Massive mural pays homage to cult film ‘Heavy Metal Parking Lot’
09.30.2014
11:14 am

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Art
Movies

Tags:
Jeff Krulik

Heavy Metal Parking Lot mural by Jasper Patch
 
New York City based artist Jasper Patch was invited to hand-paint this 8’ x 70’ mural on a wall outside of a bar called Clyde’s in Chattanooga,Tennessee. The owners of Clyde’s left the subject matter up to Patch and he chose wisely, as the mural features several of the most memorable stars of director Jeff Krulik’s 1986 cult documentary “Heavy Metal Parking Lot.”

The mural took Patch about ten days to paint and according to the artist himself the response has been as big as his painting. In my estimation, the only thing this metal monstrosity is missing is an image of the long-haired acid tripper from HMPL, the forever shirtless Graham (“you know, like, gram of dope n’ shit?”). Here are a few close-ups of the mural.
 
Heavy Metal Parking Lot mural braces girl
 
Heavy Metal Parking Lot mural Zebraman
 
If you’ve ever wondered what happened to the drunken kids of “Heavy Metal Parking Lot,” I have good news. In 2006, Jeff Krulik and his partner in crime John Heyn tracked down some of the film’s alumni to see what they’ve been up to. To the surprise of nobody they are all still headbanging devotees. They even found “Zebraman” (pictured above), an unwitting fan favorite of the flick who despite his acid-soaked proclamations about Mars, is improbably still alive.

“PRIEST IS THE BEST!”
 

 
Previously featured on Dangerous Minds:
‘Heavy Metal Parking Lot’ trading cards

Posted by Cherrybomb | Leave a comment
Stevie Nicks’ selfies from the 1970s
09.30.2014
09:05 am

Topics:
Art
Music
Pop Culture

Tags:
Stevie Nicks
Fleetwood Mac


 
Never-before-seen—until now, naturally—Stevie Nicks self-portraits from the mid-1970s. There are a lot wickedly cool Nicks selfies in this collection—all of which were shot with a Polaroid camera.

(Eat your heart out Kardashian clan! Your selfies got nothin’ on Stevie!)

Some people don’t sleep at night - I am one of those people. These pictures were taken long after everyone had gone to bed - I would begin after midnight and go until 4 or 5 in the morning. I stopped at sunrise - like a vampire… I never really thought anyone would ever see these pictures, they went into shoeboxes, where they remained. I did everything - I was the stylist, the makeup artist, the furniture mover, the lighting director. It was my joy - I was the model…

Leaving aside the matter of what was keeping Ms. Nicks awake in the 70s, the Morrison Hotel Gallery is doing an exhibition of her photos in Los Angeles and New York City. You can buy prints online if any image strikes your fancy.
 

 

 

 
A few more images after the jump…
 

Posted by Tara McGinley | Leave a comment
Cranky Lou Reed interview from 1975 is full of hilariously nasty gems
09.30.2014
08:41 am

Topics:
Amusing
Music

Tags:
Lou Reed


 
Oh, my…. Hell hath no fury like Lou Reed in close proximity to a journalist who has gotten on his bad side. I’d imagine a good chunk of the DM audience has already seen the hilarious clip of Lou Reed being royally unhelpful to some Australian journalists in 1974…. my first exposure to that footage was before a Morrissey show I saw in Dublin in 2009, it was part of the pre-gig entertainment.

This desultory interview from 1975 isn’t as well known, but it deserves to be considered in the same league as that Australian clip. It’s odd footage because it’s almost uncut raw footage, we get to see a dude with a boom mic several times—a couple times at the start or end of a take, the camera might zoom off crazily to one side, etc.
 

 
The best bits come right around the middle, when Lou and his interviewer engage in a series of one-liners that are somehow vaguely reminiscent of an ill-tempered Abbott and Costello routine:
 

LR: Don’t believe what you read.
I: No, I don’t.
LR: Don’t believe what you see.
I: Is it true that you wrote Sally Can’t Dance in the studio?
LR: If I say so, I guess….
I: But did you?
LR: I wasn’t there!
I: You were there.
LR: No I wasn’t. Dougie [Yule] did it.
I: Are you happier as a brunet?
LR: Ahh…. are you happier as a schmuck?
I: I’m no schmuck.
LR: I’m no brunet.
I: You were blond last time.
LR: No I wasn’t.
I: You were.
LR: I was a bleach blond.
I: A bleached blond.
LR: Trashy blond.
I: You looked younger as a blond.
LR: Well, you look older.
I: I’m not a blond, though.
LR: I know, it’s worse.

 
At one point, in response to an admittedly inane query about Berlin, Lou says, “It was a long time ago. I’m obsessed with Metal Machine Music.” So the interview was perhaps in support of what is widely considered one of the more prominent eff-yous in recording history, a fact that informs Lou’s contrary attitude, perhaps? (Or else it was for Lou Reed Live, which also came out in 1975.)
 

 

Posted by Martin Schneider | Leave a comment
U.S. money redesigned with contemporary icons
09.30.2014
07:36 am

Topics:
Amusing
Art
Heroes

Tags:
money


 
Ah, wouldn’t it be wonderful if Iggy Pop were on the five-dollar bill? Or if Warhol were on the ten? I used to live in Austria, and back in the pre-Euro days, when they still had the Schilling, their banknotes had Erwin Schrödinger and Sigmund Freud on them—not bad. Belgium used to have Magritte on its 500-franc note. France put Antoine de Saint-Exupéry on one of their bills. James Joyce at one time was on Ireland’s ten-pound note.

How long before Iceland puts Björk on a bill? 

It’s difficult to look at these defaced U.S. banknotes, part of James Charles’ “American Iconomics” series, and not think of J. S. G. Boggs but Charles’ satires are less totalistic in their intent—closer to Mad Magazine, say.
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
via Ufunk

Posted by Martin Schneider | Leave a comment