The Grateful Dead guide to dealing with a bad LSD trip
07.02.2015
12:24 pm

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Drugs
Music

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This weekend, the Grateful Dead is playing their last shows ever in Chicago, so they won’t be needing these notably square-minded security guidelines as to how to deal with LSD, instructions that were recently “leaked” according to WAXQ-FM 104.3 radio station in New York City, also known as “the Q.”

 
For a larger image of the guidelines, click here.

According to the sheet, “Guests may ‘see’ images, ‘hear’ sounds, and/or ‘feel’ sensations that do not actually exist.” The flyer breaks down good versus bad experiences, with the latter, a.k.a. an “upsetting experience,” consisting of the following:
 

May be combative.
Pose a danger to themselves or other guests,”
Disregards the presence and personal space of other people.
Poor judgement, may misjudge distances, height, and strength.
May act on their increased sensuality (removing clothes, PDA, etc.)
Confused or disoriented to their surrounding.

 
Most importantly, “DO NOT TOUCH ANY GUESTS SUSPECTED OF BEING UNDER THE INFLUENCE OF LSD.”

This flyer was clearly intended for security personnel and not regular concert attendees, but even so, it strikes me as a little bit judgy for a Dead show.

Interestingly, the flyer also states that you should not refer to people under the influence of LSD as “tripping”—they are experiencing “IPR” (intense psychedelic response).

I always figured that at Grateful Dead shows, they just showed everyone there President Carter’s solution for dealing with a bad trip, as embodied by Dan Aykroyd on Saturday Night Live in March 1977. Jimmy’s idea was, take some Vitamin B-complex and some Vitamin C-complex and have a beer. Then mellow out to some Allman Brothers or perhaps even….. the Grateful Dead.
 

 
via Death and Taxes
 

Posted by Martin Schneider | Leave a comment
Rare and treasured 1977 LP by heavy teen rockers Midnight to be reissued by Drag City
07.02.2015
09:47 am

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Music

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Into The Night cover
 
In 1974, four teenage kids from the Chicago area formed the rock band Midnight. The boys, Dave Hill (organ, vocals), Frank Anastos (guitar), Scott Marquart (drums), and John Falstrom (bass), met while taking lessons at an area music store. Inspired by the rock titans of the day (including Black Sabbath, Led Zeppelin, Aerosmith, and Deep Purple), the group developed a raw, heavy sound. By 1975, they were performing at high schools and parties. Fast-forward a year, and they were gigging at colleges and clubs in and around Chicago, even though they were still in high school at the time. Mixed in with covers of tunes by their heroes, Midnight had started working original compositions into their live sets. In the fall of 1977, mere months after they graduated high school, they went in the studio to record the songs that would make up their lone LP.
 
Labor Day, 1976
Labor Day, 1976

While the songs on Into The Night show the influence of the groups they loved, the guys incorporated the styles of those bands in a way they could call their own—the heaviness of Sabbath, the metallic crunch and acoustic touches of Zeppelin, the organ rock of Deep Purple, and the swagger of Aerosmith. It’s all there, but woven into a sound that’s uniquely Midnight. Interestingly, there are moments when they bring to mind a more obscure outfit, Pentragram, one of the first American groups to show an obvious debt to Sabbath. I recently corresponded with bassist John Falstrom, and he told me that they didn’t know about Pentagram back in the day, so it’s just a case of heavy minds thinking alike.

Naturally, the songwriting has much to do with their distinctiveness, with Dave, Frank, and John all contributing. Lyrically, the ten tunes on Into The Night alternate between straightforward tales concerning girls and the band itself, and more out-there subject matter. John says that one his numbers, the brooding title track, is about “invisible vampires that would come and take you away with their claws and burn you at the stake to rid the world of all of its liars.” A song like Frank’s “Smoke My Cigarettes” may be more standard, lyrically, but rocks with a fire that can’t be extinguished. As for the arrangements, the band worked on them as a unit, cooking up tracks that were all about dynamics. The material is played on a pro level—one that belies their years—yet passionately executed. The actual recordings have a rough edge, resulting in an LP that sounds a whole lot more alive than the polished major label rock albums of the era.
 
