Charles has created a superb blog Archived Music Press, which contains scans of old copies of the UK’s N.M.E. and Melody Maker from 1987-1996, featuring articles on Public Enemy, The Happy Mondays, Radiohead, Pulp, Kurt Cobain and many more. As Charles explains:
I recently retrieved a large pile of old N.M.E. and Melody Makers from a dusty attic. Most of my copies are from around 1987 to 1996. Somehow can’t bring myself to throw them out so I thought I’d start scanning in some of the more interesting covers, reviews and articles at a decent resolution so they can be linked to, read, printed and generally preserved for posterity. I figure someone’s bound to have a use or interest in this stuff if I keep at it. If I feel particularly inclined I might write a few words about the musician, band or journalist.
It’s also my way of saying thank you to all the people who’ve taken the trouble to upload material I’ve gratefully found on the web over many years. All pages will be scanned full size at 150dpi. In simple terms this means you’ll be able to re-produce any page you find here to good quality on A3 size paper.
Huh ? Rapture must be nigh because I’m pretty sure I’m not hallucinating the uber-horrible right wing Jeezer supremo making total sense on the wisdom of pot decriminaliztion in this clip which was broadcast today.
It caused nausea and vomiting when first shown at the Cinephone, Oxford Street, in London. Some of the audience demanded their money back, others hurled abuse and shouted “That’s sick,” and ““Its disgusting.” This was the idea, as writer William Burroughs and producer, Antony Balch wanted to achieve a complete “disorientation of the senses.”
Balch had a hard-on for the weird, unusual and sometimes depraved. It was a predilection born from his love of horror films - one compounded when as a child he met his idol, Bela Lugosi, the olde Austro-Hungarian junkie, who was touring Britain with the stage show that had made him famous, Dracula. Film was a love affair that lasted all of Balch’s life.
He also had a knack of making friends with the right people at the right time. In Paris he met and hung out with the artist Brion Gysin and druggie, Glaswegian Beat writer, Alexander Trocchi, who was then writing porn and editing a literary mag called Merlin, along with the likes of Christopher Logue. Through them, Balch met the two men who changed his life, Burroughs and Kenneth Anger.
Anger helped Balch with his ambitions as a cinema distributor, getting him a copy of Todd Browning’s classic Freaks, which was banned the UK, at that time. Balch paid Anger back when he later released his apocalyptic Invocation of My Demon Brother as a support feature.
Burroughs offered Balch something different - the opportunity to collaborate and make their own films. This they did, first with Towers Open Fire, an accessible montage of Burroughs’ routines, recorded on a Grundig tape recorder, cut-up to Balch’s filmed and found images of a “crumbling society.” Put together stuff like this and the chattering classes will always take you seriously. But don’t doubt it, for it was good.
But it was their second collaboration, Cut Ups which for me is far more interesting and proved far more controversial. Cut Ups was originally intended as a documentary called Guerilla Conditions, and was filmed between 1961 and 1965 in Tangiers and Paris. It included some footage from Balch’s aborted attempt to film the unfilmable Naked Lunch. The finished material was collated and then conventionally edited - but the process didn’t stop there, no. For Balch divided the finshed film into four sections of equal length, and then...
‘WikiRebels’ offers some insight to Wikileaks and Julian Assange. Inexplicably, I can’t find any information on this documentary other than its Youtube description:
Rough-cut of first in-depth documentary on WikiLeaks and the people behind it! From summer 2010 until now, Swedish Television has been following the secretive media network WikiLeaks and its enigmatic Editor-in-Chief Julian Assange.
Reporters Jesper Huor and Bosse Lindquist have traveled to key countries where WikiLeaks operates, interviewing top members, such as Assange, new Spokesperson Kristinn Hrafnsson, as well as people like Daniel Domscheit-Berg who now is starting his own version - Openleaks.org.”
This Christmas card is part of a promotional campaign to get people to donate a percentage of their income to a Polish animal shelter.
The target audience for this ad are actually clubbers. It’s a postcard inserted in envelope with flyers promoting cultural and nightlife events, distributed in party venues and also posters placed in such venues. Christmas and first months of New Year (when you can donate 1% of your income tax to the chosen NGO) is kind of eruption period for charity campaigns. It was the intent of this piece to be different than all the rest of such campaigns and to draw attention of people who sort of became habituated seeing tear-jerking charity ads.
Siavosh Zabeti, and Alexander Kalchev create a FaceBOOK, a social network in hard copy form. De-evolution.
Bouygues Telecom asked us to come up with an idea to launch their facebook platform. They wanted us to create something that would go beyond using your profile picture in a funny way, or pranking your friends with a small joke.
We decided to look at the way we use facebook and found that even though we use the social networking site everyday, we forget our favorite moments we share online. So we created an app that could change that, and keep your facebook, in a book.
Pittsburgh filmmaker Lenka Clayton’s ‘Qaeda Quality Question Quickly Quickly Quiet’ strafes us with the ABCs of post-9/11 propagandistic buzzwords. Bush’s political oratory: a spewing of consonants and vowels with a machine gun staccato, a torrent of linguistic shrapnel.
In recent weeks (since the publication of his memoirs), George W. has been waging a media campaign to resurrect his disastrous Presidency from the hell pit of infamy. And the media has been all too willing to aid him in his revision of history.
Just as a reminder, here’s a crash course in the madness of King George.
Click here to see an interactive map of ‘the best college radio stations, in terms of freeform music programming and streaming audio quality.’
In choosing the stations, Zoomout.in’s criteria was:
*Must be non-commercial;
*Must be affiliated with a college/university and be (mostly) student run;
*Must have a full schedule of freeform programming;
*Must broadcast a live, high-quality .mp3 or .ogg stream.
I have a fear of flying, so I drive cross country quite often and find myself futilely spinning the radio dial trying to discover something to listen to other than Bible thumpers and conservative talk jocks . College radio provides some relief from the wasteland that is the American airwaves.