Well, sorta. The weird folks at Meth Syndicate, one of the top new companies that does the enamel metal pins that are so popular with the kids (along with their friends at Pizzaships) have come up with a way for all people to buy Glenn’s house! Yup, the “Danzig’s House hard enamel pin”!
It’s posted on their Instagram page along with this text:
As some of you reading this know, I used to be in Danzig and I lived in the guest house there for quite a while and it was bat shit crazy! Not because of Glenn, mind you, but because of YOU!YOU PEOPLE are crazy!
A little after I started living there we had to start chaining the driveway gate to keep the nuts out. I’d wake up many mornings to “the spray can girl” who would walk up and down the driveway slowly shaking a spraypaint can (KA-CHUNK, KA-CHUNK, KA-CHUNK) like some kinda tribal death march. Notes, records, dead things, you name it. When people showed up and were calm and friendly, Glenn was always unfailingly nice. I have known him since 1978 and he’s super cool, he was always fair and generous as a bandleader and I think all the kookoo fans that come up with these weird trips about him are both a blessing and a curse. It’s great to have fans but put yourselves in Glenn’s hooves, imagine being bugged by creepy nuts who all have your address, day and night? Just living with it was pretty unnerving. So remember “Do what thou wilt” unless thou art an idiot! Then do the opposite!
Glenn Danzig’s Los Feliz home is for sale. The listing price is $1,199,000. Sadly, there’s only one photo of the home’s the exterior. I’d love to take a peek inside. Perhaps the relator will add more photos to the listing?
The home boasts 4 bedrooms, 2 bathrooms and it’s 1,544 sqft.
Located in the Los Feliz area of Los Angeles. This 1907 Craftsman home is awaiting your imagination and creative talents. In the rear of the property is a 2 bd.+1ba. additional unit. Many original accents are still intact. Two story home with hardwood floors, leaded glass, and storage units. This is a property that should be returned to its glorious past. Property is to be sold “as is”.
I noticed in the listing there’s no cooling but you do get four parking spaces.
When I saw Danzig play the Ritz in 1989 (with White Zombie opening), it didn’t cross my mind that I’d be writing about Glenn Danzig’s political beliefs nearly 30 years later.
I definitely didn’t think that anyone would be seeking his take on President Donald Trump.
But here we are.
Danzig was in Los Angeles over the holiday weekend for the Blackest of the Black Festival, which was held at Orange County’s Oak Canyon Park. He granted a reporter named Mikael Wood of the Los Angeles Times an interview, in which he spoke out in favor of Donald Trump’s so-called travel ban, which would have the effect of restricting hundreds of thousands of travelers from entering the United States without any evidence of wrongdoing. Here’s what he said:
It’s really not a travel ban. When you walk into the country, we want to see who you are and what you’re doing. Well, when I go to every country right now, they look at me and they see whether I can come in or not. And I’ve been turned away from Canada and other places before. Where’s my protest? Where’s my parade?
Leave aside the unspoken premise that the United States is not already scrutinizing all visitors to the country (absurd). What makes this comment all the more baffling is that one of the crooner’s most famous songs is based on criminal misbehavior in a foreign land. Danzig hails from Lodi, New Jersey, and the Misfits song “London Dungeon” was based on an incident in 1979 when the band was on its first U.K. tour. In This Music Leaves Stains: The Complete Story of the Misfits, James Greene, Jr. writes:
On December 2, Glenn and Bobby [Steele] tried to alleviate their hotel-based boredom by attending a Jam concert at London’s famed venue the Rainbow. Outside the concert hall, a group of skinheads began harassing the duo. Things quickly escalated. Somehow Bobby slipped away in an attempt to find some authorities; Glenn stayed behind, arming himself with a broken bottle. When police eventually did arrive they arrested Glenn and Bobby for disturbing the peace. The Misfits spent two nights in Brixton jail, an experience that birthed one of the group’s most solemn and memorable dirges.
“I just turned to Glenn [in the cell],” recalled Steele in 1993, “[and] said, ‘We should make a song about this called “London Dungeon.”’ We were like sitting in this cell, it was like ten feet perfectly square, you know, solid painted walls, it was real echoey in the room ... and we were just like slapping the beat out on our legs and humming ... it sounded so cool ... [and] Glenn took it from there.”
