at the age of 92, Dellschau filled at least 13 notebooks with approximately 2,500 utterly awesome large-format drawings and collages around the theme of steampunk-ish dirigibles and other flying machines. Rebecca J. Rosen elaborates:

Dealers and historians eventually tracked down some additional Dellschau works, including a series of three journals called Recolections [sic], that also tell the story of the Sonora Aero Club and its inventions, with “ink drawings of fanciful airships that ... look for all the world as if they had flown off the pages of a Jules Verne novel,” as flight historian Tom D. Crouch describes them.

All together, the shoestring-bound books contain some 2,000 pages, each a double-sided collage replete with calligraphy (often in a code that is still today only partially deciphered), drawings, and newspaper clippings. (Dellschau referred to the clippings as “press blooms,” as though they were preserved flowers.) Each page—or “plate,” as Dellschau called them—is dated and numbered, though the counting starts at number 1601. The estimated 10 volumes with the first 1,600 drawings are presumed lost or destroyed.

According to Dellschau’s writings, the club was a secret group of flight enthusiasts who met at Sonora, California in the mid-19th century; one of the members had discovered the formula for an anti-gravity fuel he called “NB Gas.” Anti-gravity fuel! Even if that development never worked out, the vitality and energy of drawings Dellschau made in his 80s would humble most of the twentysomething art school students you would encounter today.

Curiously, there are traces of the Aero Club in lots of places in California—just not in Sonora. According to historian Tracy Baker-White:

“I haven’t found them in Sonora in the 1850s, but I’ve found them in Napa Valley in 1900, or in San Francisco in 1872, or in Stockton in 1872. There are possible links, but there’s nothing that is in Sonora.”

We often use the words “rare,” “unseen,” “unknown” to describe seldom-seen videos or paintings, and often it isn’t quite right, it’s just that very few people have seen them. In the case of Dellschau, however, it really seems to be true that between the years of 1923 and sometime in the 1960s, his work was actually, literally unknown. His works ended up in a landfill, and if not for the eagle eye of used furniture dealer Fred Washington, they’d remain unknown today. Since then, Dellschau’s spectacular works have received their due attention, including exhibitions at the American Folk Art Museum in New York and the Whitechapel Gallery in London. For an overview of Dellschau’s work, see Charles Dellschau by Thomas McEvilley et al.
More incredible pics of Dellschau’s work, plus a UFO expert tries to bring Dellschau into the fold—all after the jump…..

Posted by Martin Schneider | Discussion
follow us in feedly
‘Bin Laden may not exist’: Did Thomas Pynchon give this 9/11 interview to Japan’s Playboy… or not?
08:29 am


Thomas Pynchon
Osama bin Laden

Pynchon & Bin Laden
Novelist Thomas Pynchon has a slightly overstated reputation as a literary recluse. After three ambitious novels between 1963 and 1973—the last of which, Gravity’s Rainbow, has a pretty strong claim as the best and most important U.S. novel written after 1970—Pynchon took a break from publishing new work that lasted 17 years. There are only a handful of existing photographs of Pynchon, and they’re all grainy black-and-white shots from early in his life. Despite living on the Upper West Side of Manhattan for many years, not many people know what he looks like.

But he’s no J.D. Salinger. Since 1997 he’s published four novels; measured by number of pages, his post-1997 output must far outstrip the three novels and handful of short stories that established his reputation. He pops up here and there, lending liner notes to Nobody’s Cool, an album by the indie rock band Lotion, or Spiked!, a collection of tunes by Spike Jones, whom Pynchon has cited as a key influence on his work.

Pynchon’s cult of personality is strong enough that the question of his extra-fictional writings is no casual matter. So when a brief piece by Pynchon pops up in, of all places, the Japanese edition of Playboy a few months after 9/11 urging readers to regard Osama bin Laden as a “symbol,” that’s the kind of thing that sets the Pynchon obsessives to speculating. There’s not any obvious reason to believe that the article was faked, save Pynchon’s track record of pranks and the unlikely venue. It’s just barely mysterious enough that you might see it referred to as Pynchon’s “interview about bin Laden”—complete with skeptical quotation marks. Its very existence is a bit of a puzzle.
Japanese Playboy
The item exists, for English readers, in translation only, one executed by the diligent “Naoki” of the Pynchon-L newsgroup. It’s important that the piece is billed as an “interview,” because only that would explain the relatively pedestrian quality of the words. (Try to imagine James Joyce translated into Japanese and back into English again. The original text and the outcome might not be all that similar.) The text does seem tolerably Pynchonian. He remarks that he’s afraid to use the subway; there’s more about anthrax than you would find in a remembrance of 9/11 written today; he says that he can’t trust the New York Times anymore; he discusses the anomic qualities of the CNN newscasters.

