Excited woman throws her artificial limb at Robbie Williams’ impersonator
05:22 am


Robbie Williams

Once it was undergarments that over-excited fans threw at their music idols, but at this year’s GuilFest, one woman was so thrilled by the performance of a Robbie Williams’ impersonator that she hurled her prosthetic leg at the ersatz chart-topper!

Heather Best lost her leg in “a stupid accident at work” in 2010, and until then, had enjoyed going to festivals.  On Saturday, Best, who is a major fan of Robbie Williams, attended her first festival since the accident to see tribute act “Blobbie Williams.” So moved was she by Blobbie’s singing (“He sings with a lovely voice,” she said), that Ms. Best removed her leg, waved it above her head, before throwing it “in his direction for him to then raise it in the air.”

“I’m here to have fun and to dance again,” she told Get Surrey.

“It’s good to dance even if I only have one leg.”

Heather suggested she might also give Sunday’s festival headliners a similar treat.

“I want to see the Human League,” she said. “I might even throw my leg at them if they are lucky.”

It’s certainly good publicity for Heather, who is currently setting up a rehab center for horses in Bletchingley.

“I still ride and do show jumping and stuff,” she said. “I’m building a premises now to help any horse with injuries. Leg injuries are my speciality.”

It is unknown whether The Human League were “lucky” enough to elicit a similar response.

Via Get Surrey, H/T Arbroath

Posted by Paul Gallagher | Leave a comment
Happy Birthday Kim Fowley: The Lord of Garbage turns 75 today!
03:10 pm

Pop Culture

Kim Fowley

The most incredible mind in the history of rock n’ roll turns three quarters of a century today! Truly the greatest living treasure/encyclopedia of pop culture, and creator of it is still sharp as a tack! Here’s a run down of who Mr. Fowley is, taken from my liner notes from the new Kim Fowley compilation (Volume Four!) Technicolor Grease: Lost Treasures from the Vaults 1959-1969, Vol. 4 on Norton Records

As impossible as it may seem, the last living Rock N Roll computer is alive, in our midst and featured on this LP. The thought that one man’s every waking hour from the very first days of Rock N Roll to right this minute as you read this have been entrenched & dedicated to the original concept of the Outrageous teenage rampage, a finger in every pie musical & otherwise, is mind numbing. Mr. Fowley has a perfect grasp of every type of music & has produced/instigated/created it all. From rocking’ instrumentals, surf music, soul (real soul, yeah), real greasy rhythm & blues, rockabilly, tuff teen garage, all the stuff we dig including inventing the art of making insane anti-records aimed at failing, for his own amusement.

But wait! He didn’t ever stop. He was the star of the 1st Mothers LP (“Help I’m A Rock”) and on into demented psychedelia, Glitter Rock, Punk & more. He has had his finger in the big gold pies too. And the music we hate, much to his credit. Turn around & there’s Kim writing a Kiss song, or something with Nirvana! Yup. Kim techno music haha yes, even that. The guy never sleeps & has a grasp on it all.

NO ONE has gone all the way except Kim. And he retains unreal factoid minutiae. He will ramble off on any obscure Rock N Roll singer at length and always tell you something you don’t know. Ask him the same question twice? You will get a whole new set of answers. Fact check ‘em (if even possible) and it all checks out. I don’t know if he’s human & i’m not sure if Mr. Fowley was the original alien dumped on this planet to steer us whenever lost back in the WRONG direction. It’s all in that big Frankenstein head of his. And in that big Frankenstein heart that he hid so well for so long. But I have seen it folks! It is real.

Approaching 75, he has slowed down a little but will never stop. As we have spent our lives searching & researching Kim has been inventing & reinventing, always making trouble. It’s all one thing to him, one continuous movement, one mission. Even if we want to stop it at 1966, he will never understand what that means. It stops when Kim stops. When he stops much will halt & NOTHING will ever be the same.  Kim Fowley has all the answers. Here are 16 of them.