1979
 
Dave Hill’s choice of organ was another element that made Midnight distinctive. Dave used a Vox, once favored by ‘60s garage rock bands, but its thin sound was out of vogue by the time the ‘70s were in full swing (imagine if Deep Purple had hired the “96 Tears” organist). Dave also sang lead and the group recorded four of his tunes for Into The Night. His mysterious “Auto-Kinetic Illusion” is among those in which the text is difficult to penetrate. It’s also the most dynamic track on the album, with many shifts in mood and tempo. A microcosm of the entire LP in four minutes; as the band moves between their quiet and heavy sides, the lyrics are clear-cut, metaphoric, and indecipherable. John: “The song evolved out of Dave staring at the dark sky at night for hours and images (illusions) would appear.” At times, the words seem to allude to death. Dave’s father was in a state of decline around the time “Auto-Kinetic Illusion” was written, which John believes influenced the content. Dave did not respond to Facebook messages asking for his input with this article.

The group self-released Into the Night, pressing up 500 copies for an early 1978 release, though they didn’t bother to promote it much. This was largely due to the fact that they were evolving as a unit at a fast clip—so much so, that they rarely played the material in a live setting. To the band, the songs that made up Into The Night were already old news.

Midnight called it quits in 1980. Frank and John still play in a band together, and they both teach music lessons at the same store where the boys of Midnight met all those years ago. At some point, collectors became aware of the greatness of their 1977 LP, and in 2012 a copy of Into The Night sold for 200 bucks.
 
1979
 
Thankfully, the good folks at Drag City (in conjunction with Galactic Zoo Disk) are re-releasing Into The Night at a much more affordable price on July 17th. In the meantime, check out audio clips and pre-order the LP.

Here’s “Auto-Kinetic Illusion”:
 

Posted by Bart Bealmear | Leave a comment
Donald Trump: ‘F*ck your Hair,’ the beer
07.02.2015
09:01 am

Topics:
Amusing
Current Events
Idiocracy
Stupid or Evil?

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Donald Trump’s anti-Mexican comments have made him few (no?) friends in America’s Hispanic community. In fact, I think it’s fair to say that other than a few Fox News-watching racist Republican trolls, his (unfounded) remarks seem low, vile and ridiculous to just about everyone. He’s a silly, grotesque man, full of himself and… he’s just a shithead. Fuck Donald Trump.

No… fuck his hair.

5 Rabbit Cerveceria is a Chicago-area microbrewery that had been supplying the signature beer for the ritzy Rebar in Chicago’s Trump Tower. The owners are Latino and have decided to sever ties with the loathsome billionaire. Now the Trump brew they had left over has been renamed “Chinga Tu Pelo”—which translates as “Fuck your hair”—in honor of the GOP Presidential and loudmouthed comb-over casualty.

5 Rabbit Cerveceria co-owner Andres Araya told WBEZ radio:

“We would be doing an injustice to the community we serve (and live in) by engaging in business with someone who does not accept our role in society and expresses a rhetoric of hate and ignorance towards us,” Araya wrote in a statement to WBEZ Monday.

“On a personal level, if I did, one of the things that scares me the most is sending the wrong message to my daughters. We are active members of this immigrant community and we need to stand up for ourselves, and more importantly, for those who do not have the voice or means to do so. The very foundation of the United States of America was built on acceptance and inclusion.  That is what drew us here, and that´s what why we feel so strongly about this.”

“As a company, an integral part of our vision reads that we are ‘not only based in, but also look to promote a strong and positive image of Latin America, its heritage and people.’

It would be hypocritical of us to sustain the relationship.”

Right on! Chinga that moron’s pelo!

The giant mattress company Serta yesterday announced that it too would be severing ties with the GOP’s lumbering, out of control Frankenstein monster. Recently NBC and Univision both dumped their ties with the toxic Trump brand.

This self-immolation—Trump’s moronic inferno—is spectacular to watch, but I DO hope the thick-fingered vulgarian makes it to the first Republican debate in August and beyond. Look at how much damage he’s done to himself in such a short time and just imagine what he can do for the GOP!

DONALD! DONALD! DONALD!

Posted by Richard Metzger | Leave a comment
They have Nick Cave dolls now? I want one!
07.02.2015
08:12 am

Topics:
Art
Music

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L.A. based pop-artist Plasticgod has created a series of Nick Cave figures that he’ll be debuting at San Diego Comic-Con on July 9th. (Also debuting at Comic-Con: new Star Wars Stormtrooper figures. Different strokes for different geeks, right?) Each is based on a Cave song title. There’s the “Red Right Hand
 

 
Two slightly different designs for “Babe, You Turn Me On
 

 

 
Tupelo
 

 
More Nick Cave dolls after the jump…

Posted by Ron Kretsch | Leave a comment