Most interesting is his plea to stop taking Osama bin Laden so seriously. It’s one of those insights that’s obviously correct but also functionally useless: we were always going to take Osama bin Laden very seriously. As he says, “Even if the United States succeeds in killing him that would mean that there are still 19 bin Ladens left. Even if there is only one, there are probably many people who would take his place once they kill bin Laden. ... If we look at this from a different point-of-view, we should look at bin Laden as a symbol rather than a man. Bin Laden may not even exist.

Here’s Naoki’s translation of the “interview,” with a few typos corrected:

Most News Is Propaganda. Bin Laden May Not Exist.

All people who live in New York today have been talking about recently is whether they have been to the site of the World Trade Center. This is because it has become a “trendy” topic. Personally, I still cannot find myself wanting to go see the site.

The main thing that has changed in my life-style recently is the fact that I do not ride the subway anymore. Before, I got on the subway wherever I went but today, I never ride the subway in fear of biological weapons. After all, there was the case with the Tokyo Sarin Gas. I believe that the damage that can be caused by the biological weapon called anthrax is increasing and we are in a situation where someone could use biological weapons at any time.

The media station that is consistently giving reports on this terrorist case is CNN. Because everybody watches CNN, it would be safe to say that the news being watched by all of the citizens is the same. However, it is dangerous when people start to believe that what they see is real news.

For the television stations this kind of situation should be a great chance to express their individuality. However, the only thing the newscasters do is read the news in a monotonous voice or when the news comes on during the report, all they do is spit out the words they receive. In any case, they talk with the mere intention of filling up the time they have on air.

The adjective “affect less” best fits the way the newscasters talk. It is a way of expression that has no connection to the human being and no emotional power at all. I deprecate this way of expression. If you listen closely to those words, it doesn’t sound like real news. It sounds more like propaganda.

Talking of propaganda, what changed the most due to the terrorist incident is The New York Times. Until recently, I would wake up an hour early to go buy this newspaper but now, there it isn’t even worth the time to sit down and read it. Even before I place my hips in the seat, I am already finished reading it by flipping through the pages. It wouldn’t be wrong to say that there is hardly any useful news. It is mostly propaganda.

The news on how there are more antibiotics to anthrax other than cipro was a little useful, but that kind of useful news has become a rarity. The New York Times is usually known to be the most reliable source of media when doing research on something that happened twenty to thirty years ago. However, that is no longer the case. The most reliable newspaper that is read by educated people today is probably England’s The Guardian. Everyone is reading it on the internet. I also believe that a lot of the information coming out of the White House is also propaganda.

The problem is that common people cannot make a distinction between news and propaganda. On the contrary, the news sent out from Israel is extremely reliable.

In any case, once a war happens, the war for media becomes a great significance and even the newspapers that look decent at first glance, you can no longer trust. About a hundred years ago, the man who started publishing the Daily Mile said the following: “News is something somebody wants to suppress. Everything else is propaganda.”

Therefore, all information that can be obtained without difficult coverage, even though it may be from the White House, you can think of as propaganda.

Bin Laden should be looked upon as a symbol

The United States has always had a tendency to look for an enemy. It is a country that cannot stand not having one. Even for this terrorist incident, it is already determined that the villain behind all of this is bin Laden, but in reality they are saying that because they cannot stand not doing so. I believe that bin Laden is someone’s clown for a rodeo.

Although my thoughts are always paranoid, I believe that I’m the only one who feels this way. It is said that NSA is on a lookout for him but I think that like an onion, new layers will be discovered. No matter how I look at the situation, it doesn’t seem like bin Laden is doing this independently. The only impression that I get is that he is some kind of star actor.

Honestly speaking, we cannot even tell if the face that comes out on television and on the newspapers is his real face. I remember someone saying right after the terrorist incident, “Come on, you want bin Laden? We’ll give you 20 of him.” Even if the United States succeeds in killing him that would mean that there are still 19 bin Ladens left. Even if there is only one, there are probably many people who would take his place once they kill bin Laden.

If we look at this from a different point-of-view, we should look at bin Laden as a symbol rather than a man. Bin Laden may not even exist.

