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Dirk Bogarde: Never screened on TV interview from 1975
05.23.2012
07:41 pm
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Bishopbriggs was where the trams from Glasgow ended. It was also where Dirk Bogarde spent his early teenage years, from 1934-37, living with a well-to-do uncle and aunt, while commuting to-and-from Allan Glen School in the city.

Glasgow shaped Bogarde, and though he hated his time there, he latter admitted, in his first volume of autobiography, A Postilion Struck by Lightning:

‘The three years in Scotland were, without doubt, the most important years of my early life. I could not, I know now, have done without them. My parents, intent on giving me a solid, tough scholastic education to prepare me for my Adult Life, had no possible conception that the education I would receive there would far outweigh anything a simple school could have provided.’

What Glasgow gave the young Bogarde, after his childhood idyll of Sussex, was “a crack on the backside which shot [him] into reality so fast [he] was almost unable to catch [his] breath for the pain and disillusions which were to follow.”

At Allan Glen’s School, Bogarde soon found himself “dumped in a lavatory pan by mindless classmates” because he spoke with “the accent of a Sassenach”. It was part of the cruelty that taught the young Bogarde to build a “carapace” against his peers. In his isolation he developed his skills as an artist and writer, and dreamt of escape.

Glasgow also offered Bogarde his first sexual experience with an older man - the dressed in beige Mr. Dodd, who he met whilst skipping classes at the Paramount Picture Palace - “the meeting place of all the Evil in Glasgow”.

Mr. Dodd seduced the young schoolboy with an ice lolly and a hand on the knee, during a performance of Boris Karloff’s The Mummy. Though Bogarde had seen the film 3 times before, he was keen to replicate Karloff’s performance, and so willingly returned to Mr Dodd’s apartment, where he was tightly trussed-up in bandages, all except his pubescent genitals, which thrust through the swaddling rags “as pink and vulnerable as a sugar mouse.” Mr. Dodd flipped Bogarde onto a bed, and tossed him off. Bogarde felt something terrible was going to happen, and offered up 3 or 4 “Hail Mary’s” in the hope of being rescued. Of course, he knew God’s help wouldn’t arrive, as he knew what would happen as Mr Dodd fiddled about.

When he left Glasgow, Bogarde was changed. He had developed the drive that would bring him success, and formed a personality that would keep the world twice-removed from the creative and sensitive young man he was at heart.

The following interview with this charming man was never broadcast on TV. Recorded in London for the release of the film Permission to Kill (aka The Executioner) in 1975, Bogarde discussed the movie, and his career with interviewer, Mark Caldwell.
 

 
Previously on Dangerous Minds

Dirk Bogarde Still Cool

 

Posted by Paul Gallagher
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05.23.2012
07:41 pm
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Simple Minds: Early live footage, New York 1979
03.25.2012
05:52 pm
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There was a moment back in the late-seventies / early-eighties, when Simple Minds could do no wrong. From their debut album Life in a Day, through to New Gold Dream, 81, 82, 83, 84, they were the likely heirs (by-way-of Kraftwerk) to fill the space left by Bolan and Bowie and even the Velvets, with their mix of pop (Empires and Dance) and experimentation (Real to Real Cacophony). But by 1984 and the release of Sparkle in the Rain, the Minds were a stadium band, with their own rock sound, vying with U2 for world domination.

For me amongst the highlights of being a student in the early eighties was the thrill of listening to I Travel, Chelsea Girl and Theme For Great Cities, played loud, late at night, with friends in shared apartments and rooms, listening and talking, expectant for the life to come. It all came too soon, and sadly much of Simple Minds’ early innovation and brilliance has been too easily forgotten.

Here then is Simple Minds at Hurrah’s Club, New York City, October 1979, performing “Premonition”, “Changeling” and “Factory”.
 

