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Bogie and Bacall’s forgotten radio drama
08.20.2014
08:19 am

Topics:
History
Pop Culture

Tags:
Lauren Bacall
Humphrey Bogart


Promotional standee for Bold Venture sponsored by Genesee Beer, 1951.

When the great Lauren Bacall died recently at 89, her obituaries routinely mentioned her relationship with Humphrey Bogart, and their onscreen chemistry in the four classic films they made together.

Less widely known, and rarely mentioned however, is Bold Venture, the radio show they starred in together in 1951-1952. Bogart and Bacall played the owners of a hotel in Cuba and a boat called the Bold Venture, romantically sparring while getting mixed up with smugglers, spies, con men and corrupt cops “in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.” If the writing isn’t quite To Have and Have Not, it delivers enough sharp wit to keep the couple’s classic chemistry alive and enough tension to keep the drama moving.

57 half-hour episodes have surfaced and they’re available to listen to and download for free at archive.org. If you’ve ever wished Bogie & Bacall made more movies together, Bold Venture is the next best thing.
 

 

Humphrey Bogart and Lauren Bacall aboard their private yacht, Santana.

This is a guest post from Jason Toon of Seattle, Washington.

Posted by Richard Metzger | Discussion
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Miles Davis and John Lennon were shit at basketball
08.14.2014
09:32 am

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History
Pop Culture

Tags:
John Lennon
Miles Davis


Miles smiles. The Lennons look on.

John Lennon and Miles Davis shooting a game of H-O-R-S-E and both failing miserably. Lennon is particularly bad, missing the backboard, even, but any commenters blaming his lack of game on Yoko will be banned from DM for life!

A crappy looking version of this has made the Internet rounds for a while, but it was so blurry that it was too hard to watch and ultimately uninteresting considering what’s actually there under the layers of VHS video murk. Here’s a superior version where you can actually see what’s happening.

This was apparently shot by Jonas Mekas at a party at Allen Klein’s house in the Bronx in June 1971. Ringo Starr, Allen Ginsberg, Phil Spector, Phil Ochs and Andy Warhol were also said to have been in attendance. The gorgeous woman with Davis is actress Sherry “Peaches” Brewer, who was in Shaft! and later married Seagram’s heir Edgar Bronfman, Jr.
 

 

Posted by Richard Metzger | Discussion
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The Big Lebowski pays a surprise visit to The Little Lebowski
08.13.2014
11:22 am

Topics:
Amusing
Movies
Pop Culture

Tags:
The Big Lebowski
Jeff Bridges


 
Even though this PBS YouTube clip of Jeff Bridges making a surprise visit to The Little Lebowski Shop has been around for some time (it only has a little over 100k views, tho), I thought I’d share it with you guys anyway. I’d never seen it before. It’s a big Internet, isn’t it?

If you don’t know what The Little Lebowski Shop is, it’s a wee store located in NYC dedicated to all things Big Lebowski. And I do mean everything Big Lebowski. What a hipster hoot.

I found Jeff Bridges to be a real charmer in the short clip. He seems like a really nice, likeable, easygoing guy. Someone you’d want to shoot the shit with. Drink a brew or smoke a joint with. A dude!

One revelation in the video is where Bridges admits that he had serious reservations about taking on the role of “The Dude” and how he it thought it might affect his girls’ perception of him. I think his daughters gave him the right advice. I just can’t imagine anyone else playing “The Dude,” can you?!

 
With thanks to reddit

Posted by Tara McGinley | Discussion
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(B)Lou’s on first? Dangerous Minds sparks clash between Blue Man Group and Lou Man Group!
08.06.2014
06:06 am

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Music
Pop Culture

Tags:
Lou Man Group
Blue Man Group

SDKGFHMSVEORNTUY
 
A little over a month ago Dangerous Minds writer Ron Kretsch reported here wondering about the actual existence of a mysterious self-proclaimed “homage” band out of Los Angeles called Lou Man Group. It all started with a video of a band all in blue face performing an audio montage of Lou Reed’s Vicious, Foggy Notion, and Walk On The Wild Side.
 