The other day when I was surfing the net, it said that the punishment that suits bin Laden the best is to catch him alive, bring him to a hospital, give him a transexual operation, and send him back to Afghanistan. He would then understand the disservice done to the women in Afghanistan.

We cannot forget that many of bin Laden’s brothers were partners with George Bush Jr. for the purpose of oil ventures in the past. The doctor who is known to be at bin Laden’s side at all times was a member of the group who killed Sadat. When that assassination happened, Egypt became involved and there must have been people who fled to Afghanistan.

What is often said is that it is the United State’s wealth that is the cause of the terrorists’ hatred. I can understand their feelings well. When I see a wealthy person, I instinctively feel anger deep in my stomach. If you think about how Afghanistan is one of the poorest countries in the world, it is only natural for them to feel hatred toward the wealthy United States. They have no other choice but to detest them.

Even if the United States stops their support for Israel, I don’t think that everything will become peaceful. However, from their point-of-view this is the origin of all Israel’s mistakes.

On a final note, if I were to vigorously invest in something right now, I would invest in the tobacco industry. After that incident, people who had stopped smoking before have started it again.


On the Pynchon Wiki, two presumably well-informed commenters offer their opinion that the bin Laden piece is authentic. The reasoning of commenter “Bleakhaus” is fairly persuasive.

I for one am inclined to believe its authenticity. It expresses many of Pynchon’s longest- and deepest-held thoughts:

Paranoia - afraid to ride subway.
Extended thoughts on his distrust of news media - mentions CNN in particular (same station that tracked him down at one point).
He suggests that he used to like the New York Times - in fact, he wrote numerous articles for the Times.
Bin Laden as a symbol - 9/11 is treated symbolically in Against the Day.
sense of humor - consistent with Pynchon’s sense of humor in Against the Day.
The Playboy Japan article also quoted John Updike, Thomas Friedman and others. It would be odd that a bogus Pynchon interview would end up mixed in with those legitimate interviews.
Hating the rich - a very strong theme in Against the Day.

Finally, like Pynchon’s Simpsons appearance, the whole thing is just too unusual to be invented. Playboy Japan, of all things?


Obviously, 9/11 is an ideal subject for a writer who plumbed the subject of paranoia so thoroughly in The Crying of Lot 49 and Gravity’s Rainbow. What “Bleakhaus” couldn’t have known when he or she wrote this is that, while Against the Day (2006) may touch on 9/11 symbolically, his 2013 book Bleeding Edge deals with it literally—it’s part of the book’s plot.

Posted by Martin Schneider | Discussion
follow us in feedly
‘Bone music’: Soviet-era bootleg records of banned rock and jazz pressed on X-ray plates

X-ray records
What do you do if you’re living in the USSR in, say, 1957, and you’d like to press an illegal record of some banned rock and roll or jazz? Consumer tape recorders don’t exist, and in the USSR, vinyl is difficult to come by. How do you proceed?

One thing you might do is press your contraband beats into discarded X-rays. A police state does wonders for the sheer inventiveness of its citizens, does it not? Clever Russians eager to hear some liberating rock and roll would salvage exposed X-rays from hospital waste bins and archives and use them to make records.

In the 1946-1961 era, some ingenious Russians began recording banned bootlegged jazz, boogie woogie and rock ‘n’ roll on exposed X-ray film. The thick radiographs would be cut into discs of 23 to 25 centimeters in diameter; sometimes the records weren’t circular. But the exact shape didn’t matter so much, as long as the thing played.

“Usually it was the Western music they wanted to copy,” says Sergei Khrushchev, the son of Nikita Khrushchev. “Before the tape recorders they used the X-ray film of bones and recorded music on the bones, bone music.” As author Anya von Bremzen elaborates: “They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole. ... You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan—forbidden Western music captured on the interiors of Soviet citizens.”

I can’t wait until Record Store Day 2015, when limited edition X-ray releases will surely be some of the most sought-after purchases!
X-ray records
X-ray records
X-ray records
X-ray records
Previously on DM:
Vintage X-ray ‘vinyl’ from Russia

via Vinyl of the Day

Posted by Martin Schneider | Discussion
follow us in feedly
Fanny and Stella: The two Victorian gentlemen who shocked England
07:52 am


Neil McKenna
Fanny and Stella

Victorian England is sometimes thought a stuffy, sexually oppressive, puritanical world, where one did one’s duty, where children were seen and not heard, and table legs were covered to prevent lustful thoughts. But in truth, Victorian England was a world full of hypocrisy, where sex, poverty and crime were rampant.

