You haven’t heard of him, and that’s probably for the best
Even if you’re not a comics fan, you can appreciate the steady stream of train wrecks featured in Gone and Forgotten.
Many of the pieces are simply characters that never made it past a couple issues, like “Dash Dartwell, the Human Meteorite,” who has super-human speed, but eschews the cool superhero garb for a fancy suit. There’s also “Minimidget,” whose power is… being very small. That’s really it. It makes sense; there’s sort of a finite amount of superhuman powers one could have, and when the writing ran a little thin, introducing a new character might have seemed like the way to go.
What’s more interesting for comic fans though, are the horrible plotlines, spinoffs, and projects of our old favorite characters and canons. For example, did you know there was a Spider-Man musical? Oh no, not that one. We’re talking a 1975 rock opera album, Spider-Man: Rock Reflections of a Superhero, that makes that U2 detritus look like La Traviata. It’s clearly one of Stan Lee’s more experimental projects, and while this sort of daring creativity is the reason the man is a genius, we’re talkin’ about some very dated stuff, to put it kindly.
In fact, why don’t you play us out, Spidey?