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‘Anarchy!’ Malcolm McLaren, punk rock’s Molotov cocktail
04.26.2016
02:37 pm

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Fashion
Movies
Music
Politics
Pop Culture
Punk

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Phil Strongman’s new documentary Anarchy! McLaren Westwood Gang is a politically-fueled, fashion-conscious deeper look at how the English punk explosion was ignited—how the bomb was built and under what circumstances, in other words.

Coming in at almost two and a half hours with an incredible cast of characters, Anarchy! McLaren Westwood Gang traces Malcolm McClaren back to his birth with loads of never before seen films and photos, personal information and interviews with family members, friends and others, taking us into the all important mid-sixties where the real nucleus of the Sex Pistols concept begins to form within the Situationist movement, King Mob (the UK equivilent), art school and observing the tribal customs and costumes of rock ‘n roll fanaticism.

The 1968 the French student riots had a huge influence on McLaren, who travelled to Paris at the time, and there were key players from that era who played recurring roles in his life. Much of the concepts and ideas—art, slogans, everything really—originated there and then. The interviews with the people from this period were what I wanted to see most and there was no disappointment. The interviews with Malcolm himself indicate that he still was speaking in slogans right up to the very end.
 

 
If you’re looking for yet another love letter to punk rock (yawn) with the same old crap stories, then keep on pogoing as this is a very interesting (for the most part) tale of politics, sex, drugs, bombs, rock ‘n roll, and the all important fashion accessories to wear whilst bombing and rocking and rolling and fucking on drugs. If punk never really happened and this was just a wild tale of a bunch of crazed young people that tried to accomplish what punk wrought and failed, it would still be just as interesting. The fact that first an entire country and then the entire world sat up, noticed, listened and actually feared this tiny group of absurd-looking lunatics (some leading, most following) on their search and destroy mission is incredible to contemplate. Today they’d just be given their own reality TV show.

It’s a bit of a revelation for those who think a few drunk idiots formed a band and yelled and jumped around a lot while desperately trying to learn how to play their instruments. (Even at this late date it is still being said that these guys could not play or sing, which is ridiculous as is easily proven by any Sex Pistols live performance video from any period.) However, someone could have done enough homework to know to leave out Ben Westwood’s totally wrong assumption (stated as fact, of course) that Sid’s mom and girlfriend gave him heroin that he overdosed on (I personally was there that night and I and enough other people have done countless interviews stating what really happened). He even calls Methadone, Methadrone (good name for a band actually). Other than these two minor problems, and the rather large objection that for a film titled Anarchy! McLaren Westwood Gang it’s quite light on the Westwood side of things, this very long film goes by very quickly, and is really well made. Director Strongman was good friends with McLaren, having worked in the Glitterbest offices (the Sex Pistols management company) and was an actual eyewitness to much of what he is discussing here.
 

 
There lots of great interviews with everyone from Adam Ant to Don Letts to Tracey Emin to Boy George (who tells a great story about when he sang for Bow Wow Wow) to Sex Pistol Paul Cook (with amazing black and white footage of the Pistols hanging around at the Berlin wall). The music is honestly the least of the subjects focused on. In fact much of the film is framed with scenes of girls modeling Dame Westwood’s fashions (partially topless) to a modern soundtrack with an operatic vocal sung onscreen. (And thank god for that. I’m sick of these formulaic punk rock docs, aren’t you?)

There’s a lot to get out of this film, historically speaking. It’s intelligent and everything a documentary should be. It just may not be about what you thought it was going to be about. This is the history of European Anarchism as it helps beget the birth of the Sex Pistols. It’s also the story of a man who broke all the rules before that was fashionable, who ran blindly into the fire more than once and always came out the other side… many times with the prize. Or at least some money. I’ve already watched Anarchy! McLaren Westwood Gang three times and I’m not the type to really ever watch anything even twice, certainly not in the same day.

All Malcolm McLaren ever wanted was to be something akin to the “next Andy Warhol.” It’s an idiosyncratic aspiration to be sure, but one category that he (and perhaps he alone) truly belonged in.
 
