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‘I’m not homophobic…’
12:19 pm



A bit like wearing an “I’m with Stupid” tee-shirt that has an arrow pointing upwards, isn’t it?

Via Joe.My.God.

Posted by Richard Metzger | Leave a comment
‘K-11’: the most brutal cell block of all?
06:15 pm



K-11 is a new film directed by Jules (mother of Kristen) Stewart, about a prison complex in LA for homosexuals and transgender inmates. It looks brutal, exploitative, and I can’t wait to see it.

The trailer is pretty self-explanatory: a record producer ends up in jail, charged with killing a cop, after he blacks out. The prison is the titular K-11, and there he must navigate a murky world of mixed genders and shifting loyalties in order to survive. (Hmm, maybe I should go into b-movie copy writing?)

Yeah, it sounds corny, but it looks pretty well shot and the cast is decent (though some actual trans actors wouldn’t have gone amiss, and I would love to have seen Kristen Stewart in this, as was originally cast - perhaps she was slated to play Mousey, the prison’s tough bitch queen?) But you know what really surprises me about this? For a subject that looms so large in the American subconscious, it’s surprising that there haven’t been more films about homosexuality in jail.

Even HBO’s mighty Oz was disappointing in that respect (if pretty much perfect in any other.) Sure, two of the main male characters fell in love (or did they?) but the show failed to explore the prison’s gay subculture, in the way it did the Nazis, Nation of Islam, Latinos, etc. Gay characters were only shown flitting away campy in the background, or as facilitators for other characters’ story lines.

K-11 is hardly going to be perfect, but for films about gay life behind bars, it’s a start:

Pardon my ignorance, but are US prisons really segregated by sexual orientation and transgender identity?

Posted by Niall O'Conghaile | Leave a comment
Haters hate ‘disgusting’ gay pride Oreos
01:27 pm

They hate us for our freedom


All it took was Kraft Foods merely posting an illustration of its Oreo brand cookies in the “pride” colors of the gay rights movement on their Facebook page, and this brought out the wingnut hater bots.

Via the Washington Post

The post on Oreo’s Facebook page encouraged a high-volume debate rife with misspellings, indignation and hysterical punctuation.

One commenter: “this is absolutely disgusting!!! Vote with your dollar, I will NEVER buy anything Kraft Foods again.”

Another: “Don’t worry about them people boycotting you Oreo - I never bought a single cookie from you and now I will.”

Christians with no objection to same-sex marriage dunked the issue in Matthew 7 (“Judge not, that ye be not judged”). Christians opposing same-sex marriage cited Romans 1 (“Males committed indecent acts with males, and received within themselves the appropriate penalty for their perversion”).

And cookie fiends were more concerned with what the graphic means for their dessert options: “So like are we actually getting rainbow Oreos?”

That was honestly MY first thought. Fine print under the picture reads: “Made with creme colors that do not exist.” I was disappointed to find out that it was not happening. I wanted to make Slutty Brownies with them.

Note to Kraft Foods, even a limited edition of the pride Oreos would make millions.

Considering that these newly-minted Oreo haters (whose number apparently include Jesus himself) were interested enough in fuckin’ Oreo cookies to follow them on Facebook in the first place, I really can’t imagine that many of them will continue their goofball boycotts for very long.

Big win for Kraft Foods. Kudos to them for hiring marketing professionals who know which way the wind is blowing.

Somebody might want to explain to these bigoted asshats that there are some other LGBT-friendly companies who they might want to include in their boycotts. If you’re going to refuse to give your money to Kraft Foods, what about Levis, Nike and Google? What’s that you say? You’ll just use Bing as your search engine? Guess again…. And if it comes down to your computer, are you going to toss out your PCs and Apple products, too?

No iPhone for you, closet case!

