“One pill makes you larger and one pill makes you small…” but whatever Broadway great Carol Channing is on in this clip from the 1985 Alice in Wonderland TV movie, I want no part of it. It might take years of therapy to get over this one. The mayhem starts at around the 2:10 mark. That’s my jam!
“Alice” has the right reaction to the frenzied gyrations of the “White Queen” (ahem):
Don’t ever decide to watch this version of Alice when you’re tripping, it could seriously scar you for life.
Steve McQueen was one of several Hollywood celebrities placed on a “Death List” allegedly compiled by Charles Manson. The other names were Elizabeth Taylor, Richard Burton, Frank Sinatra and Tom Jones.
On August 9th, 1969, members of Manson’s “Family” carried out the brutal murder of Sharon Tate and 4 of her friends.
McQueen had briefly dated Tate, and had planned to visit the actress the night of her death.
In December 1969, Manson and the killers had been arrested.
When McQueen heard he might be targeted by Manson’s followers, he started carrying a gun. In October 1970, a still cautious McQueen wrote to his lawyer to find out if any “Family” members were still active, and to have his gun license renewed.
A SOLAR PRODUCTION
October 17, 1970
Mr. Edward Rubin
Mitchell, Silberberg & Knupp
6380 Wilshire Boulevard
Los Angeles, California 90048
As you know, I have been selected by the Manson Group to be marked for death, along with Elizabeth Taylor, Frank Sinatra and Tom Jones. In some ways I find it humorous, and in other ways frighteningly tragic. It may be nothing, but I must consider it may be true both for the protection of myself and my family.
At the first possible time, if you could pull some strings and find out unofficially from one of the higher-ups in Police whether, again unofficially, all of the Manson Group has been rounded up and/or do they feel that we may be in some danger.
Secondly, if you would call Palm Springs and have my gun permit renewed, it was only for a year, and I should like to have it renewed for longer as it is the only sense of self-protection for my family and myself, and I certainly think I have good reason.
Please don’t let too much water go under the bridge before this is done, and I’m waiting for an immediate reply.
David McCallum has long been a much-loved actor and TV icon. From his early days as the pin-up secret agent, Illya Kuryakin, acting alongside Robert Vaughn’s Napoleon Solo in The Man from U.N.C.L.E., through to the excellent Colditz, the wonderfully, bizarre Sapphire and Steel, The Invisible Man and now “Ducky” Mallard in today’s NCIS.
But what is perhaps less known about this talented actor, is the fact McCallum is a classically trained musician of the highest caliber, and for a long time the blonde-haired Glaswegian seriously considered a making his career in music, as he explained to 16 magazine back in 1966:
The wonder was that David ever became an actor at all—for he was trained to be a musician from the age of four, playing the oboe with classic clarity. An appreciation of music ran deep in the McCallum family. David’s father, a famous violinist and leader of the London Philharmonic Orchestra, was taught classical music at his mother’s knee.
The McCallums came from a little Scottish mining village, Kilsyth in Stirlingshire, where David’s paternal grandfather was the village grocer. It was a deeply religious community, and David’s grandmother hoped her son would learn the harp. But no one there could play the instrument, so young David Fotheringham McCallum was taught violin instead. And his own son, David Keith McCallum—born on September 19, 1933, at 24 Kersland Street, Glasgow—inherited this musical tradition.
When the family moved to Bracknell Gardens, Hampstead, in London, David went to University College School, and musical evenings became a feature of this childhood. He was taught violin and piano, but it was the oboe that he mastered. However, David secretly harbored a longing to become an actor, so when one of his uncles needed an oboe, David offered his—cheap!—and started out on his acting career. Though he laughingly calls the oboe “...an ill wind nobody blows good,” David still admits, “I always knew that I could turn to music if I failed as an actor.”
McCallum was given a recording contract, and between 1966 and 1968, released four albums on Capitol Records: Music…A Part Of Me, Music…A Bit More Of Me, Music…It’s Happening Now!, and McCallum. However, rather than singing his way through these discs McCallum, together with producer David Axelrod, created a blend of oboe, French horn, and strings with guitar and drums, for musical interpretations of hits of the day. These included “I Can’t Get No Satisfaction”, “Downtown”, “Louie, Louie”, “I Can’t Control Myself” and his own compositions, “Far Away Blue”, “Isn’t It Wonderful?” and “It Won’t Be Wrong”.
