A new documentary about folk singer and activist Phil Ochs:There But for Fortune has its theatrical premiere this week in NYC, on January 5th at the IFC Center before a wider release rolls out during the course of the month. Dangerous Minds pal Michael Simmons reviews the film at Huffington Post. Here’s an excerpt:
The late Phil Ochs, one of the greatest singer/songwriters of the 1960s on a rarified perch with Dylan, Joni and Cohen, wasn’t a household name but he was big enough to have affected a lot of people. Director/writer Kenneth Bowser’s powerful documentary of his life is called Phil Ochs: There But For Fortune and it’ll tweak your empathy gland while breaking your heart. Hopefully it’ll also wire and inspire the viewer to go out and demand that America live up to its self-image as a nation of people who care about others. Among the many onscreen friends and troublemakers who tout Phil’s complicated genius are Sean Penn, Paul Krassner, Ed Sanders, Van Dyke Parks, Abbie Hoffman, Christopher Hitchens, Joan Baez, Billy Bragg, Pete Seeger, Peter Yarrow, and Tom Hayden. Brother Michael Ochs (who also produced), sister Sonny, and daughter and activist Meegan Ochs provide the most personal insights.
Born in Texas, raised in Ohio, Phil fused JFK-inspired New Frontier idealism and his natural musical ability and it led him to the guitar and New York City 1962 where folk music and left-wing politics created an army of singing rebels. Phil had a fluid, Irish tenor voice with a perfect vibrato and wrote prodigiously. The songs were ripped from the headlines, as they say, addressing the civil rights struggle (“Here’s To The State Of Mississippi”), Vietnam (“White Boots Marching In A Yellow Land”) and U.S. imperialism (“Cops Of The World”). Two of his classics—“I Ain’t Marching Anymore” and “The War Is Over”—became anthems of the anti-war movement. He also had a razor sharp sense of black humor as heard in “Outside Of A Small Circle Of Friends,” his faux-upbeat examination of apathy’s victims.
If there was a cause and an event, Phil was there in a heartbeat. “Phil would turn down a commercial job for a benefit because the benefit would reach more people,” says brother Michael. We see scene after scene of the handsome, upbeat, stiff-spined troubadour singing truth to power and joyously quipping in period interviews. A charter member of the ‘60s counterculture (though not uncritical of its excesses), he helped create the Yippies with friends Hoffman, Krassner and Sanders, Jerry Rubin and Stew Albert. The Yippies’ plan for a Festival Of Life to contrast the festival of death at the 1968 Democratic Convention in Chicago resulted in blowback by the powers that be and while the whole world watched, Windy City coppers ran amok, beating heads in, spilling buckets of blood and mocking dissent in the greatest democracy in the world. Like many, Phil was devastated. “I guess everybody goes through a certain stage of disillusionment and decides the world is not the sweet and fair place I always assumed and that justice would out,” reflected a bitter Phil after Chicago ‘68. “I always thought justice would out, I no longer think that by any stretch. I don’t think fairness wins anymore.”
Read more: Phil Ochs Lives! (Huffington Post)