 
We didn’t know if this was an actual band, a one time gag, or a performance art video. Well, we’ve discovered it is indeed a real  performance-band and includes, albeit incognito, veteran rockers Donita Sparks of L7 fame and Carolina Parra of Brazilian electro pop band CSS.  This tribute or “homage” band as they prefer to be called is not just taking a quick walk on the wild side. In fact their debut performance at the Cowboy Gallery in Los Angeles was packed and had a surprise guest appearance by none other than Lydia Lunch bringing her vicious No New York ultravibe and lead vocals for a searing rendition of Kill Your Sons, from Lou Reed’s 1974 album Sally Can’t Dance.
 
FKFHFSL
 
A short time later, our Dangerous Minds were blown when it was discovered that the REAL Blue Man Group, having seen the post, put up this post on their official Facebook page:
 

“Hey LOU MAN GROUP, we liked your tribute. So we made a tribute to your tribute.”

 
Their video is a humorous and rocking performance of Velvet Underground’s Sister Ray, wearing Lou Man Group-esque wigs over their iconic bald blue heads and Lou Man Group costumes on their bald blue bodies. I’ll Be Your Mirror indeed.
 

 
Now, just a couple of days ago, Lou Man Group has posted a re-response to Blue Man Group’s tribute to the original tribute video! (Are you following this? There will be a pop quiz after, haha)
 

 
In conclusion, I haven’t the foggiest notion where all this is heading, but according to Lou Man Group’s enigmatic singer known only as Blue Reed:

“We’re available for art openings, TED Talks, seances, and parties at Mark Mothersbaugh’s house”

.

JUST IN! I just got word that Lou Man Group will be doing a performance in the Echo Park area of Los Angeles one week from today (8/13)!
 

Posted by Howie Pyro | Discussion
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1980s nightclub invitations from ‘Downtown’ New York


Keith Haring, invitation for “Larry Levan’s Birthday Bash,” 1986

It’s… interesting—and a reminder of how fucking old I’m getting—that I’m starting to see promotional ephemera from nightclub events I attended (or worked at) in my… younger days turning up in museums and art galleries. Good thing for me that I have boxes of these types of invitations that I’ve kept sitting out in the garage. Twenty years from now, I’ll spend my dotage as an eBay seller specializing in… shit I’ve kept.

What’s slightly worrisome, though, is how little of some of these events I call recall in any detail. I’ve heard older friends of mine say things like “Well, it was the sixties!” (or the seventies) but even so, the 80s were a seriously decadent (and dangerous) time to be young and living in New York City. I have always lucked out and been at the right place at the right time, I like to think.

Without putting too fine a point on it, drugs were better then—especially cocaine, which, sorry is just a joke now, kids—and super easy to get your hands on. People were more extreme then. As someone who (luckily) lived through it all, it’s very easy for me to see why so many of today’s young people romanticize the East Village or “Downtown” scene—which will never, ever, happen again (at least not there)—It’s because it was better then. It just was. All the elements, including cheap rent, came together then. A perfect storm, culturally speaking.

It didn’t last that long—Manhattan nightlife is all rich kids and bankers these days—but if you were there you know what I mean. And if you were there, perhaps like me, you’re starting to find that a lot of it’s pretty damned foggy by now, so it’s good to have exhibits like this one, online at Marc Miller’s Gallery 98, which specializes in this sort of artifact, to jar our memories.

