Here’s a little quiz for you: What’s the less obvious message this fallout shelter sign communicated to early-to-mid-60s Jazz musicians and Beatniks?Psst, it has very little to do with the Cold War…
That’s right, to more bohemian types, these once familiar signs were a loud and clear dog whistle that there were very likely government-issued narcotics, free for the taking, inside that building. I come from a family that includes professional musicians, and so I had heard of this “legend.” Is it true?
Back in the 60s and even into the 70s, we all wondered not if we’d die in a nuclear holocaust, but when. With both Soviet as well as American nuclear arsenals pointed at each other, a loud sneeze by Dr Strangelove could set everything off and then, before you know it, those of us unlucky enough to survive would all be plunged into the middle of nuclear winter a la Cormac McCarthy’s The Road.
As a kid in Washington Heights I remember hearing them testing the air raid sirens along Riverside Drive towards the end of summer, and man was that creepy. Our building had one of these signs and our basement was indeed equipped with radiation-proof walls. Under President Kennedy, an idea was hatched to provide radioactive fallout-proof shelter for all Americans, along with at least two solid weeks of food, water and medical supplies. Before this enormously expensive plan got scrapped, perhaps as many as 100,000 “fallout shelters” were built, and in New York city there are still thousands of them left, in the basements and sub-basements of apartment buildings and elsewhere.
In the event of the air-raid sirens going off for real, citizens were supposed to ensconce themselves deep within the fallout shelters. After the bombs had been dropped due to a Soviet counter-assault (which seemed inevitable given the amount of hardware we had deployed in Europe), there’d theoretically be at least a few survivors that would be kinda bummed out and in need of some serious chemically-assisted chillin’ (if not actual pain relief), so certain special types of those civil defense boxes came equipped, legend had it, with powerful narcotics that were of a very high quality. Not a lot of people knew this at the time, particularly as the narcotics-containing boxes were cleverly disguised by Federal masterminds (keep reading).
Operationally, when visiting the home of another druggy friend, if the fallout shelter sign was seen on the outside of the building, an expedition would often be mounted straight to the basement. After the likely door was identified, the arc of a claw hammer might briefly be seen knocking off a lock, or some other means utilized to open that door, accompanied by muffled laughter and a quiet susurrus. If the location of the civil defense barrels and boxes was verified, those boxes labeled NO NARCOTICS INSIDE (no, I’m not shitting you) would be shortly thereafter opened and the government-issued narcotics inside removed and consumed.
Could it really be true that the basements of apartment buildings throughout New York and other cities once housed civil defense boxes stuffed with high-grade government-issued drugs? Well lo and behold, today I discovered that the legends were true.
Trolling the Internet thingy I ran across the website of the Civil Defense Museum and spent several hours pouring over the photos and data pertaining to the good ole’ nuclear civil defense days. As it turns out, “Medical Kit A” (serving 50 to 65 persons) contained a bottle of 500 phenobarbital pills, while Medical Kit C (serving 300 to 325 persons) contained three bottles of 1000 phenobarbitals EACH. 3000 phenobarbitals could keep a musician and his “fallout boys” cool for, like, a solid week or two. At least.
Amusingly, the boxes also contained alcohol, and this would certainly have been considered a nice bonus for someone trying to score. And yes, the boxes did contain actual medical supplies in addition to the drugs, though what happened to those the legends never described.
What I still find amazing is the naivety expressed by those who ran this program, that they believed their diabolically clever NO NARCOTICS INSIDE box-labeling would actually PREVENT hardened druggies from cracking open the boxes, instead of the far more likely result, basically ADVERTISING the presence of powerful narcotics. No doubt there must be all sorts of conspiracy theories to explain this, but it seems easier to me to believe that the folks running the civil defense program just weren’t that bright.
I know there’s all kinds of pithy puns I could make about the righteous dick-swinging contest that was the Cold War; of course it would produce a piece of art so rooted in masculine sexuality! I’m so enamored of the idea though, that I can’t help be reassured by the little glowing lady.
We spent $238 million on a computer system to detect Russian nuclear attacks, creating what was then the largest computer ever made, and a programmer rendered a George Petty pin-up on the screen, taking a Polaroid for posterity. It’s believed to have been created in 1956 or 1958.
