“All acting is a covering up of inferiority,” says Kenneth Williams in this interview from February 1980. Williams never believed in himself enough to be a great actor, his insecurities made him seek the easy route of comedy to win over the audience’s affection. Even in interviews he would rather undo any show of intellect with coarse innuendo than reveal his intimate, more serious side. People thought him flippant, but he wasn’t - he was like all of us, scared of rejection, scared of being emotionally hurt. Emotions were messy, uncontrollable, and not to be trusted. “That’s why I enjoyed acting,” continues Williams, for performing plays offered him a shield to hide behind. It’s a startling moment of truth, as he sits on the sofa, arms folded, and it almost upends the interview, which then tails off onto eccentricity, homeopathy and disease.
It was summer, I was a young child sitting in the living room drawing pictures when I first heard her voice on the radio. It made me stop and listen to try and understand what it was I was hearing. Her voice was full of a power and emotion that I could feel but didn’t yet fully understand. It gave a hint to some secret, adult world I was still to discover. It was sensual and seductive. The voice was Dusty Springfield. The song, “The Look of Love.”
Dusty was described by Elton John “as the greatest white singer there has ever been.” Never one for understatement, Sir Elton is almost right - though he is a tad forgetful of quite a few others from Maria Callas to Elvis and beyond. Dusty was one of the greats, and certainly the greatest white soul singer there has ever been. No one comes close.
Shown as part of Melvyn Bragg’s always fascinating arts series The South Bank Show, this excellent documentary on Dusty Springfield was first aired in 2006, and contains interviews with Burt Bacharach, Billie Jean King, Lee Everett, Charles Shaar Murray, Neil Tennant, Chris Lowe, Camille Paglia, and Carole Pope.
I hate saying the overused “Wow, just wow!” but this wicked handmade Boba Fett handbag by catpenfold deserves it. Sadly, it’s sold. However, I spotted an equally amazing Doctor Who Ood clutch still available for purchase at her Etsy shop.
This 90-minute film is edited together extracts of the Divine David’s late 90s Channel 4 show The Divine David Presents, produced by World Of Wonder.
At the time this show originally aired was one of the most out-there things on TV, and you know what, it’s still pretty damn bizarre and hilarious. Thanks, of course, to the wonderful stylings of the Divine David himself, who now goes by his real name of David Hoyle and regularly performs in London and Manchester.
If any one person was responsible for kicking drag square on the backside and, erm, dragging it into the 21st Century, it was David Hoyle. You could even say his look goes beyond drag, as it’s an over-the-top parody of a form that is already a parody, and which coupled with his pissed-and-paranoid English gent persona can lead to belly laughs simply from a knowing glance or a flick of the wrist. It can be grotesque, yes, but I dare you not to laugh the laugh of wrongness.
‘Til this day David Hoyle remains criminally neglected outside of the UK, and under-rated even in his homeland (except to comedy nerds that is - Chris Morris and Charlie Brooker personally selected Hoyle for the older rock star character in Nathan Barley.) His strange comic genius is as relevant as ever, and needs more exposure - so please, PLEASE World Of Wonder, don’t yank this off YouTube!
Just when you thought shit couldn’t get any more cynical, here comes Charlie Brooker to cast some withering scorn over the recent ‘Kony 2012’ meme propagated by the group Invisible Children (as broadcast on last night on Channel 4’s 10 O’Clock Live.) I could not think of anyone better than Brooker for this job:
“So, in summary, Invisible Children are expert propagandists with what seems to be a covert religious agenda, advocating military action in Africa while simultaneously recruiting an “army” of young people to join their cause (and their weird Fourth Estate youth camps) and to stand around posing like this [quasi-fascist looking picture], a bit like an army of child soldiers might.”
There are plenty of reasons why so many children are homeless in Ukraine. Some have been abandoned by their families. Others are victims of abuse. Whatever the reasons, each child is different, and has a unique story to tell.
There are no official statistics for the total number of children and young people living or working on the streets of Ukraine, yet various children’s charities and homeless organizations suggest the number is somewhere between 50,000 and 300,000.
David found the children living underground, seeking warmth from central heating pipes. They were ravaged by malnutrition and addicted to drugs - nasal decongestants, which they crushed down and then injected.
“When I first started to take pictures of children living like that, I knew that I wasn’t going to change the world. But I did think something would happen - that it would improve. It didn’t.”
A photograph of one street child, Yana, won UNICEF Photograph of the Year. It captured the 13-year-old only 5 days before she froze to death on the streets.
Most of the children David has documented are now dead and his photographs are the only evidence of their tragic, short lives.
Based around his photographs, David has made a powerful and moving short film, The Neglected for Channel 4 television. Produced by Nicola Black of Blackwatch Media, the film reveals the lives of a lost generation of children who live in desolation underneath the streets of Odessa.
Growing up in the sixties, I was not the kind of kid who watched cartoons or TV shows involving horses, dogs or puppets. I was the kind of twisted little kid that watched The Outer Limits, Thriller and, of course, The Twilight Zone. These were my fairy tales, my fables, my mythology and my introduction to the alternative realities that I would later explore with psychedelics, mysticism and art. The Twilight Zone was a cathode ray jolt to my budding imagination and Rod Serling was the chainsmoking, black-suited Doctor of Darkness who administered my weekly dose of electric medicine.
These “lost” interviews with Serling are a fascinating glimpse into the mind of one of television’s few visionaries.
From the Youtube description:
In 1970 University of Kansas professor James Gunn interviewed a series of science fiction authors for his Centron film series “Science Fiction in Literature”. This footage from an unreleased film in that series featuring an interview with Rod Serling, which wasn’t finished due to problems with obtaining rights to show footage from Serling’s work in television. This reconstruction is based on the original workprint footage that was saved on two separate analog sources since the audio track was separate. Re-syncing the footage was a long involved process as the audio track didn’t match the film and there was substantial sync drift. While not perfect, there’s a lot of interesting information on writing for television in the dialogue with Serling as well as a prophetic statement about his health at the beginning.”
You’re traveling through another dimension—a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination. That’s a signpost up ahead: your next stop: the Twilight Zone!