This mix of ambitious high art with popular entertainment and performance emerged first when two clubs, CBGB and Max’s Kansas City, helped launch Punk in all its many and varied creative directions in the late 1970s. By the 1980s dozens of new nightclubs and bars including Area, Club 57, Danceteria, Limelight, Mudd Club, Palladium, Paradise Garage, Pyramid and the Tunnel consciously strove to be part of the art world by presenting new music, art, film, video, fashion, and performance.  It was a period in art not unlike that of Paris in the 1890s when the cafés of Montmartre helped mold the fin-de-siècle aesthetic. Gallery 98 presents here a selection of nightclub invitations and posters from this exhilarating moment in the 1970s and 80s. For artists and performers it was a golden age with clubs needing to book events seven-days-a-week.  To attract the trendy crowd, artists were recruited to paint murals and design publicity; curators were hired to organize exhibitions; photographers were booked to present slide shows and document events; filmmakers and video artists were paid for screenings; and performers were engaged to make music, stage cabaret shows and host interactive events involving audience participation.  Out of this milieu, stars were born: performers Ann Magnuson, John Sex, Joey Arias, Phoebe Legere; artists Colette, Nan Goldin, Keith Haring, Mark Kostabi; curators Baird Jones, Neke Carson, Carlo McCormick, Michael Alig.  And in the wake of all this activity came the thousands of cheaply produced but creatively designed cards and posters that the artists and clubs created to publicize events in this pre-Internet era. Presented here is a small sampling of nightclub ephemera available through Gallery 98.  All items are for sale.

 

 
Take for instance this invitation for a 1989 party for British filmmaker Derek Jarman at Mars, a four story club on 12th Ave. I worked as the doorman at the fourth floor VIP room (Vin Diesel worked the front door) and I recall working at this party, and indeed still have the invite below in my possession. The thing is, I have no memory whatsoever of seeing or meeting Derek Jarman there, which is weird, because you’d think I would. Perhaps it was because I was outside of the party and not in it, but I don’t know because the invite aside, I’m drawing a complete blank! [I should probably take this opportunity to mention that I was perhaps the very worst—or best, depending on how you look at it—VIP room doorman in all of NYC nightlife history. How do I know this? Because I let every single person who walked up to the rope inside. Every one of them. The sole exception was when some idiot timidly asked me “You don’t want me in there, do you?” and I just silently shook my head “no” and he turned around and fucked off. Had he just kept his mouth shut, the rope would have parted for him.]
 

“Family! The New Tribal Love Rock Musical” with Joey Arias and Ann Magnuson at Danceteria, 30 West 21st Street, New York
 

A Seconds magazine party for the NY Debut of “Serial Killers” by Richard Kern at Madam Rosa’s, 24 John’s Lane, New York, 1987
 

Kembra Pfahler at Pompeii, 104 East 10th St., NYC, 1985
 

Joey Arias and Ann Magnuson “Request the Pleasure of Your Company at a Mad Tea Party,” which they hosted in character as Dali and Gala, Danceteria, 1985
 

The opening night invite for AREA’s “American Highway” theme, 157 Hudson Street, New York, 1986. The club changed its highly elaborate decor every six weeks or so, so scoring these opening night invites was a matter of some importance. Plus, if you were on their mailing list, you tended to “mysteriously” get onto the mailing lists for other clubs.
 

Girl Bar, a popular lesbian night out, one of very few at the time, happened at Boy Bar on St. Mark’s Place once a week.
 

There’s a picture of me, age 23 perhaps, with really long hair in one of the issues of Project X
 

 
James White’s Sardonic Sincopators, at Save the Robots, 1986. Save the Robots was a super sleazy afterhours club. If you were there, chances are you were fucked up, not likely to be sleeping anytime soon and probably up to no damned good.
 


Finally, both sides of a business card for former Yippie leader Jerry Rubin’s afterwork networking parties. He threw these parties at different clubs, including the Limelight, where I was working in 1985, and they were the fucking worst parties ever, with the worst crowd and the worst tippers and these parties simply sucked. Rubin’s networking parties, I do have vivid memories of, none of them good.

Via Stupefaction

Posted by Richard Metzger | Discussion
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Lesley Gore on ‘Batman,’ 1967
07.31.2014
06:10 am

Topics:
Music
Pop Culture
Television

Tags:
Batman
Lesley Gore


 
In a two episode story arc from the classic 1960s Batman TV series, Catwoman and her protégé Pussycat drugged Batman and Robin in order to compel them to become criminals. Robin got a little fresh, too, incidentally. But in the end SPOILER FROM ALMOST 50 YEARS AGO it turns out that all along, Batman was faking being drugged so that he could infiltrate Catwoman’s crime organization and rescue Robin. Cheeky devil! You can clearly see why that needed to be two episodes.
 

 
Of course it’s pretty stupid, but nobody watches that show for award-winning teleplays, we watch it because nobody sane hates huge, goofy, colorful fun. POW! And we watch these two episodes in particular because Pussycat was played by pop icon Lesley Gore, who gets to perform a song in each episode, and nobody sane hates awesome, sugary, ‘60s female vocal pop. You don’t hate that, right? If you do, Jeeeeesus, how many puppies have you kicked today, fascist?

When these episodes aired, Gore was still only 20 years old, but was already a veteran pop star, famous for still-familiar hits like “It’s My Party,” “Judy’s Turn to Cry,” and the awesome “You Don’t Own Me.” Gore never left the music business, though she stopped regularly producing LPs in the mid ‘70s. She earned an Oscar nomination in 1980 for co-writing (but not singing) a song from the Fame soundtrack, and she made headlines in 2005, when her coming out as a lesbian more or less coincided with her song “Words We Don’t Say” being featured in an episode of The L Word. Amusingly, her super-chipper 1965 top-20 hit “Sunshine, Lollipops And Rainbows” has lately found a 21st Century afterlife, being featured in multiple commercials, and in the kiddie flick Cloudy with a Chance of Meatballs. On Batman, she’s seen performing music from her then-forthcoming LP California Nights, “Maybe Now,” and the title song, which would enter the top 20 within a couple months of the episode’s broadcast.
 

 

 
Previously on Dangerous Minds
You Don’t Own Me: Lesley Gore, Lena Dunham, Miranda July and others fight back in the war on women

Posted by Ron Kretsch | Discussion
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‘Disco Beaver from Outer Space’: Impossibly rare National Lampoon HBO show from 1978!
07.28.2014
07:19 am

Topics:
Pop Culture
Queer
Television

Tags:

 vbndfgh
 
Difficult to find and never released on home video, National Lampoon’s first TV outing for HBO from 1978 is great! Watch it now as “someone” does not want you to see it! Uploaded to YouTube very recently, who knows how long it will be available. Outside of bootlegs of varying quality the last time this was available was on Super 8mm film!

Here’s a pretty concise review of Beavers from the Cult Oddities blog:

If you’ve seen Mr. Mike’s Mondo Video, The Groove Tube, Tunnelvision, or Loose Shoes, then you have some idea of what to expect from National Lampoon’s Disco Beaver from Outer Space. The difference is, the tone and comedy is a little more consistent than any of the aforementioned. Following the early success of Saturday Night Live (simply titled Saturday Night in those days), there was an onslaught of coked out sketch comedy films and TV specials released including this one, which was made for HBO. The premise is pretty simple: A couple sits down for an evening of channel-surfing, and the programs they flip past on the TV are some of the most bizarre one could imagine!

There’s Dragula, a gay vampire who turns straight guys into raging queens (this skit seems to be the inspiration for Curse of the Queerwolf), a schizo ventriloquist, confessions of a Perrier addict, an Oscar Wilde skit that’s captioned for a then-modern American audience, an off-kilter country singer, commercials for people with chronic gas, plus plenty of other weirdness and depravity… and Lynn Redgrave (who probably fired her manager soon after)!

Unfortunately, this is yet another case of a TV special being unavailable on home video and largely unseen for decades.  Weirdly, the special (or more likely excerpts from it) were released on a Super-8 film reel (with Magnetic Sound!). Despite it’s legitimate unavailability, copies of the special have popped up on online video sites and can frequently be found for sale on i-Offer.  If you like moronic ‘70s skit comedy with a perverse edge, you’ve just found the motherload.

