The return of the f*ckin’ Trailer Park Boys
09.18.2014
11:32 am

Topics:
Television

Tags:
Trailer Park Boys


 
If you haven’t heard yet, Canadian cult comedy television heros The Trailer Park Boys have returned… again. And this time it looks like they’re here to stay for a while.

That’s right, ten new episodes of Canada’s finest export (if you don’t count Molson’s Golden, Neil Young, Pamela Anderson, Joni Mitchell, Leonard Cohen, Rush, Jessica Paré...). The Trailer Park Boys can now be seen in every territory within Netflix’s reach. Best of all, there’s a season beyond this one still to come in 2015. Supposedly their 2009 theatrical film Countdown to Liquor Day was meant to be their swan song, but John Paul Tremblay, Robb Wells and Mike Smith (Julian, Ricky and Bubbles) purchased the rights from the original producers. I hope they do this forever. It’s one of those things that could be sustained indefinitely.

If you haven’t heard of The Trailer Park Boys, in one sense, lucky you, because you now get to binge watch one of the greatest television comedies ever made, plus two standalone specials, two feature films and a live performance. They pump this stuff into your home like gas or electricity or… hash oil. What excuse do you have not to partake?

As I wrote on this blog last year:

One of my favorite things—literally one of my very, very favorite things in life—is the absolutely genius Canadian comedy series, The Trailer Park Boys.

It’s a masterpiece. By the time I discovered the show—obviously 99% of Canadian television never makes it south—it had already reached the end of its seven series run on the Showcase network in 2007. My wife and I “binge-watched” the entire thing in like two weeks, watching as many as five of them in a row some nights. It was comedy crack, we couldn’t get enough.

When we got to the last one, I told her that I felt like I wanted to weep. She admitted to feeling the same way. It was like we’d lost old friends. It massively sucked not to have any more episodes of The Trailer Park Boys.

Things spiraled out of control from there…

Seriously, though, a year later at about 6pm on a night that we were having a dinner party, a friend of mine wrote to ask if I’d heard about “Say Goodnight to the Bad Guys,” the Trailer Park Boys’ 2008 Christmas special. We couldn’t scoot our guests’ asses out the door fast enough!

When the new series opens, Ricky has “retired” with an enormous stash of weed hidden in the walls of his trailer and has stopped using money entirely, instead buying everything with pressed “hash coins” (which are accepted without comment by everyone). Julian has opened a strip club inside his trailer and Bubbles is about to launch his “Shed and Breakfast” business for people who are traveling with their cats (free pancakes!). White rapper J-Roc has his own brand of flavored vodka (which he describes as “the birth of Christ”). Barb, the owner of the Sunnyvale trailer park has caught her soon to be ex-husband Sam with a man and demands a divorce from this “bisexual caveman” who decides he’s going to screw her out of the Sunnyvale property which he plans to sell at a huge profit to real estate developers. The only thing standing in the way of his plan is Barb’s first bisexual ex-husband, the perpetually-soused retiring park supervisor Jim Lahey (played by the great John Dunsworth, easily THE BEST COMIC DRUNK OF ALL TIME) who owns the deciding 1% of the Sunnyvale stock.

Julian rallies Ricky and Bubbles to help raise enough money to save the park. Their plans involve hash oil, hookers and much more, but I won’t spoil it for you. We watched all of them in two sittings. My only complaint is that there weren’t more of them…

And speaking of the Trailer Park Boys, Swearnet: The Movie, the new theatrical release from John Paul Tremblay, Robb Wells and Mike Smith came out last weekend in select cities. The reviews were mostly terrible, but if you read between the lines, it seems like it would be a riot:
 

Posted by Richard Metzger | Leave a comment
‘Man of 10,000 Sound Effects’ Michael Winslow sings Led Zeppelin’s ‘Whole Lotta Love’
09.18.2014
09:56 am

Topics:
Music
Television

Tags:
Led Zeppelin
Michael Winslow


 
I posted this video of Michael Winslow on Norway’s TV show Senkveld med Thomas og Harald (“Late Night with Thomas and Harold”) singing Led Zeppelin’s “Whole Lotta Love” back in 2011. For whatever reason the video is starting to make the rounds again on the Internet today and I thought it was time for a revisit here, too. It’s that good! 

If you’ve never seen this one before, it’s pretty incredible to watch what Winslow can do with his voice. Known as the “Man of 10,000 Sound Effects,” I’d say he pretty much nails it.

 
via Open Culture

Posted by Tara McGinley | Leave a comment
Get hip to the Vout-O-Reenee of Slim Gaillard’s musical genius
09.18.2014
08:39 am

Topics:
Music

Tags:
Slim Gaillard

001slimgvouty.jpg
 
Fortunately, I was never blessed with any musical talent. At junior school I was classed as a “non-singer,” which thankfully meant I avoided having to regale parents with “The Skye Boat Song” and “Mairi’s Wedding” at end of term concerts. When it came to learning the recorder, I never progressed further than making weird whistling noises reminiscent of The Clangers. Undeterred, my parents, for some inexplicable reason, continued with their misguided belief I was a budding John Denver and bought me a guitar. I’ll admit I managed a chord or two, just enough to pen such songs as “I Don’t Wanna Go To School,” “I Don’t Wanna Go To Bed” and “I Don’t Wanna Stop Watching Cartoons,” all which I blame on The Ramones. But I knew this idyll could not last, which I discovered soon enough when forced to tune my guitar. I was tone deaf and could not differentiate E from B or A from G# Minor. My musical career was over, any dreams of pop stardom were cast out along with my 28-inch flares. Deep down, I was grateful, now I could spend my time reading books and listening to people who really had musical talent.

Like Slim Gaillard who was thankfully blessed with an inordinate amount of musical talent, sophistication and charm. Gaillard was an American jazz singer, songwriter, guitarist, pianist, and vibraphonist, a tall handsome man, with these beautiful elongated fingers with which he played the piano—palms up.
 

Slim plays “Cement Mixer (Putti Putti)”
 
Slim wrote and performed such unforgettable songs as “Flat Foot Floogie (with a Floy Floy),” “Dunkin’ Bagels,” “Cement Mixer (Putti Putti),” “Opera In Vout (Groove Juice Special),” “Yep-Roc-Heresay” and “Matzo Balls.” The titles were exotic, comedic and inspired an imaginary world of smiling hepcats in flash suits, jiving on crowded smoky dance floors. The summer I started listening to Mr. Gaillard on crackly vinyl was synchronous as I read about him in Jack Kerouac-a-roon-ee, and saw him as part of Slim & Slam in the film Hellzapoppin’—only knowing of his appearance after the fact through Leonard Maltin’s Movie Guide.

Slim created his very own “slanguage” called “Vout” that spiced his songs and flavored Kerouac’s writing. For those who wanted to get hip-o-roon-ee, there was even a “Vout-O-Reenee Dictionary” published in the 1950s for all hepcats to learn.

It wasn’t just the language it was his infectious humor that made it impossible not smile when listening to one of Slim’s songs.  When I first heard “Dunkin’ Bagels” I thought I’d located the comedy spark that fired Spike Milligan’s and the Bonzo Dog Band’s imaginations.
 

‘Dunkin’ Bagels’ splash in the coffee…’
 
More after the jump…
 

Posted by Paul Gallagher | Leave a comment
‘My Rules’: Glen E. Friedman book documents hardcore punk, hip hop, skaters and YOU NEED IT
09.18.2014
07:18 am

Topics:
Art
Books
Hip-hop
Music
Pop Culture
Punk

Tags:
Glen E. Friedman


 
I don’t normally write posts and say “you must own this!” but… you’ve gotta get this! Glen E. Friedman’s new My Rules (Rizzoli) is simply stunning. A real masterpiece! I was happier than a pig in shit when I got it in the mail a few weeks ago. It was a very pleasant—and unexpected—surprise indeed. I couldn’t wait to unwrap it out of its packaging and tear through it! The book is a glorious MONSTER, with huge color photographs and amazing B&W images. Hugeness is a major factor in its favor, and the hardcover is sort of “quilted” and textured in a manner unlike any book I’ve ever owned. As an object/publication, it’s… a simply stunning presentation of a photographer’s life’s work, one of the best you’ll ever see. An event! Who is there… what ONE photographer was around as many important scenes as Friedman? Hip hop, hardcore, skaters, he was there, he was in the midst of it and with this book you really get a sense of that. It’s not just a bunch of amazing photographs, the selection becomes a sort of autobiography of the person who documented all of these moments: He was there.


Darren “Buffy” Robinson - Fat Boys - 1985 - Venice Beach, ©Glen E. Friedman
 
Glen’s work splendidly captures historic moments in time. Moments of 70s skate culture, punk, post punk, hardcore, 80s hip hop and early-90s indie rock. Underground cultures that will never happen again (or at least not as cool as they were then!). I have to admit though, I got really nostalgic and almost a bit weepy while looking at these photographs. They reminded me of being young again. My youth. Something I ain’t ever going to get back. They drummed up memories of me hanging out with my childhood friends (some sadly deceased now) just kicking it in my parents’ basement played records or driving around in my first boyfriend’s pick-up truck blasting Minor Threat. Fun times. Good times.

I love this book for so many reasons.


The Make-Up - 1995 - New York City, ©Glen E. Friedman
 

Think of any iconic image of Run DMC, Black Flag, Minor Threat, Public Enemy, and Beastie Boys, or the gravity defying revolutionary skateboarding legends Tony Alva, Jay Adams, or Stacy Peralta. It is almost certain that Glen E. Friedman was the man behind the camera. Since the mid-1970s as a young teenager, Friedman has been chronicling quintessential moments of underground and counterculture movements.

Glen E. Friedman’s My Rules serves as a history book for the three powerhouse countercultures—skateboarding, punk, and hip-hop. From the earliest days Friedman was present to capture the pivotal and defining moments in music and street movements that were largely unknown or ignored. The energy and rebellion comes through in these famous and some never-before-seen iconic images.


Moses Padilla - 1978 - West LA, ©Glen E. Friedman

As a side note: It was extremely difficult for me to pick the images for this post. I mean, they’re all so damned wonderful! ALL of them! Here are a few choice selections from My Rules below:


Jello Biafra - 1981 - Hollywood, ©Glen E. Friedman
 

Flavor Flav and Chuck D. - 1987, ©Glen E. Friedman
 

Junk Yard Band - 1986 - Washington D.C., ©Glen E. Friedman

More after the jump…
 

Posted by Tara McGinley | Leave a comment