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Horror roundtable discussion with masters Stephen King, George Romero, Ira Levin, and Peter Straub

Shout Factory TV has given us an early Halloween treat by posting a twenty-five-year-old roundtable discussion from The Dick Cavett Show with Stephen King, George Romero, Ira Levin, and Peter Straub.

The discussion, in two parts, was originally broadcast on October 16 and 17 in 1980, shortly before Stephen King and George Romero began collaborative work on the film Creepshow.

King at that point was “the best-selling author in the world.” Romero’s greatest successes to that date were with Night of the Living Dead and Dawn of the Dead. Peter Straub’s major accomplishment up to that point was Ghost Story, which would be adapted into a motion picture the following year. Ira Levin represented the old guard on the panel, having written Rosemary’s Baby in 1967 and The Stepford Wives in 1972.

Ira Levin
The fascinating discussion takes place over two separate 30-minute programs. Personally, I could have watched another two hours of these guys talking about their work and inspirations. If you are a fan of any of these individuals, or the horror genre in general, the conversation is crucial.

The panel analyzes the appeal of horror, which Stephen King describes as a healthy way of exorcising the dark emotions of fear, aggressiveness, anger, and sadism in a harmless way. He calls it a way of “blowing off anxieties and bad feelings.” According to King, “You seek out the things that [as a child] scared you the most and you try to get rid of them.” Romero states that the success of horror is based on the ability to induce involuntary responses in the audience.

Much more horror talk after the jump…

Posted by Christopher Bickel | Leave a comment
‘Martin is a boy with problems’: Soft Cell sing of teenage vampire, 1983
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Marc Almond
Soft Cell
George Romero

On a 12” record bundled as a free bonus with the initial release of the their Art of Falling Apart album in 1983, Soft Cell did a boffo extended Hendrix medley (trust me, it’s way, way better than you might think) and what producer Mike Thorne called “a monstrously over-the-top extravaganza” (one clocking in at 10:16) based on Martin, George Romero’s classic 1978 horror film about a teenage vampire on the loose in a Pittsburgh suburb.

In this incredible clip from The Tube, the synthpop duo perform an ass-kicking shorter take of the song. What I wouldn’t give to see a ten-minute version! (Actually I have, they did it during the encore of their show at the Wiltern Theater in 2002.)

Posted by Richard Metzger | Leave a comment