Our most human priorities shine so brightly, don’t they?
If you’ve ever wondered what’s involved in being a spy, then take a look at Gábor Zsigmond Papp’s documentary The Life of an Agent, which showcases a selection of hush-hush training films made by the Hungarian Ministry of the Interior for their secret police from the fifties to the eighties.
This is a 2004 film compilation by Gábor Zsigmond Papp that presents a ‘best of’ series of clips from thirty years of Hungarian secret police training films geared toward protecting the socialist regime. Subjects covered include: how to place a bug, how to film people from handbag cameras, how to follow someone, how to secretly search a home, how to recruit agents, and how to effectively network for information gathering.
Amongst all this, the film also reveals that there were over 20,000 agents in Hungary, who spied directly on 70,000 people, and took an interest in a further 30,000, which added up to roughly over 1% of the country’s population. And let’s not forget another 100,000 everyday Joes who grassed up their neighbors, on a regular basis.
It may look fun and games now, but these films reveal the seriousness with which both sides enforced state security during the Cold War. And let’s not forget it was both sides, as pointed out by MI5’s counter-intelligence spy, Peter Wright in his memoir Spy-Catcher, where he fessed up to bugging and burgling his way across London in the name of Queen and Country.
About halfway through The Freedom Trap, author Desmond Bagley reveals his hand towards his sources. It comes around page one hundred, when the central character Owen Stannard is briefed by his boss, Mackintosh:
‘What do you know about the British prison system?’
‘I’ll let you have a copy of the Mountbatten Report,’ he said. ‘You’ll find it fascinating reading. But I’ll give you the gist of it now. Lord Mountbatten found that the British prisons are full of holes as a Swiss cheese. Do you know how many escapes there are each year?’
‘No. There was something about it in the papers a couple of years ago, but I didn’t read it too closely.’
‘More than five hundred. If it’s any less than that they think they’ve had a good year. Of course, most of the escapees are picked up quite soon, but a small percentage get clean away - and that small percentage is rising. It’s a troublesome situation.’
I’d picked up a copy because of its cover, who doesn’t? Maybe the French? As once, most of their covers were all the same - that’s equality for you. The cover had Paul Newman, as Stannard, with suit and tie, gun in hand, and it left a fluid memory of John Huston’s rather fine film version, The Mackintosh Man.
Bagley’s story mixes a little bit of fact with a lot of page-turning fiction. It’s a tale of double agents, the British Secret Service and the Scarperers, a fictional organization that helps long-term prisoners escape gaol - all for the right money. Back to our opening scene. Mackintosh now makes it clear he isn’t interested in the “‘murderers or rapists, homicidal maniacs or ordinary small time thieves’” that escape from gaol, his focus is State Security, and how to stop double agents, like the real-life George Blake, turning up in Moscow, “‘where he chirped his head off.’”
‘For the first time in years someone has come up with a brand new crime. Crime is just like any other business - it’s conducted only for profit - and someone has figured a way to make profit out of getting people out of prison…
...an organization was set up, dedicated to springing long-term prisoners who could pay enough, and you be surprised how many of those there are. And once such an organization gets going, like any other business it tends to expand, and whoever is running it has gone looking for custom - and he doesn’t care where the money comes from, either.’
‘Who else?’ said Mackintosh sourly.
It was the Cold War and the Russians were still off the Christmas card list. The way Bagley tells it, the Red Menace was everywhere. In the Freedom Trap, the Reds actively liberating double agents like Slade - as the character Stannard explains when he meets Slade in prison:
It was about this time that I first met Slade. He was a new boy inside for the first offence and he’d got forty-two years, but I don’t believe the First Offenders Act covers espionage. I had heard about him before, of course: the news broadcasts had been full of the Slade Trial. Since most of the juicy bits had been told in camera no one really knew what Slade had been up to, but from all accounts he was the biggest catch since Blake.
To anyone reading this in the early seventies it may have seemed like non-fiction - as it came almost a decade after notorious double-agent, George Blake had been sentenced to forty-two years in jail, and who, only 5 years later, had managed to escape from Wormwood Scrubs Prison, in 1966. Then, it was commonly believed Blake had been helped by an organization, just like Bagley’s fictional “Scarperers”, paid for by the K.G.B., and run by a petty criminal, Sean Bourke.
It wasn’t just fiction writers who believed this was what happened, respected journalist E. H. Cookridge stated in his 1970 biography, George Blake Double Agent that the K.G.B. had financed Blake’s escape, claiming the cost for such an operation was “mere chickenfeed”, and Blake was far too important a spy for the Russians to lose.
This was all fine on paper, but in reality both Bagley and Cookridge were wrong, as Blake’s escape from prison was the work of amateurs and more reminiscent of Carry On Spying than Funeral in Berlin.
George Blake was born George Behar in the Netherlands in 1922. During the Second World War he worked as part of the Dutch Resistance against the invading German army. Blake was so successful he was soon on the Gestapo’s most wanted list. His keenness verged on the fanatical, something which would become more apparent as Blake grew older. His experience with the Resistance highlighted his seemingly natural talent for subterfuge. Arrested by the Germans, Blake just managed to escape, following his family out of Holland to England.
In Britain, Behar was at first frustrated by the long immigration process required to ensure no sneaky German agents were hidden amongst the influx of refugees. To fit in with his adopted country, Behar changed his name to the anglicized Blake, and applied for work in the Navy, his intention was to become a spy, and return to Holland. It didn’t quite happen that way, as his superiors were more than a little suspicious of Blake’s methods which were straight out of the fictional Richard Hannay, and anticipated the fantasy of James Bond and even Matt Helm. It’s worth considering whether Ian Fleming ever met Blake during the war years and if he had, did Blake fuel the writer’s imagination?
After the war, Blake became fully fledged spy, working undercover as part of the diplomatic service. This was when his B-movie imagination kicked-in - writing in invisible ink, arranging bizarre pick-ups for worthless information and running a team of spies.
In 1950, Blake found himself under a different invading army when he was posted to Seoul, Korea. He was captured by insurgents form the North and held prisoner. The North Koreans had no sympathy for prisoners of war, and Blake and his fellow POWs were treated barbarically and forced on a long death march from city to bombed city. Cookridge described part of it thus:
The death march went on for many days. Occasionally there were overnight stops in villages. Usually the civilian internees were packed into one room which had no windows and was covered with vermin and excrement….
...Those who fell by the side of the road, watching mutely as the column passed them by…“We heard many shots…the dying were pushed into the ditch.”
They were repeatedly moved village to village, until they reached their destination, Chung-Kang-Djin. On arrival, the POWs made a rough estimate of the casualties - a least one hundred had died or been shot during the march, just over a quarter of their number. But this was only the start, as they were handed over to the Chinese military, who began a process of brainwashing techniques on the beleaguered inmates.
Blake has since claimed he was never brain-washed, claiming he turned to Soviet Communism because of the horrors witnessed during the Korean War. Whatever the truth, the attempts at brainwashing were later confirmed by his fellow POWs.
After negotiations for a cease-fire, Blake returned home a hero to Britain. Ironically, it wasn’t long before he offered his services to the KGB, and so began his 9-year career as a dastardly double-agent.
Working for the British Secret Service, Blake was transferred to Berlin where he set-up and ran his own spy ring for the K.G.B. Blake’s love of cloak and dagger defined his time in Berlin. He was responsible for the exposure and deaths of an estimated 400 agents - something else he later denied, though his K.G.B. bosses have since confirmed this number as correct. Blake verged on the fanatical with his work, having no compunction in hiring spies to work for him, then exposing them as traitors, as Cookridge explains:
I have a long list of agents Blake had betrayed between 1955 and 1959, but in deference to the regulations of the Official Secrets Act, I shall mention only a few, whose names became known through “show trials” in East Germany.
In 1955 Hans Joachim Koch, a then 43-year-old radio operator, was arrested when emptying a “dead letter box” in Pankow Park, which Blake had arranged and of which he had given the information to the K.G.B….
At about the same time Johann Baumgart, an official of the East German railways, who had produced twenty-five remarkable reports about railway transports, was given away by Blake and sentenced to fifteen years’ imprisonment….
Ewald Jantke, a former Luftwaffe radio operator, and Arno Gugel, son of a Gestapo official, who with a young woman called Ursula Lehmann had formed a successful “cell” in East Germany, were betrayed when Jankte became too cocky and joined the East German People’s Police…
Blake was instrumental in “burning” an outpost established in Dresden, which kept in contact with the secret service in West Berlin by exchanging stamps for collectors…marked with microdots…
The list goes on, but you get the idea, it was all fun and games straight from a John Le Carre. It beggars belief how he wasn’t uncovered, or even suspected as a double-agent sooner, until you appreciate nearly the whole of the British Secret Service was a private members’ club for Soviet double agents, most famously the Cambridge Five (Guy Burgess, Kim Philby, Donald Maclean, Anthony Blunt, John Cairncross) and most controversially, the suggestion Director General of MI5, Roger Hollis was also working for the K.G.B.
Blake had a good run, destroying most of MI6’s operations in eastern Europe, seeding double agents, and notoriously revealing the tunnel the Allies had built under the Berlin Wall. But all things must pass, and in 1961, the game was up, Blake was arrested sent to trial, parts of which were held in camera for security reasons. He pleaded guilty to the five counts against him, and expected to receive a sentence of 14 years imprisonment. However, Lord Parker of Waddington imposed a sentence of 14 years imprisonment on each of the 5 counts:
“Those in respect of counts one, two and three will be consecutive, and those in respect of counts four and five will be concurrent, making a total of forty-two tears; imprisonment.”
Forty-two years, it was “the longest prison sentence ever imposed in modern British history…” And herein lies the tale of his escape.
Blake wasn’t set free by the machinations of the K.G.B., but by passionate amateurs, who disagreed with Blake’s harsh sentencing.
When he was in Wormwood Scrubs, Blake came in to contact with Michael Randle and Pat Pottle, two men imprisoned for their non-violent protest against USAF Weatherfield, a British airbase used by the American Air Force during the Cold War.
Randle was a conscientious objector, and a member of the Aldermaston March Committee which organised the first Aldermaston March against British nuclear weapons, in Easter 1958. Pottle was a founder member of the Committee of 100, an anti-nuclear direct action group which broke away from Campaign for Nuclear Disarmament. Their outrage at the “vicious” sentence imposed on Blake saw Pottle and Randle team up, once they were released from prison, with another ex-con Séan Bourke, in a bold plan to set Blake free.
Prior to his escape, the police and prison authorities received numerous warnings that Blake would make a bid for freedom. Security was tightened but it was to no avail, as the BBC reported on October 22 1966:
One of Britain’s most notorious double-agents, George Blake, has escaped from prison in London after a daring break-out believed to have been masterminded by the Soviet Union.
Wardens at Wormwood Scrubs prison last saw him at the evening roll call, at 1730 GMT.
An hour-and-a-half later, his cell was discovered to be empty.
After a short search, the escape route was found. Bars in a window at the end of a landing had been sawn away and a rope ladder hung down inside the prison wall.
Sean Bourke had prepared a ladder made from nylon thread and knitting needles. As in Bagley’s book, the ladder was thrown over a perimeter wall, where Slade/Blake climbed over to an awaiting vehicle. Unlike the novel, Blake wasn’t liberated to Ireland and a well staffed safe house, but was moved apartment to apartment, bed-sit to bed-sit by Bourke, Pottle and Randle, never staying anywhere long enough to attract police attention.
Eventually, in a farcical denouement, Blake was driven by Randle, in a Commer Dormobile from London to Berlin, and then through to East Germany. Through the crucial parts of the journey, Blake remained hidden under the bench seat, with Randle’s children sitting comfortably on top. The incident made fools of the security and secret services, but revealed the ability of committed individuals to change history.
Blake became a hero in Soviet Russia, but his actions seemed pointless after Perestroika. In 1990, he published his autobiography No Other Choice, and claimed his time spent in Moscow had been the happiest of his life. Sean Bourke dined out on the escape story for years, becoming the focus for media attention, and, of course, Simon Gray famously turned the relationship between Blake and Bourke in prison into his play Cell Mates- the production Stephen Fry ran out on, in 1995.
In June 1991, Randle and Pottle were eventually put on trial for their involvement in Blake’s escape, but were found not guilty by a jury, after arguing that, while they in no way condoned Blake’s espionage activities for either side, they were right to help him because the forty-two year sentence he received was inhuman and hypocritical.
