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Gidget Goes to Hell: Meet enigmatic punk/New Wave legends Suburban Lawns
10.23.2014
08:34 am

Topics:
Music
Punk

Tags:
Suburban Lawns
Su Tissue


Su Tissue on the cover of Slash Magazine, 1979
 
They don’t make them like this anymore. One of the great Californian punk/new wave bands, Suburban Lawns was formed by singers, multi-instrumentalists and CalArts students Su Tissue and Vex Billingsgate in 1978. Joining with drummer Chuck Roast and guitarists Frankie Ennui and John Gleur—in Long Beach, of all places—they called themselves the Fabulons and Art Attack before choosing the name Suburban Lawns.

A former Doors roadie named E.J. Emmons produced their first two self-released singles, “Gidget Goes to Hell” and “Janitor,” as well as their classic self-titled album on IRS. It is an outrage against common sense, basic decency and public opinion that this stone masterpiece has languished out of print for decades. The band’s final EP, Baby, also enriches collectors’ hoards.
 

 
I don’t have any evidence that Ray Manzarek ever said “Su Tissue was a shaman,” but if he didn’t say it, I bet he wished he had. For my money, she is the single most fascinating and enigmatic figure of the West Coast punk scene, Darby Crash be damned. Tissue released a solo album of piano recordings called Salon de Musique in 1984, after Suburban Lawns broke up, but her trail runs cold following an appearance in Jonathan Demme’s Something Wild. (Demme and Jack Cummins had co-directed a video for “Gidget Goes to Hell” that Saturday Night Live aired in 1980.) Wherever she is, I hope she’s enjoying her studiously showbiz-free life.

There’s not a lot of the group represented on YouTube. Here’s the gorgeous video for “Janitor,” directed by Denise Gallant, a video graphics pioneer who invented an analog video synthesizer in the 1970s. It may not seem like it now, but when this came out, it was positively high tech-looking!
 

 
More Suburban Lawns after the jump…

Posted by Oliver Hall | Leave a comment
I’d kill for that dress: Gorgeously gothy mourning attire from 1815-1915
10.23.2014
06:21 am

Topics:
Fashion

Tags:
fashion
death
goth
Victorian
Edwardian
mourning


Evening dress suitable for late mourning, from around 1861
 
The Metropolitan Museum of Art recently announced a breathtaking new exhibit, “Death Becomes Her: A Century of Mourning Attire”—upper-class women’s widow couture, if you will. The clothing ranges from 1815 to 1915, when the death of a husband was met with strict social expectations among the English and sometimes American elite. During the Victorian era, a widow was expected to observe a year and a day of “full mourning,” during which she would refrain from “society” activities, veiled and wearing simple black dresses. After that, there was a nine-month period where she could drop the veil and incorporate small adornments, like jewelry or a trimmed hem. Then came “half-mourning,” where she could add grey, purple or a little white—this lasted three to six more months.

If a woman did not observe proper mourning etiquette (especially if she was still young and pretty), she would usually be considered not only gauche, but downright libidinous. Additionally, if the mourning attire was too flashy, she could also be judged as advertising her new singledom—scandalous! Widowers on the other hand, were just expected to wear dark clothes for an unofficial amount of time, and they could remarry in as little as a few months without fear of judgement.

If you can’t make it to the Met, you’re in luck! Almost all of their archives are searchable online, and I have compiled an exhibit for you right here. I even added some pieces that aren’t on display, including a dress worn by Queen Victoria herself. Kind of makes you long for the days when people died from a seasonal flu, huh?
 

1870, with veil
 

1880, not on view
 
More after the jump…

Posted by Amber Frost | Leave a comment
In My Time of Buying: Pricey Led Zeppelin scarves designed by Paul Smith
10.23.2014
06:06 am

Topics:
Fashion
Music

Tags:
Led Zeppelin
Paul Smith

dddldzepsmith.jpg
 
In the 1970s nearly every glam rock band or teeny-bopper pop star had a tacky range of merchandise for sale that usually included a white silk scarf with the name of the band emblazoned on it, such as “Slade” or “David Cassidy” or “The Osmonds,” “Sweet” or the “Bay City Rollers” which fans would hold aloft with religious devotion during concerts. Now this idea of a fan scarf has been taken one step further in an unusual collaboration between Led Zeppelin and British fashion designer Paul Smith.

The talented Mr. Smith has produced a series of six “exceptional limited edition” scarves to coincide with the release of Led Zeppelin’s nine remastered albums. Six scarves are now available: five depicting the covers to the first five Led Zeppelin albums, and a sixth featuring the band.

The design of the artwork for the first three releases – “Led Zeppelin”, “Led Zeppelin II” and “Led Zeppelin III” – has been reinterpreted on three different scarves each measuring 1.5 metres by 1.5 metres. Translating the intricacy of the renowned imagery onto fabric proved a challenging task but, by taking a different approach to each scarf, Paul Smith has come up with three truly unique items.

A photographic weaving technique has been employed for the largely monochromatic “Led Zeppelin”, with the red detail being added using a fine fil coupe yarn. The eight colours of the “Led Zeppelin II” artwork demanded an alternative approach and four different quality yarns were combined to reflect the richness of the colourful design. The psychedelia of “Led Zeppelin III” is depicted with a combination of boucle and merino wool to exquisite effect.

(The spinning volvolle from inside the Led Zeppelin III album cover probably would have made for the best textile design, but what do I know?)
 
gggledzpsmithggg.jpg
 
bbb3lzpsmith.jpg
 
Further designs for Led Zeppelin IV and Houses of the Holy, which “have been jacquard woven onto two further scarves and a brand new spectacular design has been created for the sixth scarf,” are also available.

The scarves come in limited editions of 50, and cost $665 (£395) each, which is slightly over the current exchange rate of $632.

You’d have to be as rich as Jimmy Page is to afford these things! I suppose once these babies sell out the next stage may be a cheaper mass produced version for the less well heeled Zeppelin fan? No?

Who would have thunk that the lowly fan scarf would one day become an expensive high fashion statement?

More after the jump…

Posted by Paul Gallagher | Leave a comment
Oops—Hitler’s face finds its way onto Swiss coffee creamer lids
10.22.2014
05:09 pm

Topics:
Food

Tags:
Adolf Hitler
coffee


 
Oh my. Unsuspecting Swiss citizens on their morning commute looking to make their coffee more tasty were unexpectedly confronted with the face of the twentieth century’s most iconic representation of evil, Adolf Hitler, on their miniature packets of coffee creamer. A subsidiary of Migros, a Swiss retail behemoth, produced the coffee creamer packages, which had both Hitler and Mussolini on them.

According to the New York Times, Tristan Cerf, a spokesman for Migros, said that “the mishap occurred when an outside company asked ELSA, a dairy manufacturer that is one of Migros’s subsidiaries, to supply a series of 55 coffee cream containers based on vintage cigar labels, two of which featured the dictators.”

“I can’t tell you how these labels got past our controls,’’ Mr. Cerf said. “Usually the labels have pleasant images like trains, landscapes and dogs—nothing polemic that can pose a problem.” As the Times reported, “In coffee-loving Switzerland, labels from the mini-cream containers are cult collectibles, and producers often seek new and inventive ways to enhance their appeal.”

On Wednesday, the coffee creamer packages caused a minor sensation on the Internet. The Migros immediately parted ways with Karo Shipping, the company responsible for them. After the existence of the dictator portraits was broken by the Swiss commuter newspaper “20 Minutes” Migros immediately apologized and referred to it as an “unforgivable blunder.”

The designs should never have been shipped, said Migros spokesperson Luzi Weber. Chosen by Karo Shipping, they were adopted before anyone had examined them closely. “In future, we will tighten our controls for these products drastically,” Weber said. A total of 300 boxes, each containing 200 coffee cream portions, were sold. However, the two dictators would recur only four times per package.
 

 
Because the Karo Shipping managing director Peter Waelchli described the coffee creamers in various media reports as “not a problem,” Migros immediately broke off business relations with the company, which is located in Bern. “The image is one of many in the series of cigar bands, which is on the collectors’ market for two years,” said Waelchli. The picture was selected from a book about cigar bands. Waelchli can not understand how—after two years—it is suddenly such a big deal in the media. “Sure it’s bad, what happened under Hitler,” Waelchli said. “Even today people do bad things—in Syria people are being beheaded.”

“These statements are unacceptable to us,” said Weber.
 
Thank you Susan Stone!

Posted by Martin Schneider | Leave a comment
Idiot foodies pranked into lovin’ McDonald’s
10.22.2014
02:52 pm

Topics:
Amusing
Food

Tags:
McDonald’s


 
Before hitting “play” on this video, please click on “settings” and then select “subtitles.”

Two Dutch pranksters from Life Hunters TV decided to hit up the annual culinary food convention in Houten to see if they could deceive foodies and “high-end food experts” with their supposed restaurant’s new “organic” alternatives to fast food. All these two guys did was go to a local McDonald’s to buy some artery cloggin’ fixins, chopped up the Mickey D’s into neat little squares and then stuck some toothpicks into the food. That’s all.

So were the foodies impressed with this duo’s new line of organic fast food? You betcha! One “expert” remarked:

“I feel some warmth releasing in my mouth. There a lot of different tastes!”

Yes and all of those different tastes swirling around your palette have names that sound like something you heard in chemistry class…

You’ll be pleased to know that at least one of the “experts” tasting the McDonald’s fare thinks it:

“Tastes like chicken.”

Several thought it tasted even better than “real” McDonald’s!

Before hitting “play” on this video, please click on “settings” and then select “subtitles.”

Posted by Tara McGinley | Leave a comment
The kid from the ‘Balloon Boy’ hoax made a metal video. And, surprise! (not really) it’s awful

Heene Boyz Finger it Out album cover
The Fingered it Out album cover
 
Or should I say kids, because young Falcon Heene (the boy who never was flying over Colorado in a balloon back in 2009) has put together a metal band with his brothers Ryo and Bradford called Heene Boyz. As you might have already guessed, the young lads are being managed by the man very same man who orchestrated the whole balloon fiasco (with the help of his wife Mayumi), their father Richard Heene.

Falcon Heene, now eleven is the trio’s vocalist and brothers Ryo (age thirteen on drums), and Bradford (age fifteen on guitar) are currently trying to bill themselves as the “youngest metal band in the world,” a distinction that the Heene Boyz technically share with Brooklyn middle-schoolers Unlocking the Truth who are all now between the ages of twelve and thirteen, as well as Japanese band Baby Metal who are all about fourteen now. But I digress.
 
Balloon Boy Hoax headline
 
Their big song is called “Balloon Boy No Hoax.” A title that sounds exactly like it was written by an eleven-year-old whose name will always be synonymous with “Balloon Boy.” Remarkably, as the snappy title implies, the lyrics to the song attempt to denounce the fact that “Balloongate 2009” was a hoax in the first place. The boys even take a lyrical swipe at journalist Wolf Blitzer (“Who the hell is Wolf?”). Blitzer was the lucky journo who got to interview the family during a night when he was guest-hosting for Larry King on October 15th, 2009, the same day the hoax went down. When Blitzer asked Richard Heene to clarify what his son was doing hiding in the attic of the family’s garage, he obliged and asked Falcon (who was only six at the time) to respond. The kindergartner answered “You guys said we did this for the show.” (At that point, Richard Heene put on his best dog and pony show in an attempt to deflect Blitzer’s repeated requests to get Falcon to repeat the massive VERBAL BOMB he had just dropped. Heene got all defensive and the rest is history. Both parents spent a short time in jail and Richard Heene’s probation period ended last year.
 
Heene Boyz Balloon Boy No Hoax video
 
So without further adieu, here’s “Balloon Boy No Hoax” from the album Fingered it Out. And yeah, they made a video for the title track and it’s even worse than the song.

Yeah Mr. Heene, your kids are going to turn out just fine.
 

 
 
Via Metal Sucks

Posted by Cherrybomb | Leave a comment
Rightwinger wants South to form conservative nation with no gays or Hispanics and call it ‘Reagan’!


 
Former Ronald Reagan and George H.W. Bush speechwriter, Pentagon official, novelist, TV commentator, columnist and idiot Douglas MacKinnon appeared yesterday on The Janet Mefferd Show to promote his new book, The Secessionist States of America: The Blueprint for Creating a Traditional Values Country . . . Now.

It seems that Mackinnon, who you might see on Fox News from time to time, was inspired by the recent referendum in Scotland to consider what might happen in America in a similar(ish) circumstance, after a recent poll found that nearly one quarter of us would like to secede (although not necessarily for the same reasons).

According to The Raw Story:

[Mackinnon] told the religious conservative host that southern states – starting with Florida, Georgia, and South Carolina – should leave the United States so they can implement a right-wing Christian system of government.

MacKinnon envisions other states joining, but he hopes to leave out Texas because “there have been a number of incursions into Texas and other places from some of the folks in Mexico.”

Sure the Confederate states got a bit of a bad rap back in the Civil War days, but hey, that was then and this is now, right?

MacKinnon told his host that the Southern states had “seceded legally” and “peacefully” before the Civil War and that it was President Lincoln who was in the wrong. The rightwing pundit also recommended that the newly-formed country be dubbed “Reagan,” in honor of his old boss.

Although slavery was not mentioned during the program, he’s got a major problem with gay civil rights. MacKinnon took up the “persecuted Christian” canard with a passion, declaring:

“If you do believe in traditional values, if you are a Christian, if you are evangelical, if you do believe in the golden rule, then you’re seeing all of this unravel before our eyes daily,” he complained.

Nope, no gayz need apply for a visa to “Reagan,” and you doggone Lat-teen-o-types, apparently you ain’t welcome either (hence the Texas snub).

Here’s some excerpts from the interview as posted by Right Wing Watch:
 

 

Posted by Richard Metzger | Leave a comment
The roots of San Francisco punk: The Deaf Club, 1978-1980
10.22.2014
11:38 am

Topics:
Music
Punk

Tags:
Dead Kennedys
Tuxedomoon
The Deaf Club


 
When punk hit San Francisco in the late 1970s, it needed a venue. Typically, the S.F. venues generally gave punk the cold shoulder, so a more creative solution proved necessary. Robert Hanrahan, manager of The Offs, was able to take over what had actually been a club for the deaf that had existed in that location (16th and Valencia) since the 1930s and turned it into a vital, scorching venue for bands like Dead Kennedys, D.O.A., The Subhumans, Tuxedomoon, X, Flipper, and The Germs. It didn’t last long, but while it was open it provided the Bay Area punk scene with its first legendary venue. It opened on December 9, 1978 and closed in the mid- to late 1980. As Jello Biafra himself said, “The magic of the Deaf Club was its intimate sweaty atmosphere, kind of like a great big house party.”
 

 
Robert Hanrahan remembered finding the place: “I bought a burrito at La Cumbre and noticed a sign on the fire escape across the street. It said ‘Hall for Rent.’ I went up the flights of stairs and saw two guys watching TV with the sound off. After a very short while, I realized we weren’t going to communicate, so I wrote on a piece of paper that I wanted to rent the place. Bill—I never knew his last name—was a mustachioed, lascivious, cigar-chewing character who apparently was in charge. He wrote ‘OK & $250,’ so I wrote ‘OK.’”

On Found S.F., there is an invaluable page describing some of the history of the Deaf Club. The first show featured The Offs, The Mutants, and On the Rag. The show was “dark & very crowded.” Sensing a fracas, the cops showed up but didn’t stick around. My favorite bit from account of the first night: “Lots of hand signals between old & young club members.”
 

 
A possibly unique aspect of the club was the constant presence of actual deaf people in the hall, who didn’t know what to make of their unruly musical cohorts—but counterintuitively, they did seem to enjoy the music. Indeed, punk music might be tailor-made for deaf people to enjoy, because of the constant frenetic thudding of the 4/4 beat that can be sensed as vibrations. As Penelope Houston of The Avengers said, “It was kind of amazing. I think they were dancing to the vibrations. The deaf people were amused that all these punks wanted to come in and rent their room and have these shows.” According to artist Winston Smith, “They put their hands on the table and they could hear the music. It was music they could appreciate because it was so loud.”
 

 
Nothing was easy for a venue like the Deaf Club, whose main strategy for staying open was to keep a low profile. Essentially it was scarcely known outside the punk community. The cops, however, frequently instigated temporary closures due to complaints about the noise from neighbors. The Chicano community in the vicinity “resented what they considered a “punk invasion” of their territory — like one night 3 young machos gangbusted up the stairs & immediately started slugging men & women alike until they were finally forced out by sheer numbers of a surprised/rallied crowd just drinking & dancing.”

In 1980 Gammon Records released Can You Hear Me? Music from the Deaf Club, a compilation featuring many of the club’s mainstays, including the Offs, the Mutants, Pink Section, Dead Kennedys, and so forth. In 2004 the Dead Kennedys released Live at the Deaf Club. Interesting aspects of the show include the purportedly “disco version” of “Kill the Poor” as well as their closing covers—the Beatles’ “Back in the U.S.S.R.” and Elvis’ “Viva Las Vegas.”
 
Some terrific full-length concerts from the Deaf Club after the jump…...
 

Posted by Martin Schneider | Leave a comment
Troma classics ‘Surf Nazis Must Die’ and ‘Street Trash’ soundtracks released on vinyl
10.22.2014
10:53 am

Topics:
Movies
Music

Tags:
soundtracks
Troma

Surf Nazis Must Die album cover
 
Troma fans, B movie freaks and 80’s kids rejoice! The first physical release for the soundtracks of two 1987 cult films, Surf Nazis Must Die and Street Trash are now available to spin on your very own turntable. Neither synthed-out soundtrack has ever been available before, unless of course you’re the proud owner of a beat-up bootlegged cassette you’ve been holding onto since high school.

The first pressing for Surf Nazis (composed by Jon McCallum who also did the soundtrack for the equally excellent Miami Connection), was limited to 1000 copies. 800 were pressed on standard black 180 gram vinyl and another 200 blue and red “Blood in the Water” colored variations were distributed at random by Strange Disc Records, in a gorgeous old-school gatefold for which McCallum also did the stunning cover art for. If you are a lover of movie soundtracks and vinyl, this one can still be had for the low price of $20 over at Strange Disc’s online store. 400 copies of a cassette version of the soundtrack were also released exclusively on Cassette Store Day this year (September 27th), and are available now for seven bucks over at one of my favorite record labels, Light in the Attic.
 
Street Trash album cover
 
The movie soundtrack for the greatest movie Troma ever made, the gloriously gross Street Trash also saw the light of day for the first time last month, and the pressing will not disappoint the movies die-hard fans. Composed by Rick Ulfik, the album is being distributed by Lunaris Records for a mere $20 bucks and is available in standard black, opaque yellow, and a color called “Toilet Blue” in honor of the infamous Street Trash toilet melt-down scene. The release includes liner notes from Ulfik, the single “We Do Things My Way” written by producer Tony Camillo (who’s worked with everyone from Stevie Wonder to Parliament) and is performed by actor Tony Darrow (who Martin Scorsese cast in Goodfellas after seeing his performance in Street Trash). It’s also available on cassette for eight bucks. Squeee! If you are a vinyl addict like me, you may want to sit down while viewing the following images and the video trailer heralding the Surf Nazis release.
 
Surf Nazis Must Die Blood in the Water colored vinyl
 
Surf Nazis Must Die cassette
 
Street Trash
Street Trash “toilet blue” vinyl
 

Posted by Cherrybomb | Leave a comment
Florida man claims he bit into a ‘snaggletoothed’ rat’s head at popular chain restaurant
10.22.2014
10:39 am

Topics:
Amusing
Animals
Food

Tags:
rat


 
Cape Coral, Florida resident, Billy Wilson claims he bit into a “snaggletoothed” rat’s head while eating chili at the popular restaurant chain Golden Corral. Wilson said “The first bite I took out of it was a crunch, and at the time I was like, maybe you know, sometimes you get a hard bean inside of the chili.”

When Wilson spat out the weird “crunch” he quickly realized it was a rat’s head. AND not just any rat’s head mind you. A rat’s head with a snaggletooth!

“When I saw it, I just went into the bathroom and threw up. I was like, ugh, I just couldn’t get the taste out of my mouth,” said Wilson. He added, “It was just nasty.”

The restaurant comped his party’s meal, but the next day he felt queasy and went to the emergency room at Cape Coral Hospital. He said, “I brought the rat up to the ER and they were all horrified, they couldn’t believe it.”

Discharge documents show that Wilson was treated for Gastroenteritis and was prescribed medications for nausea and muscle spasms.

When asked if he planted the rat’s head in the chili, Wilson said, “I would never do that. They have cameras in there and everything. I’m scared of rats.”

Golden Corral is looking into the “rat’s head in the chili incident” and says they’ve been unable to confirm the alleged head but insist they’re “committed to delivering a high quality experience in a clean and safe environment.”

Wilson, naturally, hired an attorney. I guess we’ll have to wait and see how this all plays out.

 
via KLTV and Arbroath

Posted by Tara McGinley | Leave a comment
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