An incredible video of Throbbing Gristle: Recording their album ‘Heathen Earth’

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An incredible video of Throbbing Gristle recording their album Heathen Earth in one take, on a Saturday night between 20.10 and 21.00 hours, on February 16th 1980. The album was recorded in front of a small audience of friends and associates, at the Industrial Records studios, and was filmed by Monte Cazazza on a single camera, with “certain visual information” included by TG.

“The soundtrack of this tape was taken independant of the 8-track audio master recording and it remains ‘live’ and unremixed and consequently differs from the album in some places. Like the TG sound itself, the quality and content of this recording cannot and should not be compared with conventional commercial recordings…”

Tracklisting: as provided by Genesis P-Orridge:

01. “Cornets” (that’s all we ever called it on gig sheets etc, boring hey!)

02. “The Old Man Smiled” (this is a song I wrote. Originally I was messing about on my own in the Death Factory, at Martello St. I got a rhythm I liked on my COMPURYTHM drumachine. Then a fuzzed lead bass guitar sound. So I recorded it. Maybe 15 minutes or so. One section made it onto 20 Jazz Funk Greats as “Six Six Sixties” I believe. But I always wanted a longer version. So after I came up with a story telling lyric primarily about William S. Burroughs and Brion Gysin in Tangiers and their stories of Captain Clark, boys etc I decided to do the NEW song on Heathen Earth. We did it live a couple of times too. At Oundle School for eg.) For Heathen Earth we used my original cassette as the basic track.

03. “After Cease To Exist” (yes, a new version for Heathen Earth)

04. “The World Is A War Film”

05. “Dreamachine” (Brion Gysin LOVED this track. Said it was best music, equal with The Master Musicians Of Jajouka to use his dreamachine. The rhythm had already existed (one of Chris Carter’s gems). So I always think happy thoughts of Brion, Bachir Attar and others listening with eyes closed in Paris at his apartment opposite the Beaubourg Museum in Rue St Martin. Ah, happy daze.)

06. “Still Walking” (A permutation of ‘meaningless’ phrases cooked up by myself and Sleazy, that were repeated over and over as the musics rythm gave shape to the shapeless. Chris and Cosey were shy of vocals at that time. It was partly a formula to get them to begin using their voices that I suggested based on Gysin’s theories and my own experiences of gaining confidence with microphones simply by using them.)

07. “Don’t Do As You’re Told, Do As You Think” (To be honest I think this is the weakest vocal track and lyric. Someone, a journalist or Sleazy or both suggested we should have a “positive” message! Ugh! Certainly Sleazy persuaded me to try and this is the resultant track. I still find it embarassing and wish I’d never listened to him. It would have been better as an instrumental. Ah well…)

08. “Painless Childbirth” (Named after a 10 inch vinyl album I found in a junk shop from which the voice was stolen.)

A great video of a brilliant performance by an excellent band.
 

 

Written by Paul Gallagher | Discussion
Xeni Jardin’s cancer treatment inspires Cosey Fanni Tutti’s ‘Bioschismic’
06.19.2012
10:58 am

Topics:
Art
Music

Tags:
Cosey Fanni Tutti
Xeni Jardin


 
As many DM readers know, Boing Boing’s Xeni Jardin, who is a very dear friend of mine and Tara’s, has recently been treated for breast cancer (and she is doing GREAT. Expect her to be back at Boing Boing fairly soon, I’d imagine).

I just got an email from her alerting me to this and I am absolutely speechless…

“Time becomes plastic. Your experience of time morphs… And when you come out of it, on the strong days right before the next scheduled infusion, all of that time compresses into blurry waves of noise.”

—Xeni Jardin

Time is defined by and within the human experience yet the dominance of ‘linear’ time prevails. We are inextricably linked with time, ‘Life’ is measured in time.

Depending on particular situations our experience of time can be elusive, appear stretched, accelerated, and on occasions all too specifically in synch with defined parameters. Audio recordings, film, Internet, and photography are some of the means by which we choose to mark ‘times’. Such documentary methods signify our need to externalise particular events and also to activate memories.

‘Bioschismic’ is created solely from audio and photographic documentation of Xeni’s time spent receiving chemotherapy. The repetitive drip drip rhythm of the toxic chemicals measured in precise doses over a specific period of time provide the prospect of extending (life) time. Time is the dominant force yet the effects of the drugs change the experience of time to a space that is other worldly - a different time zone - a schism within and for life itself.

—Cosey Fanni Tutti

‘Bioschism’ - inspired and made possible by Xeni Jardin.

This is THE.NICEST.THING.EVER.

So sweet. Such a moving gesture of solidarity from one of the hippest, coolest women on the planet to another.

Wow. Just wow.

(I should probably add that it’s a really great piece of music!)
 

 
Xeni and I interview Throbbing Gristle backstage in Los Angeles, for Boing Boing Video in 2009. A lot has changed since then.
 