The great parliamentarian and Liberal politician William Gladstone was notorious for his visits to brothels where he claimed he was attempting to “rescue” fallen women. Gladstone had been an habitue of London’s bordellos since he was in his twenties with his visits to prostitutes creating feelings of guilt and remorse which he expunged by flogging himself. When Gladstone became the British Prime Minister, he was known to have invited prostitutes back to number 10 Downing Street for a cup of tea and a reading of some uplifting passage from the Bible. Happily married and a father of eight children, Gladstone kept visiting brothels until he was 82 years of age, but by then he was just watching the young girls at work.

Though it was the Protestant work ethic that was outwardly promoted, Victorian Britain was obsessed with sex. In a survey of prostitution made in 1838, James Beard Talbot noted that there were 219 brothels in Edinburgh, 770 in Liverpool, 308 in Manchester, 175 in Leeds and 194 in Norwich. In London there were 5,000 brothels. To give an idea of scale, there were only 2,150 schools, churches and charitable institutions in the great metropolis at the time. If all Europeans are supposedly related by bloodline to Charlemagne, perhaps it could be argued that most Brits alive today are related to a Victorian prostitute.

Of course not all Victorians relied on prostitutes for sexual pleasure, some, as Nigel Cawthorne describes in his book The Sex Secrets of Old England, achieved considerable gratification through the use of dildos (or “dil-dols”).

Advanced varieties were on the market in Victorian England. There were double-ended dildos that could be used by two women at the same time. Others had two prongs that penetrated vagina and anus simultaneously. Another had an attachment for the chin. There was also an astonishing amount of literature advising young ladies on the correct usage.

Those who couldn’t afford a dildo were encouraged to carve a penis-shape out of a candle, but not to use a carrot (because of its hardness) or an eau-de-cologne bottle (because of the damage it could inflict). Bananas (if available) were okay.

Queen Victoria could just about believe that homosexual men existed, but didn’t believe there could ever be lesbians, as “Women do not do such things.” Of course, there was considerable sapphic sex in the olde queen’s day and long before, with women living together as couples. The most famous was John Ferren and Deborah Nolan, two women who married in 1747 and lived disguised as man and wife until Nolan died, and husband Ferren was revealed to be a woman. Many other women disguised themselves as boys and successfully served in the British army and navy, for example Hannah Snell (1723-92), Phoebe Hessel (1713-1821) and Mary Anne Talbot (1778-1808), who went from drummer boy to powder monkey.

But in Victorian times, one of the most infamous cases was that of “Miss Fanny Park” and “Miss Stella Boulton,” whose arrest and trial became one of the era’s most shocking episodes.
Misses Park and Boulton had been seen attending the Strand Theater in London, where they flirted with the men in the balcony. This pair of seemingly attractive Victorian women were in fact two men, Thomas Ernest Boulton (Fanny) and Frederick William Park (Stella).

From an early age, Boulton had identified as female and was encouraged to wear dresses. He formed a friendship with Park and the two became a theatrical double act, touring as Stella Clinton (or Mrs Graham) and Fanny Winifred Park to mainly favorable reviews. They also began frequenting houses and theaters while dressed in women’s clothing. A third man, Lord Arthur Clinton, a respected Liberal politician and godson to PM William Gladstone, became a lover/husband to Stella.
Boulton, Park and Clinton (seated).
In April 1870, Boulton and Park attended the Strand Theater dressed as men, there they changed their clothes, and re-appeared as the glamorous Fanny and Stella. Their flirtatious behavior attracted considerable male attention, as their biographer Neil McKenna explains Fanny and Stella: The Two Young Men Who Shocked Victorian England:

Fanny and Stella were hard to fathom. They had behaved with such lewdness in their box in the stalls as to leave not the faintest shred of doubt in even the most disinterested observer that they were a pair of hardened and shameless whores. And yet, close up, Stella was revealed as a beautiful, almost aristocratic, young woman who showed flashes of an innate, and most decidedly un-whorelike, dignity and grace.

One newspaper said later that she was ‘charming as a star’, another christened her ‘Stella, Star of the Strand’. And despite all the opprobrium that would later be heaped upon her, despite all the mud that would be slung at her and all the mud that would stick to her, she never lost the mysterious aura of a great and stellar beauty.