Simple Minds - “Premonition”
 

Bonus - “Chelsea Girl” - Simple Minds
 
More from Simple Minds, plus extra tracks and early interview, after the jump…
 

READ ON
Posted by Paul Gallagher
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03.25.2012
05:52 pm
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A girl’s best friend is her guitar: ‘Horseheads’ by Divorce
02.27.2012
11:37 am
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Divorce poster design by Croatoan Design
 
Divorce is a femme-thrash four piece from Glasgow, Scotland, quickly picking up a reputation for being one of the best live acts in the UK. I have posted about Divorce on Dangerous Minds before—a fitting tribute, I felt, to the newly-wed future King of England and his blushing bride—and now the band are back with a new 7” release on Milk Records called “Horseheads,” with a strange accompanying video.

Fans of both spiky, angular post-punk and the heavier end of hardcore will find a lot to like here. Drummer Andy Brown describes their influences as “loud, ugly and offensive. Anything that luxuriates in the joys of noise.” He adds that “genres and middle-class whiteboy whining can get fucked.” I second that emotion.

The video for “Horseheads” features a humanoid-chicken pecking at a pentagram-emblazoned snare drum (a nod perhaps to the infamous ‘Chicken Lady’ character from Kids In The Hall?) but as Brown states:

“The fact that there’s no-one dressed as a horse in the video has not gone unnoticed. The song’s not about horses anyway, it was named after the town that our vocalist Jennie comes from in America - only she really knows what it’s all about!”

There is, indeed, a village in upstate New York called Horseheads that describes itself as the “gateway to the Finger Lakes”. Visitors will be glad to know that, as of the 30th of January 2012, the drinking water from well number five is safe and does NOT require a “boil water advisory”. I don’t know what they’re putitng in the water in Horseheads, but I sure am glad it somehow turned out like this:

Divorce “Horseheads”
 

 

For more info on DIvorce (including upcoming tour dates and current releases) visit the Divorce the Band blog.

Previously on Dangerous Minds:
Screw the Royal wedding - listen to Divorce instead

Posted by Niall O'Conghaile
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02.27.2012
11:37 am
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The New Piccadillys: If The Beatles played Punk
02.25.2012
08:04 pm
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If The Beatles had been Glaswegian and played Punk they may have sounded a bit like The New Piccadillys, a fab four of respected musicians: George Miller (Lead guitar), Keith Warwick (Rhythm guitar), Mark Ferrie (Bass guitar), and Michael Goodwin (Drums), who have variously worked with Sharleen Spiteri, The Kaisers, The Thanes, Wray Gunn and The Rockets and The Scottish Sex Pistols. This is their toe-taping version of The Ramones “Judy is a Punk”. European tours, world domination and Piccadillymania beckon.

The b&w version of the promo has been taken down (boo hiss) so, here it is in color, directed by Bill Gill,
 

 

Posted by Paul Gallagher
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02.25.2012
08:04 pm
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Neil Young singing on the streets of Glasgow in 1976
02.22.2012
03:41 am
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Neil Young sitting on a sidewalk in Glasgow back in 1976 singing the “Old Laughing Lady” and playing his banjo as people file past him with little clue as to who this longhaired hippie is.

When Dangerous Minds’ contributor Paul Gallagher shared a shorter version of this video last year, he wrote…

[...] Hoots mon! Rare film of Neil Young busking in Glasgow city center, April 1 1976, prior to headlining at the city’s legendary Apollo Theater later that night.

Mr Young performed outside Glasgow’s Central Station, on Gordon Street, where he sang “Old Laughing Lady”. Because of the date - All Fool’s Day - it has been suggested that Mr Young was carrying out his own practical joke for the benefit of those lucky denizens of the Dear Green Place.”

 

Posted by Marc Campbell
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02.22.2012
03:41 am
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Enter the ‘Pleasure Palaces’ with Errors
01.17.2012
10:19 pm
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Here’s a little something by Glasgow purveyors of rocktronica Errors, in the run up to the January 30 release of their new album Have Some Faith In Magic on Rock Action Records. Taking as much influence from modern and classic electro as they do from shoegaze and kosmiche, Errors genuinely bring something fresh to the table, and have been steadily building up momentum over the last five years. From the Rokbun website:

A group who emerged at the tale end of a period when anything purely-instrumental and guitar- based became lazily tagged “post-rock,” Errors have now distanced themselves from that loose genre so much that any fleeting comparison to it is now completely redundant.

