Journey In Time is some wacky anti-drug propaganda from 1971. Chock full of unintentional humor and bogus facts about drugs, this sucker is a classic. The narration by director Alan Hodd sounds like it was written by a precocious, glue sniffing 12 year teenybopper.
What makes the film particularly groovy is the footage of hippies shot on location in San Francisco and Dallas and the soundtrack featuring The Beatles, Bob Dylan, Janis Joplin and Texas psyche-rockers Kenny And The Kasuals singing “Journey To Time.” Reputedly, the Kasuals disavowed the film and claim the song was used without their permission. As fas as I know, The Beatles and Bob Dylan have no comment.
I hope you enjoy every sordid minute of this hippie/rock’n’roll/drug scarefest.
Norwegian Recycling performs some alchemy on eleven recent hit records and turns a handful of turds into one semi-palatable tune that illustrates the unrelenting sameness of mainstream pop these days.
1. Katy Perry – Firework
2. Flo Rida feat. Akon – Who Dat Girl
3. Black Eyed Peas – The Time
4. Snow Patrol – Open Your Eyes
5. Snow Patrol – Chasing Cars
6. Mike Posner – Please Don’t Go
7. Jason Derulo – Whatcha Say
8. Usher feat. will.i.am – OMG
9. Timbaland feat. Keri Hilson & D.O.E. – The Way I Are
10. Jay Sean – Do You Remember
11. David Guetta feat. Kid Cudi – Memories
The composer Kurt Weill was born today March 2 1900. Best known for his collaborations with Bertolt Brecht on The Threepenny Opera,Rise and Fall of the City of Mahagonny, Der Jasager and The 7 Deadly Sins, Weill was a committed socialist, who believed music must serve a socially useful purpose. However, it was politics that eventually split the brilliant partnership of Brecht and Weill, as the musician felt the playwright was pushing too far to the left without question, or as Weill joked, he felt unable to set the Communist Party Manifesto to music.
Weill was married to the brilliant actress and singer, Lotte Lenya, who starred in The Threepenny Opera and later played the SMERSH assassin, Rosa Klebb in the Bond movie, From Russia With Love. With the rise of Hitler, the couple quit Germany and moved to America, where they worked in Hollywood (as did Brecht).
Though Weill’s music is best associated with cabaret and political theater of Berlin in the 1920s and 1930s (influencing John Kander and Fred Ebb’s musical Cabaret), he also wrote two symphonies, several cantatas, a great number of songs, set the poetry of Rilke and Walt Whitman’s Song of Myslef to music, and worked with Ira Gershwin on the Hollywood musical Where Do We Go From Here?. Weill died of a heart attack in 1950.
To celebrate Weill’s birthday, here is the brilliant Lenya from 1962, in fine form, singing a selection of her husband’s best known songs “Mack the Knife”, “Pirate Jenny”, “Sarabaya Johnny” and “Alabama Song”. This clip has sub-titles, but that’s unimportant, when compared to the quality of her voice and performance. The production was filmed by Ken Russell for the BBC’s arts series Monitor, and the segment was introduced by legendary arts editor, Huw Weldon.
DM contributor Paul Gallagher wrote about All Dolled Up last month and provided a link to the film on Youtube that was unfortunately not viewable in the USA. Well, much to our delight, our pals at See Of Sound have made the film available for the Internet audience on this side of the pond and everywhere else.
Paul had this to say about All Dolled Up:
Here’s something lush. The New York Dolls hit the road in this documentary film made by rock photographer Bob Gruen and his wife Nadya Beck. Filmed over three years, All Dolled Up captures The Dolls at their height in the early seventies, following them backstage and on tour, visiting such legendary venues as the Whiskey-A-Go-Go, the E-Club, Kenny’s Castaways and Max’s Kansas City. And there are also rousing versions of “Personality Crisis”, “Who Are the Mystery Girls”, “Vietnamese Baby”, amongst others. So, kick back your high heels and enjoy.”
New York City rock and roll history, All Dolled Up:
This is already all over the place today but it’s well worth it to grace our site with this brand new 11 minute beauty from one of my favorite bands, Gang Gang Dance. Keyboardist Brian DeGraw is a true wizard at what he does. True, mysterious, non-ironic modern psychedelia like no other present popular indie band I can think of. Long may they run.
Here’s some great footage of Sonic Youth being interviewed in the late 80’s - before grunge, before Nirvana, just on the cusp of signing with Geffen and the release of the Goo and Dirty albums. My God, how different things were then. The MTV interview piece makes this abundantly clear, with its declaration of Sonic Youth being “the biggest underground band in the whole country”. This was in 1989, and oh how different things would be just two years later.
Thanks to my older brother having purchased a copy of Goo on cassette when it was released, I was exposed to Sonic Youth at a young age, and before Nirvana became the de facto coolest band in the universe. I also had the utterly mind blowing “Teenage Riot” taped onto the end of one side of a C90 (remember them?) by one of the cool older kids at school.Thanks Simon Doyle!
Although Daydream Nation is generally regarded as their opus (and it is fantastic), Goo has really stood the test of time. Despite the band coming in for a lot of flack for signing to a major and for daring to write *gasp* songs. The sleeve is now one of the most popular t-shirt designs on the planet, even appearing as a tattoo on the arm of an America’s Next Top Model contestant. “Kool Thing”, with its famous Kim Gordon and Chuck D monologue, has become one of the band’s best known singles.