Danzig might dispute that he didn’t really do anything wrong on that occasion, and was unjustly incarcerated. Which might give him a little pause on the propriety of prejudging people who almost certainly haven’t done anything wrong or possess any ill intent towards the U.S.A.
In an attempt to show his supposedly liberal bona fides, Danzig made a problematic comment about Planned Parenthood as well:
I might be conservative on some issues, and some issues I’m really liberal. I’m pro-abortion and I’m pro-Planned Parenthood. But I don’t think Planned Parenthood should be selling baby parts like a chop shop in Brooklyn, OK?
This claim has been debunked so often it’s gotten tedious.
Hey, I’m so old I can remember when punk rock dudes would be ashamed to spout right-wing talking points…......
Here’s “London Dungeon,” in which Danzig’s songwriting talent (and not his politics) is enough brighten anyone’s day:
Tom Neely’s indie comic Henry & Glenn Forever has an amazing premise that made it an instant classic: the very very well known punk/metal singers Henry Rollins and Glenn Danzig are a couple in a long term romantic relationship, living together in a house next door to Daryl Hall and John Oates, who are perennially robe-clad members of a Satanist cult. Rollins was as tickled by the premise as one would expect, characterizing it as one of his favorite uses of satire. Also predictably, Danzig was not amused, and he expressed as much to a Decibel writer for an article which, alas, is no longer online, forcing me to link here to God damned Uproxx.
Also on the horizon is the wonderful Henry & Glenn Adult Activity and Coloring Book. Like it says on the cover, the book features 132 pages of coloring fun by an assortment of artists, plus other activities including mazes that look like intestines, paper dolls—“Marriage Equality Glenn” is a winner—and a word search. You don’t even have to be familiar with the comics to find this all utterly hilarious. Though the book doesn’t come out until November, Microcosm let us pick through it to share several of our favorite pages with you. All art is by Tom Neely unless otherwise specified. Clicking an image spawns an enlargement.
I realize that I’m blogging about these cards just a week before Valentine’s Day. Perhaps I’m too late to the game on this one, but maybe they can be rushed delivered? Anyway, here they are in all their glory… heavy metal heroes Valentine’s Day cards! For those who, you know, don’t want to get all mushy-gushy on the holiday.
You get nine different metal heroes that come in a set of 27. The set of cards sell for $15.00. Get ‘em here.
Today, June 23, 2015, is Glenn Danzig’s 60th birthday. Danzig, of course was the founding vocalist of the cartoonish New Jersey horror-punk band Misfits and the similar Samhain, and he moved on from those bands’ B-Movie lyrical tropes when he founded the eponymous metal band he’s led since 1987. Nothing about him is understated—his stage persona combines gothic affectation with some pretty ridiculous macho posturing, an unswervingly and grimly imperious mien, and grandiose baritone singing.
And it’s that distinctive singing voice that makes Danzig’s signature song “Mother” so damn sticky. It was initially released in 1988, on Danzig’s self-titled debut LP, and it saw an unlikely rise to hit status years later when a live version on a stop-gap E.P. called Thrall-Demonsweatlive suddenly started getting radio and MTV play. The videos for both the original studio single and the 1993 live version were treated to the ministrations of Beavis and Butthead (“These guys are pretty cool but this lead singer looks like Patrick Swayze”), which back then actually helped.
Danzig discussed the song with Jeff Kitt of the short-lived Flux magazine:
FLUX: Why do you think “Mother” became a hit six years after its initial release?
GLENN DANZIG: We wanted to put out an EP after Danzig III, but the record company told us we were crazy because EP’s don’t sell. As far as I was concerned, it was too soon to do another studio album or record a live album, so I thought an EP with four live tracks and three studio tracks would be the best thing to do. So we went into the studio and recorded “It’s Coming Down,” “Violet Fire” and “Trouble” in one day. We put them together with some live tracks, and put it out as Thrall-Demonsweatlive.
“Mother” was one of the live songs, and it just started getting airplay. So we decided to shoot a live video for it. MTV had to play it because it was doing so well on radio. It was kinda cool because no one called us a “sell-out” since “Mother” was already six years old when it became a hit. [laughs]
FLUX: Is it possible that when Danzig was first released back in ‘88 the mainstream music scene just wasn’t ready for a song like “Mother”?
DANZIG: That’s exactly what happened to us. When we first came out, we were doing things that few bands did - we had to go up against all the hairspray/glam bands of the late Eighties. A lot of people liked “Mother,” and some deejays played it, but people called us Satanists and all kinds of crap - they just didn’t understand us. That’s not to mention the fact that the first “Mother” video freaked MTV out and they pretty much banned us from the station for the next few years. Hell, MTV had a heart attack when they saw our video for “It’s Coming Down” - and that was just us on stage! [laughs]
FLUX: Did you notice something special about “Mother” when you first wrote it?
DANZIG: Yeah, I did. I remember calling [producer] Rick Rubin in the middle of the night and telling him that I wrote an incredible song - probably the best song I’d ever written. It was the song I always wanted to write. The first time we played it, people went crazy. But I never wrote that song to make it a hit - I never wrote that way, and I still don’t. I write songs so that they say something and do something, and if people like ‘em, great - and if they don’t, they don’t.
Do people actually really just love this photo of Glenn Danzig or do they simply have way too much time on their hands? Either way, I don’t know. I mean, I guess it IS a decent shot of him. The photo has a sourpuss, senior class yearbook kinda feel to it.
With over 20,000 followers on Facebook, the page The Same Photo of Glenn Danzig Every Day does exactly that. They post the same damned photo of him every day. The photo gets shared, liked and commented on each time it’s posted.
Some have gone as far as having the photo permanently inked to show their dedication to the diminutive demon rocker.
Say what you will about Glenn Danzig, the man could pen a lyric. In his work with the Misfits in the late ‘70s and early ‘80s, he wrote so many indelible ditties it would make your head spin. Gleefully raiding B horror movies from the 1950s and 1960s, the Lodi, NJ, native had a penchant for coming up with unexpectedly poetic wordsmithery (“Demon I am and face I peel,” etc.); the songs are so damn catchy that you’d remember half the lyrics even if you have no aptitude for that.
A Chicago musician and cartoonist going by “Jimmy Two Hands” has, since 2011, been paying tribute to the diminutive punker by mashing him up with Ziggy, “the world’s most lovable loser,” whose eponymous syndicated strip is so bland that only Woody Boyd from Cheers could find it utterly hilarious. Billed as a “series of unfunny comics about the foibles of a diminutive Glen [sic] Danzig,” the comic certainly lives up to that “unfunny” standard. The general idea is, adapt a a lyric by The Misfits (occasionally by Danzig) to a typically anodyne situation from the strip Ziggy. In some of the early strips there is reference to the real-life Glenn Danzig (as in this one or this one), but Jimmy Two Hands quickly realized that the focus was best placed on Misfits lyrics.
As the strip’s creator says, “I’ll keep doing these until I get bored with it or receive a cease and desist order from Danzig or that Ziggy guy,” who apparently is someone named Wilson. The strip was created by Tom Wilson, a former American Greetings executive, but in 1987 his son Tom Wilson II took it over. You’d think that the premise wouldn’t yield more than about ten cartoons, but give Jimmy Two Hands credit—there are several dozen of these things.
My loathing of Glenn Danzig knows no bounds. He’s a dweebie power-mad troll who spends his life over-compensating for the fact that he’s no taller than a fire hydrant and just about as intelligent.
In 2011 he tried to incite a riot at Fun Fun Fun Fest in Austin and ended up looking like a total asswipe.
This time, the prick tried to get fans in Florida to beat up some guy in the crowd shooting a video. As much as I dislike people holding up cameras in front of my line of vision at concerts, no one deserves to be beaten up for it.
Danzig’s a real tough guy when he’s on the stage, but not so tough offstage. Remember when Glenn got this asskicking?.
I guess the guy who took this video survived the lynch mob. He got it up on YouTube.
Fun Fun Fun Fest 2011, the year Danzig tried and failed to incite a riot. (This is not the guy who shot the video.) Photo: Mirgun Akyavas.
No love for Danzig at Fun Fun Fun Fest. Photo: Mirgun Akyavas.
Glenn Danzig makes it so easy to dislike Glenn Danzig. It’s almost as though he’s begging to be hated. This past Friday at Austin’s Fun Fun Fun Fest Danzig unsuccessfully attempted to start a riot after his band’s power was cut by fest promoters when his show went beyond the city’s curfew. Danzig tried to pin the blame for the aborted performance on the fest organizers when actually it was his fault for going on stage 45 minutes late. His arrogance is legendary and must be related to the fact that he’s roughly the same height as a fire hydrant. He’s Mini-Me in Jim Morrison drag. Or as Scott Evil might put it a “vicious little Chihuahua thing.”