More after the jump…

Posted by Howie Pyro | Leave a comment
Meet The Liverbirds: The all-girl Beatles who once toured with the Kinks and Rolling Stones

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“Girls with guitars? That won’t work,” quipped John Lennon as he watched four girls take the stage of the Cavern Club, Liverpool in 1963. The band was The Liverbirds and Lennon’s attitude was the kind of dumb prejudice these four faced every time they picked up their guitars and blasted an audience with their hard rockin’  R’n'B.

The Liverbirds were formed in Liverpool 1963. The original line-up was Valerie Gell (guitar), Mary McGlory (bass), Sylvia Saunders (drums), together with Mary’s sister, Sheila McGlory (guitar) and Irene Green (vocals). The band’s name was lifted from the liver bird—the mythical bird (most probably a cormorant) that symbolises the city of Liverpool and they were all girls (“birds” in the youthful parlance of the time). The group practiced every day until they were better than most of the local boy bands who were merely copycatting local heroes The Beatles.

The Liverbirds were apparently so good (if a bit rough around the edges) they were snapped up to tour with The Rolling Stones, The Kinks and The Rockin’ Berries. However, it was soon apparent that the girls—unlike the boys—were were being cheated out of a big part of their fees by booking agents—a crushing disappointment that led to the loss of their lead singer and guitarist to other bands.
 
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It was beginning to look as if Lennon was right, but the girls refused to give up and continued touring with The Kinks. Unlike their northern counterparts, London’s all male bands The Kinks and The Stones were supportive of The Liverbirds—as Mary McGlory recalled in a letter to the Liverpool Beat in 2014:

The Kinks took us down to London to meet their manager, even booked us into a hotel, and told us to come to the studio tomorrow and bring our guitars with us (maybe there might be time to play a song for their manager). When we arrived there, the roadie came in and told The Kinks that their guitars had been stolen out of the van – so this was how The Kinks played our guitars on their hit recording of “You really got me“.

This isn’t exactly how it happened as the legendary Dave Davies of The Kinks points out regarding Mary’s claim over the stolen instruments:

Absolute nonsense- they were a cool band but this DID not happen.

On YRGM I use my Harmony meteor thru the elpico green amp and ray used his tele and pete used his blue fender bass…what a load of bollocks.

However, The Kinks did help save The Liverbirds from splitting-up by suggesting they bring Pamela Birch in as vocalist. Birch was a big blonde bee-hived singer/guitarist. She had a deep bluesy voice which harmonized beautifully with Valeri Gell’s vocals. Birch was a perfect fit for the band.

They were a hit at the Cavern Club. They were a hit across the country. They were a hit on tour. But the band hailed as the all-girl Beatles at the height of Beatlemania couldn’t even get a record deal in England. However, things soon started to shift.
 
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First Kinks’ manager Larry Page and then Beatles manager Brian Epstein wanted to sign The Liverbirds. But the girls were off to Hamburg to play the Star Club. The band was an instant hit in Germany as Mary McGlory recalls:

We arrived in Hamburg on the 28th May, 1964 and played the same night. The crowd was great and loved us right away. The Star-Club owner Manfred Weissleder became our one and only MANAGER.

A few days later he sent us to Berlin to play at a big concert with Chuck Berry, shortly before we went on stage we were told that it was forbidden to play any Chuck Berry songs. Well that was impossible for us, so when Val went to the mike and announced “Roll over Beethoven”, Berry’s manager ran on stage and tried to stop us playing, Val pushed him away and told him to “F. Off”.(She had probably had a shandy). Back in Hamburg, Manfred called us to his office, we thought he was going to tell us off, but no such thing, Chuck Berry’s manager wanted to take us to America. Manfred said he would leave the decision up to us, but then he added – he will probably take you to Las Vegas, and there you will have to play topless! Well of course that was his way of putting us off. After all, the club was still crowded every night.