The first three volumes (One Man’s Garbage, Another Man’s Gold and King of the Creeps) are a perfect primer of the inside and WAY outside of rock ‘n’ roll from the very beginning, as I said, the man has done it all. Norton Records book division Kicks Books has put out what is literally, to these eyes, the best rock n’ roll autobiography I’ve ever read in my life! Lord of Garbage (which also comes with its own signature Garbage perfume, as all Kicks books do) is part one of a multi-volume autobiography, and goes from 1939-1969 and is more shocking, more interesting, informative and insane than anything I’ve ever read. And it’s not even into the 1970’s yet! The last volume has been instructed to come out just after his death. If that day ever comes.
Though he has been battling cancer recently, he has, as he done before, kicked its ass. He has also been making underground films that you can see on YouTube (including Black Room Doom, Dollboy: The Movie, Satan Of Silverlake, The Golden Road To Nowhere, Frankenstein Goes Surfing, Trailer Park’s On Fire and Jukebox California). Kim was portrayed by actor Michael Shannon in the 2010 film The Runaways. Also check out his radio show on Sirius radio.

Our Animal Man never stops and never will! Please join us in celebrating the man that has more energy than three 25 year olds! Kim Fowley, happy 75th!



Below, the author wishes the Animal Man a happy 71st birthday:


Posted by Howie Pyro | Leave a comment
The next to last waltz: The Band live in Asbury Park, NJ, 1976
01:45 pm


The Band

When The Band were taped in concert at Asbury Park’s Casino Arena on July 20, 1976—thirty eight years ago yesterday to be exact—plans were already afoot for their final appearance that fall in San Francisco that would be filmed for Martin Scorsese’s documentary, The Last Waltz. Knowing that this show would be among their final onstage outings together as a band, The Band are in fine form here, the energy is high and, as always, the musicianship is as good as it gets.

Recently, I posted about the full “Last Waltz” concert as it was recorded via Winterlands house video feed which is fascinating on so many levels, but not the least of which is hearing The Band without all of the studio fussing and overdubs that Robbie Robertson is famous (infamous?) for. Here, as with that (truly incredible) “Alternate Last Waltz” video, what we have is The Band, a group fabled for their near-telepathic communication as musicians as they actually sounded in the raw… damned good! (And unlike in The Last Waltz, you get to see the other band members besides Robbie Robertson. At least you can see the top of Garth Hudson’s head from time to time!)

The version of “The W.S. Walcott Medicine Show” at 1:12:00 is a must listen—it might be my top favorite song by The Band—and the final encore of “Life Is A Carnival” that follows it is a thing of great beauty also.

Until or unless a full show from The Band taped after this one turns up, I guess you could call this one the “next to last waltz.”

Posted by Richard Metzger | Leave a comment
Be a fly on the wall when Bob Dylan and Bette Midler went into the studio together, 1975
11:06 am


Bob Dylan
Bette Midler

Bob Dylan and Bette Midler recorded together in October 1975 duetting on a cover of “Buckets of Rain” for her Songs for the New Depression album. Dylan apparently also wanted Midler to be a part of his Rolling Thunder Revue. Six years ago, a 27-minute long fly on the wall recording from this session started making the rounds on bootleg sites as part of Bob Dylan New York Sessions 1974-1975.

The original bootlegger says:

“It opens with some upgrades of the original Blood On The Tracks sessions from September 1974, and progresses chronologically through some early Desire sessions, winding up to the main event: almost half an hour of never-heard October 1975 session outtakes of the recording of Bette Midler’s cover of “Buckets Of Rain” with Dylan, which would show up on her Songs For The New Depression album the following January.”

At one point Midler demures saying, “I can’t sing ‘I ain’t no monkey,’” but Dylan gently coaxes her into it.  Moogy Klingman backs them on piano and at one point Dylan sings a full-throated version of Smokey Robinson & The Miracles “You Really Got A Hold On Me” with and Midler. The Divine Miss M also dishes on Paul Simon, who she says refuses to speak to her.

“This’ll show him!”

Midler cattily refers to Patti Smith as well, saying “At least I can sing in tune!” What exactly she is referring to here is not spelled out, but in an interview with Barry Miles, Smith tells the story of Midler throwing a beer in her face at a Dylan-related private event in New York around this time. Maybe she saw Patti as competition for Dylan’s affections? (Midler later revealed that she got to “first base” with Dylan in his Cadillac, so perhaps that’s what the remark and the beer incident was all about?)

Posted by Richard Metzger | Leave a comment