Mrs Fanny Graham, too, was clearly a woman of some education and breeding, and was certainly very far removed from your common-or-garden whore. Here in the saloon bar, it seemed harder to reconcile their obvious quality with the ogling, tongue-waggling, chirruping lasciviousness of the stalls. They spent half an hour or so in the refreshment bar.

Before they left, Mrs Fanny Graham, unaware that she was being watched, betook herself to the Ladies’ Retiring Room and asked the attendant there to pin the lace back to the hem of her crinoline where she had trodden on it. At a quarter past ten, Mr Hugh Mundell had been despatched in ringing tones by Mrs Graham to go and call for her carriage and soon afterwards the remainder of the party made a leisurely progress to the foyer and pushed their way through the noise and confusion of an emptying theatre to the waiting conveyance.

Just as the carriage was about to depart, one of the men who had been shadowing them all that evening jumped up and swung himself in through the door.

‘I’m a police officer from Bow Street,’ he said, producing his warrant card, ‘and I have every reason to believe that you are men in female attire and you will have to come to Bow Street with me now.’

These two young ladies were arrested and charged with “conspiring and inciting persons to commit an unnatural offence.”
Clinton was named in the subpoena but it is believed he committed suicide rather than face the scandal, though it has also been suggested that he fled the country to live in exile. Fanny and Stella went to trial in 1871 (along with six others) and after a long, sensational trial, all were eventually found not guilty.

Neil McKenna’s biography on Fanny and Stella is published by Faber & Faber.

Posted by Paul Gallagher | Discussion
follow us in feedly
Check out these rare 1967 Velvet Underground covers from Dutch kids and U.S. soldiers in Vietnam!
08:17 am


Velvet Underground
Electrical Banana

It’s truly amazing to think that somehow a few eager rock ‘n’ rollers, living in the Netherlands in the ‘60s, getting whatever US and UK records they could get their hands on, wind up with the first Velvets LP, grouping it in with The Beatles, Stones, Monkees, and Lovin’ Spoonful albums that they got that day. And when it was time to go for broke and make their own first record, what did they do? That’s right, pick 2 songs off that weird banana record! Think about that thought process—they didn’t pick 2 songs from 2 different bands, or one original song with a cover song on the flip side like every other band, they covered two Velvets songs! I can’t wrap my head around this. These Dutch kids saw, in 1967, what the rest of the world took about 25 years to notice. The band is called The Riats. What could the name mean? Stair backwards? Misspelling of Riots? Rats? We probably will never know.

When I first found this years ago it just about melted my mind with questions that are still unanswered. The band made several 45’s and an LP, none anything much to speak of. This is pretty great though. Take away the Velvet Underground’s mystique, vibe, danger, art, even their sunglasses, and what do you have? This solid beat dancer! Organ-dominated, with a pounding production and a great guitar solo. Phonetic babbling a go-go, lord knows they had no idea what they were saying. But “Run Run Run” is really great. The B side, a somber, sorta clunky run through of “Sunday Morning,” could be anybody making any record in 1967, but my mind is SO etched with wondering what this meant to them, and what it means to me personally that it still screws me up a bit hearing it. I really wish there was an interview from ‘67 where these guys explain why they made this 45. It’s pretty odd for a band to basically do a tribute to a totally unknown band. Especially THAT band.

Enjoy the unbelievable: The Riats, “Run, Run, Run”/“Sunday Morning,” Omega Records, 1967 (Sadly I can’t find “Sunday Morning” anywhere on the internet).

Similar but even more incredible is the saga of The Electrical Banana.
In March of 1966 Dean Kohler, then of The Satellites, was drafted, and his rock ‘n’ roll dreams were put aside…for a few minutes! Dean’s amazing story, including his Vietnam sojourn, is way too much to go into here, but please check his website here, or check out his book Rock ‘n’ Roll Soldier: A Memoir. In a nutshell, he taught a buddy to play bass on the bottom four strings of a guitar supplied by their ship’s chaplain during a 28-day boat ride across the ocean. Along with roughly three thousand men were guitars, amps, and drums. Together with a drummer and another guitarist (the aspiring bass player was not quite ready), Dean’s thrown-together threesome played for “all aboard” on Christmas Day 1966.