HT Esquire Politics

Posted by Richard Metzger | Leave a comment
Ann Magnuson’s ‘The Jobriath Medley: A Glam Rock Fairy Tale’
10:01 am



Photo: Austin Young; Make-up: Travis Pates

Usually when we get requests for Kickstarter, we have to say no because this entire blog would just be Kickstarter links, but Ann Magnuson’s “The Jobriath Medley: A Glam Rock Fairy Tale” project is different because they’ve actually already done most of the thing they want to raise money for, so you can just go online and buy it basically.

For years now, Ann has done a loving musical/spoken word tribute in her live cabaret shows to obscure 70s glam rocker Jobriath Boone (rock’s first out and out “fairy”) and recently she and longtime collaborator Kristian Hoffman have recorded it, with a small orchestra. The new project “combines good old-fashioned storytelling with extraordinarily pretty songs from Jobriath’s phantasmagoric catalogue. Think Mother Goose on LSD!”

Ann writes:

Kristian Hoffman and I both bought the Jobriath albums when they first came out in the early 1880s. Uh, I mean early 1970s. Me as a baby glam rock hillbilly hippie back in West Virginia, Kristian in his suburban enclave in Santa Barbara – where he would sometimes appear along with his best friend Lance Loud on the first TV reality show, AN AMERICAN FAMILY. (FYI: Lance also appears as a character in a pivotal TRUE story told in our glam rock fairy tale!). Oh, and Morrissey also bought the Jobriath albums when he was also a teenage glam-rock-groupie-budding-music-critic-future-rock-star in Manchester England England! (That’s a HAIR reference, by the way. Did you know Jobriath played “Woof” in the original L.A. production? You will when you hear The Jobriath Medley!) Morrissey would later reissue select songs from Jobriath’s two solo albums on the CD “Lonely Planet Boy”. But when we created The Jobriath Medley in 1996 we were unaware of the Morrissey connection (until that Japanese import showed up with the photo of The Moz holding the original Jobriath LP under his arm. A culturally significant moment that was quickly integrated into the text performed at the next live performance of The Jobriath Medley.)

“Grandma, tell me more about the 70s…”

Don’t worry kids, you’ll learn all about that decade of debauchery when you hear The Jobriath Medley! But suffice it to say that back in the early 1970’s everyone was blow, blow, blowing away in platform shoes, glitter eye make up, downing Quaaludes and red wine while being insanely & dangerously promiscuous as we dressed up in glad rags we found in thrift stores so we could emulate the movie stars of the 1930s and 1940s that we watched on The Late Late Show on TV. We were making like Liza Minnelli in CABARET (“divine decadence darling!”) and all we wanted to do was live our lives like we were in a Ken Russell movie!

Jobriath, just like David Bowie and Marc Bolan and Alice Cooper and the New York Dolls among many others, was one of those flaming creatures in the glam rock 70s who didn’t care what other people thought about them. Maybe they really were spacemen from Mars or androgynous aliens or strangers in a strange land OR just glorified hippies dressed up like Christmas trees…

With Kieran Turner’s fab documentary Jobriath A.D. (I loved it) turning a new generation of music fans on to Jobriath, there seems little doubt that Jobriath Boone will be “the Klaus Nomi” of 2012/2013, so jump on the bandwagon NOW and support Ann and Kristian’s DIY tribute to the lonely planet boy.

The Kickstarter page for “The Jobriath Medley” has a number of really great packages for any budget, from a digital download or CD all the way up to one of a kind paintings (Ann is quite expert in painting “fake Basquiats”—I mean to say that she’s fucking genius at it—and one of the packages offers a Basquiat-glam rock themed original artwork).

Dangeorus Minds readers will appreciate knowing that Sparks’ Russell Mael has contributed backing vocals to Ann and Kristian’s cover of Jobriath’s “I’maman.”

Read more about it on Kickstarter.

Previously on Dangerous Minds:
Lonely Planet Boy: An interview with ‘Jobriath A.D.’ director Kieran Turner

Jobriath: Rock’s Fairy Godmother

Bongwater: The Power of Pussy

Below, Ann talks Jobriath:

Posted by Richard Metzger | Leave a comment
Gay Rights: What Mitt Romney ACTUALLY said when he was running against Ted Kennedy

How does this buffoon keep track of his own “convictions”?