Let’s start with the painting, for that was the sign something ominous was about to begin.
In East Germany during the Cold War, you didn’t join the Stasi, the Stasi asked you to join them. This is what 19-year-old Hagen Koch discovered when the Stasi approached him and said, “We need you to help secure our country’s peace.”
Koch arrived in Berlin on April 5th 1960, to a city without a wall, without barbed wire, without division. He had been chosen for a specific job and was soon promoted to Head of Cartography.
It was a warm day in August 1960, when Stasi Private Hagen Koch arrived at Checkpoint Charlie and started painting a white line. No one took much notice, which was understandable, only in the following days would the enormity of Koch’s actions become apparent. For unknown to Berliners and the West, Koch was marking the ground for the building of the Berlin Wall.
Years later, Koch said the Wall was not against the West but “against the population of East Germany.”
It was also the first sign that East Germany’s so-called “Workers’ and Peasants’ Socialist Heaven” had failed, and marked the start of the slow and difficult demise of Soviet bloc Communism.
Further, the creation of the Berlin Wall led to a standoff between Russia and America that nearly caused World War Three.
How the Berlin Wall nearly led to War and how holidays brought it down, after the jump…
Those were walls that kept people out. Today marks the 49th anniversary of a wall that kept people in and fired the imaginations of artists like Pink Floyd, David Bowie and the Sex Pistols.
In an effort to stave off “fascist” influence from the West, German Democratic Republic General Secretary Walter Ulbricht closed the border between the Western and Soviet sectors with barbed wire and fences, on order from Nikita Khrushchev. It soon became the symbol of national alienation.
Below are two of the most fascinating pieces of media about the Berlin Wall that I’ve found. Walter de Hoog’s The Wall was produced by the United States Information Agency, the global propaganda arm started by the Eisenhower administration in 1953. Strangely, the USIA was prohibited to screen their films to the American public, so this stark, immediate and emotive piece wasn’t released here until 1990.
After the jump: Magnum photographer Thomas Hoepker’s remarkable narrated slide show of his 40 years covering the Wall…
60 years ago, on the steppes of northeast Kazakhstan, “First Lightning,” the very first nuclear weapon to detonate in Russia, went off at the Semipalatinsk Polygon test site. Over its 40-year existence, Semipalatinsk Polygon would go on to host 456 additional explosions. These photos, just two of many, depict that legacy’s haunting aftermath on the people of Kazakhstan.
Residents in the surrounding area became unwitting guinea pigs, exposed to the aftereffects of the bombs both intentionally and unintentionally. The radiation has silently devastated three generations of people in Kazakhstan—the total number affected is thought to be more than one million—creating health problems ranging from thyroid diseases, cancer, birth defects, deformities, premature aging, and cardiovascular diseases. Life expectancy in the area is seven years less than the national average of Kazakhstan.
Almost the flip-side of this post, How the Soviet Menace Was Hyped, Wired’s Nicholas Thompson takes us inside the Soviet Doomsday Machine so we can see how our Neo-Conservative fueled paranoia about them started a feedback loop that could have killed us all:
The point of the system, he explains, was to guarantee an automatic Soviet response to an American nuclear strike. Even if the US crippled the USSR with a surprise attack, the Soviets could still hit back. It wouldn’t matter if the US blew up the Kremlin, took out the defense ministry, severed the communications network, and killed everyone with stars on their shoulders. Ground-based sensors would detect that a devastating blow had been struck and a counterattack would be launched.
The technical name was Perimeter, but some called it Mertvaya Ruka, or Dead Hand. It was built 25 years ago and remained a closely guarded secret. With the demise of the USSR, word of the system did leak out, but few people seemed to notice. In fact, though Yarynich and a former Minuteman launch officer named Bruce Blair have been writing about Perimeter since 1993 in numerous books and newspaper articles, its existence has not penetrated the public mind or the corridors of power. The Russians still won’t discuss it, and Americans at the highest levels?
Dangerous Minds is a compendium of oddities, pop culture treasures, high weirdness, punk rock and politics drawn from the outer reaches of pop culture. Our editorial policy, such that it is, reflects the interests, whimsies and peculiarities of the individual writers. And sometimes it doesn't. Very often the idea is just "Here's what so and so said, take a look and see what you think."
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