Upon landing, Dean and the shy bassist formed The Electrical Banana. They were originally The Swinging Banana in homage to Portsmouth’s Swinging Machine (the most revered and feared band of Dean’s hometown), but after thinking about it for a quick minute they nixed the name for obvious reasons! With matching banana yellow uniforms, Vietnamese guitars and a bamboo stalk for a mic stand, the guys were in business, playing at servicemen’s clubs in the off time from their rigorous regular schedules as MP’s. Remarkably, and mostly due to their conceptual banana fever, someone got ahold of and gave Dean the first Velvet Underground LP (with the Warhol banana cover, of course) within a month of its release. The band promptly snagged “There She Goes Again” for their repertoire and even recorded it live in the middle of Vietnam about a month later, along with Dean’s fine jangler “She’s Gone” (also on the compilation LP mentioned below).

In the best sense of American musical spirit and ingenuity, the band threw down pallets, pitched a tent, dragged over a gas-powered generator, hooked everything up and voila! Not only was it recorded, but released (sort of) in the form of ten acetates with individual custom labels crediting “The Banana,” with a copy of the finished product going to all involved. Again, given the decades it took for the Velvet Underground to receive their due respect and rewards, it’s almost impossible to conceive of the true story I just told, that a band recorded a Velvets cover in the middle of a Vietnam jungle in a gas-powered recording studio straight out of Gilligan’s Island, around ONE MONTH after the Velvets debut release!! Talk about being ahead of their time—woah.

The two Electrical Banana tracks, along with music by The Satellites, The Swinging Machine, and many more can be heard on the compilation Aliens, Psychos and Wild Things (Rare & Unissued Virginia Garage 1964-1967) on the greatest record label in the world, Norton Records. Check out their website.
Big thanks to Simon Trent whose liner notes I used (liberally) to write the Electrical Banana story.

Posted by Howie Pyro | Discussion
follow us in feedly
Ian Curtis’ original handwritten lyrics for ‘Love Will Tear Us Apart’
07:44 am


Joy Division
Ian Curtis

After Ian Curtis’ handwritten lyrics for Joy Division’s single most iconic song, “Love Will Tear Us Apart,” surfaced in a Joy Division/New Order exhibit at the Rock and Roll Hall of Fame, images of the wrinkled 35-year-old sheet of notebook paper have been making fairly brisk rounds of Instagram, Twitter, Pinterest, etc. It’s not hard to understand why. The single was released very shortly after Curtis’ suicide, which transformed the song into an instant self-elegy for both Curtis and the beloved band. The title, in fact, is literally Curtis’ epitaph.


But even if Curtis had decided not to end his life that day in 1980, and Joy Division had continued, doesn’t it seem likely that it would have remained their signature song anyway? It has an intrinsic and enduring melancholy beauty that surely resonates even with listeners who know nothing of the song’s tragic connections, and its lyrics, though highly literate, still touch the universal. From coffeehouses to arena stage, it’s easily Joy Division’s most covered song. Here’s a roundup of several artists trying their hand.

David Gahan of Depeche Mode

Nouvelle Vague

Probably my favorite despite my growing weariness of ukuleles—Evelyn Evelyn


José González of Junip

Atoms For Peace

And of course, Joy Division‘s original.

Posted by Ron Kretsch | Discussion
follow us in feedly
Germs drummer Don Bolles is selling off his old punk flyers
03:03 pm


Don Bolles

Don Bolles
Butthole Surfers, Descendents, Big Boys, 1982
Don Bolles, drummer from the legendary LA punk band The Germs is selling off some choice ephemera over at Some of the best things have been sold, but there’s plenty left. Seventy-five bucks isn’t a terrible price for an original Black Flag flyer, right?

These lineups are enough to make my head spin: Black Flag/Bangles/Redd Kross on the same bill? Butthole Surfers/Descendents/Big Boys? Shiiiit.

Plus, Bolles says that he’ll be “adding more flyers on a daily basis,” so by all means, check the listing again and see what’s popped up since your last visit.
Don Bolles
Consumers, 1978
Don Bolles
The Fall, The Dull, Silver Chalice, Geza X, 1980
Don Bolles
The Feelies, Human Hands, 1981
Don Bolles
Circle Jerks, Stingers, Rhino 39, Runs, 1981
Don Bolles
Wasted Youth, 1983
Don Bolles
Black Flag, Redd Kross, Bangles, 1983
Don Bolles
45 Grave, Bad Religion, Pandoras, 1984
Don Bolles
“What is 45 Grave?” booklet, 1984
Don Bolles
Sonic Youth press kit, 1988
The Germs, live at the Whiskey, 1979:

Posted by Martin Schneider | Discussion
follow us in feedly
Page 7 of 154 ‹ First  < 5 6 7 8 9 >  Last ›