Phone Sex Grandma is a short film by Jack Truman about an older female telephone sex worker that follows her routine for a day as she goes about her business. While it could be argued that this film has a lot to say about the socio-economic place of gender and the role of the elderly in declining late-capitalist society, you should probably just forget all that and admit that it’s really funny.
Old people having sex (or in this case talking sexy) is one of the oldest tropes in the comedy handbook - but you’ve gotta hand it to this woman, when it comes to sexy talk she is a pro. And I mean a professional. Check out 3:10 where she is taking a piss AND talking sexy AND pretending to be East Asian! Or 5:20 when she is taking a bath, reading Darwin, talking sexy AND pretending to be black! That is some epic multitasking right there. Phone Sex Grandma is my new (NSFW) hero:
First things first: In my opinion, calling a Gender Variant Person (possibly the only non-offensive term I can think off) a “tranny” is no better than calling a Jewish person a “kike” or a black person by the “N word.” Indeed a Jewish Gender Variant friend of mine often suffered combined “kike” and “tranny” abuse and I myself have been “accused” of being Jewish when wearing a black suit on a Saturday. Are transgendered citizens all part of some Zionist conspiracy? Sometimes I wonder…
“Tranny” has its roots in drag performances, which is a fine and upstanding tradition, but not one Gender Variant People, on the whole, wish to aspire to. In fact Gender Variant People are not drag queens, drag kings, cross dressers (god bless ‘em), “poofs” who have gone too far or dykes who couldn’t cope with it and became men. Neither are we defenders of patriarchy, oppressors of women or a drag on the queer scene.
Gender Variant People should be of interest to radicals and liberals everywhere damned as we are to suffer violence, constant discrimination and to have our very bodies commandeered by systems of power beyond our control. But we have been left behind, labeled “trannies” (or worse), and left to the tender mercies of a medical establishments that insist we label ourselves as mentally ill before we are “allowed” to carry out body modification surgery (should we wish to). We are most certainly not mentally unstable crazies muttering over knives in our unheated bed sits.
Genderphobes take ownership of our deaths, medics of our bodies, “queer theorists” of our Identities and anything we have left is destroyed by the catch all term of abuse “tranny.”
So what should you say when you meet a “tranny”? What name should you use? The first problem is that you shouldn’t need a name, or a catch all term for other people. The desire to name, as Adam named the animals, and the name he gave them became their name, is to the desire to determine the nature of a thing. Why not ask? Some people are “transpeople,” some transexuals, some “gender trash,” some “gender queer,” some queer, some gay, lesbian, butch, femme. Just ask.
Finally in response to Isrial Luma [director of TOTWK] I offer a new vision of revenge – not ticked off trannies with knives but Diamanda Galas’s “Wild Women With Steak Knives” (with an apology to the guys I know):
Thug Friends have dropped their new video, “Titties And Carrot Cake,” and I don’t know what to say other than I fucking dig it. Another awesomalishtic track from Really Real Nigga Shit Records.
Me and my homie TwiggyKix have come a long way since starting our rap group, Thug Friends, two weeks ago. (It hasn’t really been long at all, but fuck it #doe.) We’d like to thank everyone who has played a part in getting this done. WE LOVE Y’AAALLLLL, MAYNE! *wipes tear*… Alright, enough of that shit. Here’s the video. It’s Thug Friends, ho!
This diabolically funny parody of crunk rap from the mad geniuses at Made Monarchs is gonna go viral. Why? Because it’s not just funny, it’s a catchy as hell song and everybody loves titties and carrot cake.
When it comes to titty milk, I like mine slightly chilled and served in a shot glass.
Richard Tillman appeared on Real Time With Bill Maher on September 24, 2010. During the interview he discusses the military cover-up and murder conspiracy theories revolving around his brother Pat’s death. He also had some choice words about religion.
Richard’s take on religion is particularly passionate. In a video clip aired on the show, his response to comments made at his brother’s funeral by Maria Shriver and John McCain, in which they envision Pat having gone to a heaven overseen by a loving god, is particularly powerful.
Pat’s a fucking champion and he always will be. Just make no mistake, he’d want me to say this. He’s not with God. He’s fucking dead. He’s not religious so, thanks for your thoughts, but he’s fucking dead.”
In his interview with Maher, Richard elaborated:
I don’t go into your church and say this is bullshit, so don’t come to my brother’s service and tell me that he’s with god.”
