‘Bight of the Twin’: Update on Genesis Breyer P-Orridge’s Amazing African Adventures!
11.21.2014
06:44 am

Topics:
Feminism
Music
Thinkers

Tags:
Psychic TV
Genesis Breyer-P-Orridge

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As many of you know, all around icon Genesis Breyer P-Orridge has been spending much time working and filming with Hazel Hill McCarthy III on a truly eye opening project. How better to understand than in this message from Genesis in her own words:
 

“We just got back from touring followed by two weeks of filming in Benin, West Africa with Hazel Hill McCarthy III and crew. The film “BIGHT OF THE TWIN” should debunk a lot of misguided trashy Hollywood “Zombie” entertainment that has deeply generated an essentially destructive and wholly inaccurate idea/meme attached now, so strongly in many peoples minds.

We are so jet lagged yet also so inspired by Ouidah, in Benin. Statistics show something phenomenal.

As we understand it, the average number of sets of twins per thousand, worldwide comes out at four sets of twins per one thousand B-Earths. In Benin the average number of twin B-Earths per one thousand is around twenty five to forty! Nobody has yet found a genetic nor dietary explanation. So as our search for the “Mother story”, the oldest witness to intelligence and belief developing in humanEs led us there. We were already referring to “twins” in the context of PANDROGENY. Two beings make a third being that is the two individuals immersed and merged into each other. Hazel discovered that Sept-October in Ouidah is a very rare Festival of Twins, both those who die at B-Earth or soon after, and those still living who maintain by ritual, the memories of their twin (triplet,etc) into daily life. Voodu has been practiced continuously there for ten, twenty, even more thousands of y-eras ago. Their Creation myths include a Supreme Being MauLissa. Half male-half female.The male Mau is represented by a python (a serpent) the female Lissa is represented by a chameleon.

For ongoing information PLEASE go to the site http://igg.me/at/bightofthetwin. We are now in possession (no pun intended) of approximately ninety hours of incredible footage, much never witnessed or filmed before. Plus interviews with Priestesses, “DAH"s (high priests) and many many more key people. We need to raise money to edit a distribution master, and cover all those edit suite hours etc. SO PLEASE go to Indiegogo.com where we are trying to raise the needed funds asap. We used Kickstarter to raise funds to return to Benin for the twins festival and it worked. We reached our goal, thanks to all of you! Quite literally, your contributions, no matter how large or small ALL force the hand of chance so that this film can be completed and happen as a media-entity, allowing this amazing story to be told, perhaps, by learning of our early days of consciousness, of the essential origin of this bizarre, yet beautiful species, yet also a mundane and brutal species. Perhaps in the Mother story is a truth, a revelation that WILL allow us to adjust our behaviors, so we all save ourselves. Conscious evolution can only happen en masse. Small pockets of alternative are a seed, a source, a “virus” as Burroughs used to say. We will see, or future generations will curse us for our lethargy and indifference to the writing on the wall. “PLEASE DON’T PISS HERE.”   

Genesis BREYER P-ORRIDGE NYC, September 2014.”

 

Posted by Howie Pyro | Leave a comment
Painting by Adolf Hitler expected to fetch over $60,000 at auction
11.21.2014
06:14 am

Topics:
Art
History

Tags:
Adolf Hitler

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It’s strange to think that when Adolf Hitler was struggling to eke out a living as an artist in Vienna during 1913 and 1914, he was residing in the city at the same time as Joseph Stalin, Leon Trotsky and Josip Broz Tito. With this in mind, it’s not too difficult to imagine that Hitler and Stalin could have easily passed each other on the streets during their early morning walks. While Hitler painted, Stalin was in hiding as a wanted revolutionary, Trotsky was writing political tracts as editor of Pravda and Tito, the future dictator of Yugoslavia, was working as a chauffeur and part-time gigolo.

One of those paintings done by Adolf Hitler in Vienna is expected to make over $60,000 when it is sold at auction this Saturday. The picture is a 100-year-old watercolor by the future Nazi leader of Munich’s old city hall. According to Kathrin Weidler, director of the auctioneers Weidler who are handling the piece, the painting has raised considerable global interest because it is a signed work by the Nazi leader.

The painting is being sold by two elderly sisters whose father originally purchased it in 1916. The picture is being sold with its original bill of sale and a signed letter from Hitler’s adjutant, Albert Bormann, who was the brother of Hitler’s private secretary Martin Bormann.