The best known McCallum tracks today are “The Edge,” which was sampled by Dr. Dre as the intro and riff to the track “The Next Episode,” and “House of Mirrors,” sampled by DJ Shadow for “Dark Days”.
“The Edge” - David McCallum
“House of Mirrors” - David McCallum
David McCallum introduces TnT Show with ‘Satisfaction, while Ron and Russell Mael (Sparks) watch from the audience
Bonus clips (with Nancy Sinatra) and tracks, after the jump!...
Happy Birthday Sir Christopher Lee, actor, singer and cinematic icon, who celebrates his 91st birthday today.
I can still recall the fabulous thrill of seeing Lee’s performance as the gruesome “Creature” in The Curse of Frankenstein (1956), where he managed to make the brutally disfigured creation both pitiful and terrifying. He achieved greater success as the Count in Dracula (1958), a performance that established him as an international star. Lee made the role of Dracula his own by bringing a charm, sophistication, intelligence and sexual attraction to the role.
In both films, Lee played against his friend and colleague Peter Cushing (who would have been 100-years-old yesterday) and together they dominated the box-office from the late 1950s-to mid-1970s, with a range of classic Horror movies, including The Gorgon, Dr. Terror’s House of Horrors, The Skull, Scream and Scream Again, The House That Dripped Blood, Dracula 1972 A.D., Nothing But The NIght, The Creeping Flesh, and Horror Express.
Of course, there were also his solo turns with The Devil Rides Out, The Private Life of Sherlock Holmes, The Wicker Man, The Three Musketeers and The Man With The Golden Gun.
But unlike Cushing, or Vincent Price (whose birthday is also celebrated today), Lee wanted to be more than just a Horror actor, and therefore moved to America in the 1970s, where his starred in a variety of films—some good, some not-so—which ranged from Airport ‘77, 1941 and Gremlins 2.
Most careers would have finished there, but not Lee’s. He return to form and greater success with roles in Tim Burton’s Sleepy Hollow (1999) and then the BBC TV-series Gormenghast (2000), all of which led onto Peter Jackson’s The Lord of the Rings trilogy and episodes 2 and 3 of Star Wars.
At 91, Sir Christopher is making 2-to-3-films-a-year, and has just recorded and released a Heavy Metal album, Charlemagne: The Omens of Death.
Happy Birthday Sir Christopher and thanks for all the thrills!
Behind the scenes with Christopher Lee and Peter Cushing on ‘Dracula 1972 A.D.’
A preview of Christopher Lee’s heavy Metal album ‘Charlemagne: The Omens of Death’
Sad to hear that Taylor Mead, underground movie star, Lower East Side fixture, bon vivant, Warhol Superstar, poet, feeder of stray cats, teller of funny stories and sweet and charming old guy died yesterday in Colorado at the ripe old age of 88.
A gay icon who was never in the closet, Mead was the subject of a documentary Excavating Taylor Mead, which debuted at the Tribeca Film Festival in 2005. Mead had been in the news recently over his travails with his landlord.
Above, Marcel Duchamp, Ultra Violet and Taylor Mead, 1967
Below, Taylor Mead, Craig Vandenberg and Candy Darling in Anton Perich’s short film Candy and Daddy:
Here comes the Super Brother—James Brown hitting the spot and getting mystical about education (“The only way you can live is to know. And to not to know, you can never live”) on Soul Train in 1973. He gives a slower, funkier version of “Sex Machine” (listen to that guitar) and impressive versions of “Try Me,” “Get On The Good Foot,” “Soul Power” and the excellent “Escapism.”
In my book, Debbie Harry can do no wrong. Whether with Blondie or as a solo artiste, Ms. Harry has made this little planet of ours a much better place—even if it is for just for 3 minutes of pop heaven at a time. Here the talented and iconic singer gives an excellent interview to Annie Nightingale—who is no slouch herself, and was the British first female DJ on BBC radio 1. Interviewed for the series One to One while promoting her album Def, Dumb & Blonde, Ms. Harry allows access to all areas of her career, and gives Nightingale some very honest and revealing answers.