Of course, the musical landscape has changed massively since these clips were filmed, but time captured here was one of massive change itself. The underground punk and hardcore ethics of the 80’s were mutating into something much more corporate and accessible to the mainstream. Punk rock was losing it’s sheen as the coolest, edgiest music with the growing popularity of hip-hop and the advent of acid house. For a while it seemed like Sonic Youth might be left behind by these changes. But the truth is that, despite their bevy of famous friends, tourmates and collaborators, Sonic Youth are a scene all unto themselves. They may not have become the biggest underground band in the world, but they didn’t need to. Their legacy is assured.
Dangerous Minds will be at SXSW from March 10 thru March 20 and beyond. If you want to make contact with us, email Marc Campbell: marcdangermind@gmail.com. We’ll be covering both the film and music fest with our gypsy film crew and intergalactic reporters.
Brooklyn post-punk trio Mr. Dream has just released their debut album Trash Hit and it is a fine slab of hard rock that reaches for and occasionally achieves some anthemic heights that recall The Pixies, Nirvana and 70s punkers The Skids, Stiff Little Fingers and a wee bit of The Birthday Party.
Mr. Dream is Adam Moerder (vocals, guitarist), Matt Morello (vocals, bass guitarist) and Nick Sylvester (drums, producer). Moerder and Sylvester are both rock journalists and they’ve managed to do something few rock writers pull off: rock it like they talk it.
The more I listen to this sucker, the more I’m digging it. Turn it up loud!
Anthony Stern’s San Francisco is a seminal work of British experimental and avant-garde cinema and one of the few art films to actually capture a little bit of the vibe of the hippie era. Stern describes the inspiration behind the film:
San Francisco was a response to hearing “Interstellar Overdrive” by Pink Floyd. It was my desire to make permanent the Pink Floyd lightshows created at the UFO club by Peter Wynne Wilson. The LSD-triggered psychedelic experience found its ultimate expression in this fusion of sight and sound, which achieved a visceral effect on the audience. San Francisco is ‘painting with light’ as well as a saturated archive of day to day life in the 1960’s. New rhythms were created in the language of film, in using single-frame exposures and freeze-frame techniques.”
Stern developed a friendship with Syd Barret while both were living in Cambridge, England. It was a relationship that would prove artistically productive, later evolving into a collaboration with Peter Whitehead on sixties pop culture documentary Tonite, Let’s All Make Love In London.
Here for your viewing and listening pleasure is Anthony Stern’s mindbending San Francisco:
Meet Christeene Vale, one of the hottest drag artists in the US right now, and the weirdest thing to come out of Austin this week. If you think the Odd Future gang are shocking, then get a load of this chick. Sure, Tyler and Earl may feature blood and puke in their videos, but would they ever actually set a video inside somebody’s asshole? And as much as I like their beats, I don’t think they could make a dubstep track as downright nasty as “Slowly/Easy”. Still, they’re only teenagers and they’ve got a lot to learn about sex and sexuality. Maybe Christeene is the MC to teach them?
Christeene is the alter-ego of the artist Paul Soileau (who also performs as Rebecca Havemeyer) and since her debut in 2009 with the “Fix My Dick” clip, she has been making waves on both the gay and straight performance scenes. Although Soileau refuses to define Christeene or her “message”, others, like Skip The Make Up, have this to say:
[Even] though Soileau is of Cajun background, the way Chrsteene speaks/sings is clearly supposed to sound non-white. Therefore… the act is really him portraying a trans hooker of color who is massively fucked up and screwing to survive. You may now laugh.
While commenter TheWarholEffect defends her in the comments to the same post:
The patois you speak of is found in a variety of representations of impoverished ethnicities (incl those at least nominally labeled as white - but as you know in Louisianna whiteness ain’t monolithic, Cajuns being perhaps the best example) ... more productive, I think, would be to put Christeene alongside a performer such as Vaginal Creme Davis, whose brand of drag cultural critic Jose Esteban Munoz has branded “terrorist” drag.
Well, despite what you may think of her, you can’t deny that she’s pretty damn talented, with a lyrical flow that puts her beyond the realm of being a mere novelty act. Next weekend she will make her live debut as a showcase artist at the SXSW festival, where her video “Bustin’ Brown” will be shown as part of the Midnight Shorts schedule. Yes, “Bustin Brown” is the butt-set video. The director PJ Raval has this to say about itr:
In “Bustin’ Brown”, the fourth installment of the CHRISTEENE Video Collection, CHRISTEENE confronts the ever-present bastardization of anal sex from mainstream bourgeois heterosexuals by returning “da buh-hole” to its rightful owners.
Just when you thought drag was becoming safe and respectable! Christeene has been known to wear a butt-plug attached to helium balloons in her performance, and to set it free to sail up into the sky at the end of her shows. If you’re lucky, she might do that at SXSW. Now THAT"S something I would like to see on Jimmy Fallon!
Christeene - Bustin’ Brown (TOTALLY NSFW - duh)
“Fix My Dick and “Slowly/Easy” after the jump…
There’s more info on Christeene at her website: www.christeene.org
You can buy her EP Soldiers Of Pleasurehere.