The band had hits with the songs “Peanut Butter,” “Too Much Monkey Business,” “Loop-de-Loop,” and “Diddley Daddy.” Although in performance they played the very same Willie Dixon and Chuck Berry covers favored by the Stones and other boys, Birch also started writing original numbers, producing such favorites as “Why Do You Hang Around Me?” and “It’s Got To be You.” Though pioneering and incredibly popular, the girls (now in their late teens-early twenties) still faced the everyday sexism from record industry supremos who thought young girls should be on the scene, but not heard. Not unless they were in the audience screaming. These men wanted girls who dressed to please—not girls who played instruments better than the boys. Girls with guitars? That won’t work. Except for that, of course, it did. Splendidly!
 
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In 1968, on the cusp of a Japanese tour the band split:

Until 1967, we played nearly all over Europe, recorded two albums and four singles for the Star-Club label and appeared on many television shows. Our drummer Sylvia married her boyfriend John Wiggins from The Bobby Patrick Big Six and left the band. Shortly after Val married her German boyfriend Stephan, who had a car accident on his way to visit her and was since paralyzed. So when we got an offer from Yamaha to do a tour of Japan at the beginning of 1968, Pam and I had to find two German girls to replace them. Japan was great, and the Japanese people really liked us, but Pam and I did not enjoy it anymore, we missed the other two, the fun had gone out of it. We thought this is the right time to finish, even though we were still only 22 and 23.

Today McGlory, Gell and Saunders continue with their post-Liverbirds lives. Sadly, Pamela Birch died in 2009. However, this all-girl guitar band should be given credit for pioneering rock and roll, R ‘n’ B and being right up there for a time with The Beatles, The Kinks and The Rolling Stones.
 

The Liverbirds perform on ‘Beat Club’ 1965.

More from the female Fab Four after the jump….

Posted by Paul Gallagher | Leave a comment
Meet Hitler the Hells Angel and Steve the stay-at-home Skinhead: Gang culture documentary from 1969
04.22.2016
11:12 am

Topics:
History
Pop Culture

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Hitler the Hells Angel.
 
A gang of British Hells Angels ride into town. They gather at their favored bar in Birmingham, England, the aptly named Oddfellows’ Arms. The bar is the last remnant of a once-thriving working class area. Inside, the Angels drink, chat, and carouse. At one of the crowded tables a young biker has “Mum + Dad” tattooed on his soft white arm.

A film crew documents these activities. When asked, the Hells Angels talk of their rejection of society’s values, their independence, their freedom. They relish their dirty appearance, long hair, and their uniformity of dress. One biker has a jacket covered with the Nazi insignia. He says his parents’ generation fought the Nazis—“The only good German was a dead German,” they said—but he’s never met a bad German. He wears the badges and pins to shock, to disgust, to rebel—to show his “outlaw” status.

Though these Hells Angels consider themselves free of society’s rules, they do have their own codes and rituals by which they live their lives. Outside the bar, a young couple named Sylvia and Hitler get married. They want their relationship to be recognized by the other Angels. The marriage is a genuine ritual. To the rest of society Hitler and Sylvia are “living in sin.” Like any other newlyweds, the couple will have to get a job, some “bread” and somewhere to live.

When Hitler is asked about his name, he explains he was called “Hitler” by the other Angels because he has “proved himself.”

Interviewer: How do you prove yourself?

Hitler: There’s quite a few ways you can prove like. I mean, beat a skinhead up—that’s great. That’s class. I mean, if it was legal we’d go around hanging skinheads.

 
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Four skins…
 
The kids were out of control. Or so it seemed. The rise in births after the Second World War saw a massive number of youngsters reach their teens and twenties during the 1960s. There was a fear the country was being swamped by gangs of youths. There was no longer any National Service to dissipate their energy on military maneuvers or war. There was more money. More leisure time. More entertainment. Pop music and television were the new gods. For an older generation, the hysteria of Beatlemania—with its “out of control” mobs of teen girls—was as much a portent to the breakdown in British society as the gangs terrorizing the inner cities. Teddy Boys. Razor gangs. Rockers. Mods. Tribes defined as much by their violence as by their tastes in music, their clothes, their modes of transport, or their goddamn hairstyles.