Bidding is expected to start at around $5,000, but Ms. Weilder believes the painting will reach over $60,000 and perhaps even double this figure. However, she says the painting is of minimal artistic merit and is uncertain if bidders for the Führer’s artwork will attend the auction in person. Which raises the question, who would want to spend over $60k on for something on the level of a doctor’s office painting by such an evil man?
 
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Via the Independent.
 

Posted by Paul Gallagher | Leave a comment
The nicest Lou Reed interview you’ll ever see
11.21.2014
05:26 am

Topics:
Music
Television

Tags:
Lou Reed
Flo & Eddie
Midnight Special


 
So the story goes like this: In the spring of 1978, shortly after he’d released the amazing LP Street Hassle, Lou Reed was asked to host an episode of NBC’s late-night music program The Midnight Special. Reed was asked to submit lyrics to the songs he wished to perform, and, quelle fucking surprise, NBC balked at airing some of them. Rather than alter his work, Reed declined to appear, no harm done, except that an episode that could have been an all-time classic was instead ultimately hosted by—hold on to your lunch—Journey.

But Midnight Special did something exceptionally cool. Instead of just letting this matter pass quietly, they invited Reed on as a guest, in an interview segment hosted by Turtles/Zappa madcaps Flo & Eddie, specifically to talk about exactly why he wasn’t serving as the program’s host that night, and in the process they discussed censorship in broadcast media and the validity of “shock value” in pop music! At a generous seven and a half minutes long, the segment covered a lot of ground, and astutely at that. Perhaps because they were fellow weirdo musicians, Flo & Eddie got a genial, reflective Lou Reed, not the notoriously spiky prick who could and would unhesitatingly annihilate interviewers.
 

 
Previously on Dangerous Minds
Cranky Lou Reed interview from 1975 is full of hilariously nasty gems
‘Lou Believers’: Sonic Youth in the weirdest Lou Reed ‘tribute’ you’ll ever see
(B)Lou’s on first? Dangerous Minds sparks clash between Blue Man Group and Lou Man Group!

Posted by Ron Kretsch | Leave a comment
Sister Mary Corita, nun, teacher and Pop art pioneer
11.20.2014
03:30 pm

Topics:
Art

Tags:
pop art
Sister Corita Kent
nuns


 
Corita Kent—known as Sister Mary Corita until her departure from religious servitude in 1968—is one of the great unsung trailblazers of pop art. As chair of the arts department at Immaculate Heart College in Los Angeles, Sister Mary Corita’s approach to arts pedagogy touched Saul Bass, Alfred Hitchcock, Buckminster Fuller, Charles and Ray Eames, and John Cage (whom she quotes in her famous “10 Rules for Students,” below). Her work is known for its political content and explicitly anti-war messaging, but there’s more to her artistic legacy than her identity as a radical nun.

Although her most public pieces are a really bad stamp and a giant natural gas tank of the same ilk, they pale in comparison to her larger body of work—primarily serigraphs (multi-colored screen prints). She used bright shades, thick lines, deconstructed advertising design and erratic typography. She often including literary quotes or her own poetry in scrawl, producing elegant political messaging without heavy-handedness, sanctimony or literalism. The work is bold, triumphant and sometimes spiritual, but never preachy.

Corita Kent died of cancer in 1986 in Boston, where she relocated after leaving the order. She would have been 96 today. I highly recommend you give her classroom rules below a look, and check out the short 1967 documentary, We Have No Art, at the end of the post for her brilliant insight into the creative process.
 

RULE ONE: Find a place you trust, and then try trusting it for awhile.

RULE TWO: General duties of a student — pull everything out of your teacher; pull everything out of your fellow students.

RULE THREE: General duties of a teacher — pull everything out of your students.

RULE FOUR: Consider everything an experiment.

RULE FIVE: Be self-disciplined — this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.

RULE SIX: Nothing is a mistake. There’s no win and no fail, there’s only make.

RULE SEVEN: The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.

RULE EIGHT: Don’t try to create and analyze at the same time. They’re different processes.

RULE NINE: Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.

RULE TEN: “We’re breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities.” (John Cage)

HINTS: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything — it might come in handy later.

 

“Come Alive,” 1967.
 

From the “Circus Alphabet” series, 1968. Kent made multiple prints of this particular Camus quote.
 

“Stop the Bombing,” 1967.
 
More after the jump…

Posted by Amber Frost | Leave a comment