Have Some Faith In Magic is an LP of sprawling pop, with delicious hooks applied liberally across post-electro scatterings; a complete turn away from previously lauded albums It’s Not Something But It Is Like Whatever, and last year’s Come Down With Me - not least with vocals now being included prominently for the first time.

“It was just something that naturally happened,” comments the group’s Steev Livingstone, “we had the idea to put vocals in the music a while ago but we always intended that they should be treated as another instrument.

“We’ve used them in a way that sits really naturally so the music and the vocals don’t feel like separate entities.”

Judging by the simultaneously wistful-yet-pumping sounds of “Pleasure Palaces,” the new album could be very special indeed. As for the video… well, I don’t really understand it, but I do like it. A lot. Directed by Rachel Maclean, and coming across like New Order by way of Tim & Eric, there is a whole host of strange and humorous imagery to digest here:

Errors “Pleasure Palaces”
 

 
You can pre-order Have Some Faith In Magic from iTunes or physically from the Errors webiste, and for more info visit www.havesomefaithinmusic.com.

Posted by Niall O'Conghaile
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01.17.2012
10:19 pm
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Pop Will Eat Itself: ‘Def Con One’
12.13.2011
08:43 pm
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The summer of 1988, I was working as a researcher on a live lunchtime magazine show, shown on the BBC. Its audience was mainly moms, grannies, students and the unemployed. I’d just spent three-and-a-half years unemployed, so was now having a royal blast. Part of the joy was bringing a little anarchy to the show. Each week, when I suggested the show’s guest music acts, I’d slip in a few bands (Die Krupps, Cowboy Junkies, Nick Cave and The Bad Seeds) that would be lucky to get a mention on Yoof programming, let alone this anodyne day time chat show.

Two things stick from that summer - Joan Jett judging an air guitar competition; and the day I booked Pop Will Eat Itself to play in front of an audience of the over-sixties.

Each week I had to find one band for a studio performance, the acts ranged from the guff the record companies forced on us, to the mavericks, who mainly came form indie labels.  One week a VHS arrived on my desk, “Def Con One” by Pop Will Eat Itself. Along with Cave’s “Mercy Seat”, it was one of the best things I heard that summer. It was a beaut, with its samples of The Stooges, Lipps Inc., The Osmonds and Rod Serling’s The Twilight Zone. And the icing was the accompanying video - directed by artist and film-maker Richard Heslop, who had worked Derek Jarman on The Last of England.

PWEI came out of Stourbridge, England, in the mid-eighties, and after a few different line-ups settled on Clint Mansell, Adam Mole, Graham Crabb and Richard March. The name came form an article in the NME by David Quantick. In July 1988, PWEI pulled up in a van at our temporary studio in the heart of a Garden Festival. They arrived with only backing tapes, loud hailer, guitars and drum-riser - to jump around on - went straight into the studio and let rip with “Def Con One” to a stunned silver-haired audience. It was a moment of sheer anarchic delight. Unable to find a video of that performance, this will give you an idea of what PWEI were like in front of an audience, but just imagine it being coffin dodgers in search of a seat on a hot summer’s day.

Pop Will Eat Itself was well-ahead of its time, and its members more talented than we thought them to be - Clint Mansell now writes brilliant soundtracks for movies like Requiem for a Dream, Moon, The Wrestler and Black Swan

Without much ado, here then is Richard Heslop’s original promo for “Def Con One”. Enjoy.
 

 

Posted by Paul Gallagher
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12.13.2011
08:43 pm
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Happy Particles: Beautiful debut album ‘Under Sleeping Waves’
12.05.2011
07:38 pm
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“I like to describe us as musical hypoalgesia because it’s silly and throw away, but kinda of a pretty idea too.” Steven Kane is talking about his band, Happy Particles, a talented sextet of musicians from Glasgow, who have just released their debut album, Under Sleeping Waves.

The band originally formed around Kane, who says:

“I had written a few songs, and basically asked people I was already in a band with to join, I also asked people who were in bands in Glasgow I liked. Pretty simple really, or pretty lucky to be more accurate.”

It wasn’t luck, but genuine talent and a shared interest and admiration that brought the Particles together - Alan Doherty - guitar, bass; Ricky Egan - guitar; James Swineburn - saxophone, rhodes piano; Gordon Farquhar - drums, percussion; Graeme Ronald - bass; and Steven Kane - guitar, vocals, laptop, piano.

Happy Particles are like a mini-supergroup with each member having a successful career with other bands: Doherty is with Prayer Rug, Egan is in Tangles, Farquhar with Stapleton, while Kane, Swineburn and Ronald are with with Remember Remember.

“As I say, it’s all connections through admiration of each others’ work. We are all pretty geeky and silly really, it just seemed pretty easy to play together.”

For a debut, Under Sleeping Waves is an stunningly assured and goosebumpingly good album.

“We recorded it with our friend Robin Sutherland in a converted barn in Dundee, and it was mastered by Ian Cook (Aereogramme/Unwinding Hours). It has various influences running through it from classical to shoe-gaze to slow-core guitar rock.

“Some tracks were almost finished before being brought to the band while others were written while jamming and others during the recording process itself. It’s a pretty varied record musically and this has probably got something to do with the fact it was all written and pieced together quite collage-like in some respects.

“Some of the tracks were written specifically to be as minimal as possible, trying to ring out as much from simple melodies as we could without it being boring.

“Some were written and then string arrangements were later done by James and Graeme individually, specifically to be more textured/complex. Lyrically I like to deal with abstractions that can also be personal to more people than just myself rather than beating someone with an obvious statement over the head.”

The subtlety and shimmering texture of tracks, such as “Aerials”, “Infinite Jet”, “Slowness” and “Classes in Silence”, makes Under Sleeping Waves the wish list album of the Christmas season and confirms my belief that the Happy Particles are destined for great things in 2012.

Under Sleeping Waves is available as a pre-order on bandcamp now - with an immediate download of two tracks. The album will be officially released on Christmas Day. 
 

 
 

  ‘Aerials’ - Happy Particles
 
Previously on Dangerous Minds

Remember Remember: ‘Imagining Things’


New Music: Steven Cossar’s sublime Pioneers of Anaesthetic


 

Posted by Paul Gallagher
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12.05.2011
07:38 pm
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‘Death Watch’: Bertrand Tavernier’s cult sci-fi film from 1979
11.01.2011
06:09 pm
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In 1979, the acclaimed French director, Bertrand Tavernier arrived in Glasgow to shoot his latest project - a science fiction film called Death Watch. It was a move away from Tavernier’s best known work - historical drama (Que la fête commence…), crime (The Watchmaker of St. Paul’s), and his scripts which focussed on the complex psychological interactions between characters.

Based on the novel, The Unsleeping Eye by David G Compton, Death Watch centered on a young man, Roddy, who is hired by a TV organization to have a camera implanted in his eye, in order that he may follow and film the last days of a terminally ill woman, Katherine. Tavernier developed this into clever and layered film starring Romy Schneider as Katherine, Harvey Keitel as Roddy, with a supporting cast of Harry Dean Stanton and Max Von Sydow, and early appearances for Robbie Coltrane and Bill Nighy.

For the cast alone should have ensured Death Watch‘s cult status, but it opened to negative reviews, and was quickly damned to obscurity in the growing multiplex world of The Empire Strikes Back, Smokey and the Bandit, Airplane! and Any Which Way You Can.

Tavernier had proven himself to be too clever by half and had made an intelligent and polemical film, which raised issues of the ethics and morality involved in film-making. Tavernier was also presciently examining the affects of Reality TV and Ob Docs, and questioning the role of media intrusion in our lives. Big issues, big subjects, and worth far more than comic book mix parped out by Lucas and co.