In the 1950s, poet Thom Gunn wrote a highly preceptive poem called “On the Move” about the rise of rebelious youth and their chaotic, unfocussed energy. The poem describes a biker gang roaming across America “reaching no absolute, in which to rest” always moving “toward, toward.” Gunn was inspired by The Wild One, the Marlon Brando movie, where his character Johnny was asked “What you rebeling against, Johnny?” To which Brando’s character replies, “Whatcha got?” Though Gunn’s admiration for the bikers’ rebellious attitude is obvious, he sees their actions as wasted and inadequate to provoke any real change.

By the late 1960s, skinheads were considered a bigger threat to the British public than bikers. Hell’s Angels kept their business amongst themselves. Skinheads attacked anyone—though primarily anyones of a different ethnicity to their own “pure blood” white skin. Skinheads were thuggishly unrepentant “bovver boys” who’d give you a kicking as much a look at you.
 
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Skinhead Steve with his parents.
 
The documentary shifts to a group of young skinheads from London. They brag about “Paki bashing.” They crow about their racism and violence. The film focuses on one young skinhead called Steve. The camera follows him home where he watches TV with his mom and dad. His father had been a Teddy Boy. He understands the appeal of being in a gang. Steve tells him about the thrill of marching through South End a thousand strong. The feeling of being part of something says Steve, would bring “tears to your eyes.”

Steve: It makes you feel proud. It will last for a little while. Then something new will come along. But till then you’ve got us. It’s just the way it goes.

More after the jump…

Posted by Paul Gallagher | Leave a comment
Holiday photos of John Lennon as a child in 1951 on a school trip to the seaside
04.21.2016
10:59 am

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History
Pop Culture

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A ten-year-old John Lennon is instantly recognizable in these photographs taken during a school trip to the Isle of Man—a popular holiday destination off the west coast of England. Our eyes are drawn to his figure, standing left of frame, leaning slightly forward, arms out, knee-deep in waves. Lennon is surrounded by his classmates from Dovedale Junior School. To one side is the future BBC news journalist Peter Sissons. To the other fists clenched ready to rumble is comedian Jimmy Tarbuck.

Tarbuck has since recalled in an interview how Lennon “had a strong personality” even though he was “like any other kid in those days, having a few scraps in the playground.” That strength of personality is apparent from these photos where Lennon is either at the center of things or in the front row.

Six years later, in the summer of 1957, Lennon was playing with his band The Quarrymen at a garden fete of St Peter’s Church, Woolton, Liverpool. That was the day he met another young musician called Paul McCartney.
 
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The young John Lennon left of center next to Jimmy Tarbuck with fists up to right. Peter Sissons is on left edge of frame behind Lennon.
 
More after the jump…

Posted by Paul Gallagher | Leave a comment
No regrets: Vintage shots of people with massive hangovers
04.19.2016
02:22 pm

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Pop Culture

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Ah the hangover! A state that needs no introduction. C’mon on, we’ve all been there at least once in our lives, right? Laugh all you want at these poor folks. You know you’ve have done the exact same thing… at least once.


 

 

 
More after the jump…

Posted by Tara McGinley | Leave a comment
Super-strange 1978 PSA film might give you an acid flashback
04.12.2016
09:16 am

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Amusing
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“Safety Woman” from the school safety video “Safety: In Danger out of Doors” from 1978.
 
This late 70s school safety video is full of so much weirdness that it’s hard not to feel like you’re suddenly having an unplanned acid trip while watching it.

In this short film from 1978 menacingly entitled Safety: In Danger out of Doors, we meet the fictional character Miss Karen Kingsley, who the narrator describes as “a youthful, gifted, attractive, successful, freelance architect” who spends her free time volunteering as a school crossing guard. The fourteen-minute PSA plays out much like a lost B-movie when the multi-talented Miss Kingsley somehow becomes “Safety Woman,” a shiny-jumpsuit-wearing superhero (who came to be thanks to some sort of sketchy divine alien “interaction”), that shows up just in time to save her accident prone school-age pals from certain death. If this video had been made in the 80s, that jumpsuit would have reeked of Enjoli perfume for sure. Check out all the possible scenarios that put children of the 70s in peril, like skateboarding or swimming—which we (or at least most of us, I suppose) somehow miraculously survived—after the jump…

Posted by Cherrybomb | Leave a comment
Dude, you will get SO LAID at the mall arcade wearing this Pac-Man suit
04.12.2016
09:05 am

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Fashion
Games
Pop Culture

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Opposuits, the company that brought you the “Cannaboss” pot-leaf suit, is back at it again with the ultimate in retro tacky-chic.

For the stylish young man stricken with Pac-Man Fever, Opposuits offers this sharp-cut jacket with matching pants and tie covered in Pac-Man graphics. The iconic maze, dots, power-pellets, Inky, Pinky, Blinky, Clyde, and Pakku-Man himself are all represented. The full suit runs $109.99. That seems rather inexpensive to me, but then again I’m not so sure how much use one would get out of a full Pac-Man suit… But maybe you’re that guy who likes to look GQ at the arcade on weekends—you just know that when the gamer-babes see you in this, you’re guaranteed to get SO LAID.
 

 
May we recommend that the gentleman set it off with a pair of custom high-top Pac-Man sneakers?
 

Shoes available at Amazon.
 
More after the jump…

Posted by Christopher Bickel | Leave a comment
Woman removes nose and ears to transform herself into a ‘dragon lady’
04.06.2016
11:53 am

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Pop Culture

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Image via Twitter

Meet 55-year-old Eva Tiamat Medusa whose life goal is to become the world’s first real “dragon lady.” According to Eva, she’s the first and only person to have her ears and nose cosmetically removed to give her a more dragon-like appearance.

Born Richard Hernandez, Eva is transgender and has gone through a lot of rather painful surgeries to achieve her look including:

...nose modification, tooth extraction and eye colouring.

She also has a forked tongue and a full-face tattoo as part of her transformation into a ‘mythical beast’.

snip ~

Now going by the full name Eva Tiamat Baphomet Medusa - or Tiamat for short, the name of a dragon video game character - she has taken on several personas over the years and undergone multiple stages of transformations before finally settling on becoming a dragon.

She has also had horns implanted onto her forehead, and tattoos and scarification on her face and chest that resemble reptilian scales.

“I don’t care what people say about me or my views, and if I have to I will defy and stand alone against the world, but never will I make any compromise to my integrity.” wrote Eva on a recent photo of herself.

But what I really want to know is can she breathe fire?


Image via Twitter

 
via Daily Mail

Posted by Tara McGinley | Leave a comment
‘Filthy weird’: Classic comic character ‘Nancy’ gets hilariously corrupted in ‘The Nancy Book’
04.06.2016
11:36 am

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Amusing
Art
Pop Culture

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What if Nancy was an Acid Freak? Illustration by Joe Brainard
“If Nancy was an Acid Freak.” An illustration by Joe Brainard.
 
Over the course of fifteen years, prolific American author and artist Joe Brainard took the much loved image of comic strip character “Nancy,” (originally conceived and drawn by Ernie Bushmiller starting back in the early 1930s) and inserted her into approximately 100 very un-Nancy-like situations. From playful and amusing—such as Nancy emerging from my grandmother’s ever-present pack of Tareyton cigarettes, to the strange unexpected pornographic depictions of Brainard’s neuvo-Nancy, 70 of these pieces included in 2008’s The Nancy Book.
 
Mixed media Nancy by Joe Brainard
 

“If Nancy was an ashtray.”
 

“If Nancy had an Afro.”
 
Brainard (who once sat for a screen test with Andy Warhol in 1964), sadly passed away long before The Nancy Book ever saw the light of day. In addition to Brainard’s works, the publication also includes essays from writers and poets such as Ron Padgett and Frank O’Hara. Although it’s not a part of The Nancy Book, it’s worth mentioning that punk pioneer Richard Hell wrote an essay on Brainard’s book that appeared in his 2015 book, Massive Pissed Love. Here’s an excerpt from Hell’s thoughts on Brainard’s unorthodox “Nancy”:

The pictures speak for themselves. Acid freaks, terrible diseases, afro hairdos - Nancy is the constant, the immortal essence— everything else is costume. All the world is Nancy in drag.