FFFF Founder Graham Williams of Transmission Entertainment posted the following on the fest’s Facebook page:
Hi. I book the fest. Someone has your money and ripped you off. His name is Glenn. Stop by his house in LA with some kitty litter in trade for your refund, but we still had to pay him and he didn’t deserve it after what he pulled. Here is how it went down…check the timeline:
-glenn flies in this morning and says he has a cold and doesn’t feel like playing the show. he demands french onion soup and vitamins brought to his hotel suite. he wants the soup now and wants it hot. we get it.
-glenn says it’s freezing in austin and he can’t go on. says it’s going to be 28 degrees tonight and he won’t perform (keep in mind, it’s currently 71 and sunny with a night forecast of maybe 50+). he says we have to move the show/festival inside if we want him to play (obviously, that’s not possible).
-we rent stage heaters (no other bands, public enemy, mcd, passion pit, etc need or want heaters on stage…it’s warm up there and not cold out) for glenn per demand, as well as bring in an onsite doctor to make him happy and be there if his cold doesn’t go away.
-agents and managers assure us he’s going to play now.
-glenn’s band/crew arrive before him in the afternoon and load gear. they said it all works, they get up the danzig banner, check lights, are happy.
-glenn arrives at 7:45 (half hour before showtime, they go on at 8:15 exactly and have a 90 min set…park curfew by the city/police is 10pm sharp)...when he arrives, he says he’s not going to play. says he doesn’t like how the banners are hung on stage and doesn’t like the lighting or stage size (all this was advanced in email and phone well in advance and the band/crew loaded in mid day and were happy with it and said it would work…stage wasn’t small at all). he wouldn’t leave his trailer to go look at the stage, though, so the lighting company drew up specs for him to look at of the stage lighting 50 feet from his trailer and brought it to him to look over and prove him wrong.
-in the meantime, glenn’s bodyguard gets pushy (literally) with murder city devils manager and tells them they can’t have their friends watch MCD from stage and wants them to cut their set. kicks them off stage and gets physical with the band and stafff….oh, also danzig says he’s just as big as slayer and slayer is playing a bigger stage on sunday and that’s bullshit and wants to play the same stage slayer is playing…or won’t play. makes him look bad.
-it’s now 8:15 and time for them to go on. the band is ready, corpse make ups done, guitars tunes. glenn says he’s not playing and that it’s too cold outside. he said big stages should have windscreen so wind can’t blow on him from the side. the stage managers then goes and gets tarps and tarp the entire side of the stage so no wind will hit him.
-it’s now 8:40. we explain that it’s cutting into the set and he’s going to have cut the 90 min set if he doesn’t play soon, as park curfew is 10. he says he doesn’t feel like playing. says “i got a deathbug. if i go on stage and get sick, i’ll die. i’m not getting sicker for this show” (NOTE: he totally looks and seems fine…no coughing, no paleness, no vomiting, just some balding and a gut, from what i can tell). we get the Dr and he says he can do a b12 shot or anything he needs if he feels bad…danzig says he only treats illnesses naturally, so won’t do that. we finally get him to agree to play and have already informed his crew that it’s only 60 mins (9pm at this point) and they start cutting some songs from the set list, so they can still do misfits, but obviously didn’t cut enough.
-they went on almost and hour late due to the HANDS DOWN biggest rock star moment we’ve ever dealt with and then he tries to start a riot and blames the fest, the city, the cops and everyone, but himself. goes backstage and tries to fight a few ppl and get in the van and leaves.
Here’s a video from Friday of Danzig ranting and failing to incite a riot. What a miserable prick.
On Saturday, in the true spirit of rock and roll and with a wicked sense of humor (check out the wig), Ted Leo and The Pharmacists covered some Misfits songs that Danzig didn’t get around to the night before. Overnight, Danzig had become the laughing stock of the festival. The Damned made some choice cracks about Glenn’s hissy fit during their set.
My comrades at Dangerous Minds will probably have a shit fit at my posting another mashup, but this one was too damn cool to pass up. And I like anything that involves epic emoter, the queen of mean, Glenn Danzig.
DJ Schmolli mixes Rihanna with Danzig and Billy Idol for the “ultimate evil summer hit.”
I think it’s hilarious. Mucho macho meets a sweet reggaefied rhythm track and suddenly the boys don’t look so tough.