Almost entirely filmed in Glasgow, Death Watch captured the city at its most bleak and desolate - its heart ripped-out by unthinking town planners, who wanted to create a container city that mimicked an idealized America of freeways and skyscrapers. Their actions were akin to hacking off the legs of a prize winning racehorse, then entering it in the Grand National. Communities were destroyed, rehoused in high-rise, shoe-box apartments on the outskirts of the city, or scattered further afield in New Towns. The city’s industries were in fatal decline, the docks abandoned, ship-building almost gone. Yet, for all this, there is an inherent beauty to Tavernier’s vision, where Glasgow looks like a martian out-post, while at the same time capturing the mahogany warmth of its mythical Victorian past as the “Second City of the Empire”.
 

 
Previously on dangerous Minds

Bertrand Tavernier’s ‘Death Watch’


 
With thanks to Joseph McKay
 

Posted by Paul Gallagher
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11.01.2011
06:09 pm
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For those who don’t like Halloween
10.31.2011
03:32 pm
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The Scottish comedian, Limmy’s take on Halloween. I am sure there are few out there who can identify with this.

More Limmy can be found here.
 

 
With thanks to Joseph McKay
 

Posted by Paul Gallagher
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10.31.2011
03:32 pm
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Pulling faces with R. D. Laing
10.28.2011
07:48 pm
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An incredible excerpt from an interview between psychiatrist, R. D. Laing and theater director, Joseph Chaikin, where the pair mimic each other by pulling faces. This reminds Laing of the only present his father gave his mother - a box filled with a complete set his father’s toe nail clippings.
 

 

 

Posted by Paul Gallagher
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10.28.2011
07:48 pm
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Flags and Fences: ‘Lost’ documentary on legendary band The Blue Nile
10.21.2011
05:14 pm
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In the 1980s every home in Glasgow had a copy of a Blue Nile album - either Walk Across the Rooftops, or Hats. Or so it seemed. Paul Buchanan (vocals, guitar), Robert Bell (bass), Paul Joseph Moore (keyboards), achieved a level of worship amongst their followers that it was almost religious.

Formed in 1981, The Blue Nile formed their own label, Peppermint Records, through which they and released their first single, “I Love This Life”. Though picked-up by RSO, it disappeared after that company was taken-over by Polygram. Undeterred, the trio kept writing and working on new material. When an engineer at the hi-fi firm Linn Electronics heard their music, he offered to finance the band to record a track - intended to showcase the quality of Linn’s hi-fi systems. The result so pleased Linn that an album Walk Across the Rooftops was recorded and released in 1984. It was a local hit, and cult everywhere else, but attracted allegiance from Rickie Lee Jones, Robbie Roberston and Annie Lennox.

It took 5 years for the follow-up Hats, but was well worth the wait, as it show-cased a 5-star album of adult love songs, which undoubtedly led to a population increase. Since then, it’s been slow and far between, with Peace at Last in 1996, and High in 2004.

In 1990, the film-maker Bernard Rudden made this documentary Flags and Fences, which followed The Blue Nile on their tour of America. It’s long been thought “lost”, but writer, adventurer and all-round-gentleman, Trevor Ward, located and forwarded this copy, which captures Blue Nile as they seemed on the cusp of world success.
 

 
With thanks to Trevor Ward
 

Posted by Paul Gallagher
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10.21.2011
05:14 pm
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Write What You Know: An interview with Ian Pattison creator of ‘Rab C Nesbitt’
10.05.2011
04:30 pm
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It was a little after three o’clock on a Saturday afternoon, when the dark green Cherokee jeep, loaded with canisters of propane gas, hurtled towards the Departure zone at Glasgow International Airport. The driver was saying prayers and asking for god’s help, when his vehicle hit security bollards and burst into flames. 28-year-old, Kafeel Ahmed had intended that the jeep would crash through the glass doors, enter into the airport concourse, where it would blow-up, killing as many of the men, women and children who queued patiently for their holiday flights.

