“The Sacrifice” (2011).
New York artist Martin Wittfooth produces stunningly beautiful and detailed allegorical paintings featuring animals wandering through a post-apocalyptic world. Humans are absent—perhaps dead. The world humans have bequeathed these animals is choked with plastic, devastated by pollution, and illuminated by all-consuming fire. The one hope is a progression to a better more fruitful world through personal sacrifice and death. Animals snared in manmade tangles of telephone cords sprout flowers from their eyes; a dead wolf bursts with colorful blooms that nourish a hummingbird; a white horse is set on fire by deranged monkeys.
Wittfooth’s animals represent the human experience. We are all part of his paintings. His work has examined the folly of religion in The Passions (2011), which included paintings like “The Coronation” that depicted a saintly baboon haloed by fire feeding pigeons with the pages of a burning book. Or the redemptive nature of sacrifice in “Fall/Advent” (2012) or again with the series Gardens from 2010.
Thirty-something Wittfooth is a highly accomplished artist, he has an incredible technical skill, and an uncompromising vision that thrills enthralls and tells us something deeply profound about our existence. See more of Martin Wittfooth’s work here and follow him on Facebook and Twitter.
“The Coronation” (2011).
“The Ecstasy” (2011).
“The Baptism” (2011).