“There’s something to be said for having a Republican who supports civil rights in this broader context, including sexual orientation.”

“Convictions” are confusing things!

Slippery too, like greased eels.

Via reddit/r/politcs

Posted by Richard Metzger | Leave a comment
The perfect argument for people against gay marriage who quote Genesis
01:07 pm

Current Events



Via Facebook

Posted by Tara McGinley | Leave a comment
Tonight, A DJ Will Save Your Life: An interview with Performer Extraordinaire The Niallist
04:25 pm

Pop Culture


‘...I’m from an old school that believed that music and musicians could change things - maybe not radically and maybe not quickly, but that the seeds for change could definitely be sown with songs and videos and shows and interviews.’

Niall O’Conghaile aka The Niallist is talking about the music that inspired him to become a musician, a producer, a DJ, a one-man-disco-industry, and a Performer Extraordinaire.

Niall makes music that moves you “physically, mentally and emotionally. Dance music, for want of a better term!” But it’s always been about more than that.

Let’s turn to the history book…

When Brian Eno was working with David Bowie in Germany, he heard Donna Summer’s “I Feel Love” in a record shop. Eno bought the single and ran, holding it aloft, back to Bowie in the studio, where he announced, like a pop John-the-Baptist, ‘I have heard the future.’

Niall is part of that future and his musical output is quite phenomenal and brilliant.

But it’s not just music that Niall has made his own, you’ll know him as a star blogger on Dangerous Minds, and perhaps through his work on the blogs Shallow Rave, Weaponizer, Menergy and his site, Niallism.

Niall also DJs / organizes club nights with Menergy and Tranarchy, and is the keyboard player with Joyce D’Ivision. All of which, for my money, makes The Niallist one of the most exciting, talented and outrageous DJ/producers currently working in the UK. Not bad for a boy who started out spinning discs on one turntable at school.

Now, it’s strange how you can spend much of your working day with someone and yet never really know that much about them. Wanting to know more about the extraordinary Niallist, I decided to interview him for (who else?) Dangerous Minds, and this is what he said.
DM: Tell me about how you started in music? Was this something to moved towards in childhood?

The Niallist: ‘Yeah, music is something I remember affecting me deeply as a kid. My sister, who is older than me, was a huge Prince fan and naturally that teenage, female, pop-music enthusiasm rubbed off on me. I would read all her old copies of Smash Hits and create my own scrap books from the magazines, even though the bands were, by then, either non-existent or pretty naff.

‘My brother was into more serious, “boy” music, which I didn’t like as a child, but which I really appreciated when I hit puberty. He had a big box of tapes that was crucial to me, even though he didn’t like me borrow them, but he had pretty much all Led Zep’s albums in there, Jimi Hendrix, The Doors, Bowie, The Stone Roses, and I particularly remember him getting a copy of Nevermind when it had just come out, which was a key discovery. That box smelt of Dettol and musty cassettes, and to this day the smell of Dettol still takes me back!’

What were your early tastes in music? What were those key moments when a song a record made you realise this was what you wanted to do?

The Niallist: ‘Well, Nevermind was definitely one. I think that record started a lot of people on a musical journey. But also, I really identified with Kurt Cobain, as he was an outsider in the pop music landscape who spoke up for gay and women’s rights, which really struck a chord with me. He was a man, but he also wasn’t scared of being seen as feminine. He was a pop star, he looked scruffy and spoke with intelligence and passion. He was different. As someone else who was different, and a natural outsider, I guess I saw music as maybe a place where I could fit in and still fully express myself.

‘Call me hopelessly naive if you will, but I’m from an old school that believed that music and musicians could change things - maybe not radically and maybe not quickly, but that the seeds for change could definitely be sown with songs and videos and shows and interviews. Looking back on the early 90s now, it seems like an incredibly politically-charged time for music and pop culture. Public Enemy, NWA, Ice Cube, Huggy Bear, Bikini Kill, The Prodigy with “Fuck ‘Em And Their Law”, Pearl Jam telling Ticketmaster to fuck off, Spiral Tribe, massive illegal raves, Back To The Planet, Senser, Rage Against The Machine, the fact that RuPaul was a pop star, even Madonna’s Sex book and Erotica album for God’s sake! If you weren’t politically active or at least aware back then, you were terribly uncool. That spirit seems to have disappeared from music altogether now, which is sad.’


More from Niall, including his Top 5 picks, after the jump…

Posted by Paul Gallagher | Leave a comment
England’s pioneering 18th century transvestite gets her due
11:13 am



Holy Quentin Crisp, Batman! An extraordinary, and historically significant portrait of Chevalier d’Eon, Britain’s first openly transvestite male, by painter Thomas Stewart, has been purchased by the National Portrait Gallery and is currently hanging in room 15 of the London museum. From The Guardian:

It was the five o’clock shadow that helped give her away – the portrait was not, as it seemed, a rather grand if slightly butch 18th-century lady with a fancy feathered hat but was in fact the Chevalier d’Eon: diplomat, soldier, spy, transvestite.

The National Portrait Gallery has announced the acquisition of its first painted portrait of a man in woman’s clothing; a cross-dresser who enjoyed considerable fame in both high society and popular culture.

Charles Geneviève Louis Auguste André Timothée d’Éon de Beaumont, to give her full name, is one of the most important transvestites in history. She was “a fascinating and inspirational figure”, said Lucy Peltz, the gallery’s curator of 18th-century portraits. “We are absolutely delighted to be able to acquire this portrait. D’Eon is a particularly fascinating and important figure from 18th-century British history.”

The painting was discovered by the London dealer Philip Mould at a provincial sale outside New York last year. It was being mistakenly sold as a portrait of an unknown woman by Gilbert Stuart, most famous for painting George Washington on the dollar bill.

“Even in its dirty state it was quite clear that this woman had stubble,” said Mould, who bought it, brought it to the UK and began further research and restoration.

“Cleaning is always a revelation and on this occasion it revealed that not only was it in lovely condition but, more pertinently, the Gilbert Stuart signature cleaned off revealing the name Thomas Stewart, a theatrical painter working in London in the 1780s and 1790s.”

Everything then began to click into place. “What is so unusual about this portrait is that it is so brazenly demonstrative in a period when you don’t normally get that type of alternative persona expressed in portraiture,” said Mould. There is no attempt to soften his physiognomy – basically, he was a bloke in a dress with a hat.”

The discovery was tremendously exciting, said Mould. “We are the main dealers in British portraiture, doing it for something like 30 years and I must have sold two or three thousand British portraits to museums and institutions – but never have I come across something quite so idiosyncratic. I’ve never had anything which is so off-beam.”

The Beaumont Society, which caters to the transgendered community, was named after D’Eon.

“The painting sheds fascinating light on gender in history and one of the reasons the gallery was so keen to acquire the portrait is that D’Eon is such a fantastically inspirational figure and one of the very few historical figures that the gallery can represent that is a positive role model for modern LGBT audiences.” said curator Pelz.

Read more about the Chevalier d’Eonat at The Guardian

Posted by Richard Metzger | Leave a comment
SSION’s ‘Earthquake’ will rock your world
04:57 am



I’m a big fan of SSION, but you should know that by now. SSION, aka songwriter, performer and music video director Cody Critcheloe, has just brought out the second video from last year’s dance-pop magnum opus Bent, and it’s killer.