It was June 30 2007, and this was the first terrorist attack in Scotland since PanAm Flight 103 exploded over Lockerbie in 1988. Little could Ahmed, or his co-conspirator Dr. Bilal Abdullah, have known that their actions were not to lead to holy martyrdom, but rather to the resurrection of one of the funniest, most popular and successful comedy creations of the last 50 years.

In a hotel room in Budapest, the writer Ian Pattison watched the images beamed from Glasgow onto a flickering TV screen, as the would-be terrorists were arrested, all Pattison could think of was one question: “What would Rab C Nesbitt make of this?”

Fall, present day, the trees are cashing in their savings, and the streets are covered with gold. I meet Ian in a coffee house, in Glasgow’s West End, a background of children and mothers laughing and chatting, and the hiss of an espresso machine. It’s a clear day, and we have a long sweeping view down to the Clyde and across the water to the high rises and tenements of Govan beyond, home to the fictional Rab C. Nesbitt - “the original unemployed man”, whose comic television adventures have brought national acclaim, incredible viewing figures and a cabinet full of awards.

Pattison looks relaxed, toned and much younger than his grey hair implies, and he must be older than he looks for It’s twenty-five years since he first dreamt up the alcoholic, head-bandaged street philosopher Rab C. Nesbitt:

“It was New Year’s Eve,” recalls Pattison, “And I was married and living in this masionette apartment in the north of England. Now I’m an anti-social person and when the front doorbell went, I said to my then wife, ‘That’ll be them from downstairs coming to First Foot, I don’t want to see these people. You entertain them, give them a drink and send them on their way. I’ll go upstairs and you tell them I’m in Glasgow.’

“I go upstairs to ‘Glasgow’, but wives don’t always do what you ask them, and these two neighbors sat there until about 5am knocking back the swally. I was upstairs fuming, wondering what can I do? I just can’t suddenly materialize – I’m in Glasgow!

“So I had a notebook up there, because I used write in the wee room, and I started trying to write something about a Liverpool councilor, but it wasn’t working. Then suddenly, I don’t know why, this mutated into a Glasgow speech rhythm, and in about 10 minutes I’d written the first Nesbitt monologue.

“I’ve no idea where it came from. All I knew about him was he raved, he had a head bandage and wore trainers.””

It was a piece of genius inspiration and Ian passed it on to Colin Gilbert, producer of the sketch show Naked Video. Gilbert liked it, but the actor chosen to play the part, Gregor Fisher, wasn’t so keen.

“There was no inkling of developing the character. I just knew it was a character piece, that is to say you weren’t going from gag to gag to gag. I just knew if it got into Gregor’s hands, I knew what he could do with it, and how he would play it. The trouble was persuading Gregor to do it.”

Anyone who has seen Fisher’s work will know that he is a brilliantly gifted actor, with a warmth and subtlety most Hollywood actors would pawn their looks to possess. I first saw Fisher as an unforgettable, happy-go-lucky, wide-boy in Peter MacDougall’s brilliant Just a Boy’s Game, then a few years later stealing the crappy eighties version of 1984 with a cameo role from under the noses of Richard Burton and John Hurt.

Now Naked Video had made Fisher a household name, on the back of his incredible comic acting, but when presented with a new character to play, he was less than impressed by Pattison’s latest creation.

“Gregor read it and said it was as funny as cancer,” Pattison recalls.

Thankfully, Head of the Comedy Unit, Colin Gilbert was on hand to quietly help matters along. Gilbert is a legend in TV comedy, with a long list of ground-breaking shows from Nesbitt to The Limmy Show, Still Game and Gary - Tank Commander on his long and impressive CV. Indeed, Gilbert with his white hair and beard and twinkling eyes is a polar bear disguised as a man - he may look nice and cuddly, but underneath you know there is this formidable energy just waiting for its moment.

