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So, what does the Internet think might be on the next Radiohead album?
06:36 am



There was once a time, long, long ago, when the casual music listening world would generally only learn about a new release when the single turned up on the radio, when the LP showed up on the NEW THIS WEEK! rack at the record store, or when they read a review after the fact of the release. Obsessives who pored over gossip columns in music magazines might have learned about a release maybe a month or so early. Today, of course, online fora can be all abuzz about a forthcoming album before its songs have even been written, and when a band’s fan base is as massive and rabid as Radiohead’s, the speculation begins ridiculously early—the apparently now defunct Green Plastic had a thread on the subject almost a year ago! Two of my favorite sites for Radiohead übergeekery, Citizen Insane and TKOL Part 2, have proffered some credible speculation as to what the still-hypothetical Radiohead album #9 might contain, based on hints dropped in interviews, info gleaned from the Atoms For Peace Reddit AMA, new songs registered with ASCAP, and fan videos of unreleased songs performed in concert. With Atoms For Peace’s tour precluding any Radiohead activity in the second half of 2013, and with the two songs recorded at Jack White’s Third Man studio in spring of 2012 seeming increasingly unlikely to surface the more time passes, I thought it might be an agreeable diversion to post an assortment of unreleased material that’s considered by the informed fandom likely to turn up on the next album. Understand this is intended to be neither exhaustive nor predictive, and I’m fully aware that that the more deeply fervent Radiohead fans among you already know some of this stuff and I unhesitatingly acknowledge how totally cool you are for having heard songs before most other people. Truly, the world is yours. This is just about having some fun and checking out some lesser-known but quality material by a great group whose last album is almost three years behind us and whose next offering remains a tantalizingly huge question mark. So off we go!

To start, there’s the very pretty “Skirting on the Surface.” It was a live staple of Thom Yorke’s solo performances over four years ago, but Radiohead took to playing it out in 2012. Though the solo piano versions one can find are quite stunning, I went with full band here.

Next up, “Identikit.” It’s been performed live a zillion times, and it’s known to be one of the songs from the Third Man sessions. There were plenty of versions of this on YouTube, but I got a kick out of this fan video cut from old cartoons.

“Cut A Hole” is another mighty nice tune that’s had some live exposure.

Infuriatingly, the only apparently extant version of “Come To Your Senses,” the existence of which has been known since 2006, and which was explicitly cited as a contender for a new recording by Thom Yorke in his October 2011 Rolling Stone interview, cuts off before even a minute passes. What’s there sounds awesome, reminiscent somewhat of Hail To The Thief‘s “Go To Sleep,” a big favorite of mine. I’m kind of rooting for this one to get finished and released one of these days.

“The Present Tense” is a contender that’s been performed this past fall on the Atoms For Peace tour, which doesn’t necessarily take it out of the running:

We’ll end this with “Full Stop,” often spelled “Ful Stop” based on a possible misspelling from a page of rehearsal notes that turned up in an eBay auction. It started appearing in concert in 2012.

Posted by Ron Kretsch | Leave a comment
Johnny Cash and The Cowsills would like to sing you a little ditty ‘bout Baby Jesus
07:30 am



What could have been more square in the late 1960s than a family band with MOM in it? The Cowsills became a badge for the co-optation of counterculture when they sang the theme song for Hair, and their rep for milky white safeness was cemented forever when The Partridge Family pilfered their schtick pretty much wholesale. But with a few decades elapsed between then and now, I think it’s no longer a betrayal of The Revolution to be OK with them, because ultimately, they just wanted to sing, and bland content or not, they sang very, very well. And while they do shoulder some blame for David Cassidy’s career, at least the Osmonds aren’t their fault.
cash/cow 2
WHAT THE—okay, maybe they weren’t entirely safe.

Here’s a seasonally timely clip of the Cowsills on The Johnny Cash Show, guesting with Cash on the gospel number “Children, Go Where I Send Thee.” Not only do they admirably hold their own backing up Cash’s rich basso voice, pay attention around 2:09, at which ten-year-old Susan Cowsill peers confidently into the camera and nails a solo verse. This, again, is a ten-year-old kid sitting next to Johnny By God CASH and singing with laudable poise. That talented little kid went on to gain a measure of hip cred playing in Dwight Twilley’s band in the ‘80s, and in The Continental Drifters with The dBs’ Peter Holsapple (her husband for a time). She continues to pursue an active solo career.