Another interesting bit of backstory on The Nancy Book is an amusing piece of “hate mail” (which I desperately hope is real) sent to the book’s publisher, Siglio Press back in 2011. According to the angry letter, Brainard’s “filthy weird” book was given to a fourteen-year-old girl named, you guessed it, Nancy, on her birthday by a relative who found it on Craig’s List. Here’s the letter below in all its “discusting” finger-wagging typo-riddled glory.
 
Hate mail to the publisher of The Nancy Book, Siglio about it being
 

9-27-2011
A few months ago my daughter 14 years old was given a book for her birthday from my 55 year old nephew. My daughters name is Nancy. She was given “the Nancy Book” By Joe Brainard and it was published by Siglio Press Co. My nephew purchased this book on Craig’s list. He had no idea that is was a filthy weird book. My daughter has a collection of Nancy & Sluggo things and books by Ernie Bushmiller. This book was discusting—I showed the drawings and fotos to my friends and their reaction was the same as mine. The book was wrapped in cellophane so we were unaware it was a truly dirty rotten book. Can you imagine a 14-year-old girl getting a book like that for her birthday gift. I know Ernie Bushmiller has died, he would be astounded that this Joe Brainard copied his comic strip and made such trash out it.

I can not understand how you and your press company would publish such filth. The price of this book was $39.95. This was not works of art.

 
I don’t know about you, but I’m planning on working the expression “filthy weird” into as many conversations as possible. You can pick up The Nancy Book here. I’ve also included more images—some were so NSFW you should just hunt for them on your own time—from the book as well as the trailer for a lovely documentary on Joe Brainard (which you can download here for $5 bucks), below.
 

“If Nancy was a sailor’s basket.”
 
More ‘filthy weird’ nasty Nancy after the jump…

Posted by Cherrybomb | Leave a comment
Boyd Rice biographer’s NON-disclosure: ‘He doesn’t seem to give a shit what most people think’
04.06.2016
10:10 am

Topics:
Books
Pop Culture

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“Boyd Rice is one of the most influential and controversial figures of modern American counterculture,” begins Brian M. Clark’s Boyd Rice: A Biography. While that grandiose statement may oversell Rice’s cultural importance, it’s certainly true that Boyd Rice is a household name in a lot of weird households.

Rice is a prolific American sound experimentalist, author, artist, actor, archivist, and prankster. He also tends to be a polarizing figure in countercultural circles.
 

Boyd Rice a.k.a. “NON”—breaking records
 
I became familiar with Boyd Rice beginning in the late ‘80s and throughout the ‘90s. It seemed for a time that any esoteric interest I began exploring, Boyd Rice’s name would pop up as someone who had been there to document it or be associated with it first. My initial exposure to Rice was his work on the Incredibly Strange Films book released by RE/Search in 1985. In the late ‘80s, this was perhaps the most-thumbed reference book on my shelf. Rice turned up again on my radar in 1988 as a talking head on Geraldo Rivera’s sensationalist Exposing Satan’s Underground TV special. I was deeply interested in Satanism at the time, and here was Rice as one of its chief defenders and spokesmen. As I became interested in the bizarre records I was finding at thrift stores, particularly fake Hawaiian recordings, I began finding articles written by Rice about his love of “exotica” music. When RE/Search’s Pranks book came out, I became obsessed with that volume, particularly Rice’s chapter. I got the accompanying video as soon as it was released and found the interviews with Rice quite charming. Around this same time I was starting to get heavily into noise and industrial music and there was Rice too—at the forefront with his ground-breaking work as NON. And there was Rice on Current 93 records. And there was Rice in Lisa Carver’s fantastic Rollerderby magazine. And then there were the hysterical tapes of his appearances on evangelical minister Bob Larson’s radio call-in show, which were de rigueur tour van tapes while playing in bands in the ‘90s. Rice was seemingly everywhere, all over everything I found fascinating in the ‘90s—and he was always there a few years ahead of me as its champion. Who was this industrial man of mystery?

More on this contentious character after the jump…

Posted by Christopher Bickel | Leave a comment
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