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Peter Murphy stars as ‘The Dead’ in the experimental Super 8 film ‘The Grid,’ 1980
09:53 am


Peter Murphy

The VHS release of The Grid (via Tumblr)
In 1980, the animator Joanna Woodward (a/k/a JoWOnder) cast her boyfriend Peter Murphy in a short film called The Grid. Now I know it’s hot on planet Earth, but goddammit! If In The Flat Field-era Peter Murphy playing a character called “The Dead” doesn’t put you in the holiday spirit, then maybe somebody’s forgotten the true meaning of Halloween.

Here are JoWOnder’s own notes about her movie, which she says was projected at Bauhaus shows in the 80s. I wish she explained what T.S. Eliot is doing on the soundtrack. Typos are hers.

A story about a time traveler and the search for the first cell of one’s existence. ‘The Dead’, played by Peter Murphy searches for and finds a ‘Grid’ which enables him to watch the beginning of his life -from the moment of conception.

Tip: For a better picture view: watch using the ‘Full Screen’ Option.

Filmed when, when Peter was the boyfriend of Joanna Woodward in the 1980’s, on Super 8 Film Format. This copy has been taken by Jo from the VHS which Peter sold copies of on his, 2000, international Just for Love tour. (The original a clear picture Super 8 copy having been mislaid).

The Grid, movie toured with Bauhaus and was projected on stage in the 1980s. Jo says;’ that she was much more interested in fine art and not so much commercial art or popular music. Punk was predominant at that time and it was quite common for things to get ‘gobbed at’ as a sign of appreciation.’

The closing music here is Subhanallah by Peter Murphy however, the original concluding music track, for The Grid was Kate Bush, Lion Heart. Jo finds both concluding music tracks satisfying however, the Kate Bush track was intended to echo the opera music earlier in the film and the female ‘creator of life’ bursting through. The film’s main soundtrack Jo devised herself on a synthesizer with live playing of a recorder. The tiny sound of ‘clicks’ that can be heard are, literally the sound of switching on and off equipment as she recorded live to the film picture with an open microphone.

Watch ‘The Grid’ after the jump…

Posted by Oliver Hall | Leave a comment
Baby-faced goths: Rare photos of early Bauhaus gig in Chicago’s meatpacking district, 1980

Peter Murphy putting on his makeup before their first Chicago gig at ‘Space Place’ in 1980. Photo by Brian Shanley.
Chicago-based photographer Brian Shanley was on the scene when Bauhaus landed in Chicago for the first time (a staggering 36-years ago this month) and was was able to get up close and personal with the band during their gig at Space Place, an industrial-looking nightclub in Chicago’s meatpacking district.

According to Shanley he was allowed to photograph Bauhaus during candid moments and even got close enough to capture the Godfather of Goth, vocalist Peter Murphy, putting on his makeup. After the show Shanley partied with Bauhaus which included a rather life-defining moment in which he watched a VHS copy of John Water’s Pink Flamingos with the band, which they had never seen before. Damn.

It’s also worth mentioning that Murphy was a mere 23 years old at the time and the band had yet to release their debut album In the Flat Field. Their first single, goth blueprint “Bela Lugosi’s Dead” (you can hear a live recording of the number at Space Place, here) was already deeply implanted in their fans’ brains. If you’re a fan of Bauhaus, Shanley has a large array of gorgeous black and white photos for sale.

And since we are speaking of Bauhaus, the group’s drummer Kevin Haskins is about to publish a coffee table book titled Bauhaus - The Archives. Haskins has amassed a huge collection of Bauhaus artifacts since the late 70s including vintage setlists, fan club fodder and handwritten lyrics—most of which have never seen the light of day, like the photographs in this post. Pre-orders for Haskins’ book are going on now with an expected ship date sometimes in November, 2016.


More after the jump…

Posted by Cherrybomb | Leave a comment
Ian Curtis of Joy Division, his final interview
12:03 pm


Joy Division
Ian Curtis

Ian Curtis would have turned 60 today. Two years ago, the website celebrated Curtis’ birthday with a fascinating contribution to Joy Division studies, a complete transcript of one of the few surviving interviews with Curtis that exist.

The interview took place on February 28, 1980, before JD’s gig at Preston Warehouse. (In 1999 a recording of that show was released as Preston 28 February 1980, as it happens.) “Spyda” from Burnley Musician’s Collective interviewed Curtis for a BBC Radio Blackburn program called “Spinoff.” You can actually hear the rest of the band doing a soundcheck in the background.

In 1988 the interview appeared on BBC Manchester with some previously unheard snippets. The interview is variously called the BBC Blackburn interview or the Radio Lancashire interview. This is actually considered to be the last interview Curtis ever gave.

In the interview Curtis, asked about “the current state of new wave,” replies thus:

Don’t know. I think it’s, a lot of it tends to have lost its edge really. There’s quite a few new groups that I’ve heard.. odd records. Record or have seen maybe such as, eh, I like, I think it’s mostly old Factory groups really, I like the groups on Factory; A Certain Ratio and Section 25. I tend not to listen, when I’m listening to records, I don’t listen to much new wave stuff, i tend to listen to the stuff I used to listen to a few years back but sort of odd singles. I know somebody who works in a record shop where I live and I’ll go in there and he’ll play me “have you heard this single?” singles by er the group called The Tights, so an obscure thing … and a group called, I think, er Bauhaus, a London group, that’s one single. There’s no one I completely like that I can say “well I’ve got all this person’s records. i think he’s great” or “this group’s records” it’s just, again, odd things

Bauhaus had released “Bela Lugosi’s Dead” in 1979. Aside from that, the band released “Dark Entries” in January 1980 and that was the entire Bauhaus catalog when Curtis did that interview.

More after the jump…

Posted by Martin Schneider | Leave a comment
Electrifying early-80s footage of The Cure, Bauhaus and The Smiths on the ‘Oxford Road Show’

Morrissey and Johnny Marr performing on the ‘The Oxford Road Show.’
A recent post that featured two-hours of “mind melting” high quality footage of Siouxsie and the Banshees performing on various music television shows such as the The Old Grey Whistle Test, Rock Goes to College, The Oxford Road Show as well as the ever popular, Top of the Pops was unsurprisingly very popular with our readers. As I was not familiar with The Oxford Road Show, I decided to take a deep-dive into YouTube land to see what other vintage delights the BBC show might have to offer.  I was not disappointed—and you won’t be either.

Robert Smith of The Cure in a still from ‘The Oxford Road Show.’
Once allegedly parodied as “Nozin’ Aroun’” on “Demolition,” the pilot episode of cult British sitcom The Young Ones, The Oxford Road Show (later known as “ORS”) was around for about four years until it marched off into the sunset. While not every band performed live (as you will see with the video of The Smiths below), many of them did and early on in their emerging careers. I cherrypicked a few highlights from The Oxford Road Show that I found most compelling such as The Cure’s 1983 appearance on the show performing “One Hundred Years” from their 1982 album, Pornography and Bauhaus in 1982 doing two of their early 80s singles, “Passion of Lovers” and an absolutely balls-out performance of “Lagartija Nick.” But what really killed me was The Smiths’ lipsynching 1984’s “What Difference Does it Make” while Moz sashays around on stage looking like he wishes he was home dancing in front of his mirror while giving zero fucks. In other words, what you are about to see is pure 80s vintage goodness that once again proves that the much maligned decade was actually pretty great.

The Cure performing ‘One Hundred Days’ on ‘The Oxford Road Show’ in 1983.

More after the jump…

Posted by Cherrybomb | Leave a comment
‘Undead, undead, undead’: The evil, alien weirdness of Bauhaus live at University of London, 1980
11:12 am



Please believe me when I tell you that I am in no way pining for the era of the VHS videotape—I lived through it, folks and it wasn’t pretty. You’ll hear no nostalgia for obsolete home entertainment formats coming from me—but I do want to convey, for our “younger readers,” something that has been lost, never to return, in this age of press play, always on, instant streaming digital video pumped directly into your home 24/7 like water or gas.

And I’m actually wincing as I compose this because what I’m about to impart seems so… I dunno… parental or heaven forfend Republican. I don’t mean to come off like that but I’m gonna say it anyway:

You appreciate things more when you have to work for them.

(Runs away).

Okay, so what do I mean by this? When something must be hunted down, or is otherwise elusive, scarce, expensive or rare, you simply appreciate it more once you finally get your hands on it. A big part of what motivates any crate digger is the thrill of the hunt. It’s just not the same when you can easily download something or have Amazon deliver it to your doorstep the next day, or sooner. Today the distance between your desire and manifesting whatever that desire is, is but a short and uncomplicated path. The Internet took all of the joy out of record and book collecting for me. I haven’t had a “holy grail” that I’ve been looking for since forever ago, if you’ll forgive me my first world problem!

Another thing that’s gotten lost along the way is any sense of something being “underground” anymore. Nothing—at least entertainment-wise—is “rare” in a digital world. Look at the films of Kenneth Anger. Once upon a time, you’d have had to have gone to a gay porno theater in New York’s Times Square to see his short films “Fireworks” or “Scorpio Rising.” You’d have to have seen them projected on celluloid and most probably under fairly seedy conditions, if you were to see them at all. That also meant physically being in a big city when they were being screened. Esoteric entertainment of this sort did not come to you then, you went to it. In 2016 YouTube might host Jack Smith’s legendarily perverse underground classic Normal Love in HD, but it’s just not the same as seeing it in a sperm-stained Times Square fleapit that smells strongly of Pine-Sol when the NYPD’s vice squad arrives uninvited, now is it?

Keep reading after the jump…

Posted by Richard Metzger | Leave a comment
‘The Pharmacy’ returns with David J of Bauhaus and Love and Rockets
03:25 pm


The Pharmacy
Love and Rockets
David J

Gregg Foreman’s radio program The Pharmacy is a music / talk show playing heavy soul, raw funk, 60′s psych, girl groups, Krautrock. French yé-yé, Hammond organ rituals, post-punk transmissions and “ghost on the highway” testimonials and interviews with the most interesting artists and music makers of our times…

Welcome to season 2 of The Pharmacy, brought to you by Magic Monster Radio and Dangerous Minds. Coming up we’ve got interviews with Ian McLagan (Small Faces/Faces), James Sclavunos from Nick Cave and the Bad Seeds and a special krautrock edition featuring Can’s Irmin Schmidt and Damo Suzuki.

This week’s guest, David J of Bauhaus and Love and Rockets:

  • Meeting David Bowie and appearing in The Hunger

  • Being advised to stay with The Jazz Butcher instead of forming Love and Rockets

  • Working with René Halkett of the Bauhaus School of art and design

  • Touring with the Birthday Party and how it was “mayhem”

  • David answers questions from Primal Scream and White Hills


    Mr. Pharmacy is a musician and DJ who has played for the likes of Pink Mountaintops, The Delta 72, The Black Ryder, The Meek and more. Since 2012 Gregg Foreman has been the musical director of Cat Power’s band. He started dj’ing 60s Soul and Mod 45’s in 1995 and has spun around the world. Gregg currently lives in Los Angeles, CA and divides his time between playing live music, producing records and dj’ing various clubs and parties from LA to Australia.


    Motorcycle - Love and Rockets
    Ace of Spades - Link Wray
    Grits and Cornbread
    David J Interview Part 1
    In Fear of Fear - Bauhaus
    White Light White Heat - The Velvet Underground
    Shack Up - A Certain Ratio
    Erase You - ESG
    Serge Gainsbourg
    She’s in Parties (remix) - Bauhaus/RX
    David J Interview Part 2
    Lagartija Nick - Bauhaus
    Modern Music - Don Letts
    Heard it Through the Grapevine - The Slits
    Eighties - Killing Joke
    Mother Sky (remix) - CAN / Pilooski / RX
    Pleasures of the Dance - RX / Ruts DC
    David J Interview Part 3
    Nothing - René Halkett /David J
    OK This is the Pops - Tones on Tails
    S#2 - Snapline
    YOu Got Good Taste - The Cramps
    I Can Change My Mind - Simply Saucer
    Low Life - PiL
    Echo Chamber - RX/King Tubby & Prince Jammy & Scientist
    David J Interview Part 4
    Mirror People - Love and Rockets
    Lucifer Sam - Pink Floyd
    David J Interview Part 5
    Breaking Glass - David Bowie
    She is Beyond Good and Evil - The Pop Group
    Reggae and Punk - Documentary Edit
    54-46 Was My Number - Toots and the Maytals
    Borstal Breakout - Sham 69
    Harry - Bauhaus
    One Train load of Dub - RX / The Observers
    David J Interview Part 6
    Sonny’s Burning - The Birthday Party
    Heavy Duty Dub - RX / Harry Mudie meets King Tubby
    Spirit - Bauhaus

    You can download the show in its entirety here .

    Posted by Tara McGinley | Leave a comment
    Undead, undead, undead: Happy birthday to Peter Murphy of Bauhaus!
    08:48 am


    Peter Murphy

    The huge can of worms opened by the Northampton post-punk band Bauhaus when they exemplified the dark sound and cadaver-glam fashion ethos of Goth has still never been closed after 35 years.

    In the mere four years from their transformative 1979 debut single “Bela Lugosi’s Dead” to their original incarnation’s final LP, Burning From the Inside, Bauhaus gave the seeds of a sonic and fashion lexicon to a romantically macabre strain of youthful angst that had never really had a name before, and out in front of that noisy doom parade was the gaunt, Bowie-ish figure of singer Peter Murphy, whose distinctively vampiric vocal affect and high-drama performance style are still imitated today. Born on July 11, 1957, Murphy celebrates his birthday today.

    In the three decades since Bauhaus’ breakup, Murphy has performed in Dali’s Car with Japan bassist Mick Karn, released several solo albums, explored Middle-Eastern mysticism, and sang on a Bauhaus reunion/last hurrah LP. More recently, he ran afoul of the law in California, and was found guilty of a hit-and-run and possession of meth. But there seems to be reason to hope he’s gotten healthy again, as just last month, Nettwerk Records released Lion, his ninth solo LP, and it’s quite good.

    Here he is in 1982, demonstrating what all the fuss was about:

    More Murphy after the jump…

    Posted by Ron Kretsch | Leave a comment
    The Triadic Ballet: Eccentric Bauhaus ballet brilliance or is it Germanic Maude Lebowski art shit?

    To the layman, the legacy of the Bauhaus movement is often unfairly reduced to über-gloomy goth rockers and boxy modern architecture, but my formative years were influenced by a succession of eccentric ballet teachers, so to me, Bauhaus will always mean Oskar Schlemmer’s 1922 opus, “Das Triadisches Ballett” (The Triadic Ballet)—perhaps the least “human” dance performance ever concieved.

    Schlemmer was a painter, sculptor, designer and choreographer—that kind of factotum being par for the course in the Bauhaus ethos. When hired to teach at the Bauhaus school, Schlemmer combined his work in both sculpture and theater to create the internationally acclaimed extravaganza which toured from 1922 until 1929, when Schlemmer left an increasingly volatile Germany.

    When I showed this video to an ex-boyfriend, he described it succinctly as “some really goddamn German Maude Lebowski art shit,” and that’s not a bad way to put it. The sets are minimalist, emphasizing perspective and clean lines. The choreography is limited by the bulky, sculptural, geometric costumes, the movement stiflingly deliberate, incredibly mechanical and mathy, with a rare hints of any fluid dance. The whole thing is daringly weird and strangely mesmerizing.

    Below are a few pictures of original Bauhaus ballet performers, and the 1970 German film production of “Das Triadisches Ballett.” New music was composed for this short, and the orchestral sounds contrast nicely with such an inorganic spectacle.
    Bauhaus ballet
    Performers from an early run of Das Triadische Ballet, 1924
    Rehearsal, 1928
    Stelzenläufer, 1927
    Costume for the Neue Sachlichkeit Party, 1926
    Bowie and Bauhaus
    Triadic Ballet costume and David Bowie’s Kansai Yamamoto-designed Ziggy Stardust jumpsuit, for comparison

    Posted by Amber Frost | Leave a comment
    Bauhaus, Japan, Cocteau Twins and more on ‘The Old Grey Whistle Test’

    This morning, in the course of searching for a King Crimson video, I ran across an incredible - and given the criminally low view counts, apparently undiscovered - trove of high quality New Wave and Gothic videos from the legendary British television show The Old Grey Whistle Test, few of which are to be found on the DVD collection. I’ve posted a few of my favorites here, but there’s plenty more on the profile of YouTube user ArtNoyze. Enjoy.

    Altered Images - ‘Insects’

    Japan - ‘Ghosts’

    Adam & The Ants - ‘Ant Invasion’
    The Teardrop Explodes, Cocteau Twins and Bauhaus after the jump…

    Posted by Ron Kretsch | Leave a comment
    Bauhaus’ Peter Murphy gets 3 years probation, community service for meth possession and hit and run
    02:23 pm


    Peter Murphy

    Bela Lugosi plead…

    You probably recall the trouble Bauhaus frontman Peter Murphy got into back in March when he was arrested in Glendale, California for driving under the influence of drugs, hit-and-run and possessing crystal meth. Police reports said he appeared confused and even had difficulty recalling what day it was.

    Although the goth legend initially pleaded not guilty to all three charges, he changed his tune when he was sentenced on October 10 in a Los Angeles court. Murphy plead no contest to misdemeanor hit-and-run driving and guilty to the methamphetamine possession charge, as reported by Glendale News.

    The singer must also attend 45 days of Narcotics Anonymous meetings, perform ten days of community service and submit to random drug tests.

    Posted by Richard Metzger | Leave a comment
    Bauhaus’s ‘Bela Lugosi’s Dead’ time-stretched to a brain-melting nine hours
    03:51 pm



    Bauhaus’s “Bela Lugosi’s Dead” or…

    The last sound a subway train hears before it dies.

    The sound of God sucking it up.

    Townsend’s tinnitus.

    The Empire State Building snoring.

    Beelzebub taking a massive bowel movement.

    Posted by Marc Campbell | Leave a comment
    Goth king Peter Murphy doing goofy interpretive dance to ‘Hollow Hills’ by Bauhaus, 1983
    02:41 pm


    Peter Murphy

    According to his Wikipedia entry, Peter Murphy, who in 1983 had only just recently departed Bauhaus, made “some brief dabbling with acting and dance – including a slightly odd televised performance to Bauhaus’s ‘Hollow Hills.’”

    Wha? Naturally I googled this “slightly odd televised performance” and of course, there it was… His interpretive dance here is slightly odd, I’d have to agree (“naff” is a word that comes readily to mind as well). You’d have to think his former bandmates would have found this sand dune ballet on-the-floor, coughing-with-tears-hysterically-funny to watch.

    Speaking of Peter Murphy, I heard the craziest story last night over dinner with my friend Adam Peters, a Hollywood composer who recently scored Oliver Stone’s Savages (and who arranged and played the famous cello part on Echo and the Bunnymen’s “The Killing Moon”).

    We had been discussing Howard Devoto’s post-punk artrock band, Magazine and he told me about seeing Bauhaus open for Magazine in Guildford in 1980. The “Bela Lugosi’s Dead” single was already out, but In The Flat Field had not been released yet. The third band was Crisis, with Douglas Pearce and Tony Wakeford later of Death In June and Sol Invictus, whose following included many skinheads.

    Of course the Guildford skinheads had never seen anything like Bauhaus and, as skins do, started spitting at the band, Peter Murphy in particular. Adam said that Murphy tore his shirt off, grabbed a light on a stand and made like he was being crucified at the front of the stage, provoking a steady stream of gob as he stood motionless, shining the light directly into their faces, staring them down and daring them to continue. The band continued to vamp on the slow chords of “Bela Lugosi’s Dead,” he told me, for about a half hour as this went on, with Murphy absolutely drenched in spit.

    Eventually it stopped and the skins left because this interaction had apparently freaked them the fuck out!

    “That would be hard to top! Did Magazine actually play after THAT?” I asked him.

    “They did, but they probably should have just tuned the house lights up. No one really cared about Magazine after that.”

    If that isn’t the most Artaud-esque thing that’s ever occurred on a concert stage, I can’t imagine what would be…

    Below, Peter Murphy’s “slightly odd televised performance” on Riverside, 1983:

    Posted by Richard Metzger | Leave a comment
    True Goth: When Nico sang with Bauhaus, 1981
    12:06 pm



    First I stumbled across these photos of the Velvet Underground’s junkie chanteuse doing a guest turn with Bauhaus and wouldn’t you know it, someone kindly posted the number, a cover of the VU’s “I’m Waiting for the Man,” on YouTube.

    Ian Astbury: “Nico just ended up in Manchester on heroin. Southern Death Cult supported Bauhaus at Salford University when she did ‘Waiting for the Man’ with them, and Pete Murphy had to hold her up, she was so smacked out!”


    Peter Murphy “Nico was gothic, but she was Mary Shelley gothic to everyone else’s Hammer horror film gothic. They both did Frankenstein, but Nico’s was real.”

    Recorded at Fagin’s in Manchester on October 23, 1981 and later added as a CD bonus track to the Press the Eject and Give Me the Tape live Bauhaus album.

    Posted by Richard Metzger | Leave a comment
    Bauhaus: In concert and on video
    11:38 am



    Gotham - Bauhaus in concert, filmed at New York’s Hammerstein Ballroom, on September 9th and 10th, 1998, as part of their reunion tour.

    Track Listing:

    01. “Double Dare”
    02. “In the Flat Field”
    03. “A God in the Alcove”
    04. “Kick in The Eye”
    05. “Hollow Hills” 
    06. “In Fear of Fear”
    07. “Boys”
    08. “She’s In Parties”
    09. “Passion of Lovers” 
    10. “Dark Entries” 
    11. “All We Ever Wanted” 
    12. “Spirit”
    13. “Bela Lugosi’s Dead”
    14. “Telegram Sam”
    15. “Ziggy Stardust”
    16. “The Passenger”

    Bauhaus - Shadow of Light. More lipstick and cheekbones from Northampton’s famous sons.

    Track Listing:

    01. “Bela Lugosi’s Dead” (live)
    02. “Telegram Sam”
    03. “Rosegarden Funeral Of Sores” (live)
    04. “Mask”
    05. “Spirit”
    06. “In The Flat Field” (live)
    07. “Ziggy Stardust”
    08. “Hollow Hills” (live)
    09. “She’s In Parties”


    Posted by Paul Gallagher | Leave a comment
    ‘Undead! Undead! Undead!’
    06:26 pm


    Bela Lugosi
    Posted by Richard Metzger | Leave a comment
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