Written by Richard Metzger | Discussion
Inside the home studio of Chris & Cosey with Electric Independence

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A new episode of Electric Independence has gone online at VBS.tv, and it features an excellent interview with Chris Carter and Cosey Fanni Tutti (aka Carter-Tutti/Chris & Cosey) seminal electronic musicians and one half of Throbbing Gristle.  We find out how the couple met, how they were introduced to electronic music and their life in (and after) Throbbing Gristle. Gear heads are also in for a treat as the duo talk about the synths and equipment they use and have used, including some rare home made synths by Carter. It’s also heartening to see them keeping bang up to date with technology, including the use of Kaoss pads and BC8 synths, and recording their music with Ableton Live on a MacBook.
 

 
Previously on DM:
Happy Birthday Chris Carter: ‘The Spaces Between’ LP re-issue

Written by Niall O'Conghaile | Discussion
Happy Birthday Chris Carter: ‘The Spaces Between’ LP re-issue

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Founding member (along with his partner Cosey Fanni Tutti) of Throbbing Gristle and Chris & Cosey (now Carter Tutti), inventor of the Gristleizer and seminal influence on both the electronic and industrial scenes, today is Chris Carter’s birthday.

Which gives me the perfect excuse to mention his recent The Spaces Between album re-issue. His first ever solo album, it was originally released in 1980 on cassette only. In 2010 it was issued on vinyl for the first time ever by Optimo Music (the same Optimo who supplied the excellent ambient-not-ambient mix I posted at the start of the week). It has been trimmed down from 15 tracks to 6, and now includes the track “Climbing” which was not on the original album.

Here’s what Optimo Music have to say:

Originally recorded between 1974 and 1978 at Industrial Records studio in London ‘The Space Between’ album was first released as a 90 minute cassette in 1980 on Throbbing Gristle’s Industrial Records label. It wasn’t until 1991 that it was again released by Mute Records on CD. Although tracks from ‘The Space Between’ have appeared on numerous compilations since its release, the album has never been available on vinyl until now.

This new vinyl edition on Optimo Music, now retitled ‘The Spaces Between’, doesn’t include all the tracks of the original album but has been enhanced and remastered from the original two-track master tapes and has new cover artwork especially for this release. All tracks have been remastered by Chris Carter in 2009 for this release.

Chris Carter - Interloop
 

 
Chris Carter - Solidit

 

 
The Spaces Between is available to buy on vinyl and download from Boomkat in the UK. Chris & Cosey are in the middle of re-issuing their back catalog too, but I will save that for another post.

Written by Niall O'Conghaile | Discussion
R.I.P. Peter “Sleazy” Christopherson 1955-2010

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Peter “Sleazy” Christopherson, founding member of Throbbing Gristle, Psychic TV, and Coil, died in his sleep yesterday, 24 November, at his home in Thailand, he was 55.

The initial announcement was made by Throbbing Gristle members Cosey Fanni Tutti and Chris Carter who tweeted the same message:

Our dearest beautiful Sleazy left this mortal coil as he slept in peace last night.words cannot express our grief.

Throbbing Gristle’s official website has been updated with the message

We are saddened to announce the death of Peter Christopherson.

Sleazy passed away peacefully in his sleep on the

24th November 2010 at his home in Bankok.


Peter ‘Sleazy’ Christopherson

1955 - 2010


 

 

Written by Paul Gallagher | Discussion
X-TG carry on

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The question of whether or not Genesis Breyer P-Orridge has quit Throbbing Gristle remains not fully answered. Despite Thee Deevelopment, TGers Peter “Sleazy” Christopherson, Chris Carter and Cosey Fanni Tutti have gone on to fulfill their early-November live TG obligations in Italy and Portugal as X-TG. The group has uploaded some media from those shows on their new site.

P-Orridge’s ambivalent statement on the matter was offset by “Unkle Sleazy’s” take, and there’s likely debate as to how much value a P-Orridge-less TG holds. I’d think the excerpts below from the two shows speak for themselves.
 

  X-TG ‘XPad’ Live at Porto Casa Musica by Industrial Records
 

 

Written by Ron Nachmann | Discussion
Happy birthday Cosey Fanni Tutti!
11.04.2010
01:53 pm

Topics:
Art
Heroes
Music
Sex

Tags:
Cosey Fanni Tutti

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A very happy birthday to artist, musician, model and feminist icon, Cosey Fanni Tutti, who was born Christine Newby on this day in 1951. You can visit her website to read about current museum exhibits, live performances and to see online archival materials from her four decade career with COUM Transmissions, Throbbing Gristle, Chris & Cosey and now Carter Tutti.
 
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Read an excerpt about the infamous “Prostitution” exhibit at London’s ICA in 1976 from John A. Walker’s book, Art and Outrage: Cosey Fanni Tutti & Genesis P-Orridge in 1976:Media frenzy, Prostitution-style (Art Design Cafe)

From her “Time to Tell” box set, an interview with Cosey about her time in the sex trade.

Below, Cosey demonstrates the Tutti Box:
 

Written by Richard Metzger | Discussion