“Colin quietly insisted, and Gregor tried it 2 or 3 times, and by the third time, I think Gregor began to think maybe I’m wrongish, and we never thought any more about it. But when the show went out, people picked up on this drunk character, largely because of Gregor’s eye-catching performance.”
 
Rab C Nesbitt returns to BBC 2 for 6 weeks from Wednesday 5th October at 22:00 hours
 

 
The full interview with Ian Pattison and more from Rab C Nesbitt, after the jump…
 

READ ON
Posted by Paul Gallagher
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10.05.2011
04:30 pm
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Legendary Folk Musician Bert Jansch has died
10.05.2011
07:57 am
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Scottish folk musician, Bert Jansch, one of the most influential and revered acoustic guitar players in the world, has died from cancer at the age of 67.

Jansch passed away in the early hours of October 5 at a hospice in Hampstead, north London. Though he had been ill for some time, Jansch continued to tour and perform, most recently appearing at Glastonbury earlier this year.

Born in Glasgow in 1943, Jansch was a leading figure in sixties folk music, releasing his first album, the self-titled, Bert Jansch, in 1965, which has been hailed as one of the greatest folk albums ever recorded. Jansch’s influence as a musician has streched across several musical genres and generations, from Paul Simon to Graham Coxon.

The Smiths’ guitarist Johnny Marr has said that “You hear him in Nick Drake, Pete Townshend, Donovan, The Beatles, Jimmy Page and Neil Young.”

While Neil Young called Jansch “As much of a great guitar player as Jimi Hendrix.”

Between 1967 and 1973, Jansch co-founder and guitarist with the legendary folk group Pentangle, playing alongside John Renbourn, Jacqui McShee, Danny Thompson and Terry Cox. Pentangle were known for their innovative mix of folk, rock and jazz, as seen through their seminal albums, The Pentangle, Sweet Child and Basket of Light. Their biggest hit single was “Light Flight”, which was used as the theme to the hit TV series Take Three Girls.

In 2007, Pentangle received a Life-time Achievement Award at the BBC Radio 2 Folk Awards, where producer John Leonard said

“Pentangle were one of the most influential groups of the late 20th century and it would be wrong for the awards not to recognise what an impact they had on the music scene.”

Jansch continued to record, tour (supporting Neil Young in 2010) and producing solo material, which led to a major resurgence in his popularity over the past decade. His most recent album Black Swan was released in 2006, of which All Music said:

For the past ten years Jansch has been undergoing a creative renaissance akin to Bob Dylan’s and people are slowly but surely finding what he has on offer. Black Swan proves that the guitarist and songwriter has a bounty at his disposal. He is writing and recording music that is profound, funny, topical, worldly, and ultimately, necessary.

R.I.P. Bert Jansch 1943-2011
 

 

Pentangle - “Light Flight”
 

Posted by Paul Gallagher
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10.05.2011
07:57 am
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AC/DC’s major exhibition ‘Family Jewels’ arrives in Glasgow
09.20.2011
05:21 pm
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AC/DC’s official exhibition Family Jewels has opened at Glasgow’s Kelvingrove Museum and Art Gallery, where it will be on show until February 2012. The exhibition will then move on to America.

Its the first time this band approved exhibition has left Australia, and Scotland was considered the most obvious place to bring the show as there are strong links between the country and the legendary band. AC/DC’s founding members Angus and Malcolm Young were born in Glasgow, while the late, great singer, Bon Scott was born in Kirriemuir - also know for its gingerbread.

The exhibition contains over 400 items celebrating 35 years of one of the world’s greatest rock and roll bands. From photographs, programmes, tour posters, tickets plus personal memorabilia, letters, song lyrics to rare stage costumes, including one of Angus Young’s school uniforms and Bon Scott’s last leather jacket. This is all interspersed with 3 hours of live concert footage, video clips, interviews, which all details the history of AC/DC.

This is a major one-off exhibition and a must-see for AC/DC fans as well as for those interested in popular culture. Check details here and pictures here.
 

 

 

Posted by Paul Gallagher
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09.20.2011
05:21 pm
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