The so-called “apology” touted by the likes of Perez Hilton, Pink News, The Advocate and even mainstream news sources like AOL, Huffington Post and Gawker, as if some kind of “victory” had been won by the LGBT community was nothing more than generic “Oopsie! We goofed” text left by a low level Facebook employee six pages in on the comments to the original Dangerous Minds post. Here is the screen shot:
Furthermore, it’s not saying anything specifically about a gay kiss. This generic text could also refer, for example, to a photo of a breastfeeding woman that someone reported as “abusive” (their word not mine) to Facebook’s censors. Don’t break out the champagne so fast, folks.
This week, with some satisfaction, a number of gay and lesbian news sites reported that Facebook had “apologized” for removing a photo of two men kissing on its site. The initial censorship had sparked a week-long protest and attracted coverage from The Huffington Post, MSNBC and other news outlets. But now, the man who started the controversy says he’s not satisfied with Facebook’s response. “This is being presented as some kind of victory or that there’s a reason to go do a conga line down Christopher Street,” says Richard Metzger, who posted the photo of two fully-clothed men kissing that was removed from Facebook on Saturday for containing “nudity, or any kind of graphic or sexually suggestive content” according to a notice from the social network.
But Metzger doesn’t see why anyone’s celebrating that acknowledgement. “It’s just generic PR speak that doesn’t even refer to a gay kiss,” he says. “The real problem here is certainly not that Facebook is a homophobic company. It’s that their terrible corporate policy on censorship needs to stop siding with the idiots, the complainers and the least-enlightened and evolved amongst us.”
According to Facebook’s FAQ page, a “Facebook administrator looks into each report thoroughly” when deciding whether to remove an item. “There shouldn’t be a human being making that determination,” says Metzger. He would prefer a censorship system that removes flagged photographs based on an automatic, crowdsourced method similar to the one used by the comedy site Funny or Die. Essentially, he’s promoting a “wisdom of the crowd” system that would work like this: One user flags an item and a second alert pops up asking other users if the material is offensive or not. That way, no single person could get a photograph banned.
But would a “majority rules” system make for a more tolerant Facebook? We’re not sure. Asked if he thought his proposed system could result in more homophobic behavior, Metzger responded as such:
“That’s possible, but in our ecosystem that kind of behavior would be expelled. On Free Republic-type groups, behavior like that might get voted up but it wouldn’t affect the whole Facebook ecosystem. These groups stay with their own kind.”
Still confused? Here’s the back story, just in case:
Richard Metzger: How I, a married, middle-aged man, became an accidental spokesperson for gay rights (Boing Boing)
I’m very curious to find out what my American cousins make of Russell Brand. Yes, I know you know he’s a comedian, and it’s pretty obvious that guy has the gift of the gab. His reboot of Arthur has just been released (to some pretty damning reviews) so we’re seeing a lot more of his promotional material at the moment. But have you seen him in a context like this? His mouth is off the leash here as usual, but the focus is not on wackiness and jokes but on serious conversation and in particular ruminations on celebrity culture, media narrative and his part in that.
Newsnight is the BBC’s nightly investigative news broadcast, and Jeremy Paxman is the BBC’s masthead “serious” anchorman (Chris Morris’ character in The Day Today is basically Paxman amped up). It’s safe to say they are taking this interview seriously, and it’s great that Paxman doesn’t patronise or talk down to Brand but speaks directly to his intelligence.
Brand has been a well known TV personality in the UK for the best part of a decade now. He really hit his stride as the host of Big Brother’s Little Brother, a daily, live, audience-based re-cap show where he developed his motor-mouth dandy routine. To see him handle a large crowd of drunken, excited young-people with nothing but the power of words was very impressive. As with Andrew WK, it’s refreshing to see someone dropping their public persona and revealing themselves to be highly intelligent:
Pat Tillman was killed, perhaps murdered, by “friendly fire” in Afghanistan seven years ago today.
“I’m Pat Tillman! I’m Pat fucking Tillman! Why are you shooting at me?”
With those livid last words, pro-football star and Army Ranger Patrick Daniel Tillman Jr.—who gave up a multimillion-dollar contract with the Arizona Cardinals to serve his country and become the most famous enlisted man in Afghanistan—died in a fusillade of friendly fire on a rocky hillside near the Pakistani border. The bullets, coming at him from 40 yards away at a rate of 950 rounds per minute, were from a machine gun wielded by a member of his own platoon.
Update May 3: Was Pat Tillman killed in order to keep him quiet? General Wesley Clark thinks it’s a possibility. In a July 2007 interview with Keith Olbermann on MSNBC, Clark had this to say about Tillman’s death:
If there’s even a hint that there was something like a homicide or a murder in this case, it should’ve been fully investigated and proved or disproved, and we don’t really know how far up- Was it the Secretary of Defense’s office? Was it the White House? Where did the idea that you shouldn’t give any indication of what happened to Tillman. ‘Just go ahead and go through with the burial ceremony. Give him the Silver Star.’ Where did that- where was that idea blessed? You can be sure that that idea did not originate or stop at the Two- or Three-Star level. That was- someone approved that all the way to the top, because Pat Tillman was a political symbol used by the administration when it suited their purposes.”