Much hilarious gay-themed insanity here, surprisingly including Dragula, as mentioned above, which was actually inspired by an amazing horror comic book take-off in a 1971 all horror issue of National Lampoon drawn by the amazing comic art superstar Neal Adams, with an incredible cover by Frank Frazetta! You can read the whole comic in large, clear scans at the Horror of it All blog.
 
fgsdftr
 
Oh I almost forgot! It also features Laugh-In‘s Henry Gibson! Enjoy this vintage insanity while you can!
 

Posted by Howie Pyro | Discussion
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William Burroughs on cover of National Examiner tabloid along with Burt Reynolds, Delta Burke
07.25.2014
01:01 pm

Topics:
Pop Culture

Tags:
William S. Burroughs


The current issue of the National Examiner newspaper

Of all the people you might see on the cover of the National Examiner supermarket tabloid—Loretta Lynn, Michael Jackson, Honey Boo Boo, the Clintons and of course the Kardashian family—one face that you’d probably never expect to find there is that of junkie novelist William Burroughs, but there he is, in the right upper corner, right above Burt Reynolds and to the left of the bit asking what the fuck Delta Burke did to her face…

See Burroughs there, along with Ted Kennedy, Claus Von Bulow and Susan Cummings, the original affluenza poster children? The question asks “Do the rich and famous get away with killing people?”

The short answer, of course as was most certainly the case with William Burroughs (whose brother bribed Mexican police to let him go after he’d blown his wife’s brains out at point blank range) is that they often do! Predictably there’s a sidebar about Claudine Longet, too.

I’m not normally in the habit of picking up cheesy supermarket tabloids, but I noticed this at the check out this morning at Ralphs (that’s what they call Kroger in So Cal) and had to share. The National Examiner has a reputation for bad reporting—if not just out and out making shit up—but they got the basic facts right for this one. Still, it’s got to be the most unexpected company ever for William Burroughs to keep.

Not so much Claus Von Bulow, but Delta Burke?
 

 

Posted by Richard Metzger | Discussion
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Awesome Alfred Hitchcock action figure unveiled at Comic-Con
07.24.2014
12:30 pm

Topics:
Movies
Pop Culture

Tags:
Alfred Hitchcock


Photo via Ain’t It Cool
 
I was a little apprehensive when I heard there was going to be an Alfred Hitchcock action figure. Would Austin’s Mondo—known for their gorgeous posters—be able to do the great director justice in three dimensions? Well, I think they certainly have if this photo of the toy figure that’s starting to make the rounds on the Internet is anything to go by. Mondo did an excellent job with “The Master of Suspense,” IMO.

Sporting a fine-tailored suit, this replica of the legendary horror director comes with his directors chair, clapboard, cigars, and props from his most famous films—including a butcher knife, a raven and a seagull. The figure also comes with interchangeable hands and a stand.

I wish there were better images, but these will have to do for now. More to follow.


 
Via Superpunch

Posted by Tara McGinley | Discussion
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Just a few really cool photos of Silver Apples’ homemade electronics rig, 1968
07.24.2014
10:31 am

Topics:
Music
Pop Culture

Tags:
Silver Apples


 
WFMU on Twitter hipped me to these insanely cool photos of psychedelic electronic music group Silver Apples’ homemade electronic gear. Holy hell these are great!


Silver Apples live in Los Angeles, 1968. “In this shot you can see I have the oscillators mounted horizontally in plywood along with echo units, wah pedal, and so on. Here I am playing the ‘lead’ oscillator with my right hand, keying in rhythm oscillators with my elbow on the telegraph keys, changing the volume on an amp with my left hand, and singing. This was typical.”
 

 

This photo was taken at an earlier, outdoor concert in New York City, again in 1968, “before the plywood configuration, where I just had all my oscillators, amps, pedals, and so on piled onto a table. There were 30,000 people in the audience — we were terrified!”
 

Photo by Syeus Mottel
 
These electronics in action on “Lovefingers” (1968):

 
via SOS, WFMU, HZ

Posted by Tara McGinley | Discussion
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