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Even ‘The New Yorker’ agrees, most New Yorkers don’t really care about Banksy
10.16.2013
11:40 am

Topics:
Art

Tags:
New York
Banksy

Banksy cartoon
Sick burn, New Yorker!

Recently, British guerrilla artist Banksy has taken up “residency” in New York, meaning his stencils randomly pop up, only to be immediately tagged over by local graffiti artists. And then there’s been a few performance pieces he pulled, like selling his work to unwitting buyers from a streetside stall for $60 (had serious art buyers been in the know, the pieces would have gone for about $31,000). But you know what’s kind of awesome about New York? We really don’t give a shit. Sure, there’s perpetual 24/7 Banksy media coverage, but the average Joe probably gives a Banksy stencil the same attention as he would a bodega mural mourning the death of a local drug dealer.

I’ll admit, it’s almost always nice to see public art. Whether it’s your taste or not, it’s usually better than an empty lot or a crumbling wall. But it seems like the city’s sentiment was summed up nicely in The New Yorker cartoon. There’s something extra stinging about a flippant dismiss from a New Yorker. It’s like having your white grandma inform you that your twerking is sub-par, or being told by a local beat policeman that your Captain Beefheart collection consists of only his “Tragic Band” material.

Take the latest Banksy performance piece, wherein a meat truck of stuffed animals is animated to, I don’t know, show the horrors of factory farming? There’s a presumptuousness to that piece—“Hey, did you know that factory farming is really inhumane?!?” “Why no I didn’t! At least not until I saw that really earnest and heavy-handed social commentary rolling down 8th Avenue!” Plus, I saw a drag queen do something similar (but better) two years ago.

And that shit had glitter.

When so much of your hype stems from your anonymity,  it makes perfect sense that New Yorkers would be largely unimpressed. It’s a city full of anonymous people, so that whole supposedly edgy anonymity novelty just doesn’t move us. You don’t want to be seen? Awesome, ‘cos we don’t have the time to look. There’s dog shit on the sidewalk and bike messengers and taxis to dodge. There’s so, so, so much going on. Why would we pursue a coy “anonymous celebrity,” when we have tons of artists in the minor leagues, desperate to get their real names out there? It was tourists who bought those Banksy originals in Central Park, and I have to wonder, if Banksy revealed his identity, would his fans (and the media) continue to be so enthusiastic about his work?

Perhaps we Banksy-shruggers just don’t “get it”—I never claimed to be cultured. But I really do think that his brand of “spectacle” simply doesn’t translate very well to our fair city. Below, you can see his venture into short film, wherein Syrian rebels shoot down Dumbo the elephant with a rocket launcher, shrieking “Allahu Akbar!”. It’s ironic, it’s political, it’s vague, it’s Banksy. It’s a another brand in a heavily branded city, and we have shit to do.
 

Posted by Amber Frost | Leave a comment
Queen Bitch: Has Banksy painted Her Majesty’s portrait in Bristol?
06.07.2012
12:49 pm

Topics:
Amusing
Art

Tags:
David Bowie
Banksy
Aladdin Sane
Queen Bitch


 
 
Has Banksy struck again, in honor of the Queen’s Jubilee celebrations?

Sure looks like he might have been the author of this piece depicting Her Majesty as Aladdin Sane—and the painting appeared on Upper Maudlin Street, in Banksy’s hometown of Bristol—but it might actually be by an artist named Incwell.

No one seems to know just yet. Doesn’t matter, it’s amusing whoever painted it.

In case you didn’t get the joke:
 

 
Via Lost at E Minor

Posted by Richard Metzger | Leave a comment
Banksy: New statue attacks ‘the lies, the corruption, the abuse’ of Catholic Church

banksy_cardinal_sin_1
 
A new work by Banksy was unveiled today at the Walker Art Gallery in Liverpool. Called Cardinal Sin, the work is a bust of a priest with its face sheared-off, and replaced with a square of blank kitchen tiles, creating a pixelated effect. The statue is a response to the child abuse scandal in the Catholic Church. In a statement, Banksy said:

“The statue? I guess you could call it a Christmas present. At this time of year it’s easy to forget the true meaning of Christianity - the lies, the corruption, the abuse.

“I’m never sure who deserves to be put on a pedestal or crushed under one.”

Cardinal Sin is a replica of an 18th century bust and is displayed on a pedestal in a room filled with religious artworks from the same century, and has been loaned to the gallery indefinitely.
 
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banksy_cardinal_sin_3
 
Via the Juxtapoz
 

Posted by Paul Gallagher | Leave a comment
HANKSY
04.12.2011
12:04 pm

Topics:
Amusing
Art

Tags:
Banksy
Tom Hanks
Hanksy

image
Spotted in Soho, New York

Clever. It reminds me a lot of the Tom Hank’s trash can.

(via Wooster Collective)

Posted by Tara McGinley | Leave a comment
Stealing and selling a Banksy

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Over the past couple of years, the hyper-ascension of everyone’s favorite street artist has led to all kinds of phenomena, including the mainstreaming of the artform and, yes, its commodification.

In the case of Banksy, the adventure of anonymously creating public pieces is being matched by the similar adventure of swiping and selling them. LA Weekly photographer Ted Soqui’s report on the theft of Banksy’s Caution (after it got tagged) in East L.A. (pictured in sequence L-R above) put me in the mind of Jamaican edge-culture worker Peter Dean Rickards’s 2008 jacking of a larger piece that ol’ Mr. Anonymous tossed onto the outside wall of a Kingston pub. Rickards—who does business as Afflicted Yard—shot the video below, which also documents the amazing dynamics that can happen when a dozen Jamaican men work on the same project.
 

The Afflicted Yard: The Rock from Peter Dean Rickards on Vimeo.

 
After the jump: yes, a documentary about how to steal and sell a Banksy…

Posted by Ron Nachmann | Leave a comment
Banksy reveals himself to the public and gives us an exciting glimpse into his day to day life
10.11.2010
12:33 pm

Topics:
Amusing
Art
Pop Culture

Tags:
Banksy
Cardinal Burns

image
 
Finally! And such an ordinary chap.
 

Posted by Marc Campbell | Leave a comment
Time Applauds Artists, Self

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This week, Time magazine designates the top 10 guerrilla artists deemed “hip” enough to make it into Time magazine.  Along with the usual suspects —Fairey, Banksy—they do some hat-tipping to lesser known forebears like Xavier Prou, and Simon Rodia, whose Watts Towers have been celebrated by everyone from Charles Mingus to Andy Warhol.

Time Magazine’s Top 10 Guerrilla Artists

Via The World’s Best Ever

Posted by Bradley Novicoff | Leave a comment