Tillman was an intelligent man who, when he realized that the war in Iraq was based on propaganda, deceit and lies, was prepared to return to the States as an outspoken critic of the war. Tillman had contacted Noam Chomsky to plan a joint anti-war statement and support John Kerry’s presidential election campaign. Radical for a soldier, to say the least, and an indication of just how fed up he had become with the path his country was taking in Iraq and Afghanistan.
In March of 2003, Tillman told his buddy Spc. Russell Baer, “You know, this war is so fucking illegal.” He urged his platoon to vote against Bush in the 2004 election. He had gone from being a political asset to the Bush administration to their worst nightmare. Certainly, it would be in the best interest of the war machine to have Tillman eliminated.
In Amir Bar-Lev’s illuminating and heartbreaking The Tillman Story, we are confronted with the horrible truth of how our government manipulates its citizens and sacrifices its young in an effort to wage wars that are not only immoral but criminal.
Pat Tillman died for our sins—the sins of ignorance and blind allegiance to leaders who are nothing less than the embodiment of pure fucking evil. Will we be led into another pointless, endless war in Libya where once again the lines between the good guys and bad guys are so blurred that we don’t even know who to hate anymore? Maybe it’s time to hate ourselves for being weak-willed, spineless sheep. Maybe we deserve to be addressed in the same way that Pat Tillman’s father, Pat Sr., addressed the “investigators” involved in the cover-up of his son’s murder: “fuck you and yours.”
Watch the movie and then take your love for Tillman and your anger and do something with it. You can start by visiting the Pat Tillman Foundation’s website.
In the spring of 1963, San Francisco poet, documentarian, and media activist Richard Moore accompanied and filmed author James Baldwin and Youth For Service Executive Director Orville Luster on a tour through the black-majority Bayview/Hunter’s Point and Fillmore districts of San Francisco. They sought to portray the real experience of African-Americans in what was considered America’s most liberal city.
That outing would result in Take This Hammer, and the footage of it was shot at a crucial time in Baldwin’s life. After 15 years in exile in Paris, the Harlem-born writer was back in the States at the peak of his renown and with political fire in his eyes. His turbulent novels from the ‘50s—especially Go Tell It on the Mountain and Another Country—had stunned the literary world with their exposure of racism and deeply developed queer characters.
During the same spring in which Take This Hammer was shot, Baldwin published the rather incredible essay Down at the Cross, and ended up on the cover of Time. That summer, he’d end his tour of the American South at the March on Washington with a quarter-million of his fellow Americans, with many other celebrities.
Baldwin’s observations certainly set The City’s white lib establishment into fits: “There is no moral distance ... between the facts of life in San Francisco and the facts of life in Birmingham. Someone’s got to tell it like it is. And that’s where it’s at.” Unfortunately, as seen in documents like Kevin Epps’s 2001 doc Straight Outta Hunter’s Point, not much has changed in SF over the generations…
This picture has itself caused scandal in the UK, as it was a gay kiss that was broadcast before the watershed, and as such led to a number of complaints to the BBC. However, since this episode aired (October 2008) Christian now has a boyfriend and a few more gay kisses have taken place.
In relation to the John Snow Kiss-In event, I used this particular photo because I considered it to be quite mild (no groping, no tongues). The photos I had considered using before I chose that one are much more racy. Oh the irony!
Secondly, the removal of the Facebook John Snow Kiss-In event:
It turns out that the Facebook event for the John Snow Kiss-In was not blocked by Facebook, but made private by the creator of the event itself. Paul Shetler, the organizer, left this comment on the previous thread:
“Hey I just saw this. Before it goes too far, I just want people to know that FB have NOT removed the kiss-in event page; it’s still there, but _I made the event private after the event_ was over and only visible to those who had been invited as there were starting to be trolls posting abusive nonsense on it.”
Thanks for clearing that up, Paul. Now if Facebook will only reply to Richard’s query about why they removed my original post and photo when he put it up on his wall…
It has been erroneously reported in the media that our own Richard Metzger (who lives in Los Angeles) organized the London “Kiss-In” event, which is untrue, and also unfair to Paul Shetler and the actual organizers. Also, Richard did not state in his post that Facebook HAD taken the event page down, he just questioned IF this was the case and IF there was a connection with MY post about the event being removed from his own wall. This seems to have confused some people.
Here is a report on the John Snow Kiss-In from the Guardian, featuring an interview with Mr Shetler: