Max Headroom, now there was a weird-ass experiment. In hindsight the digital character is the very definition of a “curio.” It takes only a few seconds of watching Max to remember just how irritating he was, a stuttering, condescending, smarmy non-entity (literally) who is devoid of content (making him a natural pitchman for Coca Cola, which he was for several national advertising campaigns). Watching authentic artists like Sting and David Byrne interact with Max is a little painful.
Before the narrative sci-fi show Max Headroom descended on U.S. shores in 1987, British audiences had been “enjoying” The Max Headroom Show, which featured interviews and music videos, throughout 1985 and 1986. In the first clip, Sting is promoting The Dream of the Blue Turtles as well as The Bride, his first movie after Dune, so it must be 1985. True to Max’s essential vapidity, they discuss shoes for most of the interview. The strategy of intersplicing unmotivated stock footage resembles nothing so much as a short film by Lelaina Pierce as recut by Michael Grates, to invoke the Winona Ryder and Ben Stiller characters from Reality Bites.
Of course Sting is inherently annoying—check out his shades—but it’s really not his fault in this case; David Byrne’s naturally distanced temperament works a lot better. Unfortunately, the clip, put up by the official Talking Heads YouTube account, gets badly out of sync after a couple of minutes, but given that it’s Max Headroom, it hardly matters. Byrne is there to promote True Stories, his only directorial feature, so it must be about a year later than the Sting interview.
The Max Headroom Show, not to be confused with the narrative show Max Headroom, was the original Short Attention Span Theater. As many have noted, it was the perfect plastic entertainment for the Reagan era, so much so that Garry Trudeau in Doonesbury turned the sitting president into an unfunny imitation called Ron Headrest.
In retrospect what’s interesting is that the technology was so evidently driving the car—the technical feat of an electronic Matt Frewer cackling at Sting is actually impressive, but the form was miles ahead of the content. Space Ghost Coast to Coast, which hit in the 1990s, evened the scales a bit more successfully.
Max Headroom interviews Sting:
Max’s interview with David Byrne after the jump….