Ingenious commercial for BBC Radio 2 is pretty damn convincing down to Elvis’s bemused smile when Keith Moon misses his cue.
The commercial is composed of clips from:
Elvis – 1973 concert, Aloha from Hawaii.
Marvin Gaye – Live in Montreux, 1980
Jimmy Page - Atlantic Records 40th Anniversary Concert , 1988
Noel Gallagher – The Who and Friends at the Royal Albert Hall, 2003
Keith Moon – The Who Charlton BBC Concert, 1974
Sheryl Crow – The Grammy Awards, 2003
Stevie Wonder – Sesame Street 1973
Donald Sutherland’s big break came in Robert Aldrich’s The Dirty Dozen, when co-star Clint Walker refused to play a scene—as Sutherland explained to the Daily Telegraph:
‘...Clint Walker sticks up his hand and says, ‘Mr Aldrich, as a representative of the Native American people, I don’t think it’s appropriate to do this stupid scene where I have to pretend to be a general.’ Aldrich turns and points to me and says, ‘You — with the big ears. You do it’....It changed my life.’
“Big Ears” was born Donald McNichol Sutherland in Saint John, New Brunswick, Canada, in July 1935. He moved to England in the late 1950s, where he briefly studied at the London Academy of Music and Dramatic Arts, leaving after 9 months to start his professional career as an actor. Sutherland was soon acting in various BBC plays, and guest starring in episodes of such cult TV series as The Saint and The Avengers. Sutherland also co-starred with Peter Cushing, Christopher Lee and Michael Gough in the classic Dr. Terror’s House of Horrors, where he played a newly-wed doctor who suspects his wife is a vampire. After a stint in repertory theater, including 2 disastrous productions, Sutherland’s career seemed stalled. The Dirty Dozen changed that.
During the 1970s, Sutherland made some of the most iconic and seminal films of the decade, including M*A*S*H (a film he originally hated), Kelly’s Heroes (which nearly cost him his life), Klute, Little Murders (a cameo), the unforgettable Don’t Look Now, The Day of the Locust (as the original Homer Simpson), 1900, Casanova, The Eagle Has Landed and National Lampoon’s Animal House.
When asked on the set of Bear Island, in 1979, if he considered himself a star, Sutherland replied that Peter O’Toole is a star, as he has that certain something, while he just makes a lot of movies. Personally, I’d beg to differ. Sutherland gives a brief history of his career, discussing the highlights M*A*S*H, working with Fellini on Casanova and the remake of Invasion of the Body Snatchers.
That’s right, Giorgio is BACK! Back for a one-off dj set, that is, at Fracois Kevorkian’s very highly rated Deep Space party at New York’s Cielo nightclub on the 20th of May this year.
That’s the good news. The bad news is it has already sold out. Not so much of a surprise, really, considering how legendary Giorgio is, and the fact that the club only has a 350 person capacity. Here’s what the Resident Advisor event page tells us:
A historic night of space disco comes as a gift from the heavens thanks to Red Bull Music Academy.
In his first dj appearance ever in New York, disco inventor and cultural icon Giorgio Moroder plays a set of classics. We’ve seen his set list already, and the music he’s selected represents some of the best of his legendary career.
There’s been a bit of anticipation as to what a Giorgio Moroder DJ set might sound like, but my guess is it will consist entirely of his own music, tweaked a bit via a program like Ableton or Serrato. Why? Well, that’s what he did when asked to soundtrack the Fall/Winter show for Louis Vuitton last year. Interestingly, in a short interview on the LV site, Giorgio says he doesn’t gig more often because no-one is asking him. What?! COME ON PROMOTERS! Hussle a few grand together and get Giorgio Moroder into a club or venue near you NOW!
And please Red Bull Music Academy, do a live webscast of this event!
Below, Louis Vuitton Fall/Winter 2012/2013 menswear show, music by Giorgio Moroder: