follow us in feedly
Attention rock snobs: New Holy Sons single will burrow its way into your brain like an earworm
11:37 am


Andrew Loog Oldham
Emil Amos
Holy Sons
Del Shannon

Photo of Emil Amos by Eliza Sohn

I’ve probably played this new Holy Sons’ track, “It’s My Feeling”—a stunning cover of a song originally recorded in 1967 by the great Del Shannon and produced by Rolling Stones manager Andrew Loog Oldham—about 600 times since I first heard it last week. About 300 of these plays were in my head.

And so I must duly warn you: Unless you want to have an absolutely gorgeous, shimmering pop song take up residency between your ears, stop what you are doing now and click off the page. Just fuck off now, okay?

If you’re still with me, Holy Sons is the one-man band project of Emil Amos (who also plays with Om, Lilacs and Champagne and Grails) and “It’s My Feeling” is the lead off single from his upcoming album In The Garden which comes out on October 21st on the Partisan Records label. In The Garden was produced by John Agnello (Dinosaur Jr., Kurt Vile, Phosphorescent, Sonic Youth) with the aim of adopting “the authentic mindset of a 60s era artist.”

Amos explains:

In The Garden is essentially John Agnello and I carving out the sound of a classic 70’s record if it had been made by a band with all its players being very focused in the hey-day of their career… but we ‘faked’ that vibe using one player. That’s basically how I learned 4-tracking in the 90’s… how to replicate live-sounding recordings where a band is reacting and playing off of each other in real-time.”

This is something Amos can do frighteningly well. If you didn’t already know it was the same guy, multitracked, playing everything, there’s no way you could tell this from listening.

The original “It’s My Feeling” was recorded by Del Shannon in London with musicians assembled by Andrew Loog Oldham that included stellar session pros like John Paul Jones, Nicky Hopkins and Jimmy Page. It was written by Dave Skinner and Andrew Rose, a Peter and Gordon-esque songwriting and singing duo who went by the name of Twice as Much. Oldham’s Immediate Records signings P.P. Arnold and Madeline Bell provided backup vocals for Shannon. The Immediate sessions were shelved for many years before being remixed and coming out in the late 1970’s as And The Music Plays On. In 2006, nearly 40 years after they were recorded, Capitol Records would finally release the London sessions as Home & Away, the originally intended title.

I was already nuts about the original Del Shannon number, but have a listen to the Holy Sons’ version of “It’s My Feeling” –which I think is far superior and, to my ears, has elements reminiscent of both The Zombies and even John Barry. It’s crazy good stuff, but I’ll warn you: One listen and you’re going to be hearing this in your head for… weeks.

Listen to “It’s My Feeling” after the jump…

Posted by Richard Metzger | Leave a comment
The Rolling Stones, Phil Spector and Gene Pitney get drunk and record the X-rated ‘Andrew’s Blues’

Boozing it up
Boozing it up (L-R): Phil Spector, Gene Pitney, Brian Jones, Andrew Loog Oldham, Keith Richards, Charlie Watts, Bill Wyman, and Mick Jagger

On February 4th, 1964, the Rolling Stones entered Regent Sound Studios in London for a session. The group had released a couple of singles at this point, and the studio was quickly becoming their go-to spot. For this recording, the band was joined by some special guests: singer/songwriter Gene Pitney, Graham Nash and Allan Clarke from the Hollies, as well as genius record producer Phil Spector. By night’s end their combined efforts resulted in a few completed tracks, including one called “Andrew’s Blues,” which is quite possibly the raunchiest song the Stones have ever committed to tape—yes, rivaling even this infamous number.

In his autobiography, Stone Alone: The Story of a Rock ‘n’ Roll Band, bassist Bill Wyman wrote about the wild session, which was produced by their manager, Andrew Loog Oldham, the subject of “Andrew’s Blues”:

We’d become friendly with Phil Spector and attended a star-studded party in his honour thrown by Decca a week earlier; so he continued the friendship by dropping in our recording. Graham Nash and Allan Clarke of the Hollies also came and later Gene Pitney arrived direct from the airport, with duty-free cognac. It was his birthday, and his family custom was that everyone had to drink a whole glass. Pitney played piano while Spector and the Hollies played tambourine and maracas and banged coins on empty bottles. We recorded three songs, ‘Little by Little,’ ‘Can I Get a Witness’ and ‘Now I’ve Got a Witness,’ which we invented on the spot. The session then degenerated into silliness, but everybody had a great time cutting ‘Andrew’s Blues’ and ‘Spector and Pitney Came Too’-—both of which were very rude.

Though officially unreleased, “Andrew’s Blues” changed hands for years before the Internet and is now readily available via YouTube. The tune is a twelve-bar blues and very much resembles another number with the same structure, Tommy Tucker’s “Hi-Heel Sneakers,” which had been released just weeks earlier (the song was part of the Stones’ live sets for a time, and a studio take has been leaked).

The main vocalist on the track is Gene Pitney, who became the first artist to cover a Jagger/Richards composition when his version of “That Girl Belongs to Yesterday” was released as a 45 in January of ‘64. Pitney was introduced to the Stones by Oldham the previous November and promptly demoed the song with the band. Oldham, in addition to his duties managing the Stones, would soon become Pitney’s publicist.

The boys lovingly take the piss out of Oldham in “Andrew’s Blues,” but they also mock the hell out of Sir Edward Lewis, the founder and chairman of Decca Records—the Stones’ label—and the track as a whole can be seen as a commentary on the music business. Or just a drunken lark.

Here’s a lyrical sample:

Yes now Andrew Oldham sittin’ on a hill with Jack and Jill (Jack and Jill)
Fucked all night and sucked all night and taste that pussy till it taste just right
Oh Andrew (yes Andrew), oh Andrew (yes Andrew)
Oh suck it Andrew (go on Andrew), fuck it Andrew (go on Andrew)
Oh Andrew Oldham (yeah), a guy who really know his way around (down down down down)

In his book Phil Spector: Out Of His Head, author Richard Williams called the track “startlingly obscene,” and fifty years on it still manages to shock. This is partly to due the fact that the lead vocals are largely handled by Pitney, who had a very straight-laced public image.

As for “Spector and Pitney Came Too,” a song with that title has been bootlegged, but is essentially an instrumental version of “Andrew’s Blues” with some hot lead guitar added.

Okay, escort your mom out of the room, ‘cause here comes “Andrew’s Blues”:

Posted by Bart Bealmear | Leave a comment