‘Letter to the President’: Snoop Dogg tells the history of Hip Hop, Rap and Politics

letter_to_the_president
 
Ronald Reagan, that evil fuck President who willfully destroyed working class communities to give tax breaks to the rich. Reagan was happy to do it so long as it was African-Americans that bore the brunt.

Reaganomics left half the Black population on welfare. Reagan had no conscience about it. He had a money lust which hit hardest on those who were weakest and least able to fend for themselves.

Stopping poverty wasn’t on Reagan’s tick list. Rather it was cut corners and take, take, take from the poor - which stooped as low as having the tomato base on pizzas reclassified as fruit to ensure he could slash the cost of school dinners. He even tried to do the same with tomato ketchup but failed.

Reagan’s policy was simple - if you were poor: fuck you. If you were sick: fuck you. If you were dying of cancer: fuck you and get a goddamn job.

For young African-Americans in the 1980s, it seemed the hard-earned achievements of the sixties’ Civil Rights movement had been too easily betrayed and forgotten. And when crack cocaine hit the inner cities, it seemed any hope of a future was gone.

Against this background arose a culture of music that was to redefine Black America. Hip-Hop and Rap reflected the poverty, despair and violence of life in the ghettoes. It also railed angrily against the indifference and cynical exploitation by successive Presidents, whose only interest was to help themselves and help the rich.

Letter to the President is a fascinating over-view of the rise of Hip-Hop and Rap, and their importance in bringing a community together against a common enemy. Narrated by Snoop Dogg, and with contributions form Quincy Jones, KRS-One, David Banner, 50 Cent, Chuck D, Ghostface Killah, Nelson George, Sonia Sanchez, and Dick Gregory.
 

 

Written by Paul Gallagher | Discussion
Legends of comedy: Interview with Dick Gregory and Paul Mooney

Gregory and Mooney
 
San Francisco Bay Area hip-hop media/political activist Davey D recently brought together veteran comedians Dick Gregory and Paul Mooney for an interview on his OLMNews show. The result is a rare treat of an hour with two of the fucking funniest septugenarians ever.

Most of us recognize Mooney from his “Ask a Black Dude” and “Negrodamus” skits from Chapelle’s Show, but the man’s work goes way back. Before those appearances, he was best known as Richard Pryor’s writer for albums like Live on the Sunset Strip and Bicentennial N****r, and Pryor’s two TV shows in the ‘70s and ‘80s. Mooney also wrote for Good Times, Sanford and Son and In Living Color, for which he created the character of Homey D. Clown.

By intertwining his political activism with his comedy, Gregory became the pre-eminent black comedian that boomers could call their own. After sweating it out through the ‘50s on the black club circuit, Gregory got his first break appearing at Hugh Hefner’s Playboy Club in Chicago in 1961. He released a dozen albums and a clutch of books throughout the decade before putting his career on hold to dive into advocacy for a ton of causes and eventually a Presidential run for the Freedom and Peace Party. He’s recently made a welcome comeback onto the stand-up scene.

Watching these two conspiratorially minded cats is a pure joy, especially with Mooney’s infectious laugh in the air. Topics include: Obama and change; King Kong and In the Heat of the Night; stereotypes & minstrelsy; Bruce Lee and Sarah Lee; the Oscars and Denzell Washington; Herman Cain and the Federal Reserve; Snow White & child labor; Men in Black, Uncle Tom’s Cabin and shape-shifting; Jimmy the Greek; Christians, guilt & the Eucharist in the black church; black spending power; and “white folks are nervy.”
 

Thanks, Doug Pagan!

Written by Ron Nachmann | Discussion