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Iconic horror soundtracks played in a major key become soothing, triumphant, dorky
08.13.2015
10:15 am

Topics:
Movies
Music
Unorthodox

Tags:
soundtracks
horror movies
Iconic horror soundtracks played in a major key become soothing, triumphant, dorky


 
Transposing minor key songs into a major key (or vice versa) has become a thing on the internet in the past couple of years—a process that has been made rather easy with the advent of pitch-correction software. The results are often astounding. Some popular recent examples that have gone viral are REM’s “Losing My Religion” and Metallica’s “Nothing Else Matters,” both reworked into a major key. These minor-to-major reworks often give the songs a “triumphant” quality. A good example of this is this reworking of Europe’s “The Final Countdown”—already pretty “triumphant” as it was—now it sounds like a goddamn national anthem.

Musician, writer, and amateur filmmaker Ian Gordon has recently reworked a handful of iconic horror themes into a major key. The results, for the most part, turn creepy dread into pleasant elevator music. YouTube user Muted Vocal has uploaded a selection of five of these reworked themes: The X-Files, Halloween, A Nightmare on Elm Street, The Exorcist, and Saw. The changes are fascinating:

The X-Files theme played in a major key sounds exactly like Weather Channel “Locals on the 8s” music.

John Carpenter’s iconic Halloween soundtrack now sounds like Vangelis mashing up his Chariot’s of Fire theme with “Baba O’Riley.”

The Saw theme is now the intro music to an imaginary Hugh Grant film.

Mike Oldfield’s “Tubular Bells”—the theme from The Exorcist—now sounds like the wimpy, tinkly breakdown part of a Styx track, right before the “rock part” kicks in.

A Nightmare on Elm Street‘s theme played in a major key is the only one that retains any creep factor whatsoever—and maybe that’s just me, because I think Christmas is creepy. It sounds like the theme to a Hallmark Channel Holiday special.

These are all really great, but the Halloween theme left me wondering… what would the Chariots of Fire theme sound like in a minor key? I bet it’d be scary as hell. Perhaps Mr. Gordon can get on that and let us know?

Enjoy, here, the pleasant sounds of transposed horror:
 

 
via Nightflight, Bloody-Disgusting

Previously on Dangerous Minds:
Can ya dig it? Cabaret Voltaire’s insane version of Isaac Hayes’ ‘Theme from Shaft’
Soundtracks: Cinematic themes from Nick Cave, Sonic Youth, Tom Waits, John Cale and more
You know, this is—excuse me—a damn fine cover! The Joy Formidable revamps the ‘Twin Peaks’ theme

Posted by Christopher Bickel
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