Posted by Ron Kretsch | Leave a comment
Old Men Can’t Jump: Evel Knievel endorses Legend Scooters
07:56 am



Evel Knievel Legend Scooter
Before his death of idiopathic pulmonary fibrosis in 2007 at the age of 69, Robert Craig “Evel” Knievel apparently endorsed this Legend 2000 model motor scooter (PDF) from Pride Mobility Products Corp.

Obviously there’s something kind of funny about Evel Knievel, of all people, endorsing a vehicle that can’t even jump.

Here’s the famous Wembley jump from 1975 in which he attempted to vault over thirteen London buses. The clip is long, but the buildup is worth it.

Posted by Martin Schneider | Leave a comment
Dylan reselling everything at once, because, hey, let’s face it, people will buy it
12:33 pm



that bucket is full of cash
At age 72, with a career behind him spanning just a bit over 50 years, Bob Dylan is releasing this November a boxed set spanning his entire oeuvre, titled The Complete Album Collection Volume 1.

“Volume 1.”

At a cost of over $250, the massive set contains 35 studio albums, 6 live albums, and two discs of rarities, some remastered, some appearing on CD for the first time, posh book, blah blah blah, can we circle back to this “Volume 1” thing? It implies a presupposed Volume 2, kinda, a little, doesn’t it? But for such a volume to be comparably exhaustive, it would seem like it would have to wait until the durable (won’t get off the stage) and prolific (enraptured by the sound of his own voice) icon reaches about 120 years of age. Or so.
look at all that crap
Come to think of it, it’s not so doubtful that he could pull that off. Though haggard, he’s still decently preserved and he has more money than God. Might a Volume 2 comprise his groundbreaking head-kept-alive-in-a-jar years? Will submersion in formaldehyde affect the tone of his harmonica reeds?

Or, given that he’s hardly released a single note worth listening to since Desire, maybe this set is a bloated, hubristic exercise in wrenching one last big wad of cash out of nostalgia-obsessed baby boomers before they all go on Social Security?

Obviously early Dylan is worth being nostalgic for, and if someone is really itching for a box set, there’s already 2010’s The Original Mono Recordings, comprising his first eight LPs, and though it’s a few albums shy of completely collecting his best work, it doesn’t charge exorbitantly for three and a half decades worth of stuff that nobody wants.

For a taste of Dylan’s mastery at the height of his early, folkie phase, check out this stunning rendition of “North County Blues,” from 1963.

Posted by Ron Kretsch | Leave a comment
Trash with Class: John Waters’ muse Divine immortalized in $1300 knitted sweaters
07:54 am

Pop Culture


While I love the above knitted Divine sweater (I’d probably wear it) by designer James Long, I hate the one below. The sleeves! Oh gawd those hideous sleeves!

And when I say “I’d probably wear it,” I’d probably wear it if I had an extra $1300 to burn ‘cause that’s how much these “high-fashion” sweaters cost. Holy crap!


Posted by Tara McGinley | Leave a comment
Could Ray Charles really land an airplane? Apparently the answer is YES!
08:10 am



“Tell me what’d I fly…”

When my dad, a professional musician, was working A Chorus Line on Broadway, he once sent in a sub for a week in order to work with Ray Charles, whom he loved. When he came back, he kept bragging and blabbing about “my buddy Ray” (e.g.: “I was playing with my buddy Ray Charles last night,” etc…).

After a while of this, the drummer got fed up and (noticing my father’s recent haircut) asked, “Hey E! Who cut your hair? Your buddy Ray?” Laughter, of course, abounded, at my pop’s expense.

Periodically over the years, my father would tell me a story he had heard from members of Ray’s band. Here’s the best one:

After Ray Charles had gotten famous and was riding in a chartered private jet, every once in a while, the pilot would call for “a Mr. Ray Charles” over the intercom, and Ray would spring up and enter the cockpit. Apparently, the pilot was a big Ray Charles fan and he’d let Ray fly the plane and even, on occasion, land it! According to the legend, the cats in the band REALLY didn’t like it when Ray flew the plane, though they apparently didn’t know when Ray had landed it too. When Jamie Foxx in Ray came out, I looked to see if they’d validate the “pilot Ray” legend, but unfortunately they didn’t: They showed Ray his crew flying in his private jet, but they didn’t show him actually flying it.

So was it true? Were the legends about Ray Charles’ piloting his private jet true?

Once again this Internet thingee comes in handy: According to Mr. Ray Charles himself the legends were indeed true! Here, in fact, are Ray’s own words on the subject (reported way back in 1997):

Ray Charles doesn’t suggest other blind people try it, but he has driven a car, a motorcycle and, in a jam, could land an airplane.

“I done all kinds of nutty things,” Charles told U.S. News and World Reports in an interview for editions that go on sale Monday. “I don’t recommend it because I don’t want other blind people to say if Ray Charles did it, I can do it, because I don’t want to cause anybody to get themselves killed.“The singer said he also once rode a motorcycle - “I know if I could see, I’d have me a Harley for sure” - on the old Mike Douglas television show in Philadelphia. The show blocked off a street for him.

“I know how to fly an airplane, too. I always had an attitude that anything that can kill me I want to know about,” the 66-year-old Charles said.

Yeah! Alright! Ray Charles indeed not only flew a plane, he could land one too!

Below, Ray Charles live in São Paulo, 1963

Bad acid trip: ‘Carol Channing Is Better Than You’
05:15 pm



“One pill makes you larger and one pill makes you small…” but whatever Broadway great Carol Channing is on in this clip from the 1985 Alice in Wonderland TV movie, I want no part of it. It might take years of therapy to get over this one. The mayhem starts at around the 2:10 mark. That’s my jam!

“Alice” has the right reaction to the frenzied gyrations of the “White Queen” (ahem):

“That’s confusing!”

Don’t ever decide to watch this version of Alice when you’re tripping, it could seriously scar you for life.


Posted by Richard Metzger | Leave a comment
Steve McQueen and Charles Manson’s ‘Death List’
06:46 am

Pop Culture


Steve McQueen was one of several Hollywood celebrities placed on a “Death List” allegedly compiled by Charles Manson. The other names were Elizabeth Taylor, Richard Burton, Frank Sinatra and Tom Jones.

On August 9th, 1969, members of Manson’s “Family” carried out the brutal murder of Sharon Tate and 4 of her friends.

McQueen had briefly dated Tate, and had planned to visit the actress the night of her death.

In December 1969, Manson and the killers had been arrested.

When McQueen heard he might be targeted by Manson’s followers, he started carrying a gun. In October 1970, a still cautious McQueen wrote to his lawyer to find out if any “Family” members were still active, and to have his gun license renewed.


October 17, 1970

Mr. Edward Rubin
Mitchell, Silberberg & Knupp
6380 Wilshire Boulevard
Los Angeles, California 90048

Dear Eddie:

As you know, I have been selected by the Manson Group to be marked for death, along with Elizabeth Taylor, Frank Sinatra and Tom Jones. In some ways I find it humorous, and in other ways frighteningly tragic. It may be nothing, but I must consider it may be true both for the protection of myself and my family.

At the first possible time, if you could pull some strings and find out unofficially from one of the higher-ups in Police whether, again unofficially, all of the Manson Group has been rounded up and/or do they feel that we may be in some danger.

Secondly, if you would call Palm Springs and have my gun permit renewed, it was only for a year, and I should like to have it renewed for longer as it is the only sense of self-protection for my family and myself, and I certainly think I have good reason.

Please don’t let too much water go under the bridge before this is done, and I’m waiting for an immediate reply.

My best,

(Signed, ‘Steve’)

Steve McQueen


cc: William Maher

Previously on Dangerous Minds

Steve McQueen’s 1964 Driving License

The True Story of the Great Rolling Stones Drugs Bust

With thanks to Simon Wells, via Letters of Note

Posted by Paul Gallagher | Leave a comment
The Musician from U.N.C.L.E.: Chill out with the music of David McCallum
07:53 am




David McCallum has long been a much-loved actor and TV icon. From his early days as the pin-up secret agent, Illya Kuryakin, acting alongside Robert Vaughn’s Napoleon Solo in The Man from U.N.C.L.E., through to the excellent Colditz, the wonderfully, bizarre Sapphire and Steel, The Invisible Man and now “Ducky” Mallard in today’s NCIS.

But what is perhaps less known about this talented actor, is the fact McCallum is a classically trained musician of the highest caliber, and for a long time the blonde-haired Glaswegian seriously considered a making his career in music, as he explained to 16 magazine back in 1966:

The wonder was that David ever became an actor at all—for he was trained to be a musician from the age of four, playing the oboe with classic clarity. An appreciation of music ran deep in the McCallum family. David’s father, a famous violinist and leader of the London Philharmonic Orchestra, was taught classical music at his mother’s knee.

The McCallums came from a little Scottish mining village, Kilsyth in Stirlingshire, where David’s paternal grandfather was the village grocer. It was a deeply religious community, and David’s grandmother hoped her son would learn the harp. But no one there could play the instrument, so young David Fotheringham McCallum was taught violin instead. And his own son, David Keith McCallum—born on September 19, 1933, at 24 Kersland Street, Glasgow—inherited this musical tradition.

When the family moved to Bracknell Gardens, Hampstead, in London, David went to University College School, and musical evenings became a feature of this childhood. He was taught violin and piano, but it was the oboe that he mastered. However, David secretly harbored a longing to become an actor, so when one of his uncles needed an oboe, David offered his—cheap!—and started out on his acting career. Though he laughingly calls the oboe “ ill wind nobody blows good,” David still admits, “I always knew that I could turn to music if I failed as an actor.”

McCallum was given a recording contract, and between 1966 and 1968, released four albums on Capitol Records: Music…A Part Of Me, Music…A Bit More Of Me, Music…It’s Happening Now!, and McCallum. However, rather than singing his way through these discs McCallum, together with producer David Axelrod, created a blend of oboe, French horn, and strings with guitar and drums, for musical interpretations of hits of the day. These included “I Can’t Get No Satisfaction”, “Downtown”, “Louie, Louie”, “I Can’t Control Myself” and his own compositions, “Far Away Blue”, “Isn’t It Wonderful?” and “It Won’t Be Wrong”.

The best known McCallum tracks today are “The Edge,” which was sampled by Dr. Dre as the intro and riff to the track “The Next Episode,” and “House of Mirrors,” sampled by DJ Shadow for “Dark Days”.


“The Edge” - David McCallum

“House of Mirrors” - David McCallum

David McCallum introduces TnT Show with ‘Satisfaction, while Ron and Russell Mael (Sparks) watch from the audience
Bonus clips (with Nancy Sinatra) and tracks, after the jump!...

Posted by Paul Gallagher | Leave a comment
Happy Birthday Christopher Lee
03:20 pm



Happy Birthday Sir Christopher Lee, actor, singer and cinematic icon, who celebrates his 91st birthday today.

I can still recall the fabulous thrill of seeing Lee’s performance as the gruesome “Creature” in The Curse of Frankenstein (1956), where he managed to make the brutally disfigured creation both pitiful and terrifying. He achieved greater success as the Count in Dracula (1958), a performance that established him as an international star. Lee made the role of Dracula his own by bringing a charm, sophistication, intelligence and sexual attraction to the role.

In both films, Lee played against his friend and colleague Peter Cushing (who would have been 100-years-old yesterday) and together they dominated the box-office from the late 1950s-to mid-1970s, with a range of classic Horror movies, including The Gorgon, Dr. Terror’s House of Horrors, The Skull, Scream and Scream Again, The House That Dripped Blood, Dracula 1972 A.D., Nothing But The NIght, The Creeping Flesh, and Horror Express.

Of course, there were also his solo turns with The Devil Rides Out, The Private Life of Sherlock Holmes, The Wicker Man, The Three Musketeers and The Man With The Golden Gun.

But unlike Cushing, or Vincent Price (whose birthday is also celebrated today), Lee wanted to be more than just a Horror actor, and therefore moved to America in the 1970s, where his starred in a variety of films—some good, some not-so—which ranged from Airport ‘77, 1941 and Gremlins 2.

Most careers would have finished there, but not Lee’s. He return to form and greater success with roles in Tim Burton’s Sleepy Hollow (1999) and then the BBC TV-series Gormenghast (2000), all of which led onto Peter Jackson’s The Lord of the Rings trilogy and episodes 2 and 3 of Star Wars.

At 91, Sir Christopher is making 2-to-3-films-a-year, and has just recorded and released a Heavy Metal album, Charlemagne: The Omens of Death.

Happy Birthday Sir Christopher and thanks for all the thrills!

Behind the scenes with Christopher Lee and Peter Cushing on ‘Dracula 1972 A.D.’

A preview of Christopher Lee’s heavy Metal album ‘Charlemagne: The Omens of Death’
Previously on Dangerous Minds

Double Horror: Vincent Price & Peter Cushing tell thrilling tales behind the scenes of ‘Madhouse’


Posted by Paul Gallagher | Leave a comment
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