Why DID Bad Brains frontman H.R. duct-tape himself to a chair?
10.30.2014
09:11 am

Topics:
Amusing
Music
Punk

Tags:
Bad Brains
H.R.


H.R. smoking the good stuff with a Brooke Shields look-alike (or is it really her?)
 
Bad Brains bassist Darryl Jennifer recounts the tale of one of the band’s more memorable shows… This happened sometime in the 80s when frontman H.R. had himself duct-taped to a chair while the band performed on stage. According to Darryl, no one knew in the band exactly why H.R. had decided to do this. They were a little surprised themselves:

So I know this one night my big brother H.R. seemed a little uncomfortable. And you know I, you know everyone knows H.R. can be eccentric, you know? But he seemed a little uncomfortable. So I was like ‘What’s up?’ and he said, ‘I’m good, I’m good.’”

snip~

I see my man sat down on stage and on top of that my man had one of the techs come out and duct-tape him to the chair. So you know, I figure it’s Bad Brains. Even me I’m in the band and I’m like what happens must be some wild punk shit I don’t even know about.

Annnnd, the rest is history, folks. Watch this amusing animated tale below to find out the real reason why H.R. had himself duct-taped to a chair.

 
Via The World’s Best Ever

Posted by Tara McGinley | Leave a comment
Hugs for nugs: Dress your baby as a pot leaf for Halloween!
10.30.2014
08:40 am

Topics:
Amusing

Tags:
marijuana
Halloween
pot
babies


 
Brandsonsale are selling an infant sized pot leaf Halloween costume.

This Halloween dress up your baby in our most outrageous costume yet! The baby marijuana plant costume is just the right combo of cute and edgy that is sure to get stares and laughs from everyone.

I don’t know about “edgy”—isn’t weed how you’re supposed round those edges off?

Of course, the predictable pearl-clutching from the predictable prigs is happening. I won’t link to Fox News here, but the dumb people on one their crappy shows had an inane discussion about it to an ultimately boring end. I say whatever, it’s one day out of the year and it’s not like anyone’s naming their child “Dank Sticky.” At least I hope no one is. And most people dress their kids to reflect their own tastes and project their own values—no baby has ever chosen to wear a Ramones onesie.

Brandsonsale have a full line of pot-related costumes for adults, too: There’s the basic-bro pot leaf:
 

 
They also offer the hilarious-to-no-one-I-would-trust “baked potato”...
 

 
...and the totally racist Rasta outfit. Tell me that’s not blackface—at least in spirit if not in actual fact—but the baby pot leaf, people complain about. Because priorities.
 

 

Posted by Ron Kretsch | Leave a comment
‘Time of the Assassins’: William S. Burroughs’ cut-up version of Time Magazine, 1965
10.30.2014
08:23 am

Topics:
Art
Books

Tags:
William S. Burroughs
Brion Gysin
Time Magazine


 
One of the favored forms of Beat author William S. Burroughs was that of the “cut-up,” basically fancy talk for “collage.” After the Dadaists pioneered the technique in the 1920s, the midcentury artist who had done the most with it was Brion Gysin, a close friend of Burroughs, who once called Gysin “the only man I ever respected.” Gysin stumbled on the technique on his own around 1954 when he slashed a newspaper page and noticed that the page underneath created interesting juxtapositions. Gysin showed Burroughs the cut-up concept in the late 1950s, as he related in Cut-Ups: A Project for Disastrous Success:
 

William Burroughs and I first went into techniques of writing, together, back in room No. 15 of the Beat Hotel during the cold Paris spring of 1958. ... Burroughs was more intent on Scotch-taping his photos together into one great continuum on the wall, where scenes faded and slipped into one another, than occupied with editing the monster manuscript. ... Naked Lunch appeared and Burroughs disappeared. He kicked his habit with apomorphine and flew off to London to see Dr Dent, who had first turned him on to the cure. While cutting a mount for a drawing in room No. 15, I sliced through a pile of newspapers with my Stanley blade and thought of what I had said to Burroughs some six months earlier about the necessity for turning painters’ techniques directly into writing. I picked up the raw words and began to piece together texts that later appeared as “First Cut-Ups” in Minutes to Go (Two Cities, Paris 1960).

 

William S. Burroughs, photograph by Brion Gysin
 
In 1965 Gysin and Burroughs collaborated on a cut-up version of Time Magazine that would end up being 27 pages long. According to Jed Birmingham, “Time was published in 1965 in 1000 copies. 886 copies comprised the trade edition. These copies were unnumbered and unsigned. 100 copies were signed by Burroughs and Gysin. 10 copies numbered A-J were hard bound and contained a manuscript page of Burroughs and an original colored drawing by Gysin. 4 more were hors commerce. ... An hors commerce print was used as the color key and printing guide that the printer would use to insure consistency of the print run.”

Apparently, Burroughs and Gysin chose the November 30, 1962, cover of Time to mess with because that issue contained a dismissive review of Naked Lunch under the title “King of the YADs,” where “YAD” stood for “Young American Disaffiliates.” Burroughs was greatly irritated by the review.
 

 
The Time cut-up was described as follows in Robert A. Sobieszek’s Ports of Entry: William S. Burroughs and the Arts:
 

Burroughs created his own version of Time magazine, including a Time cover of November 30, 1962, collaged over by Burroughs with a reproduction of a drawing, four drawings by Gysin, and twenty-six pages of typescript comprised of cut up texts and various photographs serving as news items. One of the pages is from an article on Red China from Time of September 13, 1963, and is collaged with a columnal typescript and an irrelevant illustration from the ‘Modern Living’ section of the magazine. A full-page advertisement for Johns-Manville products is casually inserted amid all these text; its title: Filtering.

 

Here we can see what the cover originally looked like in color. Photograph: Stephen J. Gertz
 
The first few pages (after the “copyright page”) are pretty much pure typewritten text—the metaphor of this being a version of Time doesn’t really obtain until you get to page 5, which has the word “REPUBLICANS” across the top as well as the words “Democratic Governor John Swainson,” who was the Governor of Michigan when the original issue came out (but not in 1965). After that you spot the familiar non-serif typeface here and there. Page 6 is titled “THE WORLD” and is about Red China. Page 8 is simply an unmolested full-page ad for Johns-Manville. Page 10 has a picture of a bunch of dignitaries at Peking Airport and another one with “John and William Faulkner.” Pages 13-16 are a series of ideogrammatic doodles by Gysin, after which the text reverts almost entirely to typewritten text by Burroughs.

Page 22 may be the most interesting page, as it features several short paragraphs of true automatic writing, as for example: “moo moo. .Tally Tillie Valspar Vent flu flu..doo do do. .Ding Dong Bell. .Sell sell sell. .Knee Wall fell. .sell sell sell. .Tele tell yell. .Sell sell sell. .Pell Pow Mell. .Sell Sell Sell. .Pel Tex Mell.”

Here is Burroughs and Gysin’s Time cut-up in its entirety:
 

 

 

 
The rest after the jump…

Posted by Martin Schneider | Leave a comment
Working Women: Portraits of WWII’s female factory workers
10.30.2014
07:30 am

Topics:
Feminism
History

Tags:
WWII

002wmnwrkrsww2x.jpg
Miss M. Greatorex: a war worker in the manufacture of 17-pdr anti-tank guns, 1943.
 
The coloring and composition of some of these photographs look like paintings by the great Dutch masters, but they were taken by photographers from the Ministry of Information to document working life on the British homefront during the Second World War.

Women workers were essential to the war effort, and although working class women had been working prior to the war, the number of British women workers involved in heavy industry increased “from 19.75% to 27% from 1938-1945.” The number of skilled and semi-skilled female workers working in the engineering industry increased from 75% to 85% between 1940 and 1942. However, as documented in The Economic History Review the rates of pay for women—surprise, surprise—were less than their male counterparts.

The photographs are part of the Imperial War Museums’ history of modern Britain’s “wartime experience,” and more images can be seen here.
 
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Mrs. C. Graham, war worker in the manufacture of 17-pdr anti-tank guns, 1943.
 
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Unnamed war worker involved in milling breech blocks, 1943.
 
010wmnwrkrsww2.jpg
Miss Miriam Highams welding the saddle of a 25 pounder gun.
 
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Women at work in a makeshift factory, 1943.
 
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Mrs. Chaulkey, portrait of a war worker, 1943.
 
More women war workers, after the jump…

Posted by Paul Gallagher | Leave a comment