A logical progression from its predecessor “My Love Grows In The Dark”, “Earthquake” sees an androgynous alien-boy moving through a landscape that is simultaneously pop-art bright and druggily disconnected. All the time SSION is beckoning him on, from his iPad, from his TV, from his four-by-four, all the way up to their final, honey-soaked encounter:

SSION “Earthquake”

Previously on Dangerous Minds:
Getting Bent with SSION: an interview with Cody Critcheloe
‘My Love Grows In The Dark’: SSION’s springtime pop perfection
Get SSION’s new album ‘Bent’ free for a month


Posted by Niall O'Conghaile | Leave a comment
Occupy London vs the Gays: or just another media spin party?
10:58 am



The headlines are in and the buzz is beginning to build. Occupy London (formerly known as Occupy London Stock Exchange, or Occupy LSX) have set up a new protest camp in London’s Hampstead Heath, one of the city’s busiest public parks.

Hampstead Heath is popular with families, tourists, sun seekers and dog-walkers, but the park also happens to be a renowned cruising spot popular with the local gay community, a fact which has not gone unnoticed by the new Occupy camp.

It appears that tensions between the two communities are on the rise - or are they?

A recent news item posted by the gay-interest site Pink News suggests that they may be, quoting from a protester at the Hampsted Heath camp:

Timothy Sullivan, a 46-year-old protester, responded to potential objections to the group’s presence by saying they would improve safety by deterring gay cruising on the Heath.

He told the paper: “We could vaporise that problem just being here and let people enjoy their open space again.”

As would be imagined, these comments have not gone down well with many in the gay community. Or with other communities, for that matter, as a lot of commentators see this story as proof of the Occupy movement’s ill-founded logic, and the stereotype of protesters as “unwashed” (seeing as they will be camping out in a public park for months on end.)

But is there more to this than the initial reports suggest?

As with anything this neatly packaged, the motives of the site doing the reporting should be examined. While gay people should be very vigilant against perceived homophobia, the cynic in me wonders if this is yet another non-story that has been blown out of all proportion and designed to inspire “victim-rage” in a minority, thus drawing more advertising hits?

Because it seems awfully silly of a movement who claim to represent 99% of the world’s population to make comments that single out, and make targets of, a specific minority (a minority who, lest we forget, are already facing their own tribulations.) The Occupy movement itself has been somewhat of a whipping boy in certain corners of the internet and the oldstream media, who seem intent on discrediting the movement, something that has been made much easier by Occupy’s nebulous nature.

However, Ronan McNern, a gay member of the Occupy London press team, has said today:

“{These comments] are not representative of Occupy London, and against our own Safer Spaces Policy, which is very clear:

“Racism, as well as ageism, homophobia, sexism, transphobia, ableism or prejudice based on ethnicity, nationality, class, gender, gender presentation, language ability, asylum status or religious affiliation is unacceptable and will be challenged.” [

Occupy is made up of individuals and these are the comments of an individual - comments that run contrary to positions decided by Occupy in its very earliest days and remain at the core of how we relate to and show respect for one another. I will be speaking with him personally (have left a voicemail with him), as I know will others. Having met and chatted with him briefly I thought he was a good guy and I was very surprised to hear these comments. There is the potential that the words reported weren’t exactly what he meant to say, but whatever the case he will be spoken with so that he gains a clearer understanding of the history of Hampstead Heath, the fight for gay/queer rights and the stigma that has had to be overcome, and that still continues.

I’ve heard that other members of the Occupy Nomad camp have already expressed serious concerns regarding these comments. As a movement, it is essential that we challenge the language and assumptions that appear to have been made in the comments that appeared in the article - while Occupy is open to all, it is not open to all behaviours."

Sure, there may be many reasons to disagree with the methods of the Occupy movement (if not the motives, per se) and the confusion surrounding the reporting of this issue ties in strongly with that, but with summer rolling back 'round and people getting ready to get protesting again, it will serve us well to keep our media-cynicism levels at an all-time high. Because I think we are going to see a lot more of this kind of thing.

Occupy London have an official statement addressing the comments made by Timothy Sullivan on their website..

With thanks to Paul Shetler.

Posted by Niall O'Conghaile | Leave a comment
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