In 1980, Paul McCartney released his first solo album since 1970’s eponymous McCartney. Cleverly titled McCartney II, it’s a so-so album at best, as a fair few Sir Paul’s albums are, and it remains noteworthy mostly because he recorded it entirely by himself while Wings was in stasis pending their breakup a year later, and because it contains “Temporary Secretary,” a wonderfully bonkers experiment in synth based electro-pop that’s held up well enough to have earned some overdue respect in recent years.

The lead-off single from that album was the kinda crappy but virulently catchy “Coming Up.” It boasted a chipmunk vocal effect that struck a lot of people as so weird that Columbia records promoted the single’s B-Side, a 1979 live version of the song performed by Wings in Scotland, as the US single, which actually worked, and the live version became the one that ended up on best-of comps. There’s a great story about John Lennon hearing the song for the first time, related by Tom Doyle in Man on the Run:

Lennon was being driven by [personal assistant] Fred Seaman through Cold Spring Harbor, Long Island, when he first heard “Coming Up” on the radio. “Fuck a pig, it’s Paul,” he exclaimed, before turning up the volume and nodding along. “Not bad,” he decided at the song’s conclusion. He asked Seaman to buy him a copy of McCartney II and set up a new stereo system in his bedroom specifically so he could listen to it. The next day, “Coming Up” was still rattling around John’s head. “It’s driving me crackers,” he told Seaman, before venturing the opinion that even if its parent album was patchy, at least Paul was back trying to do something eclectic and experimental.

“Fuck a pig, it’s Paul”: The immortal words of one of popular music’s most politically aware and sensitive bards.

That McCartney album is credited by some sources as one of the factors that motivated Lennon to get off his ass and record the music that would find its way onto Double Fantasy, his last album of new music released in his lifetime. But lest anyone think all was hunky-dory between Lennon and McCartney, Lennon also had some sharp words about the cringeworthily goofy “Coming Up” promotional clip—in which a video-composited McCartney played every instrument (except Linda McCartney’s backing vocals) in a band called “The Plastic Macs,” a dig at Lennon’s Plastic Ono Band—saying that it must have been a dream come true for McCartney, who always wanted to be the only member of the band.
 

 
Trainspotters will note that in addition to portraying his own younger self in that video, McCartney also pays homage to Ron Mael of Sparks, Hank Marvin of The Shadows (easily mistaken for Buddy Holly), and Andy Mackay of Roxy Music, among others. In 1980, that was a difficult technical feat which won that video a lot of attention. Now, of course, such compositing techniques are far more effortless, and director Adam Harding has used them to pay ridiculous homage to (or make fun of?) that classic McCartney video with Melvins drummer Dale Crover, in a hilariously stripped-down way. “Bad Move” is Crover’s first solo video, from his first full length solo album The Fickle Finger of Fate on Joyful Noise. (Yes, he did a solo E.P. in 1992 as part of a KISS parody the Melvins did. And then there was last year’s six minute $100 record/art object Skins…) In Crover’s video, he plays three members of his band, sharing his stage with Acid King bassist Dan Southwick in costume as The Birthday Party’s Tracy Pew (!!!), and producer Toshi Kasai as keyboardist—well, I honestly can’t say who that’s supposed to be.
 
Take a look for yourself, after the jump…

 
During exactly none of the at least 20 Jesus Lizard shows I saw over the course of the ‘90s did I ever imagine that their frontman/moaner/howler-monkey-in-chief David Yow would have a career afterlife as Jimmy the simpleton janitor. But life’s weird.

Since the Jesus Lizard’s demise and in between its occasional reactivations (and a sojourn as a member of Qui), Yow has shifted direction to graphic arts and acting. He’s published books and appeared in films and music videos (someone please remake Corrupt and cast Yow in either lead role already please and thank you), and his latest project combines acting with that version of “singing” that’s his and his alone. He’s a guest vocalist for two songs on the new Dumb Numbers album, Dumb Numbers II, and the star of their new video.

Dumb Numbers is a recording project of Australian (now Los Angelean) filmmaker Adam Harding, who uses a Delaney-and-Bonnie-ish heavy friends approach to music making, recruiting his many, many collaborators from the ranks of the musicians with whom he’s made connections as a videographer. This includes not only Yow, but members of Sebadoh, Cows, Warpaint, Melvins, Dinosaur Jr., Best Coast, and Einstürzende Neubauten. Harding neatly avoids a too-many-cooks scenario, and the music coheres really well. It’s difficult to pigeonhole his sound, though certainly ‘90s underground rock figures heavily in the mix. Stoner rock, doom, post-metal, and shoegaze are all clear influences, but Harding goes in more for hooks and pop structures than those genres, occupying the huge sonic space of a band like Isis while avoiding the ponderousness that can sometimes submerge that sort of music.

Which brings us back to Jimmy the janitor. David Yow starred as the character in 2012 for a Harding-directed video by the band Useless Children. The following year, Yow would direct the first Dumb Numbers video, “Redrum,” from the band’s eponymous debut album. And now, Yow has, as mentioned above, joined Dumb Numbers as a guest vocalist on two songs from the band’s second album, and in the new video, released just yesterday, “Unbury the Hatchet.” It follows Jimmy through his surreal daylong failed attempt to go to work—with a wonderful derail to a veterinary clinic waiting room populated with grown men in animal costumes.

Yow and Harding were kind enough to take some time to talk with Dangerous Minds about the video and their collaboration.

DM: OK, I know both of you have directed videos before, which one of you directed “Unbury the Hatchet?”

Adam Harding: I did, I directed, shot and edited it. I had directed a video for a band in Melbourne called Useless Children back in 2012. That was the first thing that David and I ever worked on together, and we just had such a blast making that video, and it was the first appearance of the character “Jimmy.” Jimmy is based on a real person. When I lived in Australia I worked at a printing factory, and Jimmy was the janitor there. He was a simple fellow, and he wasn’t the best janitor in the world but he was a really lovely guy. He didn’t talk much but we bonded over music—I had a boombox and he would kind of get into whatever music I was playing. This was in the mid-‘90s. I played the first Folk Implosion record a lot, and he would dance with his broom and shake his butt. He’d headbang to Sepultura.

David Yow: [laughing] How old was Jimmy?

Harding: He would have been in his early to mid-50s then. So this character is based on Jimmy, and we did this Useless Children video with David doing the character. And over the last four years, often David would do something Jimmy-like to make us laugh, so we had a long time to come up with ideas for Jimmy. It was really really fun to be able to do that finally.

DM: OK, so David, this is obviously not someone you’ve had an opportunity to meet, so how did you develop the character, and what does performing the character mean to you?

Yow: Adam has explained to me about Jimmy. When we shot the Useless Children video, I had done some acting job earlier that day where I’d put grey in my temples, and we just kept that in there, and that became part of it to me. Also he wears a coverall uniform with a badge with his name on it, and just putting on the coverall was helpful in becoming someone else. Adam had described that Jimmy was affable, a really nice guy, not a bad bone in his body, very simple. He doesn’t worry about too much. He might be sort of mentally retarded, and with both of these videos we’ve done, he doesn’t say a word except to talk to his mother in the morning, and you don’t hear him. I’ve been doing a lot of acting in the last few years, and it was really easy to slip into that simple place where Jimmy lives.

Harding: And you put the coveralls on and your belly comes out.

Yow: I’m fat now!
 

Harding and Yow in “Unbury the Hatchet”

DM: Is the narrative based on anything about the actual Jimmy? Where did that come from?

Harding: It really wasn’t. I can’t remember which ideas came first. At all. I wanted my buddy Bobb from Best Coast to be in it, and he has this kind of bunny-tough persona he does, he has this old dirty bunny costume that he wears when he does solo shows. I wanted Bobb to be in the video, and from there came the gorilla costume, trying to incorporate those. I knew I wanted Jimmy to be going to work and never getting there.

Yow: And just so you and the rest of the world know, the Gorilla is Matt Cronk from Qui.

Continues after the jump…